Which is super rare. See Ola's videos when he overload the signal in and get a distorted "distorted" sound. I used to have a MONSTER tone with a Mesa Quad pre + Marshall 9200 + Digitech 2120 31 bands EQ and guess what...? There was NO space left in the mix for anything else! The last thing you need is an overdrive in such chain and that's why all modern metal sounds shit! Overly compressed, saturated, dead, dry, mechanised, quantised, sampled, toothpaste density suffocated tones!!! Let it breaaaaaaaaaaaaaaaaaaaaaaaatheeeeeeeee man!!
I usually say the overdrive pedal is an EMG simulator. It boosts the volume and sculpts the sound. People who bag on OD pedals usually swear by active pickups, so that logic tends to work.
@@Ottophil Well that depends on the overdrive, basically if the first op amp is before or after the clipping stage. If it's before, it clips the amplified signal, which acts as a compressor. There's other ways as well, so it really depends on what the layout of the OD is.
Not to be too literal here,but... "need" is a strong word. 5150's, SLO-100's, lots of Mesa Mark series & Rectifier series, and many, many more do not NEED an Overdrive. All of those amps can produce crushing tone without any kind of boost. That's a matter of personal preference and your picking hand. For example, I play in a death metal band, and while I use a 1994 Peavey 5150, and only use my Ghoul Screamer for solos, my other guitarist plays through a 1997 Rev G Triple Rectifier and runs an MXR GT-OD in front at all times. The amp itself definitely does NOT "need" the boost. He just prefers the response he gets with it. An amp "needing" an overdrive is not the same thing as an amp that can occasionally "benefit" from one. Just like "Good Metal Tone" and "Modern Metal Tone" are not the same thing. A good metal tone can be many things. Modern is just one of those things.
Once I got my Hughes & Kettner Grandmaster 40 I pretty much stopped using all my drive & distortion pedals. So I sold them and bought a Marshall DSL20HR head. Now I can play with a stereo rig. No regrets on that.
Knowing that for high-gain metal tones, most people use a tube screamer (or similar boost) to tighten up the amp's response, I think its reasonable that amp manufacturers build this functionality into their amps since this is what guitarists are wanting. Its really not difficult to build a TS9 circuit into the front end of an amp AND have it be switchable.
True, it is ironic that you can often get better tone from e.g. a modeling amp that costs a fraction of the cost of a boutique tube amp out-of-the-box. Or maybe it's perfectly consistent? Is the point of boutique gear spending money?
They did, it was the Marshall JCM 900, although you couldn't control the parameters. In the 90's most people on the Metal community seemed to hate it because it didn't have enough gain, and for purists the solid state circuitry before the preamp tubes kind of modulated the tone in a cold way.
Surely he’s talking about the owner. The pedal is one of the best I’ve ever had, build quality and effect quality. That thing into a tube amp is in a league of its own
I use a GE7 always on for this purpose! Cut a little of the LOW lows, nice boost in all mid range freqs, small high cut and then some volume boost! Works a treat 🤘 Keep up the good work Fluff, love the channel!
I agree with what your saying. I think it’s a matter of perception, as I like to think of the pedal adding to the amp, not completing it. That said, there is some validity to the idea that a “new” amp that cost $3,000+ shouldn’t need anything. In as much as say spending $2,500 on a Les Paul should mean it doesn’t need a set up to stay in tune and not fret buzz. But perhaps in that situation your buying the wrong amp. Seems like a lot of us keep buying 30+ year old amps expecting them to have that modern metal tone. Not to mention that the tone a lot of people are chasing is on an album made in a studio, with tones of post production, and then compressed to an mp3 format. There’s a reason engineers listen to a playback, to see what the “perfect track” sounds like through the monitors
To tweak the car/tires analogy: the amp is the car with radial tires and the overdrive pedal is a set of sticky ass summer performance tires. Yeah, you can drive it on the OEM tires just fine, but everything handles better with stickier tires.
A good metal amp doesn't "need" an od. It comes down to preference really. Anyone is more than welcome to just plug and play if they want. There's no rules.
Yeah, I have a 6505 and I can get perfectly usable and tight enough tones even for modern death metal and grindcore with no pedals whatsoever in front of it, but I still boost it with an overdrive (or HM-2 if I'm feeling Swedish) a lot of times for the chunky pushed midrange and extra bite. If I'm going for a thick, growly, saturated tone I'll leave the pedal off and run with just the head, but neither option is mandatory
Generally I agree with Fluff on stuff. Here’s my take on this one. I don’t like double switching when I need to hit the drive and go heavy. So I bought an amp that did the tone and feel I wanted on it’s own and learned to use that amp. Do I use ODs? Yes. On my clean channel. I don’t need it on the dirty channels because they already do what I want them to. I saved and got an Oni and a Diezel. If I need a different EQ going in, I’ll use an EQ. When I got my Oni, for giggles at practice, I turned the boost on just to see what kind of difference it made. Me and literally everyone there agreed it got too brash sounding. With two different drives. If I have to change the amp settings, then I’d need the boost to sound right all the time. I don’t like gritty cleans. So that leaves me with an expensive MIDI pedal loop situation that I don’t really want to mess with. The Herbert does just fine. I’ll continue to use boosts on my clean channel for my bluesy and mid gain tones. If you want to dance to get your tones live or got one of those pedal loop things, do you. I have no issues with people doing it. I have issues with marrying yourself to the idea that you need one for good metal tone. That’s false. You may want one for stuffer feel or to high the front end harder, but again, I get enough gain and cut to play almost any style necessary sans boost. This is a flavor/seasoning thing, not a need thing.
In regards to adding more gain, just use the BOOST button on the amp's footswitch. That, or hit the channel switch button, and go to your "lead channel." Now, the way I have always used Tube Screamers or Klons is to cut out some of the low frequencies, because most "metal" amps tend to get flubby in the low frequencies. But, of course, you could just turn down the amp's bass knob to get rid of the flubby sound.
You're literally describing signal gain. What I think you mean is that the overdrive or boost doesn't necessarily, itself, need to add distortion (saturation)
I would even say, that you don't need a "metal amp" to get a great metal tone. Im playing through a Highes and Kettner Tubemeister 36. In the lead channel with an overdrive in front i can get a nice agressive and tight tone. One pedal gave my amp another dimension without the need of investing a lot of money.
