There is no short cut to being a Musician, you have to live and breath it all but watching Rick and buying into his teaching will speed up the process provided that you are dedicated and put in the practice that is required.
I started practicing (after I got the 5 shapes down) playing the pentatonic scale on one (each) string. I found this gives you the intervals between the notes and helps you find the scales either side of the shape you're playing
X-Your honest self-proclaimed status as an amateur is a respected diagnosis because, only you know your "current" place and ability relating to your peers and influences available to you. That does not mean that if your bus stops at the next stop you should get off. Keep going and see where the music bus takes you. Or, make a sandwich! Ha!
Man Rick I’m really enjoying your channel and would like to get more out of my playing can you help me, please remember that I totally am a novice and want to understand music and how it’s all intertwined. Please help I hurt my back 14 years ago and it has taking everything from me accept guitar and I have a lot of time to learn. Btw love the Pantera video you did with Charlie, Rex and Zakk
this video is a treasure. For me it's a complete package when it comes to pentatonic stuff + more musical application. Rick is so generous when it comes to sharing his wisdom. Thank you Sir!
And this is exactly why I love your teaching you took the basic Pentatonic and started adding to it and then you are making it sound so different making us think outside that Pentatonic box! I love it!
Yep. Those are NOT cliche blues lines by any stretch of imagination. Knowing scales in every neck position, my first "huh?" was that so many phrases he demonstrated started on the V (or other scale degree) instead of the root. That alone perked my ear. Same notes, differing starting tone
I’m glad you mentioned Eric Johnson cuz I was getting some serious Cliffs of Dover vibes from the backing chords mixed with those arpeggios, flat 6 and 13th notes. Love it. Thanks Rick! This is the video I needed
Rick when you started saying how you could hear the 13th, it immediately reminded me of Christopher Cross’ “Ride Like the Wind” where the vocal melody and harmonies are doing the “ba da da da . . . “
When I saw the word “pentatonic”, I said to myself that it really must come from Beato. Because I'm not a big fan of this scale. But I learned a lot more than I expected. Thank you, it was worth it. Salutations!
I've been playing guitar for nearly a year and I just learned La Bamba for my Spanish class recently without realizing that it uses the pentatonic scale. Trying to learn the clean solo for Master of Puppets and that song made me love playing guitar even more ❤
Hey Rick, I was wondering why you didn't discuss MAJOR pentatonic?. Its a great sound, and I was gonna do a video on my channel touching basics of pentatonic both Major and Minor, but show the sound of major pent and how its in our countries folk music from its origin. That, and of course the blues.
For different flavors, use the 3 pentatonics in each scale. For E Dorian, these are E minor, B minor and F# minor. Running patterns in each of these pentatonics over a E minor 7th chord, gives a nice way to float a pattern to different feelings.
@@bryanharvey916 Rick’s video highlighted adding the 9th (2nd) and 13th (6th) for melodic color. One way to accomplish this, and give motion to the melody, is play a pattern in the Eminor penta, then play the same pattern in the B minor penta. This exchanges the 9th of E minor(F#) for the 3rd(G), the two pentatonics are otherwise identical. And/or, play the same pattern in the F# minor penta, which exchanges the F# for the G and the C# for the D, in E minor. This gives a kind of floating aspect above the Eminor chord, without actually leaving the key. Rick’s Beato book goes into this as well. (I LOVE this book!) All modes built off the major scale contain 3 pentatonics in this way, which means one can move freely between them to emphasize the different colors of each of the tones in the mode you are in. One ear exercise I spent a lot of time on, when I first started investigating modes, is to sustain the root of the mode, and play each of the tones in the mode over it, individually. Listening intently! I often spent 1/2 hour just playing long notes in this way (as a saxophonist, this helped my tone as well). This really locked in the sound of that mode for me, as I grokked the feeling of each note vs. the root. It’s all about feeling and color - after all, “mode” and “mood” are really the same word.
