Wolfgang Amadeus Mozart (1756-1791) - Complete Piano Variations. 🎧 Qobuz bit.ly/3fWyhin Apple Music apple.co/39FTr0Q 🎧 Amazon Music amzn.to/3PLqtjd Tidal bit.ly/3r4AGtt 🎧 Deezer bit.ly/3BUfEG2 Spotify spoti.fi/39rIzDB 🎧 RUclips Music bit.ly/3GbHrEc SoundCloud bit.ly/3CIj2SM 🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 … Click to activate the English subtitles for the *presentation* (00:00-03:50) I.Six variations sur l’air ‘’Salve tu Domine’’ KV 398 extrait de l’opéra ‘’Les Philosophes imaginaires’’ de Paisiello (00:00) II.Neuf variations sur un menuet de Duport KV 573 (06:46) III.Douze variations sur la romance ‘’Je suis Lindor’’ KV 354 extrait du ‘’Berbier de Séville’’ d’Antoine-Laurent Baudron (21:10) IV.Douze variations sur la chanson française ‘’La belle Françoise’’ KV 353 (39:05) V.Neuf variations sur l’ariette ‘’Lison dormait’’ KV264 extrait de l’opéra-comique ‘’Julie’’ de Dezède (53:01) VI.Six variations sur un Allegretto KV 54 (1:09:08) VII.Huit variations sur ‘’Ein Weib ist das herrlichste Ding’’ KV 613 (1:16:33) extrait du singspiel ‘’Der dumme Gärtner’’ de Schack ou Gerl VIII.Douze variations sur ‘’Ah, vous dirai-je maman’’ KV 265 (1:33:03) IX.Dix variations sur l’ariette ‘’Unser dummer Pöbel meint’’ KV 455 (1:47:32) extrait des Pèlerins de la Mecque X.Huit variations sur l’air ‘’Come un agnello’’ KV 460 (2:01:37) XI.Six variations sur un thème du Quintette avec clarinette KV581 (2:15:16) XII.Huit variations sur le chant hollandais KV 24 ‘’Laat ons juichen, Batavieren’’ de Graaf (2:25:56) XIII.Huit variations sur le choeur ‘’Dieu d’amour’’ KV 352 extrait de l’opéra-comique ‘’Les Mariages Samnites’’ de Grétry (2:32:11) XIV.Douze variations sur un menuet de Johann Christian Fischer KV 179 (2:45:27) XV.Six variations sur ‘’Mio caro Adone’’ KV 180 extrait de l’opéra ‘’La fiera di Venizia’’ de Salieri (3:06:26) XVI.Sept variations sur le chant hollandais ‘’Willem von Nassau’’ KV 25 (3:16:22) XVII.Douze variations sur un allegretto KV 500 (3:23:08) Piano : Walter Chodack Recorded in 1989, at Paris New Mastering in 2018 by AB for CMRR 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2 ❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr Mozart - Complete Andante & Adagio from Piano Sonatas (reference recording: Chantal Stigliani): ruclips.net/video/dCi2bMeYqTk/видео.html L'enfant, le jeune homme, l'homme seul est assis au clavier. Rassemblé autour de l'instrument, la société attend de lui qu'il divertisse, qu'il lui plaise. Le Musicien doit donner la preuve de son talent de virtuose et, si possible, démontrer en même temps qu'il possède aussi un talent d'improvisateur, mais seulement dans un cadre donné, en observant toujours les convenances en ne s'imposant jamais au-delà de la mesure, en donnant du plaisir à tous en embellissant et en variant un air familier - l'air d'un autre. Il n'est pas censé avoir une idée qui lui soit propre ; l'exercice académique consiste à s'approprier l'idée d'un autre musicien et à l'exploiter selon des canons bien définis. Depuis qu'il a commencé à célébrer la musique d'autres compositeurs dans ses variations, la quinzaine d'ensembles de variations de Mozart nous présente un large panorama du répertoire le plus populaire auprès du public européen et de ses préférences musicales, car seuls des thèmes et des airs familiers et reconnaissables ont été utilisés. Fêtes nationales aux Pays-Bas, avec des thèmes tirés de la musique du festival anniversaire pour Guillaume de Nassau, et de la musique populaire néerlandaise pour K24 et K25 ; chansons françaises (Ah vous dirai-je, maman K265 ; La Belle Françoise K353 ; Lison dormait K264 ; Je suis Lindor K354). Et de nombreux compositeurs en vogue à l'époque : Gluck K555, Grétry K352, Duport K573, Fischer K179, Salieri K180, Sarti K460, Paisiello K398, mais si peu sur ses propres