I agree that a Tubemeister is a very capable amp for metal, I also agree with the original sentiment. I use a Egnater Renegade, which is about as high gain as your average Marshall. But with a Precision Drive in front of it, it'll do all sorts of nasty death metal tones.
A tube screamer/tube screamer style circuit also add's a mid hump to your guitar sound which works very well with high gain amplifiers and helps you cut through a mix better. Some amplifiers however do not like tube screamers(Vox, Matchless) and prefer more "transparent" circuits such as a klon, timmy, hotcake or bluesbreaker style circuit as a boost.
That’s because it would be ideal to have an amp that doesn’t need anything else. There are probably people that still use a boost in front of amps that already have a boost integrated. Simply because that’s the norm. But it would be awesome to not have to use one. The least amount of gear to haul around, the better
I keep hearing this for years: overdrive pedals are for level boost and some tone shaping. Nobody is ever using the drive knob, right? So WHY NOT use an EQ pedal then? For those purposes, boost and shaping they are WAAAY better and more versatile. What do I miss here?
TBH, I don't realy like the sound of amps when they get boosted. Of course some need that like some rectifiers (2012 ones I think) but I feel like they sound better and are more recongnizeable without a boost.
For those guys who don’t want to buy an additional OD pedal There’s this German amplifier company called Driftwood where you have an inbuilt TS-808 circuit in that amp Also fluff great video as always I think the right OD is like choosing the perfect sauce for your steak 🤌🤌🤌 Not everybody likes it, but everyone’s got a different taste
Just to be clear he’s talking about Overdrive /boost pedals. Not Distortion pedals. In this case the pedal is used more to increase the signal than distort the signal itself -level up and gain lower. Without a overdrive/boost the first gain stage of your amp is running CLEAN due to the low voltage pickups produce. With an overdrive/boost you can drive the first gain stage harder -increasing distortion. This will also increase the distortion to the cascaded stages afterwards. If your amp is already producing tons of distortion to begin with then you should back off on the preamp gain to compensate. Use your ears when adjusting both the pedal and the amp. Another bonus to using a boost/ overdrive such as the tube screamer is that they notch off the lowest bass frequencies and add mids. This “tightens up” the sound which often is beneficial for high gain.
If you just don't like how a Tube Screamer cuts the low end, try one of the following: Nobels ODR-1 Marshall Guv'nor Way Huge Green Rhino Any EQ pedal (graphic or parametric)
There are mods for high gain amps that basically put tube screamers inside the amp. But if amp manufacturers did that, people would complain about the amp being part solid state...
The comments I see the most are on 5150 forums saying "5150s don't need and overdrive, just turn up the gain there's already too much of it" without realizing that the gain is not the point
I recently put a tubescreamer type pedal into my favorite high gain amp and I was kinda blown away. It made the sound more modern, less thrash metal ish. But that was with gain 1 /10 on the pedal. And it really helped these dark OEM pickups. Probably not necessary with actives.
Fluff you HAVE to try squirting one of those mio flavorings into a topo chico, it changed the way i see the drink and it doesn’t add any sugar or anything.
Actually the overdrive raises the gain not volume. Using an overdrive by raising the drive knob soft clips the signal before the amp vs using an overdrive like a boost by raising the level knob which boosts your signal before the amp and hence adds more gain to the preamp
Do you need it? NOOOO!!! Do you Want it? YESSSS!!!- Marilyn Manson. I brought a few pedals to an open mic recently to be used in the house amp. One other guitarist asked if the Emma PisDIYauWot was supposed to be higher gain than the Freidman BE-OD. Not necessarily, just different sounds. To me, that's what the pedal does-- take a relatively straight forward amp and give it more tonal options without making the whole rig hard to use. Pedals are flavors. TBH both my Mesa and Budda can do metal tones without pedals, but they can do cool stuff with.
Mr. Fluff, I can only assume that this video is likely in response to the comments you got on the Mesa Badlander Demo. Personally, I think that anyone should play with whatever amp config they want..whether it has an overdrive in front of it or not. It's all subjective and preferences will obviously vary from player to player However, I do not believe that an overdrive should be used when doing an Amp DEMO. At least not right away. You've got a great channel and a lot of followers (like myself) that I'm sure would like to hear the native sound of the amp. I'm not at all suggesting don't use an overdrive altogether, but maybe demo amps first without a boost / overdrive.....and then make a second pass with one so everyone can hear the difference. Just a suggestion. I think that would cover all the bases and make everyone happy....but what do I know? It seems the current trend or motto these days is "We're not happy until your'e not happy". Lol. At any rate, love the channel. Keep rippin'!
AMEN Brother!!! I always play thru 2 different full Marshall stacks(even at bedroom levels). Like you said, I don't turn the gain all the way up, and a simple BOSS OD1 with the gain to 0 and Level to 10 makes it turbo like. REALLY sounds ridiculous as far as rich harmonic distortion. Some reverb, and delay and it's a done deal. You are my favorite channel and yes I love your humor. Look forward to next...
you hit the nail on the head...an OD pedal will add extra flavor to the amp...I haven't used any OD's that add a flavor I like (JCM 800 is only exception, that amp has to be boosted to sound good & just about anything works)...so i don't use OD's as i want to retain the original flavor of the amp..if i wanna push it, I'll use an EQ pedal & keep the tone & add/subtract frequencies i want/don't want
As popular as it is, it should be implemented in the amp to be able to turn on or off. (for newly designed amps) And some amps do have it. A clean boost + tone is basically what's needed. From a different perspective, it's should be more commonly equipped than reverb.
For anyone thats boost/overdrive averse for guitar amps, I think a good option is the Mesa Mark amps. I like the thing of the eq section as a basic Graphic EQ boost section, and the actual graphic eq section sliders as the actual amp EQ. I think its a good in the amp representation of the powerful effect of using some kind of boost and sculpting tool prior to the amp.
At 2:24, when you refer to "gain", are you talking about distortion? I could be mistaken, but as far as I know, gain *is* amplifying the signal. If you amplify the voltage on the signal line, you have increased the gain. Whether that leads to distortion or not, and what component does the distortion, depends on the limits of the valves or diodes in your amp. So surely exactly the point of a boost is to add extra gain (amplify the guitar signal), but not necessarily distortion.
