The problem when I listen to this when I start working is that I stop working in order to enjoy the pure perfection of harmonies distilled into a simple and completely comprehensible sound of music.
thank you for this. i didn’t need further evidence that there’s no like him, but having the transcription provides additional opportunity to “see” it demonstrated.
So perfectly simple but the incredible voice leading, small shifts in rhythm and harmony and inner voices just amazing. Just watched the stunning recent KJ Interview and felt like I wanted to work on one of his tunes and this is accessible for a klutz such as myself but so much to glean from it. Thanks
Wonderful music, and a wonderful job of making it visual. Thanks so very much! Many have requested a way to obtain a copy - indeed if there is a way to exp!ore this incredible transcription in depth this world would be a better place. Please tell / pray tell: I wish to know how one can avail themselves of your wonderful work...
Hello. I'm very Impressed for the Clarity and Quality of your Transcription. Congrats! Can you do the same with Something to Remember you by from Keith Jarrett's The Melody at Night with you?
This is beautiful, I would love to download it, but I keep getting "page not found." Is this no longer available? Or is it behind a pay wall? I'm happy to pay for it. Thank you!
What’s with the two parallel lines implying the previous chord continues? The fir one I saw I thought it was a GP (railroad tracks). Haven’t you seen the symbol that looks like a % that means repeat the previous chord?
Beautiful playing, of course, there is no one like Keith. It’s a little disappointing that he didn’t play the correct melody in the head, specifically the bridge. And I’m not talking about him interpreting or personalising the original melody, I know the difference. b.65-67, the melody is G-A-C, not G-C-A. b.70-72 are correct, but the melody sequences from there b.73-75, should be A-B-C-C#-E-D (C#should be first note of 75). Different notes, and chords. End of the phrase is messed up also. Pedantic, maybe, but annoying for such a master.
The problem when I listen to this when I start working is that I stop working in order to enjoy the pure perfection of harmonies distilled into a simple and completely comprehensible sound of music.
This is amazing, my favorite Keith Jarrett tune on RUclips!
Same, the way he ends the phrase in bar 272 is one of my all time favorite sections in jazz.
Trabalho fantástico. Transcrever Keith Jarrett não é pra qualquer um. E ainda disponibilizar a partitura de graça. Merece meus aplausos 👏👏👏👏👏👏👏👏
Superb,light, airy, lyrical!
Just beautiful 🎹
thank you for this. i didn’t need further evidence that there’s no like him, but having the transcription provides additional opportunity to “see” it demonstrated.
Thank you. wonderful to have the music to follow!
Thanks
I can’t stop listening to the intro
Grazie. Meraviglioso.
Thanks it’s awesome ❤
Love how you put the different chord names through the bar when applicable, very helpful!
I love the way you notated those secondary chord voicings
Great!
Fantastic transcription , beautiful ejecution, sensacional, saludo cordial desde Buenos Aires , Argentina,,,,
So perfectly simple but the incredible voice leading, small shifts in rhythm and harmony and inner voices just amazing. Just watched the stunning recent KJ
Interview and felt like I wanted to work on one of his tunes and this is accessible for a klutz such as myself but so much to glean from it. Thanks
Sublime
So sad he can never play again.
Why?
5:25 is always mind-blowing
wonderful work !!! thx for sharing.
Intro & Outro are insane
Thanks 🙏 🙏
Fantastic transcription and what else can be said to describe Keith’s genius
Much thanks!
3:56 what a line lol 😆 love it
Lol
That outro tho 🔥
nice work man, thank's a lot...
Thanks a lot, man!!
brilliant! thank you
Can you please make the PDF available?
thanks!
Amazing work. Thank you. This is one of my favorite songs.
Amazing job!
Thanks a million
Awesome, great job!
4:38 ueruggh!
Should transcribe his noises lol 😆
선생님 혹시 실음과 신가요? 진짜 영상 정주행 하고있었는데 어마어마하시네요...
와.. 대단하시네요. 이걸 어떻게 따지
Wonderful music, and a wonderful job of making it visual. Thanks so very much! Many have requested a way to obtain a copy - indeed if there is a way to exp!ore this incredible transcription in depth this world would be a better place. Please tell / pray tell: I wish to know how one can avail themselves of your wonderful work...
Hello. I'm very Impressed for the Clarity and Quality of your Transcription. Congrats! Can you do the same with Something to Remember you by from Keith Jarrett's The Melody at Night with you?
This is incredible-- I wonder how long it took you to transcribe this, geeZ! Came for the ending (it was better the second time through!)
5:42
Bar 281 something about the way he plays those two quavers in the RH that isn't notated?
That's great! Do you have a PDF version somewhere?
This is beautiful, I would love to download it, but I keep getting "page not found." Is this no longer available? Or is it behind a pay wall? I'm happy to pay for it. Thank you!
How do I purchase this?
Hello, sorry.. Do you have a Digimon Kanashimi 2 sheet for piano or orchestra and can i get it?
Is the sheet music available to download, please?
What’s with the two parallel lines implying the previous chord continues? The fir one I saw I thought it was a GP (railroad tracks). Haven’t you seen the symbol that looks like a % that means repeat the previous chord?
PDF available?
you forgot to mark a 'chuckle' at bar 322 because everyone skipps the downbeat
Is it posibille pay for PDF please ?
the first chord Fm7/c i'st right? F/C ?
Beautiful playing, of course, there is no one like Keith. It’s a little disappointing that he didn’t play the correct melody in the head, specifically the bridge. And I’m not talking about him interpreting or personalising the original melody, I know the difference. b.65-67, the melody is G-A-C, not G-C-A. b.70-72 are correct, but the melody sequences from there b.73-75, should be A-B-C-C#-E-D (C#should be first note of 75). Different notes, and chords. End of the phrase is messed up also. Pedantic, maybe, but annoying for such a master.