A lot must depend on whether the piece is long. But more on the effort a person is willing to put in. and of course, bad music is going to struggle to be interesting. So not to be taken too seriously.
No - doesn’t depend on the sub. They are only circlejerking opinions - entire Reddit - and for some reason very insecure, which sprouts this certain type of unbearable toxicity.
@@rockstar-technology Ex. malefashionadvice was** such a wonderful sub. Supportive of beginners while maintaining discussion for those interested in sartorial discussions for the sake of it. Supportive of nonbinay folks and non-masculine wear, active regulars who answered simple questions as well as facilitated bigger discussions. Mods that had basic rules against racism,sexism, etc, backed by a community that agreed with those rules. There are others but if your main stay with reddit are front page subs, well it's hit or miss but I honestly don't think any better or worse than ig, twitter, ytb, etc.
9:44 Shostakovich based the tune on the aria "Da geh' ich zu Maxim" from Lehár's _The Merry Widow._ Despite Lehár's Jewish connections - he had many Jewish friends and his wife was born a Jew - he was known to be one of Hitler's favourite composers, and _Merry Widow_ one of his favourite operettas. On that basis, some have suggested that Shostakovich chose this tune as a deliberate dig at Hitler.
Haydn? Symphony 80 abounds with invention, its 2nd movement strikingly beautiful, its final movement modulations looking far into the future. Missa in Angustiis: the kyrie explodes into life (in interpretations courageous enough to realize the dynamics), the soprano writing radiating hysteria... Then there are the immensely inventive, often quirky piano sonatas.... Haydn's music always elicits interest, most of it engages the mind and the soul!
I use reddit constantly. and i've found recently that reddit musicians are always so confidently incorrect and the hivemind show's harder than ever because none of them know what they're talking about. it is infuriating. i decided to just not interact with music subreddits ouitside of r/music because rarely is genre or skill ever discussed.
As a harpist I've played a lot of Pachelbel. I have to say that I really do not tire of it. It is a beautifully designed, and aesthetically pleasing piece to play and to listen to. I think it is a mistake, a very great mistake, for musicians to make the assumption that a piece is boring because they've had to play it a lot. Just because you have mistakenly drained the life out of a piece by much repetition does not mean that the listening public has. The public is still charmed by the Canon in D, and the familiarity of it gives them great pleasure. That great pleasure is the purpose of wonderful pieces of music. Musicians, do not scorn the public's taste. In that pathway lies unemployment.
Only problem might be that it has overshadowed the rest of Pachelbel's work, I once read an anecdote of a man who spoke to a priest, the priest said that Canon was the only piece he made.
@@jesustovar2549 That is sad but at least he knows that piece. It would be good if conductors played other works. It seems that the responsibility lies with musicians to promote other works of his.
I couldn't disagree more about Haydn...if you listen to him without all of the historical importance in mind, you will always be surprised by his music...listen to the Paris Symphonies without bias...fantastic!!!
The answers to this question are usually absolutely ridiculous. YES Classical Music can indeed be boring - but the "mainstream repertoire" is by definition NOT boring - as it has gone through centuries of filtration. As someone who goes searching for "Hidden Gems" - the majority of music I hear is relatively "boring" - all of the lesser-known composers are, for the most part, lesser-known for a reason. Having said that - there are real treasures to be discovered! Composers like Raff, Kraus, Alkan, Medtner, Onslow... all great stuff! In fact - I think Onslow is a good example of this "boring" phenomenon. I think he is actually very good - but just a bit predictable and conservative. He was rather well known in his day but posterity has diminished his reputation over time. The composers that "survive" the mainstream repertoire are always exciting, trailblazing, and unpredictable somehow.
@@hojowarf6488 Yeah his E major Symphony is great! It's hard to tell how much of a genius he would have been if he had lived longer. He's one of the most promising composers who died in their 20s - along with Alexei Stanchinsky (influenced by Scriabin) and Karl Tausig (influenced by Liszt).
I will make a counterargument against your comment that "anything that's mainstream is by definition not boring" with a definitely mainstream piece that I find boring, Für Elise. Every time I listen to Beethoven's Für Elise, I just want to fall asleep cause it doesn't interest me at all. As a child, it was the only full Beethoven piece that I liked(I clarify full here, because I did like the Ode to Joy melody, but I hadn't listened to the full Ninth Symphony that it's part of at the time). I didn't like the Fifth Symphony as a child cause I didn't understand it. It wasn't until I actually looked at and analyzed the score of Beethoven's Fifth Symphony that I could understand and appreciate what was going on. Then one day, I was searching for a C minor piano concerto cause I was just in the mood for such a piece and I was expecting Mozart to be first in the search results cause I was a big Mozart fan at the time and I could search say "Bb major string quartet" and Mozart would be first in the search results. Didn't happen that way with the C minor concerto search, instead I got Beethoven as the first search result. I was like "Huh, okay, I'll listen to it." and was just blown away by the drama packed first movement, the move to E major, very distant key for the second movement, and the rondo third movement. Then a few days later, I listened to the Pathetique and Appassionata sonatas and was again blown away by the drama. That was the start of a major shift in listening for me. I went from Beethoven being my least favorite to my most favorite composer. The Fifth Symphony immediately shifted to being my all time favorite symphony above even Mozart 40, my previous favorite symphony. Beethoven's music opened many doors to other composers for me, such as Schubert and Liszt. But at the same time, Für Elise became my least favorite Beethoven piece to listen to. It went from "I like this piece" to "Ugh, so boring, I just want to fall asleep it's so boring."
Would Jan Dismas Zelenka be considered lesser-known? If so, I doubt there is a bigger hidden gem than him. Also, I enjoy Paul Wranitzky, especially his 3rd Sextet in E flat major.
@@caterscarrots3407 I would very seldom choose to listen to Für Elise now - but it's a famous piece for a good reason. It has actually managed to GAIN popularity over centuries. The way you describe your adventure with music is the same as most deep fans of Classical - we start with the simpler stuff and gradually get into more complex music and then get bored of simplicity. But I promise you - if you forget about Für Elise and don't listen to it for many years, and then suddenly listen to a stunningly beautiful performance of it when you're in your 70s or 80s - you will be moved by it again and listen to it like a child once more. Of course we are all able to find pieces of music that we subjectively are bored by, but they are not "boring" pieces, because they are beloved by many other people. The same is true of popular music too but so much of the popularity within that is based on trends, hype, and personalities - so you can only really tell what's truly the "best" popular music by noticing which songs are still listened to regularly decades later.
im not really sure how you could even classify shostakovich's 7th symphony as "boring". im assuming whoever said that hasn't listened to the full symphony but only the 1st movement where it sort of drags on for a while before the outbursts. i can understand if someone were to say that it were too harsh for them, or they didn't like it very much, but "boring" just doesn't really fit for this symphony
And btw, Professor King, have you ever thought about doing some kind of analysis video on Chavez? I know this is off topic for the current thread, but if you were ever to do an in depth analysis on his 2nd and/or 3rd Symphonies, or even his Ten Piano Preludes (Not really "even" because they are such a collective masterpiece) I would be your most devoted fan for life. And l also suspect that you would have an enormous amount of fun. And that is certainly more important.
The Leningrad tune is actually from Franz Lehar, Hitler’s favourite composer next to Wagner. The tune was called “da get’ ich ins Maxim’s". The Germans were playing the tune constantly on the radio as an intimidation tactic against the citizens of Leningrad, and also to honour their Führer. Schostakovich brilliantly took the rather jolly tune and turned it into a terrifying musical juggernaut. In 1945, Bartók, not getting the allusion, made fun of Schostakovich, by parodying the parody in his Concerto for Orchestra, IV. Intermezzo interrotto. When everything goes off the rails, that’s the quotation. To be clear, I adore both works and composers. Lehar, not so much. He’s like a discount Strauß, in which nothing really works smoothly.
