As a simple starting point you can use 1k as a mirror point. I.e. if you boost @ 2k, cut @ 500 (1k X2 vs /2), boost 10k, cut 100 (1k x10 vs /10). make sense?
I mix hybrid and only use minimal eq in the box (mostly for surgical stuff) or or unique to plugins stuff like Soothe. I think the difference in the “old way” of one analog eq on vocal in mix is that people used to have a lot more in the tracking chain….I know I do. I will commit EQ to taste in tracking, as well as compression and saturation. Nowadays, the majority of engineers just do clean capture and then a stack of plugins in mix. There’s no right way, but I sure have a lot of fun twisting knobs and making the record sound like the record starting at the tracking phase. I also have found when I’m mixing purely ITB, I have to use lots of plugins to get the sound I get mixing OTB with console and outboard….like more plugins than eqs and comps engaged in my typical OTB mix.
Fascinating. I do this instinctively but always have the thought “I should be able to do this with less tools and in less moves”. In reality, vocals I deal with for example need at least two instances of Eq. If I reach for another for let’s say just to add air, my brain starts to go into high alert lol. “Doing too much!”. This just freed me. Gem.
Most times if you have a good recording you barely have to make many adjustments. A good vocalist has very consistent volumes making compression be less pronounced to achieve a desirable outcome and EQ would be just to cut that little bit and sit it well in the mix. I've always heard to make small adjustments on everything
@@pedrosilvaproductions what if your style dictates big adjustments? not even style, the vibe of the song can justify almost every move you make to make it speak to the listener. sometimes it's lots of smaller moves, sometimes one big, bold, and proud😉
This video summerises the deep aspect of dynamic listening and the actual problem of having a "plan" for treatment of an instrument vs reality of the "social" affect of that change. Thank you. This is the real stuff.
Ive found that the brain space of 'listening to the whole picture' while adjusting a small detail feels similar to the space I go to when i get in the zone with playing guitar in time. One part of me does something technical while another part is only thinking of the whole picture. If I were to just focus on strumming in time I'd mess up everything else, i play best when its not even in my conscious mind.
got it. Everything affects everything. Very whole-istic. Would really love to hear the "complimentary frequencies" chat Gregory. That, in the context of unmasking, is a fascinating concept.
Im slowly changing my definition of EQ. I tend to think of it as an abbreviation of of Equilibrium rather than Equalisation.... That subtle change in definition impacts how I use it. I got you to thank for that.
Bro, the level of understanding you present with the information you give is epic. You have a gift for providing true insight. I am an intermediate producer who loves tech house. Even though it feels like tech house is an alien creature in sonic world I would assume you live in, I still believe if I learn what you are teaching I will make supremely better music. Thank you for your time, energy, and efforts.
Man I love your videos. A hybrid of the science and the art of mixing. You have a knack for describing sound with adjectives that convey the timbre and texture of tones and really evoke vivid imagery in the minds' ear. Keep doing what you're doing, and we'll definitely keep coming back for more.
I've always wanted to be able to track and mix like the pros but I got sidetracked with life. So after nearly 40 years with one company I retired early and am giving it a shot. I've always made my own productions but with Fostex 4 tracks or 12 channel digital recorders with a CD burner. Having so many things (plug ins) at your finger tips can actually be paralyzing, especially for a guy like me who came from such a forced minimalist approach to recording. Frustrated at first but your vids are helping me make those many little moves you talk about quicker and with confidence. Just wanted to say thanks and please keep it up.
Everytime I see one of your videos, I feel like I am learning some inside secret that all the other mixing gurus never told me. Been so long since Ive produced a song because life and other projects get in the way, but your videos never fail to excite me for getting back into it! Ill be making some time to put your exercises into practice soon.
once again, very well said and presented. The longer I do this hobby, it's more about this kind of "perspectives" and less about "trick's and plug in's"
Agreed, mindset is 98% of the battle. If you can hear a thing, and if you have an instinct about it, you'll eventually figure out what to do about it. Might take another 2 or 72 mixes to figure that out, but it's inevitable. If the mindset isn't right, though, it's hamster wheels all the way down!
