The full version of 'Momo Jam' can be watched here: ruclips.net/video/wcra4xS5UNQ/видео.html&ab_channel=BenGiroux If you enjoy this video, be sure to leave your comments below & subscribe! 😄
I love the incorporation of Indian (or any other cultural system) structure into an ostensibly standard/western piece. So much more interesting to see the theory applied, rather than just incorporating an instrument or whatever.
I do hear Indian classical music as an Indian and I do love music that comes from sitar instrument.. but to be honest, I have never thought in such a way that you have explained. Thank you 🙏
Thank you for featuring our video 'Jaa Jaa Re' in your demonstration on Tehai! Like you, we at Team Satrangee strive to propagate the richness of Indian Classical Music while preserving the authenticity of Bandishes and the purity of Ragas. Congratulations on your wonderful work-keep it up and all the best! 😊🎶
Man......thank you. I am very sad that the most undeserving content creators get views and subscribers but people like you who have such diverse knowledge of the field and share it with such passion don't get recognition. Keep making these, you'll grow.
I'd love to share a very beautiful incident with you. When I learned Hindustani classical, then I always admire why it's always the number 3 ? I mean why there's isn't any concept of a Tihai for 4,5 or 7 repetitions? And I asked my sir, and he told that he also asked the same question in his childhood and his sir replied that there're mainly two reasons behind it. (ThoughI think the 2nd one is much more effective actually) One: The number three is considered as most significant prime number as well as the smallest that can't be divided into parts after 2. Two: The number 3 is also a holy number, since each segment of the Tihai resembles the 3 Adi Gods of Hindu Mythology, first Brahma, second Bishnu and finally Maheshwar. Hope you liked it. 😊
Great explanation of tihai. Don't think you can find it explained more clearly, with fantastic examples. I like how you are so knowledgeable about ICM and Western music and using ICM as composition ideas. Keep it up.
Great explanation. Lucid and insightful. Best of luck with your musical career and your exploration of multiple genres of music. Your passion is evident and heartwarming.
I just discovered your channel. Thanks for all this super interesting information. Thank you for taking the time to make this. I will continue to watch other videos. I have been playing Tablas for 5 years. Do you happen to know of a book in English about tablas?
Tihai is a very vast subject. You should first mention that it is meant to indicate the end of a part/piece/solo,,, in a composition (not sure you mentioned it). Always at the end of something, never in the beginning or middle (although some composition start from the middle of the rhythm cycle, then the tihai could end there). There are also many different types of tihai, such as chakradar (tihai repeated 3 times so nine repetition in total) or bedam (tihai without the space inbetween the repetition). An easy method of making a tihai is to multiply by 2 the rhythm cycle and add 1 then divide by 3. In 7 beat cycle for example, 7*2+1=15/3=5 so 5beat 3 times would be the tihai. Lastly, it is a detail but for teentaal dha tin tin ta ta dhin dhin dha is not correct for the khali part. The correct way is dha tin tin na na dhin ,,, The na sound and ta sound are different on tabla.
2:20 no offense, I really loved your video but just want you to know that the editor must've made a slight mistake while adding the numbers with the song. The word "mandirwa" starts from the Sam, so according to it the digital representation of the Tala you added is going one single beat slower. Thank you🙏
Tihai is not a new system or pattern In carnatic music mirdandam, it is kanda nadai in adi ( Teel Taal) The Bol is Naganathimi (5) thaam (1) naganathimi (5) thaam (1) Naganathimi (5)
do u know singapore name is also from our language, singh/simgh means lion, and pur is used in lots of indian cities also kanpur, nagpur, jaipur, hastinapur
Guess where a trained Indian classical musician's attention goes to? 'Your sitar is out of tune'. Yes for many this might seem tuned. But it's a strict no no even if it's off by the slightest of margins. And your sitar... The moment you plucked the strings for the first time... Sounded bad. In India we call it Bae-sura ( Not in the correct tune). You cannot practice anything that's not tuned. Don't get me wrong. I really appreciate your efforts in making this video. And i like it ❤
I didn’t even notice because I was focused on the tala. Small tunes in harmony with thihais, focuses attention more on unity of all tones/tunes. Of course for Indian sur is at the heart which I completely agree with, but for that it takes certain kind of ears. Cycle of rhythm over time teaches what tune is or rather sound in context of minds framework.