I don't understand at all that list ! (Erich Wolfgang Korngold was an outstanding teenager composer as well, by the way. His maturity was very surprising). The phrase phrase in Ravel's bolero is amazingly long, which is a preformance in itself already and the way how the climax is brought and then collapsing is amazing. Haydn wrote a huge amount of marvellous music for pinao, string quartets, organ concertos ... Bartok's concerto for orchestra is really stunning. Mahler's first symphony is amazing too ! My favorite with the 9th (because of the "dying" Adagio). The canon in D is really a nice piece, but in its original version ! Brahms first piano concerto is soooo nice too. The first movement is really great and the second one is full of tenderness and beautiful melody. Liszt piano sonata is THE ABSOLUTE MASTERPIECE for piano of the 19th century if not more (but it must be played well) !!!
@FougarouBe I've been listening to classical music for over 60 years and I know most of the mainstream repertoire and much of the not so well known pieces. Haydn is one of my favorite composers, but I was unaware that he wrote organ concertos. I was ready to correct you by saying that you meant Handel, but you're right. Now I have something new to be acquainted with. BTW, his brother, Michael wrote some wonderful pieces also.
Wow, I fully agree with you, yes I love Mahler 1, I think it is a great introduction to his symphony, being the first one and the shortest, Pachelbel's Canon in it's original version is beautiful, but people tend to forget the Gigue.
@@rawvision6701Wait, Haydn wrote organ concertos? I'm way younger than you but I didn't know that, I'm gonna check it out, that man could do everything.
How anybody found Brahm's Piano Concerto 1 soporific I find difficult to fathom! I admit it took me more than one performance to fall in completely love with it, but it is far too dramatic to ever be called boring or sleep-inducing. Shostakovich's Leningrad Symphony is yet another fascinating claim for boring, which I reject. I think the Professor correctly identifies 'banal' as a key theme Dmitri was aiming at. But I am of the view that in conception this piece was originally conceived about what Stalin had done to Leningrad, more than what the Nazi's were doing. Dmitri could not safely admit this, and perhaps was happy for the piece to be appropriated for the siege. However it fits the view of a Dictator suppressing popular music (like the Tahiti Trot) and instead saying some dull artless 'overtly chirpy tune' shouod make the citizens happy why not all dance to that? Once I think of the piece in this light, the genius becomes clear, the critique becomes clear, and the musical journey of the symphony makes so much more sense.
Haydn, boring? He basically invented jumpscare (second movement of the 94th symphony) and found an original way to protest against his employer (last movement of the Farewell symphony).
Many of these are clearly conflating boring with “I don’t like this” and/or “I’m tired of playing this.” I love Bolero, but I used to play Bassoon/Contrabassoon in an orchestra and it is dreadful to play as a contrabassonist. I should add that most of my favorite pieces with cbssn parts, I’d much rather listen to the than play them. There are certainly notable exceptions, but it’s a whole lot of sitting around sometimes.
Thank you for bringing the Mendelssohn viola sonata to my attention! That's about as boring as an evening in Yosemite! Simply gorgeous! Edit: at one point Mahler's first symphony was my favorite piece of music of all time, until I discovered Mahler's second and third- these three symphonies are still in my mind one of the biggest, most exciting high points in all music! Liszt's piano sonata too is one of the all-time high points in all music for me, in somewhat a similar way to Mahler's first three symphonies! I will say, though, that like many of Liszt's most exciting pieces, the sonata simply does not come off unless the performer is willing to go completely, sincerely over the top with it, especially with the gypsy dance feel in it. The performer needs to sincerely believe in the over the top elements, and not play them like a parody or anything, and the gypsy dance feel must be there where it is present, for this is often a unifying element in the feel and structure of the pieces that use it. Only then will the piece work, and then it becomes one of the most thrilling, exciting things that I have ever heard!
Classical music CAN be boring...so can jazz, pop music, rap, country and western. I don't find Bolero particularly interesting, especially compared with Ravel's two Piano Concerti and his piano music. Leningrad Symphony, Bartok Concerto for Orchestra, Mahler 1, Brahms PC1 and Liszt Piano Sonata are wonderful, exciting masterpieces. For me, Einaudi is boring as his music is rather static rhymically and harmonically. Not a huge Haydn fan, but he did develop the symphony significantly and his English piano sonata is wonderful.
It took me so long to make the connection. I've been watching your videos for years at this point. I only just realised I was in your class at conservatoire (back in first and second term). 😅
Pachelbel at the original _alla breve_ tempo moves right along, each variation topping the last. It is most always played at half tempo. The performance practice makes it less interesting, not the composition.
17:32 Oddly enough, I dusted off my box set of Boulez' complete works on DG today, and I really enjoyed the first few discs; mostly the piano works, wonderfully played by Pierre-Laurent Aimard and Pollini. Fascinating stuff.
I must have played Ravel's Bolero 5 or 6 dozen times during my long career as a double-bass player. Plunk, plunk, plunk, (rest). Plunk, plunk, plunk, (rest). Plunk, plunk, plunk, (rest). Plunk, plunk, plunk, (rest). Are you tired of this yet? Plunk, plunk, plunk, (rest). Plunk, plunk, plunk, (rest). Plunk, plunk, plunk, (rest). Let me know when you've had enough. Plunk, plunk, plunk, (rest). Plunk, plunk, plunk, (rest). Plunk, plunk, plunk, (rest). Plunk, plunk, plunk, (rest). NO! It's not over yet!!! Plunk, plunk, plunk, (rest). Plunk, plunk, plunk, (rest). etc. ad infinitum
Double basses are often sentenced to play such parts, not only in the Bolero. That's due to their role in orchestra and possibly a necessity in the whole picture of the piece. But the pieces are not written to please double bass players, there is s.th. else at stake. So, this cannot be a criterion for judging a music piece as boring or not.
@@peterwimmer1259 I like your comment, Peter, and I agree with you. The finale in Respighi's Pines of Rome is similar in that respect, but certainly not boring. I loved the building excitement while plunk-plunking toward to climax of the piece. Played it many times. Loved it! I wish my symphony experience had never ended, but nothing on this earth is forever.
Stravinsky considered Haydn to be the most innovative of all composers. Haydn also has lots of hidden Easter-eggs for attentive listeners in many of his pieces.
18:47 - Is this not a reference to when Brahms fell asleep while Liszt himself performed the sonata? Rather than an actual statement against the sonata?
I kid you not when I say my my eyebrows raised and eyes widened when someone put down all of Haydn. As the writer kept going, my jaw dropped, too. I was just shocked that anyone, at least someone with interest in classical music, could find Haydn boring!
@jaydenfung1 Yes, if Haydn's Creation is boring, then all of classical music must be boring. If one listens to ALL of the 104 symphonies and is not struck by the ingenious variety of expression and innovation, there is no hope. The sonatas, the masses, and so many other pieces are the works of a true genius.
I have heard boring performances of Haydn. But when I heard the same exact piece performed by an actually good orchestra that knew what it was doing (conducted by Giovanni Antonini), the difference was night and day. Suddenly the boring and bland music became really interesting. Actually a really good example is that Stamitz performance shown in the video. It just sounds terrible. I'm bored after the first 10 seconds. I listened to another version of it that sounded so much better. Is it the most exciting music out there? Definitely not. But it still does its job. (And the nice thing is, it isn't too long.) All in all, older music tends to require performers that know what they are doing. The music itself isn't necessarily the most exciting thing out there - the performers need to make it exciting. A lot of baroque and early classical music can sound really boring if the musicians aren't experts of the style.
All music can be boring if you hear it enough. I don't like a lot of classical music because you hear it everywhere. I also don't like hearing the Beatles for the same reason. But Stockhausen and Subotnik remain interesting because you don't hear them every day.