Love that you are playing phrases starting not on the relative minor root, but the 5th. It "sounds" more melodic that way. You only mention for a quick second that the Em uses notes of the G major scale -relative minor scales start on the 6th of the major. For some really incredible scale "exercises", check out the sitar handbook at the back of Ravi Shankar's large format paperback, "My Music, My Life"!!! But Hindustani music "notation" uses solfegg note names instead of Western staff notation. I'm sure you'll agree Ravi drops some bad-ass scale "patterns" usable in improvs, whatever scale mode you're based.
Hey Rick! Y'know, sometimes i wish i hadn't moved away from the Atlanta area, where i grew up. Moving back now would be prohibitively expensive, but maybe if I'd stayed, i would've earned more abd could afford to still live there. Anyway, besides giving up all my old friends (the ones who didn't move away also), i missed an opportunity to know you. Well, anyway,.i enjoy the videos, keep 'em coming!
Mr Beato … consistent with this lesson of pentatonic, I’d love to see an interview with a couple of predominant musicians who use this technique A) slash B) zakk wylde
I think there is another whole dimension to pentatonics that somehow I have never seen discussed and that is about the relationship to chords. Actually a singe pentatonic shape has two chords in it -say the root and the relative minor. The minor pentatonic is actually just a minor seventh arpeggio with an added fourth. In many styles of music like country you will see the pentatonic shifted up four degree at chord four or five degrees to chord five. In this way you can cover six of the seven chords of the major scale. Then you need a trick for chord 7/ dominant 7 sounds. The reason this shifting is possible is that the five notes of the pentatonic omit the two notes that would be modified to rotate the key one step clockwise or anti-clockwise in the cycle of fifths. I think of this as having key ambiguity on the fourth and fifth degree of the scale. You hear it in boogie woogie all the time as rifts shift with chords. Next over chord IV in a major key you often hear a change to a minor pentatonic in the same key to pick up the notes of the chord. In fact each pentatonic shape changes just one note with respect to the shape two inversions away so there is enormous tolerance for swapping shapes in one position. Often one note will be out of key. Say I want a dominant 7th sounding pentatonic, I can get the flat seven in the minor pentatonic but slipping in a passing major 3rd Chuck Berry Style. This blues use of pentatonics is incredibly rich. Also blues tolerates substitution of nearby pentatonic shapes because it is ok to slip in notes in passing that are not strictly in key as colour. The blues is made for this. There is a whole other discussion about minor scales - getting the raised 6 and 7 degrees - but too much for here. I love Eric Johnson but people now copy him too much and I dislike the machine like aspect that can come out of mimicking this style too literally. I am more interested in the blues nuances so important to players like Jeff Beck.
Just got the full course bundle and the book and really enjoying it, I never have had any formal lessons and it's really filling in missing pieces and finding places to go notationally when I feel lost 🤘💀🍻🔥🙏
When I was 13 Lyle Workman was my guitar teacher, I was so naïve and just wanted to shred, but I didn’t listen or pay attention. I didn’t listen, I should have but whatever. I listen very carefully to Rick Beatto, and wouldn’t you know it? Getting better every day (credit to Tesla for the phrase)
Thank you Rick, in terms of getting this kind of knowledge out there, you are the man. I am sure that's what we all wish you well, having heard that you have been a little out of sorts lately. God bless you, big love, and be good, all perhaps be bad if you are better at that sometimes, lol...
Rick, if you'll be in Salzburg (assuming...maybe?) about the Mozart video, PLEASE take the ti.e to visit Hallstatt. Totally worth it. Have a nice time in Europe!
Wow man! So stoked! actually just wrote a new ‘note’ type of riff-connecting the bottom of the 2nd and third positions with these scales.. it’s kinda loose but in harmony and I would say a cross between Pigs In Zen and Whores-Jane’s Addiction- Dave will always be my absolute favorite guitar player-I have so many live bootlegs of Jane’s from their heyday and I swear he is just flawless-the live in Chicago 1988 has got to be one of their best shows captured live-I’ve had it on cd since 91-92..Perry’s high voice mixed with Dave’s composed “leads” just one of a kind guitar player that never got the recognition he deserves..I think Don’t know if you caught them but if you did you know about Dave thank you for these lessons Rick -so glad I found your channel-have a great reunion gig and stay safe in your travels God Bless
this is a good lesson Rick is showing you how to use your pinky finger ...and that is a must when it comes to playing guitar the same math applies when playing right hand or left guitar its a thing study it
If you watch live Jimmy Page, he doesn’t use his pinky as much as you would think. Yet he can perform blistering, thoughtful solos that will make you weep instantly
Thank you, Rick. very good and was just what I needed. I've been playing all day and was looking for something to decorate this F sharp tune I'm creating, very cool... pattern of 5 and include the 9 and the 13 every now and then.