@@TheHouseofKushTV as someone who’s been mixing for a while now and just recently come to the “mindset” I can wholeheartedly agree. Back then I was doing way too much over thinking and going backwards that I was never satisfied, but now I’m confident in my movements.
Thanks for your wisdom again!!! I always had to smile about your body language and just today I got, that it reminds me so much of Kramer from Seinfeld...It makes your lessons even more entertaining LOL
i love you dude. ive been producing for 10+ years, its harder and harder to find new things.. and you keep dropping new gems, ideas and perspectives. insightful!
if anyone wants a super quick shortcut to a complementary frequencies technique use this formula: Use 1k as a mirror point. So if you boost @ 2k, cut @ 500 (1k X2 vs /2) if you boost @ 10k, cut @ 100 (1k x10 vs /10). As your experience grows you will get an ear/feel for where that mirror point is per mix but start there and getting into the habit.
@@zigzag6415a combination of studying and practicing audio science, psychoacoustics, and music for 30 years. And more recently hundreds of millions streams to validate that effort. I'm proud to say I'm one of few people on the planet that makea a living solely from music.
This guy is brilliant. So much really good information that I need - all of it. So good. Thanks for sharing your hard earned talent, skill and knowledge.
A lot of your videos have lead me to the conclusion that being an audio engineer is like being a Architect. Constant little curve shifts and dedicated figureheads help sum up the artistic expression of the piece. That expression isn't nearly as impactful if the foundation is cracked or uneven. Of course all of those choices are made at the blueprint. And being a good "Architect" means you know how to read the blueprint and how to make adjustments if need be. Hopefully that makes sense to more people than just my coffee addled brain. Thanks for your awesome tips!
Hi Gregory, just wanted to say a huge thank you for this series, and particularly this episode. A lot of mixing advice out there is very formulaic, so your approach is really helpful. Specifically, not going back and undoing moves already done is a huge takeaway for me. It’s especially tempting to do this as a beginner/amateur as a lot of the time you really don’t know what you’re doing. I also appreciate your comments on multiple plugins. Just today, I was feeling guilty about having “too many” compressors going on one channel. In the past I might have taken them all off and stared again with the compression, even though I’m happy with how it sounds.
Love these videos. The philosophy of mixing is everything and the idea on not hyper-focussing on the element while you adjust is so important. Don’t stare at the steering wheel while you drive around a bend.
I haven't thought of this before, but I got a glimpse of this while mixing my latest song. I wasn't happy with the low end of the mix, and while frustrated I worked on something else in the mix (higher up in the frequency range). Listening back to that days mix, I heard an improvement in the low end. Completely by accident, I felt the lesson in my body. You put the lesson into words brilliantly on this video, Greg! Your talks on the process of mixing are invaluable and always enlightening!
2 Days ago, after working on the snare then switching to the Bass I realised that after doing some EQ in SOLO without thinking about it I did a volume check on the snare as I was going back to the full mix but still working on the bass, almost like a Subconscient move . It's slowly starting to sink in LOL. Thanks for your time, wisdom and Great Videos !
Man I’ve been watching your channel for about 3 years and I’ve learned a lot of useful tricks that have helped me mix more consciously. Glad to see you’re still putting out very insightful content. Thanks kush 🚀
Post Technical Creativity, Mixing is like having studied Music theory, A steep learning curve followed by a creative constipation which has been temporarily substituted with a hyper analytical approach .... another few life knocks brings the feel back, in the sweet spot..! best of both worlds... at least those of us who arent born with some amazing ability!
I re-watch your videos from time to time, and I still learn from it! I started as beginner, now I'm much further down the road. It's like your knowledge is too deep to grasp in 1 take, so every time I watch, I learn something new and I go apply it in real production, then comeback a few months later and learn more from the same content! MAGIC :D
i can't thank you enough for making these videos gregory, you are by far my favorite mixing teacher on youtube, you make complicated concepts click in ways i've never been able to understand before. i really admire the nuances of your approach and perspective. especially looking forward to complementary frequencies video update. please come back soon, we miss you
Just love that your unique perspective and comforting presence is out here in RUclips Land to gently guide us to happier mix days ☺️ Thank You Gregory Scott!
