Mozart - Requiem K 626 (r.rc.: Nikolaus Harnoncourt, Wiener Staatsopernchor, Concentus Musicus Wien)
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- Опубликовано: 21 июл 2024
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Wolfgang Amadeus Mozart (1756-1791) - Requiem KV 626.
🎧 Find this recording in our Spotify playlist : spoti.fi/3noAFjR
Click to activate the English subtitles for the presentation (00:00-03:46)
00:00 Introitus: Requiem Aeternam
04:17 I. Kyrie
06:59 II. Dies Irae
08:51 III. Sequentia _ Tuba Mirum
12:35 IV. Sequentia _ Rex Tremendae
14:32 V. Sequentia _ Recordare
20:52 VI. Sequentia _ Confutatis
23:32 VII. Sequentia _ Lacrimosa
26:28 VIII. Offertorium _ Domine Jesu Christe
30:15 IX. Offertorium _ Dominehostias
33:20 X. Sanctus
34:48 XI. Benedictus
40:05 XII. Agnus Dei,
43:26 XIII. Communio: Lux Aeterna
Rachel Yakar: soprano ·
Ortrun Wenkel: alto
Kurt Equiluz: tenor
Robert Holl: bass
Konzertvereinigung Wiener Staatsopernchor
Chorus master: Gerhard Deckert
Concentus musicus Wien
Nikolaus Harnoncourt: conductor
Recorded in 1981, at Vienna
REMASTERED IN 24-BIT/192KHZ FROM ORIGINAL TAPES AT ART & SON STUDIO, ANNECY
Nikolaus Harnoncourt offers us something different than the more classical versions we have in reference (Some strong choices in dynamics, expression and musical phrasing). As time went by we were charmed by his vision. Harnoncourt describes Mozart’s Requiem as “an intensely personal confrontation, frightening and moving in the case of a composer who normally kept his life and experience divorced from his art to an astonishing degree”. This famous recording uses an edition published by Eulenberg in 1972; seeking to come closer to the spirit of the composer himself, it replaces the familiar instrumentation of Franz Xaver Süssmayr, who completed the Requiem after Mozart’s death. For the 40th anniversary of this recording Warner Classics have newly remastered it from original tapes in High Definition 192kHz/24-bit and will release it on vinyl, on CD and in digital, both in HD and in Dolby Atmos mix, with original cover artwork.
www.warnerclassics.com/releas...
Bach - St Matthew Passion / Matthäus Passion BWV 244 (reference recording: Nikolaus Harnoncourt): • Bach - St Matthew Pass...
Wolfgang Amadeus Mozart PLAYLIST (reference recordings): • Wolfgang Amadeus Mozar... 
Видеоклипы
❤️ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
Wolfgang Amadeus Mozart (1756-1791) - Requiem KV 626.
🎧 *Find this recording in our Spotify playlist* : spoti.fi/3noAFjR
*Click to activate the English subtitles for the presentation* (00:00-03:46)
00:00 Introitus: Requiem Aeternam
04:17 I. Kyrie
06:59 II. Dies Irae
08:51 III. Sequentia _ Tuba Mirum
12:35 IV. Sequentia _ Rex Tremendae
14:32 V. Sequentia _ Recordare
20:52 VI. Sequentia _ Confutatis
23:32 VII. Sequentia _ Lacrimosa
26:28 VIII. Offertorium _ Domine Jesu Christe
30:15 IX. Offertorium _ Dominehostias
33:20 X. Sanctus
34:48 XI. Benedictus
40:05 XII. Agnus Dei,
43:26 XIII. Communio: Lux Aeterna
Rachel Yakar: soprano ·
Ortrun Wenkel: alto
Kurt Equiluz: tenor
Robert Holl: bass
Konzertvereinigung Wiener Staatsopernchor
Chorus master: Gerhard Deckert
Concentus musicus Wien
Nikolaus Harnoncourt: conductor
Recorded in 1981, at Vienna
REMASTERED IN 24-BIT/192KHZ FROM ORIGINAL TAPES AT ART & SON STUDIO, ANNECY
Nikolaus Harnoncourt offers us something different than the more classical versions we have in reference (Some strong choices in dynamics, expression and musical phrasing). As time went by we were charmed by his vision. Harnoncourt describes Mozart’s Requiem as “an intensely personal confrontation, frightening and moving in the case of a composer who normally kept his life and experience divorced from his art to an astonishing degree”. This famous recording uses an edition published by Eulenberg in 1972; seeking to come closer to the spirit of the composer himself, it replaces the familiar instrumentation of Franz Xaver Süssmayr, who completed the Requiem after Mozart’s death. For the 40th anniversary of this recording Warner Classics have newly remastered it from original tapes in High Definition 192kHz/24-bit and will release it on vinyl, on CD and in digital, both in HD and in Dolby Atmos mix, with original cover artwork: www.warnerclassics.com/release/harnoncourt-mozart-requiem