I've thought more about the subject of this video - and whether there is wrong with finding, for instance, Pachabel's Canon boring or not? It is clearly a masterpiece, and I have adored it at points in my life, but it is seriously overexposed getting far too much airing on 'classical' radio stations, and as background for adverts, or even within films and TV series - and let us not mention the countless shopping centres that employ it. Overexposure can make even the greatest of music over time eventually boring. Even a great Bach fugue, or a late Beethoven String Quartet could be dulled by overplaying - and that is surely a modern indulgence of society since the invention of recording equipment, and the ability to constantly replay what none of the pre-20th century music masters would have ever imagined to be tasteful. So great music, I can argue can be boring by overexposure. But there is a second point, no piece of music can or should try to aim to please all. Such a piece I would argue would be necessarily bland - because it will also not be trying to displease, or shock anyone. As such I am perfectly comfortable with people telling me they find Beethoven' Hammerklavier Sonata boring. It is a valid opinion, I just don't happen to share it, and the musical world is immeasurably richer because of these varied opinions. I would argue there is NO single piece of music that everyone on the planet will agree is exciting and wonderful, and too often the term 'masterpiece' is used as a defence to any criticism, which I think is a mistake. In the end, if Reddit users wish to claim any masterpiece is 'boring' - so be it, it is a valid view - although I wish they would illuminate us on the reasoning more articulately. What would be more interesting is claiming which musical pieces they find the most exciting, and why - because that might introduce me to a new great piece of music and do us all a service.
6:41 thank you for not making me feel crazy for seeing the link between Bolero and Memory. The first time I heard Bolero I could have sworn I was listening to some orchestral version of Memory. Definitely a rip-off.
Boring - is so personal. Something where I was bored or more accurately wishing it would end as I didn't want to hear anymore was Chopin's Piano Concerto no. 1 mostly because it was modelled on "not exciting" stuff (sorry Hummel) It is boring in comparison with other works he wrote I remember a BBC Radio programme about Ravel's Bolero where the piece was played through while they interviewed musicians. It was great radio and hearing a man who played the snare drum explaining his role and how he felt about it was interesting. I also remember as a student (of Chemistry) but interested in music going to a lecture on Schönberg's String Trio held in the University Music Venue (so seats for 500 people) There were eight of us if you include the lecturer and eleven if you include the players They played the piece once through, the lecturer gave his lecture with illustrations from the performers then they played it through again. Though it is not my favourite piece of Schönberg (I am a weird person and can and do "sing" parts of Pierrot Lunaire in the shower) it is a lot higher up because of that experience. I think experiences and location make up a lot of how we perceive music. A friend of mine who recorded every gig he went to went to a gig in Oxford to see two local bands the support band was "Ride" on their second gig ever and the headliners were "Satan Knew My Father" He rewound the tape of Ride and overwrote it with the headline band as Ride were too boring and infamously said they wouldn't amount to much. The next year Ride had their breakthrough and were pioneers in "shoegazer" music.
To be fair, that Stamitz performance shown in the video is just terrible. Still not the most exciting music out there, but that performance doesn't do the music any justice.
Orchestral music has some of the most fun combination of notes and sounds I've ever heard. Try out the music from the games, Stellaris or Skyrim. Beautiful. Meanwhile, popularized music is often lacking in variety of notes and creativity. How do people define boring? Lack of singing?
Bartok’s concerto for orchestra and Ravel’s Daphnis and Chloe are the two ultimate pinnacles of orchestral writing. I’d even put Wagner and Stravinsky in there but down the list comparatively.
These "boring"-comments talk more about those persons' own limits and lack of insight rather than about the limits of the scolded music pieces. Some people don't realize how stupid their remarks are.
The Leningrad symphony isn't Shostakovich's best symphony , but how can anyone dislike the climax the march reaches in the first movement, the outburst of rage in the slow movement, or the entire second movement?
The fact that you can replicate the sound of the offstage trumpets at the beginning of Mahler 1 on the piano from memory is the most impressive thing I've seen in a while.
'Boring' I think is a cliché and covers a range of meanings in this context - sure, there are pieces I like and pieces I like less, but there is also joy in seeing the progression from one composer to another (or another genre), so I find the fundamental Reddit argument a bit trite and there is always something to learn. Is 'boring' what one perceives personally or is it what one's exposed to (sometimes frequently again and again e.g. Zadok the Priest/Champions League)? Everything is part of a process and has its value. Much more impressed btw is by you playing Liszt's B minor sonata - congrats! I had to study that as part of my A-Level course a million years ago ... and when we get to the theme in the piano score around page 8 or so, shivers still go down my spine (and several times thereafter)! For me personally, that piece is not boring! (... at all imo!)
Now we need a video on most adventurous and exciting music. Kurt Atterberg’s 6th symphony. Brahm’s Requiem, Richard Strauss tone poems, Vaughan Williams Sea Symphony… so many lovely works.
As much as I love Strauss and his tone poems, Ein Heldenleben is a piece I would not be surprised to see on a list of boring pieces given how long the love theme goes on for!
That's funny. I've always wondered if people thought Beethoven went mad toward the end. I've read multiple bios and none talk about this. Some of his last works are so crazy. Thanks. I feel better now.
I like Haydn but I don't like Mozart. I like Buxtehude but I don't like JS Bach. I like Liszt but I don't like Chopin. I like Krommer but I don't like Beethoven.
Some non-musicians hate it because it's too complex for them and some musicians hate it because they just hate liszt and think he's just raw technique.
@@octopuszombie8744 It's still crazy to see that piece on there, nonetheless. Not only is it one of the most exciting pieces of solo piano, but it's a treasure trove to analyze, because you begin to understand the structure and what Liszt does in that piece. That said, most of Liszt's pieces are underrated, as he is so often misunderstood and dismissed as a composer who is "just raw technique". Most of his reminiscences and fantasies (e.g. Don Juan, Lucrezia Borgia, La Scala) are also fantastic to analyze for similar reasons to the sonata, and they are exciting as well. I can add Mephisto Waltz there too. The one problem that Liszt faces however, is that so many pianists don't give many of his pieces justice.. either due to their difficulty or their interpretations that aren't suited with what they are playing. One example is Jorge Bolet's grand galop chromatique, which is terrible, boring, and is not how the piece should be played when you compare that to the score!! Now, I'm certain that other composers face that similar problem (e.g. Gould's appassionata comes to mind).. but with Liszt, that problem seems to be magnified a lot more.
I do agree that most music from good composers aren’t boring, ravels bolero is. Repeating the same thing over and over again, sure he builds the orchestra but that doesn’t change the fact that it’s the same things continuing. I think the Hayden’s piece was less boring than bolero 😂
Ooh, I was expecting a barely penetrable video essay bursting with obscure references and dispirate connections, academic jargon and the most abstruse theories on value judgements eventually concluding Wagner's _Ring_ is more boring than a sine wave pure tone (perhaps).
This video was great fun, and l agree with basically all of your rejoinders. Naturally, l had a hundred comments throughout, but have now pretty much forgotten them all. Looking forward to part 2! Oh, l do recall one comment l had, which is that l so agree with you that whenever Shosty was monotonous, it was done deliberately, and usually with great sense of irony. Also, the only piece of his that l really find uninspiring is the Festive Overture. But l recall that he might have written that in a single afternoon or some such?
To suggest Mendelssohn was more brilliant than Mozart is a bit absurd. Let's take a few steps back and examine their respective oeuvres... I mean didn't they die around the same age? Consider what they both did after 30 and what they might've done. I think we can always speculate about what might've been, but I'm sure we'll all agree that music history would be richer had Mozart lived to 60 rather than Felix 😁
@@dazhund3297 Mendelssohn was a mediocrity compared with some of his contemporaries. Comparing him with Mozart is like comparing the monkies to the beatles.