I had the most hilariously bad reliability with bogner back from 2003 - 2006, long story short my dealer stopped selling them they were so bad at warranty repairs.
@@sunnohh My friend had an Uberschall from around the same time period and it gave him all sorts of trouble....totally put him off Bogner. I still have a mid 90's Ecstasy, which has been bulletproof.
While I do use a TS style pedal in front of a high gain amp id prefer demos on the amp to really showcase the amps pure tone and perhaps a small section with it boosted
I have never used the Drive knob on a Tubescreamer. Basically I use the pedal for the Tone knob (and just crank the Level to full), the way it tightens up the sound and makes it more spanky and aggressive is exactly what I like, and i like how it makes the amp react more to my picking hand. Whenever I hear amps without it, they always sound softer and more "wooly". Basically what i'm saying is, I want a Fortin Grind or 33, since they're basically Screamers without the Drive part and with a gnarly EQ,
I would like to see someone do a full review of using a mxr 10 band eq as an boost, between the eq section and gain I think there are many possibilities out of one pedal, I do it into a hx stomp but it’s not quite the same as going into an amp
its not quite the same as an overdrive pedal but still eq's are indispensable tool. What you miss out using an eq pedal is: any sort of clipping built into the OD, be it op-amp, silicon, etc etc, and you also dont get the exact EQ curve of the OD pedal.
I have to imagine it exists somewhere, but ive always been surprised that no manufacturer has just simply put the TS circuit inside the amp with the true bypass switch on the front panel labeled "Boost" and a Led to let you know it is engaged. It is a super simple circuit and you could just pull the power from a tube heater supply or similar low voltage DC from an effects loop op amp (or many other places).
@@dimevo oh nice. Have not seen one in real life yet to play with. Is it a front end boost like a Tube Screamer or just a lead boost? I have an old Carvin V3 with a "Boost" switch but it is way down the signal chain (end of the preamp) and just kicks on another half of a 12AX7 tube to just increase the volume into the power amp
I agree with the small and vocal group about boosts :) That's why I REFUSED to boost my Rectifier pre NO MATTER WHAT (but now I do...lol) Anyway: I would expect a proper $$$$k amp to have at least ONE on-board overdrive option (REVV anybody???) based on a well-used OD (TS circuit or/and a clean boost) that could be engaged on/off. If you want more options, use your own. And yes, ODs maybe like your cars' tyres, but you never bought a car WITHOUT any FACTORY tyres on, have you?
Been using my Analogman SILENT Boss GE-7 to boost the signal and shape the tone before entering my Bugera 333XL Infinium. It allows me to get the "chug" I want and also sort of "balance" different guitars with different PUs in order to get the tone that I want (basically around the Bridge PU, Neck PU being the accessory option). So I can achieve some sort of consistency, no matter which guitar I use. I found out that although the Flex EQ7 is more "practical" as it stores presets, it isn't as silent as the Analogman EQ, so I got used to keep a little note on my pedalboard with the various EQ settings depending on the various guitars I play.
Thank you, I am the same way. Sometimes I turn my clean boost on my soldano or splawn because I enjoy the tone! Sometimes I don’t want it to be super tight so I turn it off and get that gooey melted sound. It’s like saying I don’t need a reverb pedal because my amp already has reverb.. sometimes you do!
Totally, but EVH played in E or Eb Standard his entire career minus a couple of songs. The benefits of boosting your guitar signal start to appear when you start tuning lower and lower and your low notes are starting to sound bad.
@@chrispeterson9447 I think Van Halen 1 crushes 99% of metal bands . That tone inspired countless people in all parts of the music industry . No one cares about god smack or whatever fluff listens too
@@33cattt49 nobody said anything bad about VH, straw man arguments are boring. Some people want a tight and responsive sound with a lot of attack, some want a loose sound with more give. Weird concept here-we could actually be decent humans and not shit on one another for having musical and tonal preferences-it’s really not difficult at all to simply not be a snobby bitch. Eddie’s tone was unbelievably good but it’s not a metal tone. VH is classic hard rock and Eddie’s tone was shaped specifically for that purpose. Also imagine thinking Godsmack is metal lmao
I modded my Peavey Valveking 100 head and it doesnt take a boost because the Gain is already so high & Distortion is already so tight that a boost is counterproductive. It took a LOT of tweaking to get there though. You can boost tubes in the circuitry a bunch of different ways to eliminate the need for a boost completely.
I like boost pedals in front (whether I'm playing guitar or bass) because using one drives an amp into compression faster, at lower/manageable "bedroom" levels.
Agreed. I use to agree with those guys. I got the Revv 100p because it was tight sounding and didn’t need a boost, I was pleasantly surprised when I noticed it sounds better boosted. Got a tube screamer in front now.
I just got a 5150iii stealth, and I can say the blue channel with a boost to my ears is “better” than the unboosted red channel. Sharper, more articulate and aggressive. OD pedals bring something more to the table no matter how awesome the amp already is, and there’s nothing wrong with that.
I always use a boss sd1 for a clean boost just to tighten up my tone. Recently got a mxr 10 band with settings like Kerry king with the volume up and gain off and turn down the amps gain and I get a nasty gritty aggressive tone. I just learned about using the 10 band in the effects loop. Along with those two pedals I got a bbe sonic stomp maximizer and that pedal adds punch and note clarity
If a high gain amp really doesn't need an overdrive pedal, it probably has the transistor boost, diode clipping and tone shaping of an overdrive pedal built in. At that point, with no pedal, you are limited to that flavor. Pedals offer extra flavors.
Lets just say a boost. There's something about tube amps that hitting hard that first preamp tube with a large amplitude signal creates a "gainy" sound that retains clarity, whereas increasing the gain with the amp's gain knob tends to "mush" the sound. I like to set the amp gain to crunch or rhythm sounds and then use a clean boost to achieve more saturation. Also with a pedal that has some EQ on it one can shape the sound better. My boost of choice is an RC Booster-V2.
Overdrive pedal is a must!!! Eq pedal is a must too!!! For me!!! But my silver jubilee (not a metal amp) can do nice heavy rock tone by itself and more chugga chugga by using od pedal and eq pedal. The point is the cab and speakers, the amp just give 40% of the tone, maybe even less
I used various amplifiers like Dual Rectifier, 5150, Soldano, etc. I play metal music and never need an OD to achieve a good powerful sound. If you connect an OD you will only be able to subtract body and bass. Amps need absolutely nothing, just your hands.