Bach - St Matthew Passion / Matthäus Passion BWV 244 (reference recording: Nikolaus Harnoncourt): ruclips.net/video/5ZtyHJWBR1s/видео.html
Wolfgang Amadeus Mozart PLAYLIST (reference recordings): ruclips.net/video/K2doJV0FR8Q/видео.html
next month ,I am as poor as Master Mozart at his time of last rites
Nikolaus Harnoncourt offers us something different than the more classical versions we have in reference (Some strong choices in dynamics, expression and musical phrasing). As time went by we were charmed by his vision. Harnoncourt describes Mozart’s Requiem as “an intensely personal confrontation, frightening and moving in the case of a composer who normally kept his life and experience divorced from his art to an astonishing degree”. This famous recording uses an edition published by Eulenberg in 1972; seeking to come closer to the spirit of the composer himself, it replaces the familiar instrumentation of Franz Xaver Süssmayr, who completed the Requiem after Mozart’s death. For the 40th anniversary of this recording Warner Classics have newly remastered it from original tapes in High Definition 192kHz/24-bit and will release it on vinyl, on CD and in digital, both in HD and in Dolby Atmos mix, with original cover artwork: www.warnerclassics.com/release/harnoncourt-mozart-requiem
Click to activate the English subtitles for the presentation (00:00-03:46)
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❤️ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
Who did the reorchestration I wonder?
Thank you for this information
Beautiful and richly dramatic performance.
Harnoncourt liked to say music should not soothe but rather move you, even disturb. It was not meant to just be in the background, music
Einzigartige doch wunderschöne Interpretation dieses ewigen und perfekt komponierten Requiems mit gut harmonisierten Stimmen des ausgezeichenten Chors und herrlichen Stimmen vierer genialen Solisten sowie gut vereinigten und perfekt entsprechenden Tönen aller Originalinstrumente. Der unvergleichliche Dirigent leitet das kompakte und ausgezeichnete Kammerorchester in verschiedenen Tempi und mit künstlerisch kontrollierter Dynamik. Wahrlich hörenswert!
As though my favourite composer was born just to astonish me with his musical wonders! I am lucky enough to be enthralled by the magnificent music of Mozart who must be breathing a sigh of relief from Heaven that the very same music which made him perpetually in debt, when he was alive, made him a very popular and versatile genius in our era! Hoping to be enlightened by other musical creations of Mozart the great .Gracias.
THE GREAT MOZART 💙💛💚
My two favorite composers, far from others, are Beethoven and Mozart.
I LOVE clasical music, their music.
It makes me feel I'm in a paradise.
(I know Beethoven lived the Clasicism and introduced it to the Romanticism) 😊😉
MOZART THE GREAT
Hard to think that you could be disappointed by anything of his you might listen to......enjoy,pj
Certainly one of the best versions I have ever heard
your commentary was fascinating. I am slightly made uncomfortable by the very slow tempo here of the Kyrie and the Lux Eterna (which are notated to be in allegro), but can definitely see it as more of an determined or assertive plea to God in this performance. Very interesting, thank you.
Hallo ich bin Thomas. Es ist mir eine Ehre dieses schöne Requiem zu erleben. Ich denke an all den die gestorben sind. Mögen wir wieder Frieden bekommen. Danke Thomas.
Requiem, excellent for when my death is, listening to it I feel a pleasant rest, I enjoy it with my eyes closed and in the dark more.