I have found that I harbored some prejudices from my youth that included works like the Liszt B minor sonata, the Franck Symphony in D (from having played it in a concert), Pelleas & Melisande, the Manfred Symphony, all of which I have since completely come around to and deeply love. For me, most minimalist music is inherently boring and uninteresting (Glass, Reich, Adams) although I can appreciate on the smallest level the inventiveness of the permutations, or, specific pieces, like Adams' "Short Ride in a Fast Machine". But if I had to really determine what music I now find truly boring, it would be Bruckner's orchestral anything (the Motets are like gems and so intensely beautiful), I still cannot find my way around the Goethe scene of Mahler 8 (and though I'm a devoted Mahlerian I always find any of the choral/vocal movements in the symphonies--except #4--to be the ones I am least drawn to), and Schubert's endless Piano Sonatas (which are full of beautiful things, they can be beautiful and still be boring totra listen to) and those damned interminable song cycles! I just won't have them and I have utterly no desire to sing them and have to spew out kilometers worth of stodgy and insipid text. No, thank you. What perhaps many would be shocked from me is that I find certain works like Le nozze di Figaro and L'elisir d'amore to be dreadful boring to sit through. There are, of course, specific arias and ensembles that are extraordinary, but I find that, even after 30 years of trying to listen and watch them, I lose interest far too quickly. They are both works of genius, and again, with many merits, but Nozze has, vocally and compositionally, almost nothing in comparison to Così fan tutte or Idomeneo or Entfuhrung, and of all of Donizetti's 78(+/-) operas, one sort of wishes L'elisir had been one of the forgotten ones and perhaps just "Una furtiva lagrima" remained as a staple repertoire piece, like so many other arias did of various operas which should never have fallen by the wayside. My other gripe about Nozze is that, other than the roles of Count and Countess, it is not so vocally demanding as other Mozartian roles...and as such, is able to accommodate a far larger range of singers of varying abilities and accomplishments to the point that they are more often than not sung quite poorly and with mediocre singers, students and small to regional theaters putting it on without expert artists, and this is the problem because to sing those roles truly well require people with great technical and theatrical accomplishment despite their apparent simplicity...it is the overly accessible nature of the piece (also, despite some extraordinary writing, the orchestration is not quite as complex, nor harmonically speaking, compared to his other operas) which has, in my opinion, devalued it tremendously. The same can be said of the Donizetti comedy...to really sing those parts well require artists of a certain level of accomplishment, but because it's a charming comedy, as is Nozze, directors run wild and are able to make a big theatrical splash with frequently basic and underwhelming vocalists. In general, I have found it's rarely the composer's fault that something is boring but it bores because of the performance/performers.
As always, I'd say it boils down to performance. A great performance of Figaro can be electrifying! Interesting comment about the Goethe scene in Mahler 8: I think it's a strange and problematic thing in a way: Mahler attempting to write a spiritual opera and it feels a bit forced because he's trying so hard to make you realise how profound he is! I think Mahler's much more profound in his Rückert Lieder
@@themusicprofessor Max Rudolf used to say how people's reticence towards new music was really only about lack of familiarity; that any given work needs to be heard 3-4 times before a listener can determine anything concrete about it. Of course, we have a luxury of usually having multiple recordings to refer to, and as happens, if one has only ever heard one recording that might be on one's shelf and it's never quite moved one, it's useful to hear another or attend a live performance. Of course that goes for anything not just modern compositions. This was something my first bassoon teacher taught me: that it wasn't enough to just listen to a given work but that who was performing/conducting could often make all the difference. The Mahler movement really is problematic and I've yet to hear anyone really make it into something that doesn't feel totally static and dragging. I think so many conductors want to be indulgent to a point where it lacks forward propulsion of any sort. Oh, another composer who generally upset me is Hindemith! What wasted ink. Brilliant mind, so prolific, yet so very little that is truly inspired.
It should be a crime to say that Papa Haydn is boring, he is one of the most inventive, funniest composers and pieces like his creation or late sonatas can compete with anything Mozart ever composed
There are basically two types of music. Educational and entertaining. In the past centuries, those who wanted to listen to educational music might get bored with entertaining (time-passing) music. Similarly, people who intended entertaining music would find educational (prescriptive) music boring. Nowadays, with the spread of digital culture, I think the majority has shifted to educational music. The algorithm of everything is being solved and having fun and spending time is becoming a mindless behavior.
I have a simple trick for distinguishing Mozart from Haydn when I hear a classical piece I don't recognize: if it bores me to tears it 's Mozart, the most overrated composer in the history of music if you ask me. (Luckily no one ever does haha). I just don't get it. Like, at all.
I got into the habit of switching Classic FM on every morning during the pandemic.... and.... aaargh! To put it simply, many months later, it had completely ruined my enjoyment of some of my hitherto favourite pieces. And by the time the 698th rendition of 'The Lark Ascending' had only reached the end of the third bar, The Radio Descended, like a brick, through my kitchen window. Sorry RVW, Classic FM cracked me!
All in all, the choice of the "boring" music pieces is quite on the surface. If those "music lovers" criticising the pieces cannot mention other works than those classics, it shows that they do not really know more than the basic repertoire everybody knows. And their judgment is most probably not a very understanding and deep one.
Haydn is the most consistently interesting composer of the classical Era. The invention is just jaw-dropping. Mozart may be a greater composer but he is nowhere near as consistently good.
I always thought some of Schumann was boring. Some of Jan Peeterzoon Sweelinck’s organ fantasias go on and on seemingly endlessly. They are like an author than rambles on and on and takes forever to actually say something. I played several this morning merely for the sight reading brain work. I have always thought Haydn’s symphonies are boring. Also I was never excited about learning Kabalevsky’s sonatinas. Thank you for this video. It reminded me of all the music I have found boring in my life.
When i think of Stamitz i first think of the father then of the Solo Concerts By the son (where Are certainly Great works among!) Maybe the similarity with haydn is the difference in quality. Some pieces sound Kind of odd (even if i Love haydn, yes, some of the 105 (?) Haydn Symphonies do too). But they have in common, that they share the experimental classical character especially with Form!
Well I'd say they're slightly different. Forest Murmers is a very typical Wagnerian response to the forest in terms of a kind of idyll in which you discover yourself for the first time: he creates a wonderful fusion of rustling leaf effects in the strings and various antiphonal quasi-birdsong calls in the wind and horns. It's completely mesmerising but it's slightly different with Mahler 1: it's more like a completely still landscape at dawn with various mysterious sounds (birds waking, fanfares etc.) in the distance. Bartok did something slightly (but more Hungarian) at the beginning of his Concerto for Orchestra (and also the beginning of this ballet 'The Wooden Prince').
My wife thinks anything performed solo on piano is boring. As someone who firmly believes that Beethoven's piano sonatas comprise one of the most incredible bodies of music ever composed, I could not disagree more.
I often think some of the flak that Classic FM gets is a bit harsh.... then they play Einaudi...
talk of boring music!
@@fungalbob Thanks - corrected.🙂
classic FM is kinda... yeah i dont really like them
A lot must depend on whether the piece is long. But more on the effort a person is willing to put in. and of course, bad music is going to struggle to be interesting. So not to be taken too seriously.
The mention of Liszt's Sonata at 18:48 is most likely a quip referencing the notorious anecdote of Brahms dozing off during a recital of said piece.
Yes - I seem to have been a bit slow there.
What is often missed out is that Brahms had been travelling for 24 hours or so to reach Liszt's and was dead tired!
Boring is entirely subjective. There is so much classical music that of course some of it will be boring and uninteresting to many people.
“Gotta listen to the trombonist now…” lmaoo 5:50
Wasn’t ready for that shade being thrown there. 😮
Reddit is such a depressing, toxic place to spend more than 5 seconds.
Depends on the sub, really. And the same could be said for any of the high profile social media sites.
No - doesn’t depend on the sub. They are only circlejerking opinions - entire Reddit - and for some reason very insecure, which sprouts this certain type of unbearable toxicity.
I tried it a few times and decided it was worse than a waste of time.
@@cb4allstar2 The mythical "good subreddit" may well exist for all I know but I sure haven't seen it.
@@rockstar-technology Ex. malefashionadvice was** such a wonderful sub. Supportive of beginners while maintaining discussion for those interested in sartorial discussions for the sake of it. Supportive of nonbinay folks and non-masculine wear, active regulars who answered simple questions as well as facilitated bigger discussions. Mods that had basic rules against racism,sexism, etc, backed by a community that agreed with those rules.
