Samuel Ramey - Il dì già cade...Que' Numi furenti - "Semiramide" (London, 1986)
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- Опубликовано: 11 ноя 2011
- "Il dì già cade...Deh! Ti ferma, ti placa, perdona...Que' Numi furenti" di G.Rossini, atto II - Direttore: Henry Lewis - Assur: Samuel Ramey - London, live 15.4.1986
Bravo come sempre! Al giorno d'oggi non si trovano piu' bassi veri!
One of the greatest nights ever in an Opera House
Brilliant thank you for posting this
The best.
basses are the only fach for whom the best among them is still living. we have no current soprani of this quality, no mezzos, no tenors and no baritones.
Meraviglioso
Fabulous!!!
Magnifico, come sempre!
Bravo Bravissimo arcibravo unico grande come sempre grazie
Was at this performance in Covent Garden it was a concert performance with June Anderson and Marliyn Horne
Bravissimo, Sam!!! You are the best!!!
Sam Ramey is the the best !
Fantastic was present that evening the whole cast were fabulous Marilyn Horne June Anderson Chris Merritt Judith Howarth Henry Lewis Gynn Powell magnificent
Magnifico
Nobody sings this better than Ramey...no matter what bodiloto says. bodiloto is a troll who has gone to virtually every Ramey video and written nasty things about him.
hear to Tancredi Pasero, that's a real Bass singing the aria, and George Pappas from Teatro Municipal de São Paulo,1980. Both simply amazing!
Ramey owns it for sure! The only other for me in this aria is Ferruccio Furlanetto
chopinopus28
lascia perdere @Tam Olyn e' un giovane dilettante fanatico. fan accanito di Ramey.
@ixlioavoeqgni oeqgni Basso coloratura???? Can you name me one other ''basso coloratura'' ? Nice thing to invate new definitions, creativity is always a good thing, but such thing as ''basso coloratura'' has not seen the face of earth till now.
@@chopinopus28 You are both correct and wrong. The bel canto composers and the Baroque composers who preceded them expected all voices to be expert at both "coloratura" [the emotional coloring of the voice vie tone and rempo manipulations such as proper rubato singing] and "fioratura" [the individual decorations added to a line by a specific singer to enhance the emotive impact of the song]. So you are correct that there was not any such category as "coloratura" basso at the time of composition; there also was no category of coloratura soprano nor was there any category for what is now called a mezzosoprano. Nowadays we use the term coloratura generically to stress the decorating of the line to enhance its impact. Thus "coloratura" has become a category in itself and we now do apply it, when such a rare voice emerges like Ramey's, to whatever vocally category it occurs in.
2:18, Il dì già cade
6:15, Sì, vi sarà vendetta
7:50, Deh ti ferma, ti placa
11:15, tempo di mezzo
12:54, Quei numi furenti
i tenori wagneriani della mia giovinezza avevano delle voci di colore più scuro e molto più grandi della vocina di questo ''basso''.
no comment.
Ghiaurov aveva una voce più chiara di Ramey.
ma cantavano la coloratura rossiniana con esattezza ed espressività? non paragoniamo le mele con le arance. Di Max Lorenz Rossini non avrebbe saputo che farsene-
M. Furia
Esistono delle arance molto più dolci delle mele ...
😂😂😉
Ignas Melnikas
Ragazzo, da dove vieni ?
Sei appena caduto dalla Luna ?!
Dal vivo :
1 Ghiaurov = 20 Ramey e ancora ...
🤣🤣🤣😉
Ignas Melnikas
Ghiarurov aveva una voce più chiara di Ramey ???!!!
😂😂😩🤣ahahah