Todd Terry was the master of the classic house vibe. What a legend. Will never get bored of that classic house vibe from the 90s. It's timeless and still relevant today and will be for a long long time.
thanks for sharing this! i really respect producers that don´t give a shit about shit load high end equipment and don´t jerk off about compressing techniques and stuff like that ... if it works on the dance floor then they made a good job! very encouraging ... they actually DO their own stuff, it´s their ideas coming out of the speakers .... big respect to everybody who found his/her own way of making great music!
you must be stupid...almost all guest that goes on this show will never show you all their secrets espcially their effect chain that took years to create.. they will give 1 or 2 tips and thats it. Unless they are complete noobs and cant sound design or engineer , their channels will be empty as shown in the footage and a master engineer will have to do some serious work on their sound.
Some varied comments here. Agree and disagree with some of them. But these guys aren't making music for producers and engineers. So the vast majority of the people dancing to this don't care what DAW was used or what the session looked like, what eq or compression was used etc. I guess people who don't have stacks of money for outboard gear or very expensive plug ins this approach would be appealing. For those who can afford that stuff and really need it for a purpose and outcome then that's fine too. Just got to know your stuff inside out whatever it is. :-)
8:00 - Reducing the gain like they do here doesn't affect a plugins output level, so they might as well just lower the stereo bus. It's better to keep your tracks at unity gain (0db) and use logic's gain plugin to give yourself headroom, as this also can prohibit plugins from peaking. Nonetheless, some great insight here. thanks FM.
anyone who talks about how they are 'just putting stuff together' and that needs to realize that there's more to it than putting things together they still have to create it whether or not you agree is a different story but theyre still making music either way at least they aren't like some who have ghost producers
John Wil not with EQ, but with a filter maybe. you could do it fo a breakdown or so as long as you avoid resonance so that you arent boosting any frequencies.. but do whatever you want and see (or hear rather) the results for yourself. if you think something works, it works.
John Wil if you're automating some filter fade in or something there's nothing wrong with that, just be very careful you don't screw up the master with weird settings on whichever VST you might be using
+John Wil I create a sub output, which is basically a bus which everything goes into before the master. That way you can put filters and automation on that.
I like making my own sounds...Your pretty much giving credit to the people who made the loops, presets, midi, sound packs, ect make your own stuff you'll be more happy in the end and you won't run into copyright laws
Why people never mentioned where they get the kick from what sample pack though ? I been struggle to get a good kick every time. Vengeance had pretty good bassdrum but not as good when compared to professional track idk why
I dont know about the kick, but they are using some sounds from their samplepack, and i saw that max chapman uses too. I think they have 2 sample packs available on the internet
Is it just me or is does the whole song sound like a bad intro that never goes anywhere? Nevertheless , I love seeing the production approach of any electronic artist.
this is the reson i hate apple logic!!! You can not listen your samples in browser! no autoplay function!!! they use ableton for this... omg!!! tis is terrible thing!!
Their session looks like a mess, i mean, they're getting played so I'm not hating, but, it kinda sends this fucked up mess to us amateurs that good music needs 30 or more tracks, expensive loops and samples in order to sound professional. when in reality you just have to understand the software your working with. I wish Future Music would showcase producers with that kinda workflow, to encourage learning. ...Or not, whatever really.
I couldn't agree more. I'd love to see artists using more sample based / creative approaches, maybe doing unusual sound design or recording approaches. Too much generic house / dubstep artists, who definitley deserve the respect and attention, but some variety would help all of us a lot. It feels like all achieve the same sound in the end.
No.. not really. Case in point why you are still an amateur. Expensive loops, no. 30 tracks? Maybe... its called layering and it creates dynamics, spatial separation and various other things that cannot be achieved by simply layering octaves on the same $200 soft synth. You say you arent hating, but really you are.
thats not even making music....its putting made stuff together. ITS PUZZLING....weee. but i think in "deep house" everythings allowed. Just dont think too much....
kicks have 0 compression..... all the Sends are set to zero (guess theyre there for show), no panning, minimal EQ, pretty annoying really, we need more people like yuksek in the studio, that is such a good video with people who know what theyre doing, this is like.... Amatuer producing at best..... typical story of kids getting too much recognition too quickly.