There are others but if your main stay with reddit are front page subs, well it's hit or miss but I honestly don't think any better or worse than ig, twitter, ytb, etc.
9:44 Shostakovich based the tune on the aria "Da geh' ich zu Maxim" from Lehár's _The Merry Widow._ Despite Lehár's Jewish connections - he had many Jewish friends and his wife was born a Jew - he was known to be one of Hitler's favourite composers, and _Merry Widow_ one of his favourite operettas. On that basis, some have suggested that Shostakovich chose this tune as a deliberate dig at Hitler.
Never noticed the similarities between "Bolero" and "Memories", but now I can't unsee it! Thank you for this interesting post.
Unhear it.
@@yeohi That too.
@@waygoblue4729 Wait until you spot 'I don't know how to love him' from Jesus Christ Superstar in the middle of Mendelssohn's violin concerto
Why would you spend time on Reddit for anything? Particularly when you could be listening music.
If people think these masterpieces are boring, there really isn’t any hope for my compositions. Good grief.
Haydn? Symphony 80 abounds with invention, its 2nd movement strikingly beautiful, its final movement modulations looking far into the future. Missa in Angustiis: the kyrie explodes into life (in interpretations courageous enough to realize the dynamics), the soprano writing radiating hysteria... Then there are the immensely inventive, often quirky piano sonatas.... Haydn's music always elicits interest, most of it engages the mind and the soul!
I use reddit constantly. and i've found recently that reddit musicians are always so confidently incorrect and the hivemind show's harder than ever because none of them know what they're talking about. it is infuriating. i decided to just not interact with music subreddits ouitside of r/music because rarely is genre or skill ever discussed.
They’re a bunch of pretentious philistines
As a harpist I've played a lot of Pachelbel. I have to say that I really do not tire of it. It is a beautifully designed, and aesthetically pleasing piece to play and to listen to. I think it is a mistake, a very great mistake, for musicians to make the assumption that a piece is boring because they've had to play it a lot. Just because you have mistakenly drained the life out of a piece by much repetition does not mean that the listening public has.
The public is still charmed by the Canon in D, and the familiarity of it gives them great pleasure.
That great pleasure is the purpose of wonderful pieces of music. Musicians, do not scorn the public's taste.
In that pathway lies unemployment.
Only problem might be that it has overshadowed the rest of Pachelbel's work, I once read an anecdote of a man who spoke to a priest, the priest said that Canon was the only piece he made.
@@jesustovar2549 That is sad but at least he knows that piece. It would be good if conductors played other works. It seems that the responsibility lies with musicians to promote other works of his.
I couldn't disagree more about Haydn...if you listen to him without all of the historical importance in mind, you will always be surprised by his music...listen to the Paris Symphonies without bias...fantastic!!!
The answers to this question are usually absolutely ridiculous.
YES Classical Music can indeed be boring - but the "mainstream repertoire" is by definition NOT boring - as it has gone through centuries of filtration.
As someone who goes searching for "Hidden Gems" - the majority of music I hear is relatively "boring" - all of the lesser-known composers are, for the most part, lesser-known for a reason. Having said that - there are real treasures to be discovered!
Composers like Raff, Kraus, Alkan, Medtner, Onslow... all great stuff!
In fact - I think Onslow is a good example of this "boring" phenomenon.
I think he is actually very good - but just a bit predictable and conservative. He was rather well known in his day but posterity has diminished his reputation over time.
The composers that "survive" the mainstream repertoire are always exciting, trailblazing, and unpredictable somehow.
Speaking of "hidden gems" have you listened to Hans Rott?
@@hojowarf6488 Yeah his E major Symphony is great! It's hard to tell how much of a genius he would have been if he had lived longer. He's one of the most promising composers who died in their 20s - along with Alexei Stanchinsky (influenced by Scriabin) and Karl Tausig (influenced by Liszt).
I will make a counterargument against your comment that "anything that's mainstream is by definition not boring" with a definitely mainstream piece that I find boring, Für Elise. Every time I listen to Beethoven's Für Elise, I just want to fall asleep cause it doesn't interest me at all.
As a child, it was the only full Beethoven piece that I liked(I clarify full here, because I did like the Ode to Joy melody, but I hadn't listened to the full Ninth Symphony that it's part of at the time). I didn't like the Fifth Symphony as a child cause I didn't understand it. It wasn't until I actually looked at and analyzed the score of Beethoven's Fifth Symphony that I could understand and appreciate what was going on.
Then one day, I was searching for a C minor piano concerto cause I was just in the mood for such a piece and I was expecting Mozart to be first in the search results cause I was a big Mozart fan at the time and I could search say "Bb major string quartet" and Mozart would be first in the search results. Didn't happen that way with the C minor concerto search, instead I got Beethoven as the first search result.
I was like "Huh, okay, I'll listen to it." and was just blown away by the drama packed first movement, the move to E major, very distant key for the second movement, and the rondo third movement. Then a few days later, I listened to the Pathetique and Appassionata sonatas and was again blown away by the drama.
That was the start of a major shift in listening for me. I went from Beethoven being my least favorite to my most favorite composer. The Fifth Symphony immediately shifted to being my all time favorite symphony above even Mozart 40, my previous favorite symphony. Beethoven's music opened many doors to other composers for me, such as Schubert and Liszt.
But at the same time, Für Elise became my least favorite Beethoven piece to listen to. It went from "I like this piece" to "Ugh, so boring, I just want to fall asleep it's so boring."
Would Jan Dismas Zelenka be considered lesser-known? If so, I doubt there is a bigger hidden gem than him. Also, I enjoy Paul Wranitzky, especially his 3rd Sextet in E flat major.
@@caterscarrots3407 I would very seldom choose to listen to Für Elise now - but it's a famous piece for a good reason.
It has actually managed to GAIN popularity over centuries.
The way you describe your adventure with music is the same as most deep fans of Classical - we start with the simpler stuff and gradually get into more complex music and then get bored of simplicity.
But I promise you - if you forget about Für Elise and don't listen to it for many years, and then suddenly listen to a stunningly beautiful performance of it when you're in your 70s or 80s - you will be moved by it again and listen to it like a child once more.
Of course we are all able to find pieces of music that we subjectively are bored by, but they are not "boring" pieces, because they are beloved by many other people.
The same is true of popular music too but so much of the popularity within that is based on trends, hype, and personalities - so you can only really tell what's truly the "best" popular music by noticing which songs are still listened to regularly decades later.
im not really sure how you could even classify shostakovich's 7th symphony as "boring". im assuming whoever said that hasn't listened to the full symphony but only the 1st movement where it sort of drags on for a while before the outbursts. i can understand if someone were to say that it were too harsh for them, or they didn't like it very much, but "boring" just doesn't really fit for this symphony
Back to haydn: no one matched his string quartets. There are about 40 great ones.
And btw, Professor King, have you ever thought about doing some kind of analysis video on Chavez? I know this is off topic for the current thread, but if you were ever to do an in depth analysis on his 2nd and/or 3rd Symphonies, or even his Ten Piano Preludes (Not really "even" because they are such a collective masterpiece) I would be your most devoted fan for life. And l also suspect that you would have an enormous amount of fun. And that is certainly more important.
Haydn's 39th symphony possibly inspired Mozart's Little G Minor Symphony. It's worth a listen.
It's a better symphony than mozart's
The Leningrad tune is actually from Franz Lehar, Hitler’s favourite composer next to Wagner. The tune was called “da get’ ich ins Maxim’s". The Germans were playing the tune constantly on the radio as an intimidation tactic against the citizens of Leningrad, and also to honour their Führer. Schostakovich brilliantly took the rather jolly tune and turned it into a terrifying musical juggernaut. In 1945, Bartók, not getting the allusion, made fun of Schostakovich, by parodying the parody in his Concerto for Orchestra, IV. Intermezzo interrotto. When everything goes off the rails, that’s the quotation.
To be clear, I adore both works and composers. Lehar, not so much. He’s like a discount Strauß, in which nothing really works smoothly.