I have the exact issue you described. I’ve been a drummer for 42 years and now I’m learning guitar. I’m struggling with connecting the modes and positions.
Interesting stuff, but I'd have been happier with the root note highlighted as E rather than The G.... Just sayin' Hi from the uk, really enjoy seeing someone run around a guitar neck so freely and intuitively - great stuff! 🎉👍🏿😊🎸
First let me say I think you, your content, your interviews, everything you put out is the pinnacle of your domain. I am a huge fan and grateful for all you do. With that in mind my comment is I think using a G major pentatonic diagram when you're talking about Em could be confusing for those that most need this information. I know they are the same notes but for someone who is trying to make sense of the, at first overwhelming logic of music, showing the blue root on the third fret of the sixth string in second position when the root should be E and not G just thickens the cloud of frustration instead of providing clarity. Surely you have a Em pentatonic diagram in your bag of tricks showing the root as E in every position. Not trying to be a smart ass, or draw attention to myself, just a simple opinion.
You´re not a smart ass - It seemed to me that "the wrong diagam must have been shown". The concept of root notes is very important and the experts know it. I am sure this charismatic gentleman has a lot to teach us about music and guitars, but from a beginners perspective this didn´t start out well at all.
@@tomask.3983Kind of would be nice if he read the comments and replied. The dude cranks out so much content, free content, that it's hard to complain.
Rick. When are you going to do a vid on the war on drugs. The greatest band ever. Trust me. Watch under the pressure live at glastonbury. Please. Thank you. Love your work
E minor & G Major pentatonic ⑥ G A B - ⑤ D E - ④ G A B - ③ D E - ② G A B - ① D E - every 2 strings is an "identical" pattern ⑥ D E - ⑤ G A B - ④ D E - ③ G A B - ② D E - ① G A B - every 2 strings is an "identical" pattern E minor pentatonic + F# + C# = E Dorian E minor pentatonic + F# + C = E Aeolian E minor pentatonic + F + C = E Phrygian E minor pentatonic + F + C# = D Melodic Minor G Major Pentatonic + F# + C# = G Lydian G Major Pentatonic + F# + C = G Ionian G Major Pentatonic + F + C = G Mixolydian G Major Pentatonic + F + C# = G Lydian Dominant
Your basic ear training for beginner sounds more interesting to me. How we can develop this skill to recognize the music note interval being played by various instruments as a amateur musician.
Hello Rick. I am a hobby musician, but I now some people who studied music at the University (mozarteum) in salzburg. I can ask some people if you want.
Hello, Rick. Do you mind on doing a "what makes this song great" about a brazilian song? Our Wonderwall here is called "Só os loucos sabem", by Charlie Brown Jr. Please give it a chance, it is a great song. Maybe you could enjoy it (even not understanding the lyrics) and do a video about it. You have a lot of fans in Brazil
For me, memorizing Portuguese lyrics (which is far from similar sounding Spanish) stumps me. Mas Que Nada, is one of my favorite Brazilian songs. Would love to do a hard blues/rock version, but without the lyrics, HALF of the song is missing.
@@RelicOnMauiI agree, the lyrics are very important (specially if is charlie brown jr) By the way, if you never heard the song I talked about, I recommend it Just close your eyes and hear it, it sounds super positive and happy
Question: Rick, regarding the Major Scale, given that the Lydian Mode is considered the brightest mode, and that the Locrian Mode is considered the darkest, when played parallel is there any significance to the fact that the Augmented 4th and the Diminished 5th both give these modes their brightness and darkness respectively, but are also in fact the same note?