And maybe some players should try turning their e.q. knobs? I always hear tube screamer guys say it tightens up the bottom end. Well, why not just turn the bass knob down? Duh
I prefer the sound and feel with a boost on, pinch harmonics, legato, palm mutes etc. sound better. I have a bunch of boosts and each one is noticeably different.
I've never understood the correlation between quality and monetary cost. Should EVERYTHING in my chain be just as expensive as my head? Should I only use $2000 pedals? $2000 cables? $2000 strings? I just don't understand, if it gets the sound you're after why would cost have anything to do with it?
yo so I got this expression pedal hooked up to the compressor of TD NOVA dynamic eq ánd at the front position got a low pass auto filter. It's the coolest effect I've ever had and I can set it up however I want it's so cool.
The tube screamer thing is very much for modern metal, if I want a rectifier to sound more nu metal I probably wouldn't use a boost. Now people make amps with circuits that do things like this (the triple crown tight is pretty similar to a screamer), but I'd hate to have that on all the time on all channels, I want an amp to be able to be more with a pedal rather than make pedals sound bad by already having that tone. Modern metal is the sound of mid boosted/bass cut front end into a high gain amp into v30s. Other boosts I prefer (sd1s, Tc preamp, even modded screamer) cos Im a but tired of that specific frequency boost.
My Dover DA50 and Engl Savage mk2 dont need a boost. Matter of fact, the Dover doesn't take them well at all, but the onboard TS style boost works perfect for some reason.
I've always used an OD in front of my amps, because it helps me get the sound I want. Without it, I find it difficult for me to find a good sound that I like, and it always feels like somethings missing without it. In this case, I use an OD to add flavour. Don't get me wrong, there are times where I'll turn it off, and go without it, but in the end I always got back. Because it's what I like. Btw I use Bias Fx/Jamup. Yeah, yeah, I know. But I'm able to get "my sound" from it and it's highly versatile for my needs and a tube amp/pedal setup is simply to loud for my living situation.
Hi Fluff, I like this video and agree with you. I have a question tho, about overdrive pedals and probably many of us would benefit from your answer as you are experienced in this field. As you have said it in the video, lot of them work differently and add different flavours to the tone. Can you give some ideas to us, just vaguely, which pedals give which characteristics to the soundscape, or at least where, in which direction we should start our journey in experimenting with them? What do we have to look out for? Thank you in advance.
To quote some Swedish guy, "How can less be more? More is more."
@Dizzy Duke bruh why did you comment that? Literally the definition of non-sequitur
Ola Englund said that didn’t he
Ynwgie Malmsteen reference for those wondering ha
@@turboesther36 yngwie malmsteen
@@AzathothsAlarmClock camera pans to security guard - "HE likes donuts."
There are no rules, except "make it sound good."
And don't kill people.
@@robbirose7032 Good point.
Which is super rare. See Ola's videos when he overload the signal in and get a distorted "distorted" sound. I used to have a MONSTER tone with a Mesa Quad pre + Marshall 9200 + Digitech 2120 31 bands EQ and guess what...? There was NO space left in the mix for anything else! The last thing you need is an overdrive in such chain and that's why all modern metal sounds shit! Overly compressed, saturated, dead, dry, mechanised, quantised, sampled, toothpaste density suffocated tones!!! Let it breaaaaaaaaaaaaaaaaaaaaaaaatheeeeeeeee man!!
@@user-eu3mn6ss5l Euronymous has left the conversation
I usually say the overdrive pedal is an EMG simulator. It boosts the volume and sculpts the sound. People who bag on OD pedals usually swear by active pickups, so that logic tends to work.
Bingo.
I do both 🤓
To simulate the EMG tone you’re gonna need a compressor too
@@Ottophil Well that depends on the overdrive, basically if the first op amp is before or after the clipping stage. If it's before, it clips the amplified signal, which acts as a compressor. There's other ways as well, so it really depends on what the layout of the OD is.
That's a good point. Active pickups do include a booster and eq.
Then again i sometimes use active pickups AND a tube screamer :)
Not to be too literal here,but... "need" is a strong word. 5150's, SLO-100's, lots of Mesa Mark series & Rectifier series, and many, many more do not NEED an Overdrive. All of those amps can produce crushing tone without any kind of boost. That's a matter of personal preference and your picking hand. For example, I play in a death metal band, and while I use a 1994 Peavey 5150, and only use my Ghoul Screamer for solos, my other guitarist plays through a 1997 Rev G Triple Rectifier and runs an MXR GT-OD in front at all times. The amp itself definitely does NOT "need" the boost. He just prefers the response he gets with it. An amp "needing" an overdrive is not the same thing as an amp that can occasionally "benefit" from one. Just like "Good Metal Tone" and "Modern Metal Tone" are not the same thing. A good metal tone can be many things. Modern is just one of those things.
Also... I laughed hysterically at the beginning, because the impression of the "commenters" was awesome.
4:20 "Maybe I want a Fullto- oh wait, not you."
*John Browne has marked you for death*
0:26 felt like I had stepped into a Finn Mckenty video for a sec
Once I got my Hughes & Kettner Grandmaster 40 I pretty much stopped using all my drive & distortion pedals.
So I sold them and bought a Marshall DSL20HR head.
Now I can play with a stereo rig.
No regrets on that.
I’m scratching my head on how a person could improve on the GMD40. It’s incredible
Knowing that for high-gain metal tones, most people use a tube screamer (or similar boost) to tighten up the amp's response, I think its reasonable that amp manufacturers build this functionality into their amps since this is what guitarists are wanting. Its really not difficult to build a TS9 circuit into the front end of an amp AND have it be switchable.
True, it is ironic that you can often get better tone from e.g. a modeling amp that costs a fraction of the cost of a boutique tube amp out-of-the-box. Or maybe it's perfectly consistent? Is the point of boutique gear spending money?
They did, it was the Marshall JCM 900, although you couldn't control the parameters. In the 90's most people on the Metal community seemed to hate it because it didn't have enough gain, and for purists the solid state circuitry before the preamp tubes kind of modulated the tone in a cold way.