Totally love the sentiment here. Its a BEAUTIFUL thing that we arent limited to the number of EQ's or compressors in a rack anymore. It really enables this kind of "not going backwards" style of mixing. I do find that I can hit CPU limitations though, at least in Ableton I have actually managed to get a project into a totally unusable state, which is a major pita. Anyhoo, cheers and thanks for the chat!
AMAZING. I watched this video when you posted it and it went a little over my head. Just watched it again 6 months later after mixing a ton between now and then and it makes 100% sense now, so a few wisdom seeds must have gotten into my brain and begun to grow and transform my approach into a more holistic one like you said. This is a huge one. You are a goddamn guru - thank you so much for sharing this deep knowledge with us
We want the "complementary frequencies" video!!! Great stuff as always Greg.
So do I, it's well overdue.
@@TheHouseofKushTV - It's been 13 hours already, Greg! Where is the video!?
Another super insightful video, thanks!
Want? More like need!!
Agreed-- and man, this channel is fantastic.
As a simple starting point you can use 1k as a mirror point.
I.e. if you boost @ 2k, cut @ 500 (1k X2 vs /2), boost 10k, cut 100 (1k x10 vs /10). make sense?
The only mixing tutorials without any DAW or plugin madness, just mixing philosophy.
Pure Gold.
"mixing is like a game of wack-a-mole"
I love that analogy, it's soooo true! Man, you're to smooth for RUclips 👊
Thats what i thought💯🎯💎
I'm here to absorb your wisdom.
As are we all, young Padawan.
The youtube mixing world aint the same without you. Please make more content. Your channel is chill and unique.
The tip with using multiple EQs in a row... it's like using different grindstones to get finer and finer :)
Never thought of it that way, but.... yeah!
@@TheHouseofKushTV well done, fellas
Nowadays you can't get away with your lead unless it goes through 24-32 plugs when it hits the master bus. Just saying 🤗
@@wolfgangdevries127 as long as one of them is Autotune, the other 31 are all wasted...
I mix hybrid and only use minimal eq in the box (mostly for surgical stuff) or or unique to plugins stuff like Soothe. I think the difference in the “old way” of one analog eq on vocal in mix is that people used to have a lot more in the tracking chain….I know I do. I will commit EQ to taste in tracking, as well as compression and saturation. Nowadays, the majority of engineers just do clean capture and then a stack of plugins in mix. There’s no right way, but I sure have a lot of fun twisting knobs and making the record sound like the record starting at the tracking phase. I also have found when I’m mixing purely ITB, I have to use lots of plugins to get the sound I get mixing OTB with console and outboard….like more plugins than eqs and comps engaged in my typical OTB mix.
Hey Man....it's been a while.... where are you? How are you keeping? When's a new video ??????
Fascinating. I do this instinctively but always have the thought “I should be able to do this with less tools and in less moves”. In reality, vocals I deal with for example need at least two instances of Eq. If I reach for another for let’s say just to add air, my brain starts to go into high alert lol. “Doing too much!”. This just freed me. Gem.
Most times if you have a good recording you barely have to make many adjustments. A good vocalist has very consistent volumes making compression be less pronounced to achieve a desirable outcome and EQ would be just to cut that little bit and sit it well in the mix. I've always heard to make small adjustments on everything
@@pedrosilvaproductions what if your style dictates big adjustments? not even style, the vibe of the song can justify almost every move you make to make it speak to the listener. sometimes it's lots of smaller moves, sometimes one big, bold, and proud😉
Do whatever you need to to make it sound “good” 🤗
This video summerises the deep aspect of dynamic listening and the actual problem of having a "plan" for treatment of an instrument vs reality of the "social" affect of that change. Thank you. This is the real stuff.
