Great question. This is just my opinion from experience...so take it for what that's worth. I am going to say that a horn loaded 2 way is generally easier to work as a stage monitor.@@josephbisenio4984
EXCELLENT!! Thanks for posting all these informative videos. Much appreciated. We all can learn new things from each other. And we can all use reminders of things we may already know. I'm enjoying following you two. Here's to a great year of many wonderful gigs!
Hi Joel...appreciate your support, thank you! April is looking a bit slow for us, but after that....holy crap!! So we will have a lot more gigs to share with everyone soon! In the mean time, we are providing some Tech Tips and getting the van ready for another big summer!
Hi Bart, love what you guys do, how about a episode on how you approach mixing up a drumkit, what you watch out for, what mics you use, setting up compression and noise-gates. Thank you👍😀
Absolutely...will add it to our list! I will scream one thing from the top of the mountains! The bottom line of good sounding drums in a LIVE mix is they are properly tuned for a LIVE mix for the genre of music!! I don't care the brand, I don't care about a lot of things....none of it matters if your drums are tuned properly for close proximity mics for a LIVE mix! So, if you are bringing in your ringy jazz kit with no port on kick for a pop band...I will have a more difficult time getting that sound we need. My point is, so much of this falls upon the drummer....as a former drummer, I am in heaven when I work with a drummer who gets it! I have drums, and we can try to do a segment on this topic now that you brought it up. Can you tell I am a bit passionate about this subject?
@@thesoundcouple , that’s great Bart, I’m not a former drummer but I’ve been doing live sound for 40 years, the next thing I always look for is a drummer who can play to a room, so many untrained guys belt away and take little or no responsibility for how they effect the overall sound. I’ll look forward to your episode on drums, as I do to all your episodes.👍😀
Tech Tip idea - room EQ - ear or analyzer, sample main EQ. I suppose it would be along the same lines as this video. Others - Matrices or daisy chaining your multiple subs or tops. Cool idea for a video series.
Yep! That's about how long it's been for us. We originally got as a speaker lift because our old cabinets were too much for Stacy and I to stack....So when people make a comment on the weight of the CDL's, it's all relative.
@@thesoundcouple That thing is really great, if I had to,... by my self, I could stand up my double 18"s then use the table lift to stack the double 15" two way cabinets on top, it’s wonderful!
Great content. I can’t even use a monitor on floor for karaoke shows. People are clueless about holding a mic down in front of speaker. They make me look bad when it’s them that’s the problem. Great ring out process
That's great! I didn't think about your situation, but yes, I can totally sympathize with you. Live musicians should know better. I can only imagine the education you supply at your own expense. It's like the wedding speeches that hold the mic at their waist in walk out in front of the mains and everyone looks at you when there's feedback!
@@thesoundcouple I told a girl giving a speech please hold the mic as close as you can she cut me off and said I know how to do it. Speech came, she had it 2 feet from mouth people started yelling WE CANT HEAR HER!!
If removing sow many points, you eventually dip so many EQ´s that your overall volume on the mic is just softer. And less feedback sensitive. But great video and editing skills bro. Cool couple you guys..
@@thesoundcouple im like a freelance foh technician in the netherlands, was not there for the lessons but cool to watch you two touring together. Keep up the good work guys, love your video’s. You help a lot of people out with your video’s. And its very clear and well edited. 🤘🏼🤘🏼
@@aronreihs9664 Thanks Aron - We appreciate hearing this type of feedback from our viewers as it helps us to know what we are doing right/wrong. Editing videos can be the hardest part of this at times!
Love the content…. For the love of sound folks all over…. Can we please use a lapel mic Lol The audio is tough to hear when you are in the van and in garage…. Shooting this video
Oh Oh...better not let Stacy see this as she agrees with you....I get it, especially when this is what we do. I am thinking this will happen. Thanks! I just have to say in my defense, like a mixed song recording, we are learning that the sound can be drastically different depending on what you are listening to it on. So we are still learning!