thèmes K500, K581. Les variations sont un jeu, un jeu de mémoire impliquant le souvenir du thème et de la mélodie dans son exploitation où il est encore reconnu, mais transformé au cours de la série (qui contient six, jamais moins, à douze variations). Un jeu de virtuosité aussi dans l'invention d'idées et d'ornements originaux autour du thème donné ; un jeu de vitesse dans toutes les transformations autorisées par les conventions (doubles croches, demi croches, triolets et trilles) ; et un jeu de changement d'ambiance par la modification des tempi, et de la variation obligatoire dans une tonalité mineure. En ce sens, les variations, souvent composées sur un coup de tête à une occasion précise, représentent un véritable travail d'improvisation. Mais cela aussi fait partie du plaisir du jeu. Bien que Mozart n'ait pas atteint le niveau d'appropriation-transformation du genre que Beethoven devait atteindre dans les Variations Diabelli - qui représentent un degré extrême de sophistication et de génie dans cette forme précise et sa transfiguration - les variations pour piano de Mozart ne doivent pas être considérées comme un genre mineur dans sa production. Bien au contraire, elles témoignent de la spontanéité de son inspiration lorsqu'elles sont le fruit d'une recherche ludique et, à ce titre, elles nous apprennent beaucoup sur le compositeur. Toute la liberté du processus de création de Mozart est mise en jeu, dans lequel se trouve le développement d'un genre : issue de la plus galante des traditions, la variation échappe à son acceptation confinée et conventionnelle et est élevée à un nouveau niveau de maturité. Mozart - Complete Andante & Adagio from Piano Sonatas (reference recording: Chantal Stigliani): ruclips.net/video/dCi2bMeYqTk/видео.html Wolfgang Amadeus Mozart PLAYLIST (reference recordings) : ruclips.net/video/rlWqc9oaUIY/видео.html
The comparison of Mozart and Beethoven on the art of the thema and variations, suggested in the description section, is very interesting. Although it’s difficult to generalize, there is a difference in general approach, it seems to me. Both reveal the essence and beauty of a theme through variations elaboration. For me, Mozart is like holding a jewel to the light and revealing the many facets. With Beethoven, some variations seem to transform into an entirely new essence.
Very astute analysis of the difference in theme development between these two pillars of classical. As a pianist, I initially disliked Mozart because his music seemed not to take a discernible direction, whereas Beethoven to my ear is definitely going from point A to point B and all the genius and embellishment, ornamental figures, and flourishes are subordinate to the arrival at a destination. I used to have an excellent bust of Mozart but gave it to Goodwill, now I regret it since I have evolved to appreciate Wolfgang.
Walter Chodak is absolutely amazing : light, tender, serious when it is needed...It seems that the modern piano was created in order to perform those little gems of Mozart. Thanks a lot for uploading.
I was in fact wondering how Mozart creations were sound back in the day.. Pity they didn't have modern pianos... All the "lightness" on a cembalo must have missed the mark
I'm not familiar with that term. Is it another word for harpsichord? The guide at his house in Salzburg demo'd Mozart's piano forte briefly when I visited many years ago.
C'est beau, c'est magique, c'est sublime ! Mozart, l'enchanteur, qui nous apaise, nous sécurise, nous délivre, de toutes nos tyrannies intérieures . C'est un bienfaiteur de l'humanité par le bonheur qu'il nous donne si généreusement .
He may sometimes appear as bland, but that's only possible because of his eternalness. Just imagine that his works would vanish, and you'll grasp what a huge worth they have.