Reading your comment lately, I find Léhar to be the last vestige of Strauß Vienna, they even met at some point.
I don't understand at all that list ! (Erich Wolfgang Korngold was an outstanding teenager composer as well, by the way. His maturity was very surprising). The phrase phrase in Ravel's bolero is amazingly long, which is a preformance in itself already and the way how the climax is brought and then collapsing is amazing. Haydn wrote a huge amount of marvellous music for pinao, string quartets, organ concertos ... Bartok's concerto for orchestra is really stunning. Mahler's first symphony is amazing too ! My favorite with the 9th (because of the "dying" Adagio). The canon in D is really a nice piece, but in its original version ! Brahms first piano concerto is soooo nice too. The first movement is really great and the second one is full of tenderness and beautiful melody. Liszt piano sonata is THE ABSOLUTE MASTERPIECE for piano of the 19th century if not more (but it must be played well) !!!
@FougarouBe I've been listening to classical music for over 60 years and I know most of the mainstream repertoire and much of the not so well known pieces. Haydn is one of my favorite composers, but I was unaware that he wrote organ concertos. I was ready to correct you by saying that you meant Handel, but you're right. Now I have something new to be acquainted with. BTW, his brother, Michael wrote some wonderful pieces also.
Can you name a piece which shouldn't be played well?
Wow, I fully agree with you, yes I love Mahler 1, I think it is a great introduction to his symphony, being the first one and the shortest, Pachelbel's Canon in it's original version is beautiful, but people tend to forget the Gigue.
@@rawvision6701Wait, Haydn wrote organ concertos? I'm way younger than you but I didn't know that, I'm gonna check it out, that man could do everything.
John Cage's 4'33"
I find the last 10 seconds of that to be a bit tedious
@@Ana_crusis Only the last ten seconds? 🤣
Tried playing that one, made a few mistakes, I think I went deaf in my left eye.
@@peterney2402 yeah it's those weird changes in the time signatures that throw me
@@Ana_crusis Not a fan of the solo part 2 minutes in
How anybody found Brahm's Piano Concerto 1 soporific I find difficult to fathom! I admit it took me more than one performance to fall in completely love with it, but it is far too dramatic to ever be called boring or sleep-inducing.
Shostakovich's Leningrad Symphony is yet another fascinating claim for boring, which I reject. I think the Professor correctly identifies 'banal' as a key theme Dmitri was aiming at. But I am of the view that in conception this piece was originally conceived about what Stalin had done to Leningrad, more than what the Nazi's were doing. Dmitri could not safely admit this, and perhaps was happy for the piece to be appropriated for the siege. However it fits the view of a Dictator suppressing popular music (like the Tahiti Trot) and instead saying some dull artless 'overtly chirpy tune' shouod make the citizens happy why not all dance to that? Once I think of the piece in this light, the genius becomes clear, the critique becomes clear, and the musical journey of the symphony makes so much more sense.
Haydn, boring? He basically invented jumpscare (second movement of the 94th symphony) and found an original way to protest against his employer (last movement of the Farewell symphony).
Many of these are clearly conflating boring with “I don’t like this” and/or “I’m tired of playing this.” I love Bolero, but I used to play Bassoon/Contrabassoon in an orchestra and it is dreadful to play as a contrabassonist. I should add that most of my favorite pieces with cbssn parts, I’d much rather listen to the than play them. There are certainly notable exceptions, but it’s a whole lot of sitting around sometimes.
Thank you for bringing the Mendelssohn viola sonata to my attention! That's about as boring as an evening in Yosemite! Simply gorgeous!
Edit: at one point Mahler's first symphony was my favorite piece of music of all time, until I discovered Mahler's second and third- these three symphonies are still in my mind one of the biggest, most exciting high points in all music! Liszt's piano sonata too is one of the all-time high points in all music for me, in somewhat a similar way to Mahler's first three symphonies! I will say, though, that like many of Liszt's most exciting pieces, the sonata simply does not come off unless the performer is willing to go completely, sincerely over the top with it, especially with the gypsy dance feel in it. The performer needs to sincerely believe in the over the top elements, and not play them like a parody or anything, and the gypsy dance feel must be there where it is present, for this is often a unifying element in the feel and structure of the pieces that use it. Only then will the piece work, and then it becomes one of the most thrilling, exciting things that I have ever heard!
Classical music CAN be boring...so can jazz, pop music, rap, country and western. I don't find Bolero particularly interesting, especially compared with Ravel's two Piano Concerti and his piano music. Leningrad Symphony, Bartok Concerto for Orchestra, Mahler 1, Brahms PC1 and Liszt Piano Sonata are wonderful, exciting masterpieces. For me, Einaudi is boring as his music is rather static rhymically and harmonically. Not a huge Haydn fan, but he did develop the symphony significantly and his English piano sonata is wonderful.
There is no music that's boring, only boring performances.
It took me so long to make the connection. I've been watching your videos for years at this point. I only just realised I was in your class at conservatoire (back in first and second term). 😅
Pachelbel at the original _alla breve_ tempo moves right along, each variation topping the last. It is most always played at half tempo. The performance practice makes it less interesting, not the composition.
Haydn is absolutely wonderful. The symphonies all have their own unique character.
Yes, I agree...Haydn is always doing something surprising and brilliant...full of energy and taste...the Paris Symphonies are unbelievable in this way
All 106 of them
19:12 -- I just noticed that Schönberg's "Verklarte Nacht" sextet is based around the beginning of the Liszt B Minor sonata!
Oh yes!
My idea of a party is to break open some kombucha and listen to Frescobaldi's Fiori Musicali.
17:32 Oddly enough, I dusted off my box set of Boulez' complete works on DG today, and I really enjoyed the first few discs; mostly the piano works, wonderfully played by Pierre-Laurent Aimard and Pollini. Fascinating stuff.
I must have played Ravel's Bolero 5 or 6 dozen times during my long career as a double-bass player. Plunk, plunk, plunk, (rest). Plunk, plunk, plunk, (rest). Plunk, plunk, plunk, (rest). Plunk, plunk, plunk, (rest). Are you tired of this yet? Plunk, plunk, plunk, (rest). Plunk, plunk, plunk, (rest). Plunk, plunk, plunk, (rest). Let me know when you've had enough. Plunk, plunk, plunk, (rest). Plunk, plunk, plunk, (rest). Plunk, plunk, plunk, (rest). Plunk, plunk, plunk, (rest). NO! It's not over yet!!! Plunk, plunk, plunk, (rest). Plunk, plunk, plunk, (rest). etc. ad infinitum
I never knew that Boléro had lyrics ;)
@@ftumschk You'd never understand unless you were a bass or 'cello player. 😏
Double basses are often sentenced to play such parts, not only in the Bolero. That's due to their role in orchestra and possibly a necessity in the whole picture of the piece. But the pieces are not written to please double bass players, there is s.th. else at stake. So, this cannot be a criterion for judging a music piece as boring or not.
@@peterwimmer1259 I like your comment, Peter, and I agree with you. The finale in Respighi's Pines of Rome is similar in that respect, but certainly not boring. I loved the building excitement while plunk-plunking toward to climax of the piece. Played it many times. Loved it! I wish my symphony experience had never ended, but nothing on this earth is forever.
Im 14 and writing a symphony take that chopin
11:10 I've alwaus felt that theme to be one of the most _sardonic_ ones ever written... in that context.
Stravinsky considered Haydn to be the most innovative of all composers. Haydn also has lots of hidden Easter-eggs for attentive listeners in many of his pieces.
"According to Reddit".
Me: "Well, that's the sign we don't need to care about it..."
Can't believe the Chopin fugue has been memed so much its on first...
I *love* that you compared teenage Mendelssohn with teenage Stevie Wonder! Yes, both geniuses.
It's funny how I almost feel like I can't agree to any comment. One about Einaudi is right, though
18:47 - Is this not a reference to when Brahms fell asleep while Liszt himself performed the sonata? Rather than an actual statement against the sonata?