What’s wrong with the OCD?
The sound or the company owner?
Surely he’s talking about the owner. The pedal is one of the best I’ve ever had, build quality and effect quality. That thing into a tube amp is in a league of its own
The OCD is one of the best pedals for the Rockerverb...It's revered...
I use a GE7 always on for this purpose! Cut a little of the LOW lows, nice boost in all mid range freqs, small high cut and then some volume boost! Works a treat 🤘
Keep up the good work Fluff, love the channel!
Im the same way dude. I have a ton of tone test examples of this on my channel. GE-7 is great because it keeps all the dynamics in the pick attack.
Personally I don’t like to use ODs, I’m a fan of higher output pickups. But of course it’s all about the individual
I agree with what your saying. I think it’s a matter of perception, as I like to think of the pedal adding to the amp, not completing it. That said, there is some validity to the idea that a “new” amp that cost $3,000+ shouldn’t need anything. In as much as say spending $2,500 on a Les Paul should mean it doesn’t need a set up to stay in tune and not fret buzz. But perhaps in that situation your buying the wrong amp. Seems like a lot of us keep buying 30+ year old amps expecting them to have that modern metal tone. Not to mention that the tone a lot of people are chasing is on an album made in a studio, with tones of post production, and then compressed to an mp3 format. There’s a reason engineers listen to a playback, to see what the “perfect track” sounds like through the monitors
To tweak the car/tires analogy: the amp is the car with radial tires and the overdrive pedal is a set of sticky ass summer performance tires. Yeah, you can drive it on the OEM tires just fine, but everything handles better with stickier tires.
A good metal amp doesn't "need" an od. It comes down to preference really. Anyone is more than welcome to just plug and play if they want. There's no rules.
Yeah, I have a 6505 and I can get perfectly usable and tight enough tones even for modern death metal and grindcore with no pedals whatsoever in front of it, but I still boost it with an overdrive (or HM-2 if I'm feeling Swedish) a lot of times for the chunky pushed midrange and extra bite. If I'm going for a thick, growly, saturated tone I'll leave the pedal off and run with just the head, but neither option is mandatory
What if I scream real loud at my amp?
worked for me but with mixed results
Screaming at your amp is proven to give you a gain boost and +20 cool points.
It will sound better, purely from fear of you.
Generally I agree with Fluff on stuff. Here’s my take on this one. I don’t like double switching when I need to hit the drive and go heavy. So I bought an amp that did the tone and feel I wanted on it’s own and learned to use that amp. Do I use ODs? Yes. On my clean channel. I don’t need it on the dirty channels because they already do what I want them to. I saved and got an Oni and a Diezel. If I need a different EQ going in, I’ll use an EQ. When I got my Oni, for giggles at practice, I turned the boost on just to see what kind of difference it made. Me and literally everyone there agreed it got too brash sounding. With two different drives. If I have to change the amp settings, then I’d need the boost to sound right all the time. I don’t like gritty cleans. So that leaves me with an expensive MIDI pedal loop situation that I don’t really want to mess with. The Herbert does just fine. I’ll continue to use boosts on my clean channel for my bluesy and mid gain tones. If you want to dance to get your tones live or got one of those pedal loop things, do you. I have no issues with people doing it. I have issues with marrying yourself to the idea that you need one for good metal tone. That’s false. You may want one for stuffer feel or to high the front end harder, but again, I get enough gain and cut to play almost any style necessary sans boost. This is a flavor/seasoning thing, not a need thing.
Boosts are like spices and herbs to a wholesome dish.
Back to my 5150, an amp infamous for needing a tube screamer in front of it, lol
The Peavey one sure the EVH not so much
The 5150 II doesn’t need it. The lead on the original doesn’t need it. The only channel is maybe the green on the original.
@@MetalKillsRap2 Green was the good channel. Red makes your guitar sound like a reed instrument, all the way down to the white noise breath sounds.
@@fuzzshifter green is clean. I keep the green gain at maybe 1.5
Just depends on what tones you are going after. I personally never use boosts.
In regards to adding more gain, just use the BOOST button on the amp's footswitch. That, or hit the channel switch button, and go to your "lead channel."
Now, the way I have always used Tube Screamers or Klons is to cut out some of the low frequencies, because most "metal" amps tend to get flubby in the low frequencies. But, of course, you could just turn down the amp's bass knob to get rid of the flubby sound.
I almost always use a tube screamer to brighten up my sound and to tighten it.
Bonus tip. Track one without and one with to get a clear full sound
You're literally describing signal gain. What I think you mean is that the overdrive or boost doesn't necessarily, itself, need to add distortion (saturation)
I would even say, that you don't need a "metal amp" to get a great metal tone. Im playing through a Highes and Kettner Tubemeister 36. In the lead channel with an overdrive in front i can get a nice agressive and tight tone. One pedal gave my amp another dimension without the need of investing a lot of money.
I would say that is as much a metal amp as anything. Extremely high gain
I agree that a Tubemeister is a very capable amp for metal, I also agree with the original sentiment. I use a Egnater Renegade, which is about as high gain as your average Marshall. But with a Precision Drive in front of it, it'll do all sorts of nasty death metal tones.
Im using the black spirit 300 with a boost eq and a mxr pedal sounds pretty good in my opinion
An OD pedal was a must with my old JCM 900, back when I was an Azagthoth fanboy.
A tube screamer/tube screamer style circuit also add's a mid hump to your guitar sound which works very well with high gain amplifiers and helps you cut through a mix better. Some amplifiers however do not like tube screamers(Vox, Matchless) and prefer more "transparent" circuits such as a klon, timmy, hotcake or bluesbreaker style circuit as a boost.
“Maybe I want a fullto- nope not you” 😂
That comment had me dying laughing
"Fulltone...no not you" xD....I have so many od pedals for, boosting, my personal favorite is the ghoul screamer
The fulltone OCD in my helix LT works great with my dual rectifier and 5153
@@taylorwyatt333 nice, I have never tried one
I love my ocd paired with my 6505!