Mozart used the structure of theme and variations very extensively and in far more pieces than those listed here, including piano pieces (the famous K311 comes to mind). Off the top of my head, I know he uses it in a couple of slow movements of his piano concertos, and memorably in the last movement of his C minor piano concerto. There's also a beautiful if haunting set that makes up the last movement of his D minor Haydn quartet.
Interestingly, I don't believe Mozart used the structure of theme and variations with any of his middle or late symphonies. Let me know if he did! Have you ever listened to any of the piano & violin sonatas? He wrote at least four movements of theme and variations for as many sonatas, I believe: Sonata in A K.305 (3rd movement), Sonata in G K.379 (2nd movement), Sonata in F K.377 (2nd movement), and Sonata in F K. 547 (3rd movement). They are absolutely fabulous!
@@vrlarsen1 I think you're right, I'm not aware of Mozart having used theme and variations in his middle or late symphonies. I have listened to some of the violin sonatas and they are indeed gorgeous! My favorite though is K. 526 (which doesn't use the variations form). I especially love the middle movement, it creates an incredible feeling.
How lovely to hear less performed and broadcast Mozart works, and beautifully performed by someone I had never been privileged to hear before. the wonders of modern technology. thank you for this pleasure.
Thank for for uploading these lesser-known works from Mozart. They are such a lovely surprise, and the pianist plays them so tenderly. And that really is an endearing picture of Mozart :)
@@DynamicMateTV Is it because Mozart expresses himself more freely in these pieces? I certainly find that compared to some of his more famous works. But I think he's most expressive in his concertos, which totally blow me away
They're lesser known because they're not very good. Not everything written by even a great composer is necessarily brilliant. Bear in mind that they were writing to order so some work would inevitably be substandard
These are the BEST performances of these variation-sets that I have yet heard! This Walter Chodack plays with the gusto and enthusiasm I find essential in performing Mozart, but which others have seemed to sadly lack.
How to describe the delightful & dancing & airy Variations on a Minuet by Fischer KV 179 2:45:27, especially the last 3:05:04 ! "Coffee and oranges in a sunny chair, And the green freedom of a cockatoo..."
D'où lui vient cette inspiration, cette facilité, cette profusion dans la créativité ? Son beau visage énigmatique nous fascine autant que sa musique .
Thank you. Very good Mozart playing by a pianist I am otherwise unfamiliar with. Would you consider uploading Ingrid Haebler's recordings of the variations? I think she captures the spirit of Mozart better than anyone else.
it's curious you mention Moriz Rosenthal as an American, because he was born and studied in Kiev, and has been Liszt's pupil...thus, he only afterwards crossed over the Ocean... Rosen was his pupil : American, of course, but as Rosenthal's pupil and a pianist, somehow european. Serkin as an Austrian whose father was Russian, he studied in Wien and in Berlin and left Germany due to nazism... then, Chodack is an American, but whose parents are Russian emigrants and later, Chodack came and settled in Paris, for the rest of his live : is he French ?
@@jeanpi314159 Interesting! I felt I was hearing a very european feeling sensibility in this phrasing etc and perhaps you've confirmed it. Funny how possessive people get, isn't it?
,Thank you very much@@philhayton3860. What a honour being his friend. I play piano (very farway from him) and I'm introducng him to my pianist friends. Every one became crazy with Mr. Chodack pianism. Thanks again.
Wolfgang Amadeus Mozart (1756-1791) - Complete Piano Variations.