Yes it is and I should have pointed that out because it's an interesting story.
I kid you not when I say my my eyebrows raised and eyes widened when someone put down all of Haydn. As the writer kept going, my jaw dropped, too. I was just shocked that anyone, at least someone with interest in classical music, could find Haydn boring!
@jaydenfung1 Yes, if Haydn's Creation is boring, then all of classical music must be boring. If one listens to ALL of the 104 symphonies and is not struck by the ingenious variety of expression and innovation, there is no hope. The sonatas, the masses, and so many other pieces are the works of a true genius.
I have heard boring performances of Haydn. But when I heard the same exact piece performed by an actually good orchestra that knew what it was doing (conducted by Giovanni Antonini), the difference was night and day. Suddenly the boring and bland music became really interesting.
Actually a really good example is that Stamitz performance shown in the video. It just sounds terrible. I'm bored after the first 10 seconds. I listened to another version of it that sounded so much better. Is it the most exciting music out there? Definitely not. But it still does its job. (And the nice thing is, it isn't too long.)
All in all, older music tends to require performers that know what they are doing. The music itself isn't necessarily the most exciting thing out there - the performers need to make it exciting. A lot of baroque and early classical music can sound really boring if the musicians aren't experts of the style.
@@MaggaraMarine Like Matthew King said, context is important! You are right about all of this.
All music can be boring if you hear it enough. I don't like a lot of classical music because you hear it everywhere. I also don't like hearing the Beatles for the same reason. But Stockhausen and Subotnik remain interesting because you don't hear them every day.
Curiously that's not my case.
Reddit is a refuge, seldom a place for discovery. Enjoyed your post, though! Thx. 🌝
I've thought more about the subject of this video - and whether there is wrong with finding, for instance, Pachabel's Canon boring or not? It is clearly a masterpiece, and I have adored it at points in my life, but it is seriously overexposed getting far too much airing on 'classical' radio stations, and as background for adverts, or even within films and TV series - and let us not mention the countless shopping centres that employ it. Overexposure can make even the greatest of music over time eventually boring. Even a great Bach fugue, or a late Beethoven String Quartet could be dulled by overplaying - and that is surely a modern indulgence of society since the invention of recording equipment, and the ability to constantly replay what none of the pre-20th century music masters would have ever imagined to be tasteful. So great music, I can argue can be boring by overexposure.
But there is a second point, no piece of music can or should try to aim to please all. Such a piece I would argue would be necessarily bland - because it will also not be trying to displease, or shock anyone. As such I am perfectly comfortable with people telling me they find Beethoven' Hammerklavier Sonata boring. It is a valid opinion, I just don't happen to share it, and the musical world is immeasurably richer because of these varied opinions. I would argue there is NO single piece of music that everyone on the planet will agree is exciting and wonderful, and too often the term 'masterpiece' is used as a defence to any criticism, which I think is a mistake.
In the end, if Reddit users wish to claim any masterpiece is 'boring' - so be it, it is a valid view - although I wish they would illuminate us on the reasoning more articulately. What would be more interesting is claiming which musical pieces they find the most exciting, and why - because that might introduce me to a new great piece of music and do us all a service.
Wise comment. Thank you.
Philip Glass? I just cannot connect with his music
Same, I rather listen to schonberg than something like einstein on the beach
6:41 thank you for not making me feel crazy for seeing the link between Bolero and Memory. The first time I heard Bolero I could have sworn I was listening to some orchestral version of Memory. Definitely a rip-off.
Boring - is so personal.
Something where I was bored or more accurately
wishing it would end as I didn't want to hear anymore
was Chopin's Piano Concerto no. 1
mostly because it was modelled on "not exciting" stuff
(sorry Hummel)
It is boring in comparison with other works he wrote
I remember a BBC Radio programme about Ravel's Bolero
where the piece was played through while they interviewed
musicians. It was great radio and hearing a man who played the
snare drum explaining his role and how he felt about it was interesting.
I also remember as a student (of Chemistry) but interested in music
going to a lecture on Schönberg's String Trio held in the University Music Venue
(so seats for 500 people)
There were eight of us if you include the lecturer and eleven if you include the players
They played the piece once through,
the lecturer gave his lecture with illustrations from the performers
then they played it through again.
Though it is not my favourite piece of Schönberg
(I am a weird person and can and do "sing" parts of Pierrot Lunaire in the shower)
it is a lot higher up because of that experience.
I think experiences and location make up a lot of how we perceive music.
A friend of mine who recorded every gig he went to
went to a gig in Oxford to see two local bands
the support band was "Ride" on their second gig ever
and the headliners were "Satan Knew My Father"
He rewound the tape of Ride and overwrote it with the headline band
as Ride were too boring and infamously said they wouldn't amount to much.
The next year Ride had their breakthrough and were pioneers in "shoegazer" music.
To be fair, that Stamitz performance shown in the video is just terrible. Still not the most exciting music out there, but that performance doesn't do the music any justice.
I sat through an entire live performance of Cosi Fan Tutti with horn intonation no better than in the Stamitz example, I have suffered.
Orchestral music has some of the most fun combination of notes and sounds I've ever heard. Try out the music from the games, Stellaris or Skyrim. Beautiful. Meanwhile, popularized music is often lacking in variety of notes and creativity. How do people define boring? Lack of singing?
Bartok’s concerto for orchestra and Ravel’s Daphnis and Chloe are the two ultimate pinnacles of orchestral writing. I’d even put Wagner and Stravinsky in there but down the list comparatively.
These "boring"-comments talk more about those persons' own limits and lack of insight rather than about the limits of the scolded music pieces. Some people don't realize how stupid their remarks are.
The Leningrad symphony isn't Shostakovich's best symphony , but how can anyone dislike the climax the march reaches in the first movement, the outburst of rage in the slow movement, or the entire second movement?
I love the ending of the fourth movement
The fact that you can replicate the sound of the offstage trumpets at the beginning of Mahler 1 on the piano from memory is the most impressive thing I've seen in a while.
'Boring' I think is a cliché and covers a range of meanings in this context - sure, there are pieces I like and pieces I like less, but there is also joy in seeing the progression from one composer to another (or another genre), so I find the fundamental Reddit argument a bit trite and there is always something to learn.
Is 'boring' what one perceives personally or is it what one's exposed to (sometimes frequently again and again e.g. Zadok the Priest/Champions League)? Everything is part of a process and has its value.
Much more impressed btw is by you playing Liszt's B minor sonata - congrats! I had to study that as part of my A-Level course a million years ago ... and when we get to the theme in the piano score around page 8 or so, shivers still go down my spine (and several times thereafter)! For me personally, that piece is not boring! (... at all imo!)
Bruckner's fifth symphony might be his best. There are a number of bad recordings, even by famous conductors
Now we need a video on most adventurous and exciting music. Kurt Atterberg’s 6th symphony. Brahm’s Requiem, Richard Strauss tone poems, Vaughan Williams Sea Symphony… so many lovely works.
Martinu's P 41 is such a bright piece of music
I love Richard Strauss adventurous music, such adventurous music that probably inspired Korngold.
As much as I love Strauss and his tone poems, Ein Heldenleben is a piece I would not be surprised to see on a list of boring pieces given how long the love theme goes on for!
That's funny. I've always wondered if people thought Beethoven went mad toward the end. I've read multiple bios and none talk about this. Some of his last works are so crazy. Thanks. I feel better now.
That was such a lovely time, Profession. Thank you very much.
I like Haydn but I don't like Mozart. I like Buxtehude but I don't like JS Bach. I like Liszt but I don't like Chopin. I like Krommer but I don't like Beethoven.
Huh? You don’t like Bach, Mozart and Beethoven?
I guess you don't like the obvious.
Anyone wanting to genuinely move away from Canon in D should check out Pachelbel's Hexachordum Apollonis.