Haha, Na Maschine isn't a bit of us. . Bro before you start digging out people who are making good music, perhaps you should concentrate on your own stuff. . .
not digging out? more like pointing out? and my stuff is fine, "good music" is a matter of opinion, but i have a very very complex understanding of what they are doing and what others are doing that deserve more, you see in this day and age, Musical merit means nothing, this video is my point proven.
Todd Terry was the master of the classic house vibe. What a legend. Will never get bored of that classic house vibe from the 90s. It's timeless and still relevant today and will be for a long long time.
thanks for sharing this! i really respect producers that don´t give a shit about shit load high end equipment and don´t jerk off about compressing techniques and stuff like that ... if it works on the dance floor then they made a good job! very encouraging ... they actually DO their own stuff, it´s their ideas coming out of the speakers .... big respect to everybody who found his/her own way of making great music!
+planktom bcn amen
you must be stupid...almost all guest that goes on this show will never show you all their secrets espcially their effect chain that took years to create.. they will give 1 or 2 tips and thats it. Unless they are complete noobs and cant sound design or engineer , their channels will be empty as shown in the footage and a master engineer will have to do some serious work on their sound.
Leftwing& Kody Mad Respect! For always providing those Amazing tunes...
my favorite producers at the moment :) thanks future magazine!
Love these "In the studio" vidz...always learning something new
You guys are awesome ! I look forward to new releases!
Great video. More artists in this genre please FM
Especially good to see the buildup, editing and processing of the drums.
Some varied comments here. Agree and disagree with some of them. But these guys aren't making music for producers and engineers. So the vast majority of the people dancing to this don't care what DAW was used or what the session looked like, what eq or compression was used etc. I guess people who don't have stacks of money for outboard gear or very expensive plug ins this approach would be appealing. For those who can afford that stuff and really need it for a purpose and outcome then that's fine too. Just got to know your stuff inside out whatever it is. :-)
couldn't agree more ! well said
It's not what you've got, it's what you do with what you have.
What's happening at 27:45? :D
8:00 - Reducing the gain like they do here doesn't affect a plugins output level, so they might as well just lower the stereo bus. It's better to keep your tracks at unity gain (0db) and use logic's gain plugin to give yourself headroom, as this also can prohibit plugins from peaking. Nonetheless, some great insight here. thanks FM.
i agree, gain staging is were its at not the daw faders
Down to earth lads by the looks of it. I use similar techniques so it made me happy watching this.
Awesome video guys! Big respect wicked remix :)
thanks Leftwing & Kody and FM for this, Gain lot of knowledge from this episode! :D Cheers from BA.
epic chairs
"when you're programming sounds, you can't get the sound you are after, so just throw in a loop and it makes it sound amazing"
*exits video*
Nice and basic and transparent, thanks!
Started using a couple of LW&K tips, thanks for the vid!
It would be sick if you could get Tycho in the studio. They've got a ton of analog synths and really unique gear. I'd like to see how he records
sounds great! where can i get some free great quality drum samples like they have?
Great drums really boost up your overall sound...
has this track ever been released or wil it still come cause i can't find the remixx
Leperepe leperepee 💃🏼💃🏼
anyone who talks about how they are 'just putting stuff together' and that needs to realize that there's more to it than putting things together they still have to create it whether or not you agree is a different story but theyre still making music either way at least they aren't like some who have ghost producers
This is rly cool!
Strong groove and bassline has been tearing up clubs since day 1. Its not rocket science.
In the Studio with Dyro please :)
"lit'trally, yeh". Yes, I'm making fun.
would you automate on the master track (automate eq)? or is it something you should better not do, cos people always say don't touch the master fader
John Wil not with EQ, but with a filter maybe. you could do it fo a breakdown or so as long as you avoid resonance so that you arent boosting any frequencies.. but do whatever you want and see (or hear rather) the results for yourself. if you think something works, it works.