Love the zen quality of these lessons. Kinda like learning in a way that used to be thought of as an intangible. 🕉
Need more videos Gregory. Hope it's because you are busy working on some cool new plugins.
Hope that you are doing well
hope you're doing well man. love your videos
the whack-a-mole comparison is so accurate. "complementary frequencies" video next, please! You're our best teacher, Gregory!
Ive found that the brain space of 'listening to the whole picture' while adjusting a small detail feels similar to the space I go to when i get in the zone with playing guitar in time. One part of me does something technical while another part is only thinking of the whole picture. If I were to just focus on strumming in time I'd mess up everything else, i play best when its not even in my conscious mind.
got it. Everything affects everything. Very whole-istic. Would really love to hear the "complimentary frequencies" chat Gregory. That, in the context of unmasking, is a fascinating concept.
Im slowly changing my definition of EQ. I tend to think of it as an abbreviation of of Equilibrium rather than Equalisation....
That subtle change in definition impacts how I use it.
I got you to thank for that.
Really have been missing your videos and your wisdom. Hope all is okay.
if he died or something im gonna be sad
Bro, the level of understanding you present with the information you give is epic. You have a gift for providing true insight. I am an intermediate producer who loves tech house. Even though it feels like tech house is an alien creature in sonic world I would assume you live in, I still believe if I learn what you are teaching I will make supremely better music. Thank you for your time, energy, and efforts.
As a carpenter… I HATE flathead screws!!! Great analogy!!!
I'd love to have Gregory as a tutor. He makes everything so clear, but relatable at the same time.
You do! Subscribe to this channel and watch his videos 😉
Every time you make a video it seems you are talking directly to me thanks alot for your contribution to our world music.....
Greg, I only exist for your nuggets of wisdom to rain down on my face.
lol eeew
Grekkage 🤣
Yes, that's right! The plugin chain is the most important thing
Master Gregory Scott imparts his wisdom onto us. Thank you sir, so wise
The Shrink! Thanks doc!! Feelin minty fresh again!! See you next week..
bro we need more videos where u at
Man I love your videos. A hybrid of the science and the art of mixing. You have a knack for describing sound with adjectives that convey the timbre and texture of tones and really evoke vivid imagery in the minds' ear. Keep doing what you're doing, and we'll definitely keep coming back for more.
you make me wanna open up a session to apply all the knowledge ur sharing! thanks alot bro!
That's the goal, right on!
“Mixing is like a game of wack-a-mole”
I like that 😂
I've always wanted to be able to track and mix like the pros but I got sidetracked with life. So after nearly 40 years with one company I retired early and am giving it a shot. I've always made my own productions but with Fostex 4 tracks or 12 channel digital recorders with a CD burner. Having so many things (plug ins) at your finger tips can actually be paralyzing, especially for a guy like me who came from such a forced minimalist approach to recording. Frustrated at first but your vids are helping me make those many little moves you talk about quicker and with confidence. Just wanted to say thanks and please keep it up.
I get it man, option overload is real!
Your videos speak to me.
God bless you buddy - it’s all about balance ☯️ your video has connected some dots for me!
Everytime I see one of your videos, I feel like I am learning some inside secret that all the other mixing gurus never told me. Been so long since Ive produced a song because life and other projects get in the way, but your videos never fail to excite me for getting back into it! Ill be making some time to put your exercises into practice soon.
We need new videos Gregory !!!!!
What happened to your uploads??? Miss your awesome videos, hope you return to making them!
once again, very well said and presented. The longer I do this hobby, it's more about this kind of "perspectives" and less about "trick's and plug in's"
Agreed, mindset is 98% of the battle. If you can hear a thing, and if you have an instinct about it, you'll eventually figure out what to do about it. Might take another 2 or 72 mixes to figure that out, but it's inevitable. If the mindset isn't right, though, it's hamster wheels all the way down!
@@TheHouseofKushTV as someone who’s been mixing for a while now and just recently come to the “mindset” I can wholeheartedly agree. Back then I was doing way too much over thinking and going backwards that I was never satisfied, but now I’m confident in my movements.