I never think of pentatonics as a scale alone…they are all fragments of full 7 note scales or mode. The major scale contains 3 the melodic minor contains another etc.
Hey Rick, I been studying theory on keyboard, and guitar now as well. Guitar is much interesting theoretically, as well as clever. Been practicing minor scales in natural/harmonic/melodic on guitar, but not pentatonic. I know pentatonic is popular, but do you advise practicing 7-note scales on guitar? Haha silly I feel asking this
My stepbrother gave me(before internet) the pentatonic scale but im at the horizontal stage but have plateaued there. I can improvise decent solos but would like to progress from there but dont know where too.
Check out “ Building a Better Guitar Scale “ there are five videos. Transformed my playing almost over night . The absolute best approach to mastering the fretboard. 💯 gold
You taught Remedial Ear Training Class at IC? Was that the afterhours class you taught to the majors and whoever else wanted to show up in 87. That's a year before I got to IC.....or is this code for the guitar ensemble class you taught. I was blown away by the level of ear training in the guitar ensemble class. Still working on what you showed us!
What signal path are you using @23:20 mark..? It is so similar to Vinnie Moore's tone from his Time Odyssey era. It has just the right gain and clarity in the mids. Perfect.
I like how you ask a question and not give the game away examples How to move quickly and easily The good ole cillander trick From 1st pentonic scale take 543 strings you see the cylinder The first note and sixth is an octave apart. So all you do is play the cylinder when played the sixth slide up 2 frets and start the shape again In minor the 4 And major is 2 This is the starting note The shape is easy two fingers One point to add don't forget toove up 1 fret on 2nd string This is the fastest way possible
There is no short cut to being a Musician, you have to live and breath it all but watching Rick and buying into his teaching will speed up the process provided that you are dedicated and put in the practice that is required.
I started practicing (after I got the 5 shapes down) playing the pentatonic scale on one (each) string. I found this gives you the intervals between the notes and helps you find the scales either side of the shape you're playing
Speaking as a very amateur musician .. I really enjoy your channel.. Very interesting and informative.. Thank you from England
The knowledge this man shares is incredible. Im a novice but have been playing for a long time. But i still enjoy guitar and music very much.
No one is amateur. We are all learning on the big arch of knowledge
X-Your honest self-proclaimed status as an amateur is a respected diagnosis because, only you know your "current" place and ability relating to your peers and influences available to you. That does not mean that if your bus stops at the next stop you should get off. Keep going and see where the music bus takes you. Or, make a sandwich! Ha!
Man Rick I’m really enjoying your channel and would like to get more out of my playing can you help me, please remember that I totally am a novice and want to understand music and how it’s all intertwined. Please help I hurt my back 14 years ago and it has taking everything from me accept guitar and I have a lot of time to learn. Btw love the Pantera video you did with Charlie, Rex and Zakk
Get lost xprs
I follow a lot of teachers, but Rick is my go to for laying a good foundation 💯💪
Super nice way to connect the positions ! I found that learning one iconic lick in each position helps to remember how to navigate on the fretboard
this video is a treasure. For me it's a complete package when it comes to pentatonic stuff + more musical application. Rick is so generous when it comes to sharing his wisdom. Thank you Sir!
ive been playing for over 20 years and rick is great at teaching. maybe this lesson is not for me but its very informative
And this is exactly why I love your teaching you took the basic Pentatonic and started adding to it and then you are making it sound so different making us think outside that Pentatonic box! I love it!
Yep. Those are NOT cliche blues lines by any stretch of imagination. Knowing scales in every neck position, my first "huh?" was that so many phrases he demonstrated started on the V (or other scale degree) instead of the root. That alone perked my ear. Same notes, differing starting tone
I’m glad you mentioned Eric Johnson cuz I was getting some serious Cliffs of Dover vibes from the backing chords mixed with those arpeggios, flat 6 and 13th notes. Love it. Thanks Rick! This is the video I needed
Rick when you started saying how you could hear the 13th, it immediately reminded me of Christopher Cross’ “Ride Like the Wind” where the vocal melody and harmonies are doing the “ba da da da . . . “
When I saw the word “pentatonic”, I said to myself that it really must come from Beato. Because I'm not a big fan of this scale. But I learned a lot more than I expected. Thank you, it was worth it. Salutations!
