A Classical Guitarists Guide To Amplification
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- Опубликовано: 10 июл 2020
- In this video I will be talking about multiple amplification options for classical guitarists to use in various situations. Not every option is the best for every situation so when looking into any of these options you want to pick the one that will suit the situation that you need it for the best.
My name is John and I am professional classical guitar performer and instructor. The goal of this channel is to help student of all ages, levels, and interests learn things that they might not learn in your standard “method book” or even while studying guitar. If you like the content I make please consider subscribing or dropping a comment in the video. Thanks!
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About FTCG:
My name is John Cesar and I am a classical guitarist from New England. If you are reading this thank you so much for checking out my RUclips channel! The goal my trail is to share classical guitar content that I wish existed when I first started learning Classical Guitar. I have been studying Classical Guitar for over 10 years. Anyway check up on my videos if you were interested in learning more about classical guitar!
Product Links
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I would NEVER glue anything to the soundboard of my Classical Guitars. Thanks for the vid. I enjoyed it and watched it until the end. I may watch it a seconded time. It is good info.
I came for your memes but stayed for the content. Hope, you rise to the big musician RUclipsrs :)
Great information! Thanks :)
Love it, keep up the good work.
I play Flamenco (which is pretty dynamic). The Adeline pickup (Amazon) stick- on pickup (just opposite the trebles) sounds just like what I hear without it, and has a 1/4" jack, so you can use wireless (e.g. XVive) into your signal procesor (GT-10000 or Helix). I just use an OD-200 gor a bit of overdrive into the flat setting of a guitar amp, and use the reverb there. Buet the MFX are so good these days, that pracitcallly anyone will do (I also hae a GT-1000Core and an HX Stomp and many ohers in my research, whiich allow an infinite amoohnt of hading, effects, etc.
Another option might be a ToneWoodAmp. They have a nylon version but i dont know how loud it is without wireless connection to a speaker but it does add effects even without being plugged in!
I played a 100 seats restaurant for twelve years.discovered the fishman aura,schertler David amp and a flat Alhambra guitar.people came to compliment me,thought they heard a cd…that tells everything!
you can also get a digital floor unit/pedal that has IR files loaded of your type guitar playing in a studio on 10k mic. this IS the second best option period.
L.R. Baggs has an Active DI pedal for “acoustic” instruments. Also, I like my Marshall AS50D. You could get a Marshall AS100D and it will cover a large room easy.
Great video - very happily subscribed
I think the guitars you recommend have crossover necks (1"7/8 or 48mm) Yamaha has the NCX line with true classical guitar necks or the NTX line with crossover necks. I enjoy your videos. 😀👍
Thank you for video! Question, in real situation(for example i play live music with many sound and want to use classic guitar with dynamic microphone) it's no problem when you play on stage with massive main sound and monitros on stage, what about feedback?
Excellent video
I am going to try the Hendricksen Bud 6. The dimensions are more to my liking 9x9. The AER compact 60 (which is the one I am guessing you are referring to) is 17x14x13. Way too big for me.
Nice video, instead of cordoba studio etc, what do you say about alhambra ?
Great videoi! What DI box would you recommend for Godin Nylon string guitar? Thank you.
very nice video😉👍✨
John You've got some good suggestions but you leave much out. First off, If you're are referring only to gigs then an amplified classic guitar like a Takemi run through the Roland Street EX is an excellent option. This can also work in some classical settings particularly with orchestra or string quartet. I agree with you that the mic option is the best. The mic that I used for years with no feedback issues was the Biers dynamic mic. It retails for around $300. Amps that also should be considered are the Yahama MS 100 which is a studio monitor and the Bose system has an excellent system that is a little large but gives you great acoustic flexibility. I have used the Fishman and found it overpriced and more suited to finger style playing rather a true classical guitar sound.
Nice video. One question, Would You always need a preamp? I've installed a LrBaggs Element transducer in my nylon acoustic guitar and sounds good, but It does not have the same sustain as the unplugged sound, that's a really bad point if You use the guitar to play Picado technique, I had a couple of gigs few days ago and the sound of my guitar was terrible while playing Picado lines... I tried playing my guitar plugged in an amp wich has gain and compressor, the compressor gave it a better sound but I'm still dissatisfied. Any advice please
Thanks for the video . Could you please tell me how to set my amp ( Champion 40 by fender ) for classical guitar ? I wanna get the sound that Guitarists play