🎧 Qobuz bit.ly/3fWyhin Apple Music apple.co/39FTr0Q
🎧 Amazon Music amzn.to/3PLqtjd Tidal bit.ly/3r4AGtt
🎧 Deezer bit.ly/3BUfEG2 Spotify spoti.fi/39rIzDB
🎧 RUclips Music bit.ly/3GbHrEc SoundCloud bit.ly/3CIj2SM
🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 …
Click to activate the English subtitles for the *presentation* (00:00-03:50)
I.Six variations sur l’air ‘’Salve tu Domine’’ KV 398
extrait de l’opéra ‘’Les Philosophes imaginaires’’ de Paisiello (00:00)
II.Neuf variations sur un menuet de Duport KV 573 (06:46)
III.Douze variations sur la romance ‘’Je suis Lindor’’ KV 354
extrait du ‘’Berbier de Séville’’ d’Antoine-Laurent Baudron (21:10)
IV.Douze variations sur la chanson française ‘’La belle Françoise’’ KV 353 (39:05)
V.Neuf variations sur l’ariette ‘’Lison dormait’’ KV264
extrait de l’opéra-comique ‘’Julie’’ de Dezède (53:01)
VI.Six variations sur un Allegretto KV 54 (1:09:08)
VII.Huit variations sur ‘’Ein Weib ist das herrlichste Ding’’ KV 613 (1:16:33)
extrait du singspiel ‘’Der dumme Gärtner’’ de Schack ou Gerl
VIII.Douze variations sur ‘’Ah, vous dirai-je maman’’ KV 265 (1:33:03)
IX.Dix variations sur l’ariette ‘’Unser dummer Pöbel meint’’ KV 455 (1:47:32)
extrait des Pèlerins de la Mecque
X.Huit variations sur l’air ‘’Come un agnello’’ KV 460 (2:01:37)
XI.Six variations sur un thème du Quintette avec clarinette KV581 (2:15:16)
XII.Huit variations sur le chant hollandais KV 24
‘’Laat ons juichen, Batavieren’’ de Graaf (2:25:56)
XIII.Huit variations sur le choeur ‘’Dieu d’amour’’ KV 352
extrait de l’opéra-comique ‘’Les Mariages Samnites’’ de Grétry (2:32:11)
XIV.Douze variations sur un menuet de Johann Christian Fischer KV 179 (2:45:27)
XV.Six variations sur ‘’Mio caro Adone’’ KV 180
extrait de l’opéra ‘’La fiera di Venizia’’ de Salieri (3:06:26)
XVI.Sept variations sur le chant hollandais ‘’Willem von Nassau’’ KV 25 (3:16:22)
XVII.Douze variations sur un allegretto KV 500 (3:23:08)
Piano : Walter Chodack
Recorded in 1989, at Paris
New Mastering in 2018 by AB for CMRR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
❤️ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
Mozart - Complete Andante & Adagio from Piano Sonatas (reference recording: Chantal Stigliani): ruclips.net/video/dCi2bMeYqTk/видео.html
L'enfant, le jeune homme, l'homme seul est assis au clavier. Rassemblé autour de l'instrument, la société attend de lui qu'il divertisse, qu'il lui plaise. Le Musicien doit donner la preuve de son talent de virtuose et, si possible, démontrer en même temps qu'il possède aussi un talent d'improvisateur, mais seulement dans un cadre donné, en observant toujours les convenances en ne s'imposant jamais au-delà de la mesure, en donnant du plaisir à tous en embellissant et en variant un air familier - l'air d'un autre. Il n'est pas censé avoir une idée qui lui soit propre ; l'exercice académique consiste à s'approprier l'idée d'un autre musicien et à l'exploiter selon des canons bien définis.
Depuis qu'il a commencé à célébrer la musique d'autres compositeurs dans ses variations, la quinzaine d'ensembles de variations de Mozart nous présente un large panorama du répertoire le plus populaire auprès du public européen et de ses préférences musicales, car seuls des thèmes et des airs familiers et reconnaissables ont été utilisés. Fêtes nationales aux Pays-Bas, avec des thèmes tirés de la musique du festival anniversaire pour Guillaume de Nassau, et de la musique populaire néerlandaise pour K24 et K25 ; chansons françaises (Ah vous dirai-je, maman K265 ; La Belle Françoise K353 ; Lison dormait K264 ; Je suis Lindor K354). Et de nombreux compositeurs en vogue à l'époque : Gluck K555, Grétry K352, Duport K573, Fischer K179, Salieri K180, Sarti K460, Paisiello K398, mais si peu sur ses propres thèmes K500, K581.