@@TeiasDoMultiverso i love my cheap chinese made ocd clone with my 6505, fuuuuuuuck mike fuller
That’s because it would be ideal to have an amp that doesn’t need anything else. There are probably people that still use a boost in front of amps that already have a boost integrated. Simply because that’s the norm. But it would be awesome to not have to use one. The least amount of gear to haul around, the better
I keep hearing this for years: overdrive pedals are for level boost and some tone shaping. Nobody is ever using the drive knob, right? So WHY NOT use an EQ pedal then? For those purposes, boost and shaping they are WAAAY better and more versatile. What do I miss here?
TBH, I don't realy like the sound of amps when they get boosted. Of course some need that like some rectifiers (2012 ones I think) but I feel like they sound better and are more recongnizeable without a boost.
For those guys who don’t want to buy an additional OD pedal
There’s this German amplifier company called Driftwood where you have an inbuilt TS-808 circuit in that amp
Also fluff great video as always
I think the right OD is like choosing the perfect sauce for your steak 🤌🤌🤌
Not everybody likes it, but everyone’s got a different taste
Just to be clear he’s talking about Overdrive /boost pedals. Not Distortion pedals.
In this case the pedal is used more to increase the signal than distort the signal itself -level up and gain lower.
Without a overdrive/boost the first gain stage of your amp is running CLEAN due to the low voltage pickups produce.
With an overdrive/boost you can drive the first gain stage harder -increasing distortion.
This will also increase the distortion to the cascaded stages afterwards. If your amp is already producing tons of distortion to begin with then you should back off on the preamp gain to compensate. Use your ears when adjusting both the pedal and the amp.
Another bonus to using a boost/ overdrive such as the tube screamer is that they notch off the lowest bass frequencies and add mids. This “tightens up” the sound which often is beneficial for high gain.
"Does it need tires? Because I should be able to drive a car without tires. "😆
If you just don't like how a Tube Screamer cuts the low end, try one of the following:
Nobels ODR-1
Marshall Guv'nor
Way Huge Green Rhino
Any EQ pedal (graphic or parametric)
Then you don’t play in Drop A or lower. Those of us who play low really need that low end cut.
Pretty sure the green rhino is just tube tubescreamer with a 100hz eq knob
@@gregnelson9335 I didn't say that I personally don't like it. I was just trying to be helpful for people who don't.
@@floridaman7079 sometimes that's all you need though
"Maybe I want a full toe.. No not you" drops OCD pedal 😂🤣😂🤣 hilarious!!
What do ppl have against the OCD? Genuinely curious
@@joshf9766 Mike Fuller, the maker of OCD, expressed anger at Black Lives Matter protests this spring, in turn making a lot of people angry at himself
@@joshf9766 Mike Fuller is a shithead.
Best part of the video! :D
I have an ocd. Long before that shit happened. It’s still a good pedal. That was funny though.
Two guitar players in our band.
We use a Tube Screamer when ever we have Solo’s but for the most part we use the Amp only. But to each their own.
There are mods for high gain amps that basically put tube screamers inside the amp. But if amp manufacturers did that, people would complain about the amp being part solid state...
The comments I see the most are on 5150 forums saying "5150s don't need and overdrive, just turn up the gain there's already too much of it" without realizing that the gain is not the point
I recently put a tubescreamer type pedal into my favorite high gain amp and I was kinda blown away. It made the sound more modern, less thrash metal ish. But that was with gain 1 /10 on the pedal. And it really helped these dark OEM pickups. Probably not necessary with actives.
Well at least all their complaining seems to have spawned the Peavey Invective
lol it has a built in OD option.
I peed a little.
Ryan bringing back the guy humor = perfect boost
I think a razor blade counts as "The Beard Files."
Fluff you HAVE to try squirting one of those mio flavorings into a topo chico, it changed the way i see the drink and it doesn’t add any sugar or anything.
Actually the overdrive raises the gain not volume. Using an overdrive by raising the drive knob soft clips the signal before the amp vs using an overdrive like a boost by raising the level knob which boosts your signal before the amp and hence adds more gain to the preamp
Do you need it? NOOOO!!! Do you Want it? YESSSS!!!- Marilyn Manson. I brought a few pedals to an open mic recently to be used in the house amp. One other guitarist asked if the Emma PisDIYauWot was supposed to be higher gain than the Freidman BE-OD. Not necessarily, just different sounds. To me, that's what the pedal does-- take a relatively straight forward amp and give it more tonal options without making the whole rig hard to use. Pedals are flavors. TBH both my Mesa and Budda can do metal tones without pedals, but they can do cool stuff with.
Mr. Fluff, I can only assume that this video is likely in response to the comments you got on the Mesa Badlander Demo. Personally, I think that anyone should play with whatever amp config they want..whether it has an overdrive in front of it or not. It's all subjective and preferences will obviously vary from player to player However, I do not believe that an overdrive should be used when doing an Amp DEMO. At least not right away. You've got a great channel and a lot of followers (like myself) that I'm sure would like to hear the native sound of the amp. I'm not at all suggesting don't use an overdrive altogether, but maybe demo amps first without a boost / overdrive.....and then make a second pass with one so everyone can hear the difference. Just a suggestion. I think that would cover all the bases and make everyone happy....but what do I know? It seems the current trend or motto these days is "We're not happy until your'e not happy". Lol. At any rate, love the channel. Keep rippin'!
It’s like saying “Why do the Amps have EQ”.
This.... actually really helps, in a weird way. Seriously.
AMEN Brother!!!
I always play thru 2 different full Marshall stacks(even at bedroom levels). Like you said, I don't turn the gain all the way up, and a simple BOSS OD1 with the gain to 0 and Level to 10 makes it turbo like. REALLY sounds ridiculous as far as rich harmonic distortion. Some reverb, and delay and it's a done deal.
You are my favorite channel and yes I love your humor. Look forward to next...
you hit the nail on the head...an OD pedal will add extra flavor to the amp...I haven't used any OD's that add a flavor I like (JCM 800 is only exception, that amp has to be boosted to sound good & just about anything works)...so i don't use OD's as i want to retain the original flavor of the amp..if i wanna push it, I'll use an EQ pedal & keep the tone & add/subtract frequencies i want/don't want
As popular as it is, it should be implemented in the amp to be able to turn on or off. (for newly designed amps)
And some amps do have it.
A clean boost + tone is basically what's needed.
From a different perspective, it's should be more commonly equipped than reverb.