Confirming that it's "on" that's all there is to it. Unfortunately, the "on" state is not persistent throughout, so you need to keep checking and enabling...it's a hassle.
My Singer is cosntantly looking for my vocals in his monitor, but i struggle with his microphone in General - i am going to implimnet this at my next gig im hoping this will unlock the potential.
You decreased a lot of frequencies. Doe it sounds good then? I think the resulting sound had a lot of hum (low frequencies), no clearity? I'm not sure if it is good enough for vocal?
Frequency cuts can vary by location. Typically, the hotter the monitor, the more you will need to cut. So it's a balance between the volume you need vs. the environment that you are in. Vocalists typically like the sound of the monitors.
So, you increased the gain on the monitor out, and then had to pull back almost every band on the EQ. Isn't this equivalent to leaving the monitor gain alone and just boosting the two or three bands that you didn't have to cut?
Perhaps in theory, but I believe that you need to give the cabinet some energy to work with. You also need to give yourself headroom. Feedback at any of our shows is a rare occurrence..so I maintain our approach works.
Super job, Bart! I use almost the same gear as you do and I’ve been on Rick Naqvi from Presonus to do some videos on using UC Surface in real time with mixing at clubs. Keep these kinds of video’s coming, watching you mix is a great learning tool for a lot of us. Would love to see a video on eq and compression settings for individual drums for use with rock bands. Do you use any of the presets that come with Presonus mixers? Excellent vids and topics! Thanks again!
Thanks Rick! We use presets that we have developed over time. It’s amazing how they get can get us 90% there especially when we do a lot of our gigs without sound checks.
I would tend to agree, but I use UC Surface more than the console. I would imagine that with some practice, you could get proficient on the console as well. Good observation!
@@thesoundcouple thank you for commenting back. I appreciate it. I've been back and forth on some of the shows i do about this.. you gave me a different way to see the rta levels on a device i never thought to use
Hi Bart.... great video...Just wanted to add a note of clarification that I didn't hear mentioned in the video. You are adjusting the EQ of the monitor/speaker, not the microphone channel, correct? Keep up the great education videos!
Hi Ron - The mic channel EQ is flat. The EQ is assigned to the Aux mix for that monitor. Just to avoid any confusion, I would never recommend in a situation where you are splitting your pre's between a FOH mix and monitor mix that you configure PEQ settings on a channel to impact an aux monitor. On PreSonus, this would be "pre1" vs. "pre2" settings. This is rarely an issue for us (from a musician perspective), but is simply a trade off of not running a dedicated monitor console where the 31 band controls the "overall" tonality control of the mix.
Those adjustments are only applied to the GEQ assigned to that Aux mix. Selecting "pre1" mix allows for independent control of channel PEQ for FOH mix.
Hey SC, question? 1. How do you use your Stage Wifi Router? Do you connect Presonus to it and it sends that signal to your iPad? 2. Do you use a dbx PA 2 type of system for your crossover or do you use the crossover on your speakers? Thanks and keep up the grrrreat work you two!!!!!
The Stage Router Pro is our main router/wireless. So the control port of the mixer is connected to the router so the iPads can control the mixer. We don't use any external crossovers as there is really no need to. The cabinets DSP can be controlled from the back of the speakers or more flexible controls through the Worx Control software which PreSonus provides.
@@thesoundcouple I use a regular netgear router. I like your setup, but I can't seem to find your Stage Router. Where did you purchase yours? The both of you are definitely inspiration.
@@ItsClarkGable We purchased ours at Thomann Music a few years back, but their availability worlwide has been sporadic. There are other similar rack mount options available. Sweetwater has a Waves brand that is similar.
Thank you for taking time and effort to produce this content. What is your approach when ringing out multiple bus setup? Say one bus each for main and chorus. You ring them out separately and once the show starts, the main vocal walks all over the stage with their wireless.. and sometimes walks into the crowd right under FOH mains. Also how do you handle omni headset mics like countryman (without IEM)?