Les variations sont un jeu, un jeu de mémoire impliquant le souvenir du thème et de la mélodie dans son exploitation où il est encore reconnu, mais transformé au cours de la série (qui contient six, jamais moins, à douze variations). Un jeu de virtuosité aussi dans l'invention d'idées et d'ornements originaux autour du thème donné ; un jeu de vitesse dans toutes les transformations autorisées par les conventions (doubles croches, demi croches, triolets et trilles) ; et un jeu de changement d'ambiance par la modification des tempi, et de la variation obligatoire dans une tonalité mineure. En ce sens, les variations, souvent composées sur un coup de tête à une occasion précise, représentent un véritable travail d'improvisation. Mais cela aussi fait partie du plaisir du jeu.
Bien que Mozart n'ait pas atteint le niveau d'appropriation-transformation du genre que Beethoven devait atteindre dans les Variations Diabelli - qui représentent un degré extrême de sophistication et de génie dans cette forme précise et sa transfiguration - les variations pour piano de Mozart ne doivent pas être considérées comme un genre mineur dans sa production. Bien au contraire, elles témoignent de la spontanéité de son inspiration lorsqu'elles sont le fruit d'une recherche ludique et, à ce titre, elles nous apprennent beaucoup sur le compositeur. Toute la liberté du processus de création de Mozart est mise en jeu, dans lequel se trouve le développement d'un genre : issue de la plus galante des traditions, la variation échappe à son acceptation confinée et conventionnelle et est élevée à un nouveau niveau de maturité.
Mozart - Complete Andante & Adagio from Piano Sonatas (reference recording: Chantal Stigliani): ruclips.net/video/dCi2bMeYqTk/видео.html
Wolfgang Amadeus Mozart PLAYLIST (reference recordings) : ruclips.net/video/rlWqc9oaUIY/видео.html
Mozart - Complete Variations / K.265, KV.398, KV.354.. + Presentation (reference rec. : W.Chodack)
1aáaáaaaa beyonce cerca casa varios
instablaster...
It's almost inconceivable that there was a human on this planet at one time who was able to create beauty like this.
Anyone who misses these performances, misses marvelous Mozart. A joy from start to finish! Thank you for providing this release!
What would the World do without the GENIUS of Wolfgang Amadeus Mozart, is simply beyond my imagination!!!!!
Un grand moment de plaisir avec Mozart, que j'écoute
religieusement dans le silence et les ténèbres .
The comparison of Mozart and Beethoven on the art of the thema and variations, suggested in the description section, is very interesting. Although it’s difficult to generalize, there is a difference in general approach, it seems to me. Both reveal the essence and beauty of a theme through variations elaboration. For me, Mozart is like holding a jewel to the light and revealing the many facets. With Beethoven, some variations seem to transform into an entirely new essence.
There is no comparison between any composer. Every Composer had his unique - perfect style
teddy toto - Thank you! Very beautifully described.
Good comment Teddy
Mozart uplifts me. Beethovan depresses me.
Very astute analysis of the difference in theme development between these two pillars of classical. As a pianist, I initially disliked Mozart because his music seemed not to take a discernible direction, whereas Beethoven to my ear is definitely going from point A to point B and all the genius and embellishment, ornamental figures, and flourishes are subordinate to the arrival at a destination. I used to have an excellent bust of Mozart but gave it to Goodwill, now I regret it since I have evolved to appreciate Wolfgang.
Walter Chodak is absolutely amazing : light, tender, serious when it is needed...It seems that the modern piano was created in order to perform those little gems of Mozart. Thanks a lot for uploading.
I was in fact wondering how Mozart creations were sound back in the day.. Pity they didn't have modern pianos... All the "lightness" on a cembalo must have missed the mark
I'm not familiar with that term. Is it another word for harpsichord? The guide at his house in Salzburg demo'd Mozart's piano forte briefly when I visited many years ago.
C'est beau, c'est magique, c'est sublime ! Mozart, l'enchanteur, qui nous apaise, nous sécurise, nous délivre, de toutes nos tyrannies intérieures . C'est un bienfaiteur de l'humanité par le bonheur qu'il nous donne si généreusement .
etes vous francais? Je mappelle jonathan comment t
apple tu? jai etudiant francais au
école. Pourrais-tu me donner des conseils?
