I have a question about Eb13(#11) - B7 - Bbmaj7 theoretical relationship in 4 beats in 2nd measures. Can Eb13(#11) be regarded as F7/Eb, Could you say relationship F7- B7 - Bbmaj7, dominants - tritone substitution dominants - tonic progressions, if you can see it? Or is there another theoretical relationship?
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aaahhhhh gorgeous
Beautiful
Very nice
really nice!
(Thank you for sharing this song Porgy) and showing how to play on the keyboard a Bill Evans / George Gershwin classic very nice :)
!Excelent work!, Lim. Fabulous jazz feeling, style and harmony. Thanks for sharing
Really love your harmony style, sound sweet and warm:)
so beautiful harmony
Beautiful approach. Do you teach?
I have a question about Eb13(#11) - B7 - Bbmaj7 theoretical relationship in 4 beats in 2nd measures.
Can Eb13(#11) be regarded as F7/Eb, Could you say relationship F7- B7 - Bbmaj7, dominants - tritone substitution dominants - tonic progressions, if you can see it?
Or is there another theoretical relationship?
or is Eb13(#11) modal interchange from Bb melodic minor?
jazz
at least for me i consider the Eb13 as minMaj4 with the flat 7 in the base.
I love this but the poster needs to make it much easier to purchase it. Took me 30 minutes.