For anyone thats boost/overdrive averse for guitar amps, I think a good option is the Mesa Mark amps. I like the thing of the eq section as a basic Graphic EQ boost section, and the actual graphic eq section sliders as the actual amp EQ. I think its a good in the amp representation of the powerful effect of using some kind of boost and sculpting tool prior to the amp.
I still prefer my Mark IV with a boost
At 2:24, when you refer to "gain", are you talking about distortion? I could be mistaken, but as far as I know, gain *is* amplifying the signal. If you amplify the voltage on the signal line, you have increased the gain. Whether that leads to distortion or not, and what component does the distortion, depends on the limits of the valves or diodes in your amp. So surely exactly the point of a boost is to add extra gain (amplify the guitar signal), but not necessarily distortion.
The funny thing is, the 5150ii/6505+ is the only amp I like the sound of without a boost lol
They have 6 preamp tubes so there's plenty of gain without the need of pedals.
@@louaguado995 that's not the only point of boosting though. It's also to tame the low end
you won't catch me turning my tubescreamer off. ever. ever ever. the filter is part of my sound.
Deadass tho, the only amp I ever tried that I thought had an absolutely perfect gain section (within moderation) was the EL34 Bogner Uberschall
I had the most hilariously bad reliability with bogner back from 2003 - 2006, long story short my dealer stopped selling them they were so bad at warranty repairs.
@@sunnohh My friend had an Uberschall from around the same time period and it gave him all sorts of trouble....totally put him off Bogner. I still have a mid 90's Ecstasy, which has been bulletproof.
I have an Uberschall and I use a Tuberscreamer with it because I wanted it to sound grittier
While I do use a TS style pedal in front of a high gain amp id prefer demos on the amp to really showcase the amps pure tone and perhaps a small section with it boosted
I have never used the Drive knob on a Tubescreamer. Basically I use the pedal for the Tone knob (and just crank the Level to full), the way it tightens up the sound and makes it more spanky and aggressive is exactly what I like, and i like how it makes the amp react more to my picking hand. Whenever I hear amps without it, they always sound softer and more "wooly".
Basically what i'm saying is, I want a Fortin Grind or 33, since they're basically Screamers without the Drive part and with a gnarly EQ,
We use tub screamers into a duel rec and archon and they sound incredible with it. Helps with the tightness.
Totally agree ! For a tight metal tone in a mix I need my Maxon OD with my Recto !
GUYS!!! THE FUCKEN BEARD FILES ARE BACK!!
I look at it as spice. Different flavor, or depending on the pedal, another channel.
I’m been fighting with my one friend about this subject for over a decade.
The one word that you said that could sum up this video...FLAVOR.
it really depends on what type of tone your are going for.
I would like to see someone do a full review of using a mxr 10 band eq as an boost, between the eq section and gain I think there are many possibilities out of one pedal, I do it into a hx stomp but it’s not quite the same as going into an amp
Ask and you shall receive.
ruclips.net/video/CkUUwsZ6h7s/видео.html
its not quite the same as an overdrive pedal but still eq's are indispensable tool. What you miss out using an eq pedal is: any sort of clipping built into the OD, be it op-amp, silicon, etc etc, and you also dont get the exact EQ curve of the OD pedal.
I have to imagine it exists somewhere, but ive always been surprised that no manufacturer has just simply put the TS circuit inside the amp with the true bypass switch on the front panel labeled "Boost" and a Led to let you know it is engaged. It is a super simple circuit and you could just pull the power from a tube heater supply or similar low voltage DC from an effects loop op amp (or many other places).
The Peavey Invective has a built in switchable boost.
@@dimevo oh nice. Have not seen one in real life yet to play with. Is it a front end boost like a Tube Screamer or just a lead boost? I have an old Carvin V3 with a "Boost" switch but it is way down the signal chain (end of the preamp) and just kicks on another half of a 12AX7 tube to just increase the volume into the power amp
Oh looking now, yeah that looks like a legit front end boost. I like it.
@@realmacmods yes, it is some kind of TS circuit.
I agree with the small and vocal group about boosts :) That's why I REFUSED to boost my Rectifier pre NO MATTER WHAT (but now I do...lol) Anyway: I would expect a proper $$$$k amp to have at least ONE on-board overdrive option (REVV anybody???) based on a well-used OD (TS circuit or/and a clean boost) that could be engaged on/off. If you want more options, use your own. And yes, ODs maybe like your cars' tyres, but you never bought a car WITHOUT any FACTORY tyres on, have you?
I always put a tube screamer in front of my jcm900 hi gain dual reverb, because it pushes it to chug more even with no gain on the tube screamer
Been using my Analogman SILENT Boss GE-7 to boost the signal and shape the tone before entering my Bugera 333XL Infinium. It allows me to get the "chug" I want and also sort of "balance" different guitars with different PUs in order to get the tone that I want (basically around the Bridge PU, Neck PU being the accessory option). So I can achieve some sort of consistency, no matter which guitar I use. I found out that although the Flex EQ7 is more "practical" as it stores presets, it isn't as silent as the Analogman EQ, so I got used to keep a little note on my pedalboard with the various EQ settings depending on the various guitars I play.
Thank you, I am the same way. Sometimes I turn my clean boost on my soldano or splawn because I enjoy the tone! Sometimes I don’t want it to be super tight so I turn it off and get that gooey melted sound. It’s like saying I don’t need a reverb pedal because my amp already has reverb.. sometimes you do!
Theyre right. If you did need a boost they would just build the 'boost' into the amp
The car comes with tyres. When you buy a car you dont need to buy tyres, theyre part of the car same as the wheels same as suspension bushings, etc
Yeah that was a bad analogy. A better example would be boosting your car for more power. You dont need a turbo, unless you want mow powa baby!
EVH was one of those dudes who was pretty adamant about not needing an overdrive
the tone comes from the fingers
Totally, but EVH played in E or Eb Standard his entire career minus a couple of songs. The benefits of boosting your guitar signal start to appear when you start tuning lower and lower and your low notes are starting to sound bad.