ممتاز، عجيب و غريب. المشاعر الإنسانية موحدة في المواقف اتجاه ظاهرة الموت...تلك التي تجسدها موسيقى الابتهالات لموزار اماديوس فولفغاغنك، عن جدارة و إحكام
Indeed
Чудесная музыка в чудесном исполнении! Bravi a tutti, прежде всего гению Моцарта
Je connais bien cette version, je l'ai acheté e 1992 peut être début 1993juste après le bicentenaire de sa mort, je la trouve magistrale et tellement pure...Ds frissons me viennent à chaque fois...
J'en ai usé le cd...
C'est magnifique, Merci de ce partage...
I believe this is Franz Beyer's mostly slight revision of Sussmayr's completion. Sussmayr composed the Sanctus, Benedictus, and Agnus Dei, and most of the Lacrimosa since Mozart only wrote the eight measures. And although Mozart wrote the voice parts for the other movements, only the opening movement was completely orchestrated by Mozart himself.
Nikolaus Harnoncourt. Very fitting that his performance should be the reference recording.
I completely agree with you,this performance is pure gold!!
Apart from Mozart...your name and the photo intrigued me,'cause I am a big fan of the Stones(especially the Decca years),and of Brian Jones in particular!! I read that, for his clarinet final exams,he played a Concerto by Carl Maria von Weber,and I also read that he could pick any instrument of any kind,and he'd be ready to play it almost immediately!! Can you confirm those facts?(I am very curious about the musical skills of my "heroes"!)
Thank you in advance,greetings from Italy!
Sorry, but this is most certainly NOT the reference recording.
To my opinion, Niki turns a funeral mass into a symphony and continues it into a baroque piece for the resurrection of one's own soul. Brilliant.
Naja, historische Aufführungspraxis, da wird er schon einigermaßen genau gewesen sein.
Thank you. Absolutely extraordinary, i can't forget the first time I listened to it in the early Eighties; i was just over 15 years old. A lot of Harnoncourt's recordings of those years are exceptional.
This is the Franz Beyer version a little different from the Sussmayer version Wich in my opinion is more Mozartian and beautiful than Beyer's version but this is gold because it is conducted by a legendary JS Bach period instruments specialist a great jewel to listen
esecuzione che è una pietra miliare. Imprescindibile
💎 ABSOLUTELY BREATHTAKING 💎
🙏💜🙏
💜🎵💜
This is the most beautiful work of Musical composition in the world!
Great stuff. Thank you.
The most powerufl version that I ever heard
Nikolaus Harnoncourt knew what he was doing. Check out his other performances.
A little too fast and brassy I think... the Amadeus version was stronger
@@historyandhorseplaying7374 I agree Amadeus OST is the best version, I love the confutatis in that version, but this version is the must poweful for me
With a dude named "Wiener" in the lineup you know it's gonna be amazing
Loved it
Mozart's Requiem performed by the Vienna Orchestra is one of the best in the world, wonderful! though I love more with the director G. Von Karajan.
Karl Böhm
Une belle version…pour compléter une discographie abondante
Perfect!
merci pour cet upload !
Thanks!❤
Merci.
Awesome..👍👏🙏🙌🙋♂️🔯
There is the term “Sternstunde” in German. and this is one
Trombone soloist: Hans Pöttler.
Transparency
🤝
💌💪
My 700 like!
DXM perfect nightmare
Първо 19 април
Not quite my tempo.
No m'agrada gens. És desastrós
I'm picky about Mozart. Don't like this recording. Makes Mozart sound like German military music. Mozart needs to be SUBTLE, not pound you over the head. Sorry, this is the very first CMRR I can't listen to.
Yes and No. This is the Requiem, a completely different perspective in Mozart's conception of his music. The ellaborate fugues and complex counterpoint, along with the thick harmony confirm this isn't any work but a special one. In this regard, we can indulge conductors to customize it up to a point. After all, it is unfinished. We do not know what the final decorations and dynamics there could have been. That said...Harnoncourt certainly smashes the hell out of people's ears. Less overdoing would be fantastic.
It seems that you haven't a good capacity of listening to music..
@@bma1955alimarber I have a great capacity to listen to music providing I like it. Sorry if I hit a nerve. This rendering of one of the greatest pieces of music ever written just plain sucks.