Oh my....your question is really tough. First off, I would say the core issue here is education. If a singer ever did this to me, I would be all over their butt on this. Accident's happen, but if they are expecting us to manage them walking within the site of FOH, that approach needs to be corrected. So in a nutshell, if this happens to the SC, that singer is sending the apologies to us. At a speaking event where this may be something you could anticipate, I would consider ringing out the mains in a similar manner. If there is a music portion of that same event, you will likely need to re-EQ for the live music since you will have probable squeezed a lot of life out of the EQ/system. IMO, the countryman omni mics is a matter of making a big trade off in it's application vs. the sound....they will never sound as good, so there should be a really good reason for their use. Billy shows ringing out mains in this video, which to me, is really a weird thing to have to do....but he does it, and maybe you do to? ruclips.net/video/SqWrOqEm4EM/видео.html Would love to have other input on this topic!
First of all I appreciate your youtube channel.Can you tell me a small low budget sound system for playing the guitar and singing? I am from Sri Lanka. Thank you
Hey Nalaka - we are glad that you are enjoying our channel...really appreciate that. There are many options available for your use. We don't want to endorse any specific brands as we only show you what we use. That said, in your similar situation, we have used the Bose L1 series (with Sub2) , and I was really impressed with them. Really clean and loud for their size.
It's part of UC Surface which is the control software for PreSonus mixers. Most digital mixers include this in their software. Very helpful tool for visualizing frequencies.
Very informative video. Would you ever save that EQ as a profile so you could use it as a starting point on a gig? There must be times you don’t have time to individually ring out each monitor?
You are correct....especially if I know the band and in situations when you don't need a screaming monitor, copying can result in saving time by not going through this with each mix in detail. However, In the real world, this process goes very quickly for us and is basically integrated into us checking a monitor. I would think of this as a method as a way of optimizing volume. Yes, we do save our show scenes and use them as a jumping off point for the next gig, but often I will change the EQ because it sounds different. Also, there is a baseline DSP setting applied to the speaker but it's a baseline of what sounds good to me and the process demonstrated is adapting to the environment you are in. Hope this helps!
In a couple weeks I'm doing my first show using floor wedges in a long time, I'm here to get a refresher course! Lol. Great stuff.
Good luck! We can remember the feeling when we had to revert back to bands that needed monitors… eventually it will be like riding a bike!
@@thesoundcouple what's your take on co-axial versus 2-way? Does co-ax have more resistance on feedback?
Great question. This is just my opinion from experience...so take it for what that's worth. I am going to say that a horn loaded 2 way is generally easier to work as a stage monitor.@@josephbisenio4984
@@thesoundcouple do you use efx and/or reverbs on stage wedge? Does it cause feedback?
Watched this one twice to get all the good information. Thanks for sharing this valuable information.
Glad we could help!
good shit man, keep up the good work helping us all learn!
Thanks!
Love ALL of your videos. You guys (The Sound Couple) are my go to for excellent on point knowledge. Thanks!.
Thanks Darrell! It's our pleasure knowing that others are getting something out of our videos!
EXCELLENT!!
Thanks for posting all these informative videos. Much appreciated. We all can learn new things from each other. And we can all use reminders of things we may already know.
I'm enjoying following you two.
Here's to a great year of many wonderful gigs!
Hi Joel...appreciate your support, thank you! April is looking a bit slow for us, but after that....holy crap!! So we will have a lot more gigs to share with everyone soon! In the mean time, we are providing some Tech Tips and getting the van ready for another big summer!
@@thesoundcoupledo you use effects on vocal for stage wedges?
Never!@@josephbisenio4984
Hi Bart, love what you guys do, how about a episode on how you approach mixing up a drumkit, what you watch out for, what mics you use, setting up compression and noise-gates. Thank you👍😀
Absolutely...will add it to our list! I will scream one thing from the top of the mountains! The bottom line of good sounding drums in a LIVE mix is they are properly tuned for a LIVE mix for the genre of music!! I don't care the brand, I don't care about a lot of things....none of it matters if your drums are tuned properly for close proximity mics for a LIVE mix! So, if you are bringing in your ringy jazz kit with no port on kick for a pop band...I will have a more difficult time getting that sound we need. My point is, so much of this falls upon the drummer....as a former drummer, I am in heaven when I work with a drummer who gets it! I have drums, and we can try to do a segment on this topic now that you brought it up. Can you tell I am a bit passionate about this subject?