Yeah and everyone knows he had a crushing modern metal tone
@@chrispeterson9447 I think Van Halen 1 crushes 99% of metal bands . That tone inspired countless people in all parts of the music industry . No one cares about god smack or whatever fluff listens too
@@33cattt49 nobody said anything bad about VH, straw man arguments are boring. Some people want a tight and responsive sound with a lot of attack, some want a loose sound with more give. Weird concept here-we could actually be decent humans and not shit on one another for having musical and tonal preferences-it’s really not difficult at all to simply not be a snobby bitch. Eddie’s tone was unbelievably good but it’s not a metal tone. VH is classic hard rock and Eddie’s tone was shaped specifically for that purpose.
Also imagine thinking Godsmack is metal lmao
I modded my Peavey Valveking 100 head and it doesnt take a boost because the Gain is already so high & Distortion is already so tight that a boost is counterproductive. It took a LOT of tweaking to get there though. You can boost tubes in the circuitry a bunch of different ways to eliminate the need for a boost completely.
I have a 5150 III. I use a OD! It sounds extra juicy :)
"fullto.... no not you.".....fucking perfectly executed joke
It’s definitely a shock when you try other amps after starting on a 5150/ii
I like boost pedals in front (whether I'm playing guitar or bass) because using one drives an amp into compression faster, at lower/manageable "bedroom" levels.
I enjoyed this video, I think some people complain just to complain. You’re right on point.
Agreed. I use to agree with those guys. I got the Revv 100p because it was tight sounding and didn’t need a boost, I was pleasantly surprised when I noticed it sounds better boosted. Got a tube screamer in front now.
I missed the beard files. A welcome return!
I lovee my TS808 i have it on 24/7 to get the best chunkyness out of the amp
I just got a 5150iii stealth, and I can say the blue channel with a boost to my ears is “better” than the unboosted red channel. Sharper, more articulate and aggressive. OD pedals bring something more to the table no matter how awesome the amp already is, and there’s nothing wrong with that.
Exactly
I always use a boss sd1 for a clean boost just to tighten up my tone. Recently got a mxr 10 band with settings like Kerry king with the volume up and gain off and turn down the amps gain and I get a nasty gritty aggressive tone. I just learned about using the 10 band in the effects loop. Along with those two pedals I got a bbe sonic stomp maximizer and that pedal adds punch and note clarity
If a high gain amp really doesn't need an overdrive pedal, it probably has the transistor boost, diode clipping and tone shaping of an overdrive pedal built in. At that point, with no pedal, you are limited to that flavor. Pedals offer extra flavors.
Lets just say a boost. There's something about tube amps that hitting hard that first preamp tube with a large amplitude signal creates a "gainy" sound that retains clarity, whereas increasing the gain with the amp's gain knob tends to "mush" the sound. I like to set the amp gain to crunch or rhythm sounds and then use a clean boost to achieve more saturation. Also with a pedal that has some EQ on it one can shape the sound better. My boost of choice is an RC Booster-V2.
Overdrive pedal is a must!!! Eq pedal is a must too!!! For me!!!
But my silver jubilee (not a metal amp) can do nice heavy rock tone by itself and more chugga chugga by using od pedal and eq pedal.
The point is the cab and speakers, the amp just give 40% of the tone, maybe even less
I used various amplifiers like Dual Rectifier, 5150, Soldano, etc. I play metal music and never need an OD to achieve a good powerful sound. If you connect an OD you will only be able to subtract body and bass. Amps need absolutely nothing, just your hands.
And maybe some players should try turning their e.q. knobs? I always hear tube screamer guys say it tightens up the bottom end. Well, why not just turn the bass knob down? Duh
When you add an OD you’re changing the wave form in to a square wave, much like a solid state amp wave. But it does sound badass.
Exception: Rich Ward Modded Marshall Stuck Mojo tone! Haha!
That guy has tone for fuckin days.
Thank you for putting that Fulltone pedal down 👍
I prefer the sound and feel with a boost on, pinch harmonics, legato, palm mutes etc. sound better. I have a bunch of boosts and each one is noticeably different.
Ha , love it. Its fun to use different OD pedals , like multiples.
Yup. Couldn't agree more. Own a number of amps, Egnater Armageddon and Laney Ironheart as call outs, both are perfect with od's.
great explaination. It sound different with a drive in front, sharper maybe and less flubby.
I've never understood the correlation between quality and monetary cost. Should EVERYTHING in my chain be just as expensive as my head? Should I only use $2000 pedals? $2000 cables? $2000 strings? I just don't understand, if it gets the sound you're after why would cost have anything to do with it?
yo so I got this expression pedal hooked up to the compressor of TD NOVA dynamic eq ánd at the front position got a low pass auto filter. It's the coolest effect I've ever had and I can set it up however I want it's so cool.
The tube screamer thing is very much for modern metal, if I want a rectifier to sound more nu metal I probably wouldn't use a boost. Now people make amps with circuits that do things like this (the triple crown tight is pretty similar to a screamer), but I'd hate to have that on all the time on all channels, I want an amp to be able to be more with a pedal rather than make pedals sound bad by already having that tone. Modern metal is the sound of mid boosted/bass cut front end into a high gain amp into v30s. Other boosts I prefer (sd1s, Tc preamp, even modded screamer) cos Im a but tired of that specific frequency boost.
My Dover DA50 and Engl Savage mk2 dont need a boost.
Matter of fact, the Dover doesn't take them well at all, but the onboard TS style boost works perfect for some reason.
How tight is the Dover? Mainly play 7 strings in A# and Drop G#
I've always used an OD in front of my amps, because it helps me get the sound I want. Without it, I find it difficult for me to find a good sound that I like, and it always feels like somethings missing without it. In this case, I use an OD to add flavour. Don't get me wrong, there are times where I'll turn it off, and go without it, but in the end I always got back. Because it's what I like. Btw I use Bias Fx/Jamup. Yeah, yeah, I know. But I'm able to get "my sound" from it and it's highly versatile for my needs and a tube amp/pedal setup is simply to loud for my living situation.
Hi Fluff,
I like this video and agree with you.
I have a question tho, about overdrive pedals and probably many of us would benefit from your answer as you are experienced in this field. As you have said it in the video, lot of them work differently and add different flavours to the tone. Can you give some ideas to us, just vaguely, which pedals give which characteristics to the soundscape, or at least where, in which direction we should start our journey in experimenting with them? What do we have to look out for? Thank you in advance.
There’s a reason they have a button on pedals that let’s you turn it OFF or ON.