The full version of 'Momo Jam' can be watched here: ruclips.net/video/wcra4xS5UNQ/видео.html&ab_channel=BenGiroux
If you enjoy this video, be sure to leave your comments below & subscribe! 😄
Really unique way to explain Tihai. As musician myself mostly learned in Western style, I found your explanation really good as an Indian myself.
Excellently defined !! 👍
Your knowledge depth of Indian music is amazing !! 👌
With 💖 from 🇮🇳
The illustration from 6:43 to 7:17 is truly fabulous and I swear all Indian Gurus will be proud of you. ❤❤❤
So much love. 😊
South Indian Carnatic Classical music too has several complicated mathematical permutations and combinations in their "Talam".
Stumbled upon your channel today. The views don't justify the quality of the content bro! All the best!
Appreciate it! 😄
Absolutely true
Absolutely. He's done a very good job indeed. Best wishes friend, ❤ from India.
@@gauravdp *He done
Not He's done.
Absolutely correct on that. Subscribed just now. All the best
One of the simplest and best explanations of the Tihai.
As someone who actually knows what it is i just wanted some perspective and what an immaculate way to explain it. Keep going
WOW, RESPECTS TO you for learning Indian Classical music. ❤
I love the incorporation of Indian (or any other cultural system) structure into an ostensibly standard/western piece. So much more interesting to see the theory applied, rather than just incorporating an instrument or whatever.
good to see how r u trying to understand Indian classical music ❤
I do hear Indian classical music as an Indian and I do love music that comes from sitar instrument.. but to be honest, I have never thought in such a way that you have explained. Thank you 🙏
R BOOKS PUBLIDHED BY LUCKNOE. IT IS TALA. NOT THALA
I wish may God bless you and more and more students join our beloved unexplored Hindustani classical music. ❤😊❤
That's awesome.Thank you very much for spreading Indian classical music.
Thank you for featuring our video 'Jaa Jaa Re' in your demonstration on Tehai! Like you, we at Team Satrangee strive to propagate the richness of Indian Classical Music while preserving the authenticity of Bandishes and the purity of Ragas. Congratulations on your wonderful work-keep it up and all the best! 😊🎶
Thank you for sharing the beautiful music!
The complex longer tihai is called chakkardaar tohai, meaning a cyclic tihai.
So much to learn here. Nicely explained.
Man......thank you. I am very sad that the most undeserving content creators get views and subscribers but people like you who have such diverse knowledge of the field and share it with such passion don't get recognition.
Keep making these, you'll grow.
VERY useful explanation of Tihai! Thnx
Lovely transitionings.
Superb understanding of music..❤
I'd love to share a very beautiful incident with you.
When I learned Hindustani classical, then I always admire why it's always the number 3 ? I mean why there's isn't any concept of a Tihai for 4,5 or 7 repetitions? And I asked my sir, and he told that he also asked the same question in his childhood and his sir replied that there're mainly two reasons behind it. (ThoughI think the 2nd one is much more effective actually)
One: The number three is considered as most significant prime number as well as the smallest that can't be divided into parts after 2.
Two: The number 3 is also a holy number, since each segment of the Tihai resembles the 3 Adi Gods of Hindu Mythology, first Brahma, second Bishnu and finally Maheshwar.
Hope you liked it. 😊
The illustrations and timing was amazing especially for the Darbar video. This really cleared up a lot for a beginner like me.
Great knowledge and production value in this video. Couldn't believe when I saw how few views this video had! Deserves a lot more.
9:33 perfect bravo bravo 😍😍😍
Awesome. Kudos from India. Subscribed
Thank you! 😄
Great explanation of tihai. Don't think you can find it explained more clearly, with fantastic examples. I like how you are so knowledgeable about ICM and Western music and using ICM as composition ideas. Keep it up.
Great
Good work keep it up
Thanks
Thank you for this beautiful video,, love the work
Great explanation. Lucid and insightful. Best of luck with your musical career and your exploration of multiple genres of music. Your passion is evident and heartwarming.