@@thesoundcouple , that’s great Bart, I’m not a former drummer but I’ve been doing live sound for 40 years, the next thing I always look for is a drummer who can play to a room, so many untrained guys belt away and take little or no responsibility for how they effect the overall sound. I’ll look forward to your episode on drums, as I do to all your episodes.👍😀
Very helpful video. Thank you
Glad it was helpful!
Another excellent video from Bart
Thanks James....we are just trying to help out!
Congratulations on the insulation detail on the surface of the car..👍
LOL! Hey, we do what we have to do with what we got!
I just want to thank you both for posting such great informative content. Keep up the great work.!
You're welcome...and we will keep on trying!
wow..,thank you for sharing this.,Great stuff
Glad we can help!
This is great demonstration and I will apply your method. For my future gigs. Thanks !
Let us know how it works out!
What method did you use before?!
Great demonstration--Keep em coming!
Thanks! Will do!
very useful, thank you
You’re welcome! Check out our other videos as we give a lot of tips and tricks!
Your awesome, big thanks from indonesia🙏
Thanks for watching!
thank you so much sir
You’re welcome!
Tech Tip idea - room EQ - ear or analyzer, sample main EQ.
I suppose it would be along the same lines as this video.
Others - Matrices or daisy chaining your multiple subs or tops.
Cool idea for a video series.
We will add it to the list! We generally save Tech Tips for when we have some gaps in our schedule....thanks!
your yellow table lift is great! I have one identical to it, I purchased mine about 10 years ago :)
Yep! That's about how long it's been for us. We originally got as a speaker lift because our old cabinets were too much for Stacy and I to stack....So when people make a comment on the weight of the CDL's, it's all relative.
@@thesoundcouple That thing is really great, if I had to,... by my self, I could stand up my double 18"s then use the table lift to stack the double 15" two way cabinets on top, it’s wonderful!
Amazing as always. Thank you for sharing your knowledge 👌
Thanks you for watching and you're welcome!
awesome!😃
Thanks! 😄
Great content. I can’t even use a monitor on floor for karaoke shows. People are clueless about holding a mic down in front of speaker. They make me look bad when it’s them that’s the problem. Great ring out process
That's great! I didn't think about your situation, but yes, I can totally sympathize with you. Live musicians should know better. I can only imagine the education you supply at your own expense. It's like the wedding speeches that hold the mic at their waist in walk out in front of the mains and everyone looks at you when there's feedback!
@@thesoundcouple I told a girl giving a speech please hold the mic as close as you can she cut me off and said I know how to do it. Speech came, she had it 2 feet from mouth people started yelling WE CANT HEAR HER!!
@@chromemusic4401 Seriously....this is the crap that makes we want to hang it sometimes. Don't get me going on lapel mic'ing!
@@thesoundcouple I feel your pain. We love sound and I guess that keeps us going. Looking forward to more content from you guys.
Thank You for this information, very helpful 💯💯
Thanks! And thanks for watching!
That was very useful to me, thank you.
Cool! So far so good!
Great video and explanation 👏👏👏👏👏Thank you
Glad it was helpful! Appreciate you watching.
This is gold!
Had no idea what to expect on this one, so this is great! Thanks!
Brilliant content, thank you
Awesome! Thanks!
Love the content! Thank you
Thanks!
Great content!
Thank you!
If removing sow many points, you eventually dip so many EQ´s that your overall volume on the mic is just softer. And less feedback sensitive. But great video and editing skills bro. Cool couple you guys..
You are correct.....I think of them as little frequency volume knobs, so proceed carefully!