I've been playing guitar for nearly a year and I just learned La Bamba for my Spanish class recently without realizing that it uses the pentatonic scale. Trying to learn the clean solo for Master of Puppets and that song made me love playing guitar even more ❤
Hey Rick, I was wondering why you didn't discuss MAJOR pentatonic?. Its a great sound, and I was gonna do a video on my channel touching basics of pentatonic both Major and Minor, but show the sound of major pent and how its in our countries folk music from its origin. That, and of course the blues.
you sir are a BEAST! and by that I mean your guitar skills are incredible . I am saving this as a master class! thank you so much!
The A sus4 arpeggio sounds very beautiful !!! 🙂👍🏻
For different flavors, use the 3 pentatonics in each scale. For E Dorian, these are E minor, B minor and F# minor. Running patterns in each of these pentatonics over a E minor 7th chord, gives a nice way to float a pattern to different feelings.
Kinda intrigued by this comment. Can you elaborate a bit more?
This concept is explained in great detail in both my Beato Book Interactive and my Quick Lessons Pro
@@bryanharvey916 Rick’s video highlighted adding the 9th (2nd) and 13th (6th) for melodic color. One way to accomplish this, and give motion to the melody, is play a pattern in the Eminor penta, then play the same pattern in the B minor penta. This exchanges the 9th of E minor(F#) for the 3rd(G), the two pentatonics are otherwise identical. And/or, play the same pattern in the F# minor penta, which exchanges the F# for the G and the C# for the D, in E minor. This gives a kind of floating aspect above the Eminor chord, without actually leaving the key.
Rick’s Beato book goes into this as well. (I LOVE this book!) All modes built off the major scale contain 3 pentatonics in this way, which means one can move freely between them to emphasize the different colors of each of the tones in the mode you are in.
One ear exercise I spent a lot of time on, when I first started investigating modes, is to sustain the root of the mode, and play each of the tones in the mode over it, individually. Listening intently! I often spent 1/2 hour just playing long notes in this way (as a saxophonist, this helped my tone as well). This really locked in the sound of that mode for me, as I grokked the feeling of each note vs. the root. It’s all about feeling and color - after all, “mode” and “mood” are really the same word.
@@RickBeatohi Rick I already have the beginners course. If get the bundle. Am I just buying it again?
Love that you are playing phrases starting not on the relative minor root, but the 5th. It "sounds" more melodic that way. You only mention for a quick second that the Em uses notes of the G major scale -relative minor scales start on the 6th of the major.
For some really incredible scale "exercises", check out the sitar handbook at the back of Ravi Shankar's large format paperback, "My Music, My Life"!!! But Hindustani music "notation" uses solfegg note names instead of Western staff notation. I'm sure you'll agree Ravi drops some bad-ass scale "patterns" usable in improvs, whatever scale mode you're based.
Hey Rick!
Y'know, sometimes i wish i hadn't moved away from the Atlanta area, where i grew up.
Moving back now would be prohibitively expensive, but maybe if I'd stayed, i would've earned more abd could afford to still live there.
Anyway, besides giving up all my old friends (the ones who didn't move away also), i missed an opportunity to know you.
Well, anyway,.i enjoy the videos, keep 'em coming!