He may sometimes appear as bland, but that's only possible because of his eternalness. Just imagine that his works would vanish, and you'll grasp what a huge worth they have.
Très bien parlé
The comfort of Mozart’s music is incomparably wonderful
Mozart used the structure of theme and variations very extensively and in far more pieces than those listed here, including piano pieces (the famous K311 comes to mind). Off the top of my head, I know he uses it in a couple of slow movements of his piano concertos, and memorably in the last movement of his C minor piano concerto. There's also a beautiful if haunting set that makes up the last movement of his D minor Haydn quartet.
Interestingly, I don't believe Mozart used the structure of theme and variations with any of his middle or late symphonies. Let me know if he did! Have you ever listened to any of the piano & violin sonatas? He wrote at least four movements of theme and variations for as many sonatas, I believe: Sonata in A K.305 (3rd movement), Sonata in G K.379 (2nd movement), Sonata in F K.377 (2nd movement), and Sonata in F K. 547 (3rd movement). They are absolutely fabulous!
@@vrlarsen1 I think you're right, I'm not aware of Mozart having used theme and variations in his middle or late symphonies. I have listened to some of the violin sonatas and they are indeed gorgeous! My favorite though is K. 526 (which doesn't use the variations form). I especially love the middle movement, it creates an incredible feeling.
A heavenly beauty of piano sounds.
Ce magnifique sourire de Mozart a travers une interpretation excptionnelle! Merci Monsieur Chodack !
What a surprise! I had no idea Mozart had written so many variations. Thank you for sharing this with us.
Good things always abound, we just have to know how to find them
so soothing and spirited at the same time. thank you for your short and musically prolific life, WA Mozart.
How lovely to hear less performed and broadcast Mozart works, and beautifully performed by someone I had never been privileged to hear before. the wonders of modern technology. thank you for this pleasure.
Thank for for uploading these lesser-known works from Mozart. They are such a lovely surprise, and the pianist plays them so tenderly. And that really is an endearing picture of Mozart :)
@@DynamicMateTV Is it because Mozart expresses himself more freely in these pieces? I certainly find that compared to some of his more famous works. But I think he's most expressive in his concertos, which totally blow me away
They're lesser known because they're not very good. Not everything written by even a great composer is necessarily brilliant. Bear in mind that they were writing to order so some work would inevitably be substandard
@@aspringall3012 They are not his best works, but I still like them.
@@shimmime fair enough
These are the BEST performances of these variation-sets that I have yet heard! This Walter Chodack plays with the gusto and enthusiasm I find essential in performing Mozart, but which others have seemed to sadly lack.
These variations are so beautiful!
c'est un enregistrement on ne connatre plus, c'est un bijou
Mozart, siempre Mozart...forever Mozart...
How to describe the delightful & dancing & airy Variations on a Minuet by Fischer KV 179 2:45:27, especially the last 3:05:04 !
"Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo..."
Enjoy :-)
Mozart had the most indescribable fund of ideas! This is impressive - and so is the pianist.! The first time, I hear him. Thank you!
C'est absolument superbe. Mozart est servi au plus haut niveau. Merci
아름다운 피아노 연주곡 잘 들었읍니다~감사합니다~🎵🎹
Simple, Effortless, Awesome, Divine!
What a happy discovery for me! Many thanks for the hours of pleasure.
You're welcome :)
D'où lui vient cette inspiration, cette facilité, cette profusion dans la créativité ? Son beau visage énigmatique nous fascine autant que sa musique .
C'est ça le génie !
Absolutely love these.. So playful, so witty.
You're not wrong but there are also passages that are infinitely sad.
Tres horas y media de Mozart !!!!! Increíble !!!! Gracias !!!!
Pure wonderful genius improvising
La musique de Mozart accompagne ma vie comme la meilleure amie
Bien dit!
good collection and ample information as usual. Thanks a lot for sharing!
Thanks for appreciating the efforts :-)
A,b,c,d,e,f .... Simply Fabulous!
grazie per il supporto.
Thank you for posting this.