@@thesoundcouple im like a freelance foh technician in the netherlands, was not there for the lessons but cool to watch you two touring together. Keep up the good work guys, love your video’s. You help a lot of people out with your video’s. And its very clear and well edited. 🤘🏼🤘🏼
@@aronreihs9664 Thanks Aron - We appreciate hearing this type of feedback from our viewers as it helps us to know what we are doing right/wrong. Editing videos can be the hardest part of this at times!
Love the content…. For the love of sound folks all over…. Can we please use a lapel mic Lol
The audio is tough to hear when you are in the van and in garage…. Shooting this video
Oh Oh...better not let Stacy see this as she agrees with you....I get it, especially when this is what we do. I am thinking this will happen. Thanks!
I just have to say in my defense, like a mixed song recording, we are learning that the sound can be drastically different depending on what you are listening to it on. So we are still learning!
best ever,........but a singer needs pitch correction to?is better the hardware or software?
No auto-tune for the Sound Couple!!
Awesome vid very helpful…what monitors are you using?
In this video, we were using the PreSonus 328ai cabinets.
Sir, do you know why RTA is not working (not showing graphics) on mixes or iPad?
Confirming that it's "on" that's all there is to it. Unfortunately, the "on" state is not persistent throughout, so you need to keep checking and enabling...it's a hassle.
Good video
Glad you enjoyed it!
My Singer is cosntantly looking for my vocals in his monitor, but i struggle with his microphone in General - i am going to implimnet this at my next gig im hoping this will unlock the potential.
Let us know how it goes!
You decreased a lot of frequencies. Doe it sounds good then? I think the resulting sound had a lot of hum (low frequencies), no clearity? I'm not sure if it is good enough for vocal?
Frequency cuts can vary by location. Typically, the hotter the monitor, the more you will need to cut. So it's a balance between the volume you need vs. the environment that you are in. Vocalists typically like the sound of the monitors.
PERFECTO, buen video
¡Gracias!
So, you increased the gain on the monitor out, and then had to pull back almost every band on the EQ. Isn't this equivalent to leaving the monitor gain alone and just boosting the two or three bands that you didn't have to cut?
Perhaps in theory, but I believe that you need to give the cabinet some energy to work with. You also need to give yourself headroom. Feedback at any of our shows is a rare occurrence..so I maintain our approach works.
Super job, Bart! I use almost the same gear as you do and I’ve been on Rick Naqvi from Presonus to do some videos on using UC Surface in real time with mixing at clubs. Keep these kinds of video’s coming, watching you mix is a great learning tool for a lot of us. Would love to see a video on eq and compression settings for individual drums for use with rock bands. Do you use any of the presets that come with Presonus mixers? Excellent vids and topics! Thanks again!
Thanks Rick! We use presets that we have developed over time. It’s amazing how they get can get us 90% there especially when we do a lot of our gigs without sound checks.
I'm assuming this is easier with the UC Control then the physical board
I would tend to agree, but I use UC Surface more than the console. I would imagine that with some practice, you could get proficient on the console as well. Good observation!
@@thesoundcouple thank you for commenting back. I appreciate it. I've been back and forth on some of the shows i do about this.. you gave me a different way to see the rta levels on a device i never thought to use
Hi Bart.... great video...Just wanted to add a note of clarification that I didn't hear mentioned in the video. You are adjusting the EQ of the monitor/speaker, not the microphone channel, correct? Keep up the great education videos!
Hi Ron - The mic channel EQ is flat. The EQ is assigned to the Aux mix for that monitor. Just to avoid any confusion, I would never recommend in a situation where you are splitting your pre's between a FOH mix and monitor mix that you configure PEQ settings on a channel to impact an aux monitor. On PreSonus, this would be "pre1" vs. "pre2" settings. This is rarely an issue for us (from a musician perspective), but is simply a trade off of not running a dedicated monitor console where the 31 band controls the "overall" tonality control of the mix.
Hello Bart, just curious the ring out is cut but will it ruin the vocal mix?
Those adjustments are only applied to the GEQ assigned to that Aux mix. Selecting "pre1" mix allows for independent control of channel PEQ for FOH mix.