Mr Beato … consistent with this lesson of pentatonic, I’d love to see an interview with a couple of predominant musicians who use this technique
A) slash
B) zakk wylde
I think there is another whole dimension to pentatonics that somehow I have never seen discussed and that is about the relationship to chords. Actually a singe pentatonic shape has two chords in it -say the root and the relative minor. The minor pentatonic is actually just a minor seventh arpeggio with an added fourth. In many styles of music like country you will see the pentatonic shifted up four degree at chord four or five degrees to chord five. In this way you can cover six of the seven chords of the major scale. Then you need a trick for chord 7/ dominant 7 sounds. The reason this shifting is possible is that the five notes of the pentatonic omit the two notes that would be modified to rotate the key one step clockwise or anti-clockwise in the cycle of fifths. I think of this as having key ambiguity on the fourth and fifth degree of the scale. You hear it in boogie woogie all the time as rifts shift with chords. Next over chord IV in a major key you often hear a change to a minor pentatonic in the same key to pick up the notes of the chord. In fact each pentatonic shape changes just one note with respect to the shape two inversions away so there is enormous tolerance for swapping shapes in one position. Often one note will be out of key. Say I want a dominant 7th sounding pentatonic, I can get the flat seven in the minor pentatonic but slipping in a passing major 3rd Chuck Berry Style. This blues use of pentatonics is incredibly rich. Also blues tolerates substitution of nearby pentatonic shapes because it is ok to slip in notes in passing that are not strictly in key as colour. The blues is made for this. There is a whole other discussion about minor scales - getting the raised 6 and 7 degrees - but too much for here. I love Eric Johnson but people now copy him too much and I dislike the machine like aspect that can come out of mimicking this style too literally. I am more interested in the blues nuances so important to players like Jeff Beck.
This guy is an all round fantastic fellow and a boss musician 🎶 🎸
Sonic Shapes - 2 note per string pentatonics are super useful, great article Rick!
I got the Bundle and enjoying the education. On cool. you are using the blue Beato Signature Gibson cut away.
Just got the full course bundle and the book and really enjoying it, I never have had any formal lessons and it's really filling in missing pieces and finding places to go notationally when I feel lost 🤘💀🍻🔥🙏
When I was 13 Lyle Workman was my guitar teacher, I was so naïve and just wanted to shred, but I didn’t listen or pay attention. I didn’t listen, I should have but whatever. I listen very carefully to Rick Beatto, and wouldn’t you know it? Getting better every day (credit to Tesla for the phrase)
Mr. Beato , you are such a great guitarist !!!!... Thank you for the great help that you giving to us !!!... Keep going with that excellent job !!!!..
👍🏻 nice ! I love ❤️ it when you shift across the fretboard or move diagonally up etc 😨
I am very thankful and big fan of Sir Rick Beato🙏🙏🙏god bless you with healthy and long happy life
Give me more! I already have your bundle but nothing beats playing along with your videos…just like that 😊
Congratulations Rick on your international successes.
Superb advice, thank you Rick. Really helpful to connect and expand on those pentatonics!
The Beato bundle such an incredible value
Thanks that opens up the guitar fretboard a bit , i didnt quite understand how you can play a a lick in em pentatonic
Fantastic lesson Rick. I just had a "one giant leap" moment watching this one lol Thank you very much Sir. 😊
Thank you Rick, in terms of getting this kind of knowledge out there, you are the man. I am sure that's what we all wish you well, having heard that you have been a little out of sorts lately. God bless you, big love, and be good, all perhaps be bad if you are better at that sometimes, lol...
I needed this.. learned soo much! Thank you!
Rick, if you'll be in Salzburg (assuming...maybe?) about the Mozart video, PLEASE take the ti.e to visit Hallstatt. Totally worth it. Have a nice time in Europe!
Wow man! So stoked! actually just wrote a new ‘note’ type of riff-connecting the bottom of the 2nd and third positions with these scales.. it’s kinda loose but in harmony and I would say a cross between Pigs In Zen and Whores-Jane’s Addiction-
Dave will always be my absolute favorite guitar player-I have so many live bootlegs of Jane’s from their heyday and I swear he is just flawless-the live in Chicago 1988 has got to be one of their best shows captured live-I’ve had it on cd since 91-92..Perry’s high voice mixed with Dave’s composed “leads” just one of a kind guitar player that never got the recognition he deserves..I think
Don’t know if you caught them but if you did you know about Dave thank you for these lessons Rick -so glad I found your channel-have a great reunion gig and stay safe in your travels God Bless
Please come to Gothenburg SWEDEN and play!!! ;) Great video as always!
Sounds great ,Rick ,your finger's seem tireless!!
this is a good lesson Rick is showing you how to use your pinky finger ...and that is a must when it comes to playing guitar the same math applies when playing right hand or left guitar its a thing study it
Thank you Rick. You have stretched my brain again!