Gracias por compartir la música de Mozart un genio que con 5 años componía y daba conciertos ,,
2:15:16 personal pratice
maravillosa interprete del genial Mozart
This music sits so well with me
Très très joli, serein, tranquille, j aime beaucoup
thank you!
Magnificent Mozart 😊
Simply, exquisite!
CM無くて最高❗️繰り返し聞いてます🙏
Mozart's fun!
Peace and love in the world✌
Meravigliosa sinfonia
👏👏👏⚘Thanks,brother
Wonderful recording! Thanks for share!
14:08-15: something. I cry with Salieri: Ah, Mozart, Mozart!
TY very much for the wonderful upload
Thank you!
Don't know why RUclips didn't recommend it to me before.
Great!!! Thank you!!!
Lovely, it makes me happy. Thank you.
Maravilha, álbum nota mil, escutei de madrugada, valeu muito, obrigado por postar.
MOZART CON SUS SINFONÍAS DIVINAS.
Maravilha! Grato
Спасибо!
reaaly enjoyed your playing, Walter, thanks and merry christmas 2021
Just Beautiful.
1:47:37
Excelente
Chapeau!!!
Chasseur
I love this channel! Bravo!
Αστείρευτη έμπνευση, δημιουργικότητα και δεξιοτεχνία
Precioso!!
Thank you. Very good Mozart playing by a pianist I am otherwise unfamiliar with. Would you consider uploading Ingrid Haebler's recordings of the variations? I think she captures the spirit of Mozart better than anyone else.
Yes we plan to add it as well :-)
Her touch is penetrating, she gives her pieces a spiritual dimension!
Great suggestion, she was magnificent...looking forward to that. Thanks
Of course, this particular collection is nothing to take snuff about.
Wonderful !!!!!!!
Belleza pura
Je vous adore Mozart
Tout est lucidement dit. Où habitez vous?
Superbe !
mozart genius
браво!!!
Muy bueno 😅
Magnifique.
An other wonderful American pianist, in their purest tradition.
(Rosenthal, Serkin, Rosen...)
Thank you :D
You're welcome :-)
it's curious you mention Moriz Rosenthal as an American, because he was born and studied in Kiev, and has been Liszt's pupil...thus, he only afterwards crossed over the Ocean... Rosen was his pupil : American, of course, but as Rosenthal's pupil and a pianist, somehow european. Serkin as an Austrian whose father was Russian, he studied in Wien and in Berlin and left Germany due to nazism...
then, Chodack is an American, but whose parents are Russian emigrants and later, Chodack came and settled in Paris, for the rest of his live : is he French ?
@@jeanpi314159 Interesting! I felt I was hearing a very european feeling sensibility in this phrasing etc and perhaps you've confirmed it. Funny how possessive people get, isn't it?
i always wonder is this a real painting of the Wolfgang Mozart?
I think it's of a blown up one, no?
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It's a shame that I can't find any information about him. I'm very impressed by his pianism.
Walter was born in NY, lived for many years in France and now lives in New Jersey. He was a friend of mine
,Thank you very much@@philhayton3860. What a honour being his friend. I play piano (very farway from him) and I'm introducng him to my pianist friends. Every one became crazy with Mr. Chodack pianism. Thanks again.
Prosseguindo Mozart encontra, Beethoven e Bach ...
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Классно!
i'm mozart and beethoven and bach
Теперь я знаю что я буду смотреть в 5 утра
KV 573
M O Z A R T I S S I M O !
Вы тоже пришли сюда, чтобы сбайтить трек как морген?
Кинь тайминг
Comment une musique extérieure à soi devient une part de sa personnalité ?
chào buổi sáng tốt đẹp bên ly caphe
KV 573 sounds like the Killer of all variations, but the rest sounds pretty average
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When did he find time to write variations? Bathroom material, I guess
German cake.
The real penalty rheologically smell because measure phylogentically smell through a bad business. aromatic, spurious reward
Yeah dude. Is this some sort of cryptic message you’re sending someone across the globe ?
What the """"?
@@catherinejones9396 - English as a foreign language!
In plain English you have a mush inside of your head and , for some reason, you advertise it as Unique mental power! 😂
I like Mozart but this was boring
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3:33:29