Much better explanation 🙏
Excellent
Great to see you having affinity for Indian classical music. Subscribed for more content.
Thanks for supporting! 🙌
Fascinating!! Thanks!!
So beautiful ❤
Very knowledge you have acquired .
Great video Gu Wei!!! 🤩🤩
Thank you Xin Tong!!
Amazing explanation.. ❤
Nice
Great ❤
Good work! Keep it up!
You're soo underrated 😢
Very nice, thank you!
Hello I was at your performance earlier 😊
Come say hi next time! 😄
@@guweimusic yea sure my mom was the one talking to u at the end of ur Khamaj performance
Well done
Incredible
I just discovered your channel. Thanks for all this super interesting information.
Thank you for taking the time to make this.
I will continue to watch other videos.
I have been playing Tablas for 5 years.
Do you happen to know of a book in English about tablas?
Thanks for watching! I’ve referred to ‘Facets of Tabla Playing’ by Pt. Ashis Sengupta for some of my research - it’s quite a valuable resource.
Thank you very much, I just ordered it.
And please make us more such videos on Indian music.
❤❤❤Subscribed
Its വീണ bro വീണ ❤
aku cinta indian musik😊
Tihai is a very vast subject. You should first mention that it is meant to indicate the end of a part/piece/solo,,, in a composition (not sure you mentioned it). Always at the end of something, never in the beginning or middle (although some composition start from the middle of the rhythm cycle, then the tihai could end there). There are also many different types of tihai, such as chakradar (tihai repeated 3 times so nine repetition in total) or bedam (tihai without the space inbetween the repetition). An easy method of making a tihai is to multiply by 2 the rhythm cycle and add 1 then divide by 3. In 7 beat cycle for example, 7*2+1=15/3=5 so 5beat 3 times would be the tihai. Lastly, it is a detail but for teentaal dha tin tin ta ta dhin dhin dha is not correct for the khali part. The correct way is dha tin tin na na dhin ,,, The na sound and ta sound are different on tabla.
2:20 no offense, I really loved your video but just want you to know that the editor must've made a slight mistake while adding the numbers with the song. The word "mandirwa" starts from the Sam, so according to it the digital representation of the Tala you added is going one single beat slower. Thank you🙏
I also noticed. Totally Valid feedback
Ah ok it’s a mistake in the editing - thanks for pointing that out!
Wow
Tihai is not a new system or pattern
In carnatic music mirdandam, it is kanda nadai in adi ( Teel Taal)
The Bol is
Naganathimi (5) thaam (1) naganathimi (5) thaam (1) Naganathimi (5)
do u know singapore name is also from our language, singh/simgh means lion, and pur is used in lots of indian cities also kanpur, nagpur, jaipur, hastinapur
Yes! We call ourselves the ‘lion city’ sometimes. Interesting to know that many Indian cities’ names came from the same root 👍
2:19 the visual cue appears to be one beat out of sync lol
Quite sure tea high sounding Chinese had an important role to play in the selection of work
Greetings from India. Make more such beautiful videos. Also check out carnatic music and konnakol
would love to collaborate
Guess where a trained Indian classical musician's attention goes to?
'Your sitar is out of tune'.
Yes for many this might seem tuned.
But it's a strict no no even if it's off by the slightest of margins.
And your sitar... The moment you plucked the strings for the first time... Sounded bad. In India we call it Bae-sura ( Not in the correct tune).
You cannot practice anything that's not tuned.
Don't get me wrong. I really appreciate your efforts in making this video. And i like it ❤
Thanks for the feedback! 🙌
Tihai = 1/3
Your sitar is not in tune…..especially chikari
I didn’t even notice because I was focused on the tala. Small tunes in harmony with thihais, focuses attention more on unity of all tones/tunes. Of course for Indian sur is at the heart which I completely agree with, but for that it takes certain kind of ears. Cycle of rhythm over time teaches what tune is or rather sound in context of minds framework.
Hey great playing but your jawari needs to be done
btw try not pronunce it as "TALA" but instead as "TAL"
It looks 4 to me
Great presentation. From Australia.
I've heard of Tihar (should be my place of abode) but not Tihai......interesting
Tihar is famous jail in India 😀