Rick youre one hit wonder Cars not so Are friends electric was a top 20. Thx
2 steps forward, one step back, up & down the major scale all positions. Pinky dexterity separates the pro’s from the Joe’s.
If you watch live Jimmy Page, he doesn’t use his pinky as much as you would think.
Yet he can perform blistering, thoughtful solos that will make you weep instantly
Thnx Rick, this is just what I needed..🎸😎👍🏻
Man you are killing it on your channel. Really appreciate all your content brother.
Well looking forward to the dom interveiw, nice one rick 🤘🏼
Gotta say, I'm gassing for one of your RBSig guitars. I've always loved the feel of that model and I've never owned a P90 so, saving and praying 😊
Thank you, Rick. very good and was just what I needed. I've been playing all day and was looking for something to decorate this F sharp tune I'm creating, very cool... pattern of 5 and include the 9 and the 13 every now and then.
I have the exact issue you described. I’ve been a drummer for 42 years and now I’m learning guitar. I’m struggling with connecting the modes and positions.
16:41 just learning this would help you be better by 200%
Interesting stuff, but I'd have been happier with the root note highlighted as E rather than The G.... Just sayin'
Hi from the uk, really enjoy seeing someone run around a guitar neck so freely and intuitively - great stuff! 🎉👍🏿😊🎸
First let me say I think you, your content, your interviews, everything you put out is the pinnacle of your domain. I am a huge fan and grateful for all you do. With that in mind my comment is I think using a G major pentatonic diagram when you're talking about Em could be confusing for those that most need this information. I know they are the same notes but for someone who is trying to make sense of the, at first overwhelming logic of music, showing the blue root on the third fret of the sixth string in second position when the root should be E and not G just thickens the cloud of frustration instead of providing clarity. Surely you have a Em pentatonic diagram in your bag of tricks showing the root as E in every position. Not trying to be a smart ass, or draw attention to myself, just a simple opinion.
Frankly, its really counterproductive for someone like myself. I was watching and immediately went to comments to see if I wasnt crazy ...
You´re not a smart ass - It seemed to me that "the wrong diagam must have been shown". The concept of root notes is very important and the experts know it. I am sure this charismatic gentleman has a lot to teach us about music and guitars, but from a beginners perspective this didn´t start out well at all.
@@TheBukester Haha, same here!
@@tomask.3983Kind of would be nice if he read the comments and replied. The dude cranks out so much content, free content, that it's hard to complain.
great lesson Mr Rick
Man, I appreciate you so much! I need to upgrade my Beato Book.
Ever think about doing a gig in San Antonio or Austin? Would be cool if you spread your wings further than GA, NY and Germany.
I relate to whatever you’re saying naturally. You’re the greatest. Cheers.
ty
Rick. When are you going to do a vid on the war on drugs. The greatest band ever. Trust me. Watch under the pressure live at glastonbury. Please. Thank you. Love your work
I just purchased the Ultimate Bundle! Can’t wait to get started!
E minor & G Major pentatonic
⑥ G A B - ⑤ D E - ④ G A B - ③ D E - ② G A B - ① D E
- every 2 strings is an "identical" pattern
⑥ D E - ⑤ G A B - ④ D E - ③ G A B - ② D E - ① G A B
- every 2 strings is an "identical" pattern
E minor pentatonic + F# + C# = E Dorian
E minor pentatonic + F# + C = E Aeolian
E minor pentatonic + F + C = E Phrygian
E minor pentatonic + F + C# = D Melodic Minor
G Major Pentatonic + F# + C# = G Lydian
G Major Pentatonic + F# + C = G Ionian
G Major Pentatonic + F + C = G Mixolydian
G Major Pentatonic + F + C# = G Lydian Dominant
your nuno episode was lit, loved hearing him play
Hi Rick. Have Fun in Berlin! 👍🏻🎸 Johannes
Loved your band Billionaire I hope to see you play live someday
Happy Sunday Rick
Beethoven and Mozart. Not an expert but I really have got all their albums. Looking forward to seeing that video.
Really helpful..thank you Rick!!
