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Great lesson, thanks for the chord diagrams and analysis (over my head, I’ll have to study).
have fun!
Thanks so much
I love the chord substitutions that you are using. It I was accompanying an Organist or Pianist what would be good comping chords to use?
maybe start with rootless shellvoicings- playing the 3 and the 7 on the D and the g string. like this the harmonies are very clear and your don’t have to focus on color notes, rather focusing on the rhythm
Great lesson Tina, thanks from billy in Sydney. Very nice chord selections.
thank you Bill!
thanks
awesome lesson. and different also so I dig it
happy to hear that!
What is that model of Ibanez? I like the cutaway in the upper bout! Is it customized?
Vic Granquist Hi Vic it’s the Pat Metheny Model PM 100 from 1998 ... this series has the cutaway build in 😊
thank yu dear
Way above me. Too much, too fast. Not enough diagrams. Not my pay grade, yet.
Great lesson, thanks for the chord diagrams and analysis (over my head, I’ll have to study).
have fun!
Thanks so much
I love the chord substitutions that you are using. It I was accompanying an Organist or Pianist what would be good comping chords to use?
maybe start with rootless shellvoicings- playing the 3 and the 7 on the D and the g string. like this the harmonies are very clear and your don’t have to focus on color notes, rather focusing on the rhythm
Great lesson Tina, thanks from billy in Sydney. Very nice chord selections.
thank you Bill!
thanks
awesome lesson. and different also so I dig it
happy to hear that!
What is that model of Ibanez? I like the cutaway in the upper bout! Is it customized?
Vic Granquist Hi Vic it’s the Pat Metheny Model PM 100 from 1998 ... this series has the cutaway build in 😊
thank yu dear
Way above me. Too much, too fast. Not enough diagrams. Not my pay grade, yet.