John Wil if you're automating some filter fade in or something there's nothing wrong with that, just be very careful you don't screw up the master with weird settings on whichever VST you might be using
+John Wil I create a sub output, which is basically a bus which everything goes into before the master. That way you can put filters and automation on that.
I like making my own sounds...Your pretty much giving credit to the people who made the loops, presets, midi, sound packs, ect make your own stuff you'll be more happy in the end and you won't run into copyright laws
Why people never mentioned where they get the kick from what sample pack though ? I been struggle to get a good kick every time. Vengeance had pretty good bassdrum but not as good when compared to professional track idk why
I dont know about the kick, but they are using some sounds from their samplepack, and i saw that max chapman uses too. I think they have 2 sample packs available on the internet
oh my!
These 2 are dope and put out too much music! They should be harder to get at for a remix, but they do it soo good!
I need a Kody!
Get Dyro in the studio!
dat studio is designa
please give as psytrance artists!
"Space Vision" would be nice!
It's you again, first you troll on the Markus Schulz CM video and now on this one..
wooow they use compresor without gain reduction :) congrats. a real profesionals
Dat studio tho
Doesn't say a lot for the Logic workflow when you're auditioning loops in Ableton via re-wire because it's quicker..
Is it just me or is does the whole song sound like a bad intro that never goes anywhere? Nevertheless , I love seeing the production approach of any electronic artist.
Its probably just the genre. Its more a techy jackin vibe
Please make an In The Studio with Kygo before he gets too famous and busy for that!
this is the reson i hate apple logic!!! You can not listen your samples in browser! no autoplay function!!! they use ableton for this... omg!!! tis is terrible thing!!
Their session looks like a mess, i mean, they're getting played so I'm not hating, but, it kinda sends this fucked up mess to us amateurs that good music needs 30 or more tracks, expensive loops and samples in order to sound professional. when in reality you just have to understand the software your working with. I wish Future Music would showcase producers with that kinda workflow, to encourage learning.
...Or not, whatever really.
I couldn't agree more. I'd love to see artists using more sample based / creative approaches, maybe doing unusual sound design or recording approaches. Too much generic house / dubstep artists, who definitley deserve the respect and attention, but some variety would help all of us a lot. It feels like all achieve the same sound in the end.
Ekkobelli Im glad you understand where im coming from I was all over the place a little bit lol
MissingNum And still - you were spot on =:-D
No.. not really.
Case in point why you are still an amateur. Expensive loops, no. 30 tracks? Maybe... its called layering and it creates dynamics, spatial separation and various other things that cannot be achieved by simply layering octaves on the same $200 soft synth.
You say you arent hating, but really you are.
dntzonis well, if you say so...
the way their legs interlock makes me feel uncomfortable.
thats not even making music....its putting made stuff together. ITS PUZZLING....weee. but i think in "deep house" everythings allowed. Just dont think too much....
Genelecs on their side... :/
kicks have 0 compression..... all the Sends are set to zero (guess theyre there for show), no panning, minimal EQ, pretty annoying really, we need more people like yuksek in the studio, that is such a good video with people who know what theyre doing, this is like.... Amatuer producing at best..... typical story of kids getting too much recognition too quickly.
+Blaise ingyou LOL, Amateur producing at best. . . . Really????? Get a life
nothing to add? lol, most likely because you havent used anything except for "maschine bro"
Haha, Na Maschine isn't a bit of us. . Bro before you start digging out people who are making good music, perhaps you should concentrate on your own stuff. . .
not digging out? more like pointing out? and my stuff is fine, "good music" is a matter of opinion, but i have a very very complex understanding of what they are doing and what others are doing that deserve more, you see in this day and age, Musical merit means nothing, this video is my point proven.
also BTW, best to not have Videos of your sets Boring a Crowd to death on youtube before you start being the producer police.