Had you for half the lesson and then I'm lost😅 love all you do! Thanks 👍
Great video Rick 👍
sir, you are the master
Interesting, watching later but it's a Sunday so ... happy Sunday everyone!
Not a Mozart or Beethoven expert, but I'm glad you're coming to Austria! 🎉
Your basic ear training for beginner sounds more interesting to me. How we can develop this skill to recognize the music note interval being played by various instruments as a amateur musician.
Hello Rick. I am a hobby musician, but I now some people who studied music at the University (mozarteum) in salzburg. I can ask some people if you want.
As always Rick excellent stuff !!
Let us know when you're performing in Viena, be cool to see you.
We have a super extra here coz is not half an hour but one hour , use the half speed button for more comprehension and time wtih rick !
Hello Rick! Love your videos!!
Best teaching video EVER !
watching at 50% speed to get some details right and just loving the lesson and how drunk you sound like. Learning and having fun.
Is that diagram at the fifth fret second position you called it marching? That blue root is G which is Em minor 3rd ? An I wrong ?
At the end of your show, everyone in the band should step up to the microphone and say "like that!"
Hello, Rick. Do you mind on doing a "what makes this song great" about a brazilian song? Our Wonderwall here is called "Só os loucos sabem", by Charlie Brown Jr. Please give it a chance, it is a great song. Maybe you could enjoy it (even not understanding the lyrics) and do a video about it. You have a lot of fans in Brazil
For me, memorizing Portuguese lyrics (which is far from similar sounding Spanish) stumps me. Mas Que Nada, is one of my favorite Brazilian songs. Would love to do a hard blues/rock version, but without the lyrics, HALF of the song is missing.
@@RelicOnMauiI agree, the lyrics are very important (specially if is charlie brown jr)
By the way, if you never heard the song I talked about, I recommend it
Just close your eyes and hear it, it sounds super positive and happy
Question:
Rick, regarding the Major Scale, given that the Lydian Mode is considered the brightest mode, and that the Locrian Mode is considered the darkest, when played parallel is there any significance to the fact that the Augmented 4th and the Diminished 5th both give these modes their brightness and darkness respectively, but are also in fact the same note?
Thank you ,that was awesome!
Please come to Manchester England next time Rick. X
I never think of pentatonics as a scale alone…they are all fragments of full 7 note scales or mode. The major scale contains 3 the melodic minor contains another etc.
Great lesson wow factor 100%...RocknRollflat5
Nice!
Hey Rick, I been studying theory on keyboard, and guitar now as well. Guitar is much interesting theoretically, as well as clever. Been practicing minor scales in natural/harmonic/melodic on guitar, but not pentatonic. I know pentatonic is popular, but do you advise practicing 7-note scales on guitar? Haha silly I feel asking this
Most excellent
My stepbrother gave me(before internet) the pentatonic scale but im at the horizontal stage but have plateaued there. I can improvise decent solos but would like to progress from there but dont know where too.
Check out “ Building a Better Guitar Scale “ there are five videos. Transformed my playing almost over night . The absolute best approach to mastering the fretboard. 💯 gold
Whenever you play over those chords, I need to hear a Like That at the end.
Thanks Rick .
You taught Remedial Ear Training Class at IC? Was that the afterhours class you taught to the majors and whoever else wanted to show up in 87. That's a year before I got to IC.....or is this code for the guitar ensemble class you taught. I was blown away by the level of ear training in the guitar ensemble class. Still working on what you showed us!
Beautiful. Superb!
I loved The Billionaires demo, Rick!
🔑 awesome lesson.
What signal path are you using @23:20 mark..? It is so similar to Vinnie Moore's tone from his Time Odyssey era. It has just the right gain and clarity in the mids. Perfect.
I like how you ask a question and not give the game away
examples
How to move quickly and easily
The good ole cillander trick
From 1st pentonic scale take 543 strings you see the cylinder
The first note and sixth is an octave apart.
So all you do is play the cylinder when played the sixth slide up 2 frets and start the shape again
In minor the 4
And major is 2
This is the starting note
The shape is easy two fingers
One point to add don't forget toove up 1 fret on 2nd string
This is the fastest way possible