Hey SC, question? 1. How do you use your Stage Wifi Router? Do you connect Presonus to it and it sends that signal to your iPad? 2. Do you use a dbx PA 2 type of system for your crossover or do you use the crossover on your speakers? Thanks and keep up the grrrreat work you two!!!!!
The Stage Router Pro is our main router/wireless. So the control port of the mixer is connected to the router so the iPads can control the mixer. We don't use any external crossovers as there is really no need to. The cabinets DSP can be controlled from the back of the speakers or more flexible controls through the Worx Control software which PreSonus provides.
@@thesoundcouple I use a regular netgear router. I like your setup, but I can't seem to find your Stage Router. Where did you purchase yours? The both of you are definitely inspiration.
@@ItsClarkGable We purchased ours at Thomann Music a few years back, but their availability worlwide has been sporadic. There are other similar rack mount options available. Sweetwater has a Waves brand that is similar.
Thank you for taking time and effort to produce this content. What is your approach when ringing out multiple bus setup? Say one bus each for main and chorus. You ring them out separately and once the show starts, the main vocal walks all over the stage with their wireless.. and sometimes walks into the crowd right under FOH mains. Also how do you handle omni headset mics like countryman (without IEM)?
Oh my....your question is really tough. First off, I would say the core issue here is education. If a singer ever did this to me, I would be all over their butt on this. Accident's happen, but if they are expecting us to manage them walking within the site of FOH, that approach needs to be corrected. So in a nutshell, if this happens to the SC, that singer is sending the apologies to us. At a speaking event where this may be something you could anticipate, I would consider ringing out the mains in a similar manner. If there is a music portion of that same event, you will likely need to re-EQ for the live music since you will have probable squeezed a lot of life out of the EQ/system. IMO, the countryman omni mics is a matter of making a big trade off in it's application vs. the sound....they will never sound as good, so there should be a really good reason for their use. Billy shows ringing out mains in this video, which to me, is really a weird thing to have to do....but he does it, and maybe you do to? ruclips.net/video/SqWrOqEm4EM/видео.html
Would love to have other input on this topic!
WHAT SOFTWARE DID YOU USE FOR ADJUSTING THE SOUND?
In this video, we were using UC Surface which is the mixer control software for PreSonus consoles and rack mixers.
When using this technique are you using a pre eq or post eq send?
Since we split FOH/mon on the same console, we go with pre-EQ for aux sends.
Thanks for the tip. Love your videos! Keep the content coming.
First of all I appreciate your youtube channel.Can you tell me a small low budget sound system for playing the guitar and singing? I am from Sri Lanka. Thank you
Hey Nalaka - we are glad that you are enjoying our channel...really appreciate that. There are many options available for your use. We don't want to endorse any specific brands as we only show you what we use. That said, in your similar situation, we have used the Bose L1 series (with Sub2) , and I was really impressed with them. Really clean and loud for their size.
is that rta part of the soft ware and if so show where its at and how to activate it.
It's part of UC Surface which is the control software for PreSonus mixers. Most digital mixers include this in their software. Very helpful tool for visualizing frequencies.
Bert, how can i get ahold of you. might have a gig for you
We have our contact info in the "About" section!
Very informative video. Would you ever save that EQ as a profile so you could use it as a starting point on a gig? There must be times you don’t have time to individually ring out each monitor?
You are correct....especially if I know the band and in situations when you don't need a screaming monitor, copying can result in saving time by not going through this with each mix in detail. However, In the real world, this process goes very quickly for us and is basically integrated into us checking a monitor. I would think of this as a method as a way of optimizing volume. Yes, we do save our show scenes and use them as a jumping off point for the next gig, but often I will change the EQ because it sounds different. Also, there is a baseline DSP setting applied to the speaker but it's a baseline of what sounds good to me and the process demonstrated is adapting to the environment you are in. Hope this helps!
@@thesoundcouple Thanks for taking the time for the detailed reply, really helpful 👍
How do i contact you guys to hire you
Our contact info is in the "about" section.
❤️❤️👍❤️❤️
Thanks!