Thanks for your wisdom again!!! I always had to smile about your body language and just today I got, that it reminds me so much of Kramer from Seinfeld...It makes your lessons even more entertaining LOL
i love you dude. ive been producing for 10+ years, its harder and harder to find new things.. and you keep dropping new gems, ideas and perspectives. insightful!
if anyone wants a super quick shortcut to a complementary frequencies technique use this formula:
Use 1k as a mirror point.
So if you boost @ 2k, cut @ 500 (1k X2 vs /2)
if you boost @ 10k, cut @ 100 (1k x10 vs /10).
As your experience grows you will get an ear/feel for where that mirror point is per mix but start there and getting into the habit.
How do you know this works?
@@zigzag6415a combination of studying and practicing audio science, psychoacoustics, and music for 30 years.
And more recently hundreds of millions streams to validate that effort.
I'm proud to say I'm one of few people on the planet that makea a living solely from music.
This guy is brilliant. So much really good information that I need - all of it. So good.
Thanks for sharing your hard earned talent, skill and knowledge.
A lot of your videos have lead me to the conclusion that being an audio engineer is like being a Architect. Constant little curve shifts and dedicated figureheads help sum up the artistic expression of the piece. That expression isn't nearly as impactful if the foundation is cracked or uneven. Of course all of those choices are made at the blueprint. And being a good "Architect" means you know how to read the blueprint and how to make adjustments if need be. Hopefully that makes sense to more people than just my coffee addled brain. Thanks for your awesome tips!
The most style and groove videos are laid down in the House of Kush. Even when I’m not currently recording, I get the bug after watching. Love it.
The Purest The best! advice on RUclips!👌👌
Hi Gregory, just wanted to say a huge thank you for this series, and particularly this episode. A lot of mixing advice out there is very formulaic, so your approach is really helpful.
Specifically, not going back and undoing moves already done is a huge takeaway for me. It’s especially tempting to do this as a beginner/amateur as a lot of the time you really don’t know what you’re doing. I also appreciate your comments on multiple plugins. Just today, I was feeling guilty about having “too many” compressors going on one channel. In the past I might have taken them all off and stared again with the compression, even though I’m happy with how it sounds.
Right on! Serial compression is, for me, the way to go at least 50% of the time.
Love these videos. The philosophy of mixing is everything and the idea on not hyper-focussing on the element while you adjust is so important. Don’t stare at the steering wheel while you drive around a bend.
Like „Bob Ross“ built his pictures. Appreciate it very much! Hope you´ll never stop. Everything effects everything. Simplicity FFW
Not made a vid for a while man. You feel like you've said what you needed to say? Love your content, would dig another after hours sesh ;)
I haven't thought of this before, but I got a glimpse of this while mixing my latest song. I wasn't happy with the low end of the mix, and while frustrated I worked on something else in the mix (higher up in the frequency range). Listening back to that days mix, I heard an improvement in the low end. Completely by accident, I felt the lesson in my body. You put the lesson into words brilliantly on this video, Greg! Your talks on the process of mixing are invaluable and always enlightening!
That happens to me all the time, but in the opposite direction. I'm hearing the high end as unpleasant, but the problem is in the low end.
@@jkf9167 For me it's always the low end :D
glad to see you still doin your thing brother
Been going thru all your videos. Absolutely love the format and vibe and advice obviously. Hope you come back!
2 Days ago, after working on the snare then switching to the Bass I realised that after doing some EQ in SOLO without thinking about it I did a volume check on the snare as I was going back to the full mix but still working on the bass, almost like a Subconscient move . It's slowly starting to sink in LOL. Thanks for your time, wisdom and Great Videos !
Thanks, Gregory. I always filter everything else I learn through what I learn here.
COMPLEMENTARY FREQUENCY - waiting for video on this topic.
I Love This Channel
Bro, the people want a new Kush segment.
you know why im here
BEAUTIFUL. JUST BEAUTIFUL.
This "contrasting moves" idea is genius. Thank you.
Yes please “the complementary frequencies” video, we want it 🙏🏼🙏🏼🙏🏼
You really are too cool for school Gregory, keep 'm coming my man, peace🙏
Wack-a-mole is a perfect analogy for mixing. Lol That’s exactly what it feels like
The BEST mixing content! 🙌🙌🙌
Mellow minty fresh wisdom lodged firmly in the back of my head. Thx, Gregory!
This really clicked for me, thank you so much!
Man I’ve been watching your channel for about 3 years and I’ve learned a lot of useful tricks that have helped me mix more consciously. Glad to see you’re still putting out very insightful content.
Thanks kush 🚀
Post Technical Creativity, Mixing is like having studied Music theory, A steep learning curve followed by a creative constipation which has been temporarily substituted with a hyper analytical approach .... another few life knocks brings the feel back, in the sweet spot..! best of both worlds... at least those of us who arent born with some amazing ability!
'best of both worlds,' amen to that!
I re-watch your videos from time to time, and I still learn from it! I started as beginner, now I'm much further down the road. It's like your knowledge is too deep to grasp in 1 take, so every time I watch, I learn something new and I go apply it in real production, then comeback a few months later and learn more from the same content! MAGIC :D
Need that video about complimentary frequencies
i can't thank you enough for making these videos gregory, you are by far my favorite mixing teacher on youtube, you make complicated concepts click in ways i've never been able to understand before. i really admire the nuances of your approach and perspective. especially looking forward to complementary frequencies video update. please come back soon, we miss you
I love this man!!!!
I haven't been on the channel in a minute! Thanks for serving value in all your videos and for the holistic view on mixing 🙌🏾🙌🏾🙌🏾
Never look back. That and the THC meds make a good life ethos. Good to see you looking well Gregory. Peas n Love ✌😎
Yooooo hope you come back soon!!!!
Love it. The EQ seesaw!
I love your work sir... LOVE the Sneaky Little Devil Vids... Keep 'em coming.. I recommend your channel to all who listen to MY ravings.. !
really looking forward to the complementary frequencies video. GET TO WORK!!!
Very refreshing conversation. Thanks a lot for sharing.
Pure gold advising...
Thank You !
Love from Quebec :)
Just love that your unique perspective and comforting presence is out here in RUclips Land to gently guide us to happier mix days ☺️ Thank You Gregory Scott!
Forever my favorite teacher 🙏🏼
it's like a f*ckn spiritual initiation man! jeeeezz
Totally love the sentiment here. Its a BEAUTIFUL thing that we arent limited to the number of EQ's or compressors in a rack anymore. It really enables this kind of "not going backwards" style of mixing. I do find that I can hit CPU limitations though, at least in Ableton I have actually managed to get a project into a totally unusable state, which is a major pita. Anyhoo, cheers and thanks for the chat!
This dude is just the best!
Fantastic reminder Thank you !!!
A lot of parallels with color theory in this concept. I love it. Great video
Hey, I hope you're well. Dead air for six months is a bit worrying.
Came here to ask similar. Hope all is good
@@thomasrobertson4213 HOPE HE IS OK
Same. Hope he’s ok.
keep them coming, love that tutorials, thanks!
Thanks Greg!
All your Videos are so helpful.
cool cool.
Greetings from Berlin
Always excited to see another one of these land. Thanks, as always, Gregory!
You nailed it doc.
AMAZING. I watched this video when you posted it and it went a little over my head. Just watched it again 6 months later after mixing a ton between now and then and it makes 100% sense now, so a few wisdom seeds must have gotten into my brain and begun to grow and transform my approach into a more holistic one like you said. This is a huge one. You are a goddamn guru - thank you so much for sharing this deep knowledge with us
These videos not only offer me new perspectives, but also reinforce things I already understand from new ones !
Gregory, you are the Garrison Keillor of audio production. Always a pleasure to check in: Thank you again!
I love this man
Well done, man. Thank you for the wisdom!
I enjoy listening to you a lot. Nice view on things.
Gregory Scott WHERE ARE YOU?
Missing your vids, matey. Hoping you’re well and we’ll see you again soon! 🎧