Shostakovich 7, Brahms Piano Concerto 1, and The Lark Ascending are some of my favorite pieces
Saying Liszts sonata in b minor is boring is a crazyy take, it gotta be one of the top ten masterpieces from the solo piano repertoire
Some non-musicians hate it because it's too complex for them and some musicians hate it because they just hate liszt and think he's just raw technique.
@@octopuszombie8744 imo the sonata in b minor is a perfekt example for the Musical Genius side of Liszt
I think it was a reference to Brahms falling asleep during a performance of that sonata
@@octopuszombie8744 It's still crazy to see that piece on there, nonetheless. Not only is it one of the most exciting pieces of solo piano, but it's a treasure trove to analyze, because you begin to understand the structure and what Liszt does in that piece.
That said, most of Liszt's pieces are underrated, as he is so often misunderstood and dismissed as a composer who is "just raw technique". Most of his reminiscences and fantasies (e.g. Don Juan, Lucrezia Borgia, La Scala) are also fantastic to analyze for similar reasons to the sonata, and they are exciting as well. I can add Mephisto Waltz there too.
The one problem that Liszt faces however, is that so many pianists don't give many of his pieces justice.. either due to their difficulty or their interpretations that aren't suited with what they are playing. One example is Jorge Bolet's grand galop chromatique, which is terrible, boring, and is not how the piece should be played when you compare that to the score!!
Now, I'm certain that other composers face that similar problem (e.g. Gould's appassionata comes to mind).. but with Liszt, that problem seems to be magnified a lot more.
Patchabell's Canon. Booooring. I hate it with a passion. If it comes on in a shop (it invariably does in new-agey shops) I leave.
the problem is we have too much fantastic classical music that rarely or never sees the light of day in a live performance
I do agree that most music from good composers aren’t boring, ravels bolero is. Repeating the same thing over and over again, sure he builds the orchestra but that doesn’t change the fact that it’s the same things continuing. I think the Hayden’s piece was less boring than bolero 😂
I dotn wanna learn chemistry but I wanna learn biochemistry litteraly classical music haters
People like you make classical boring. 12 tone is all Greek, but fascinating.
chopin wrote like 4 fuges and 3 of them are around 3 minutes and complete, they are just not known
Ooh, I was expecting a barely penetrable video essay bursting with obscure references and dispirate connections, academic jargon and the most abstruse theories on value judgements eventually concluding Wagner's _Ring_ is more boring than a sine wave pure tone (perhaps).
.... _Rhine_ wave, surely?
This video was great fun, and l agree with basically all of your rejoinders. Naturally, l had a hundred comments throughout, but have now pretty much forgotten them all. Looking forward to part 2!
Oh, l do recall one comment l had, which is that l so agree with you that whenever Shosty was monotonous, it was done deliberately, and usually with great sense of irony. Also, the only piece of his that l really find uninspiring is the Festive Overture. But l recall that he might have written that in a single afternoon or some such?
It's far from boring though!
@@themusicprofessor Oh, it isn't even remotely boring! It's just the least interesting popular piece he ever wrote. Haha
To suggest Mendelssohn was more brilliant than Mozart is a bit absurd. Let's take a few steps back and examine their respective oeuvres... I mean didn't they die around the same age? Consider what they both did after 30 and what they might've done. I think we can always speculate about what might've been, but I'm sure we'll all agree that music history would be richer had Mozart lived to 60 rather than Felix 😁
you could definitely argue either way
@@dazhund3297 is this real life? Mozart is clearly the superior composer.
@Dazbog373 yep it's real life! I would give mozart the edge but only slightly. And certainly young Mendelssohn > young mozart
@@dazhund3297 Mendelssohn was a mediocrity compared with some of his contemporaries. Comparing him with Mozart is like comparing the monkies to the beatles.
@Dazbog373 ok now you're just wrong
Also the Beatles are overrated
I love listening to you speak about the literature. Will you talk about the marvels of the Scriabin sonatas?
I do admire Scriabin but actually I need to spend more time with his sonatas before I feel qualified to discuss them.
the Mendelssohn viola sonata is not boring at all, the second and third movements are really really really good
Can anything match Taylor Swift for boring?
I have found that I harbored some prejudices from my youth that included works like the Liszt B minor sonata, the Franck Symphony in D (from having played it in a concert), Pelleas & Melisande, the Manfred Symphony, all of which I have since completely come around to and deeply love. For me, most minimalist music is inherently boring and uninteresting (Glass, Reich, Adams) although I can appreciate on the smallest level the inventiveness of the permutations, or, specific pieces, like Adams' "Short Ride in a Fast Machine". But if I had to really determine what music I now find truly boring, it would be Bruckner's orchestral anything (the Motets are like gems and so intensely beautiful), I still cannot find my way around the Goethe scene of Mahler 8 (and though I'm a devoted Mahlerian I always find any of the choral/vocal movements in the symphonies--except #4--to be the ones I am least drawn to), and Schubert's endless Piano Sonatas (which are full of beautiful things, they can be beautiful and still be boring totra listen to) and those damned interminable song cycles! I just won't have them and I have utterly no desire to sing them and have to spew out kilometers worth of stodgy and insipid text. No, thank you. What perhaps many would be shocked from me is that I find certain works like Le nozze di Figaro and L'elisir d'amore to be dreadful boring to sit through. There are, of course, specific arias and ensembles that are extraordinary, but I find that, even after 30 years of trying to listen and watch them, I lose interest far too quickly. They are both works of genius, and again, with many merits, but Nozze has, vocally and compositionally, almost nothing in comparison to Così fan tutte or Idomeneo or Entfuhrung, and of all of Donizetti's 78(+/-) operas, one sort of wishes L'elisir had been one of the forgotten ones and perhaps just "Una furtiva lagrima" remained as a staple repertoire piece, like so many other arias did of various operas which should never have fallen by the wayside. My other gripe about Nozze is that, other than the roles of Count and Countess, it is not so vocally demanding as other Mozartian roles...and as such, is able to accommodate a far larger range of singers of varying abilities and accomplishments to the point that they are more often than not sung quite poorly and with mediocre singers, students and small to regional theaters putting it on without expert artists, and this is the problem because to sing those roles truly well require people with great technical and theatrical accomplishment despite their apparent simplicity...it is the overly accessible nature of the piece (also, despite some extraordinary writing, the orchestration is not quite as complex, nor harmonically speaking, compared to his other operas) which has, in my opinion, devalued it tremendously. The same can be said of the Donizetti comedy...to really sing those parts well require artists of a certain level of accomplishment, but because it's a charming comedy, as is Nozze, directors run wild and are able to make a big theatrical splash with frequently basic and underwhelming vocalists. In general, I have found it's rarely the composer's fault that something is boring but it bores because of the performance/performers.
As always, I'd say it boils down to performance. A great performance of Figaro can be electrifying! Interesting comment about the Goethe scene in Mahler 8: I think it's a strange and problematic thing in a way: Mahler attempting to write a spiritual opera and it feels a bit forced because he's trying so hard to make you realise how profound he is! I think Mahler's much more profound in his Rückert Lieder
@@themusicprofessor Max Rudolf used to say how people's reticence towards new music was really only about lack of familiarity; that any given work needs to be heard 3-4 times before a listener can determine anything concrete about it. Of course, we have a luxury of usually having multiple recordings to refer to, and as happens, if one has only ever heard one recording that might be on one's shelf and it's never quite moved one, it's useful to hear another or attend a live performance. Of course that goes for anything not just modern compositions. This was something my first bassoon teacher taught me: that it wasn't enough to just listen to a given work but that who was performing/conducting could often make all the difference.
The Mahler movement really is problematic and I've yet to hear anyone really make it into something that doesn't feel totally static and dragging. I think so many conductors want to be indulgent to a point where it lacks forward propulsion of any sort.
Oh, another composer who generally upset me is Hindemith! What wasted ink. Brilliant mind, so prolific, yet so very little that is truly inspired.
Max Rudolf was right! And a really great performance can sometimes convince us that even pieces we don't like much are masterpieces!
There is even a fine art to elevator music. 😂
It should be a crime to say that Papa Haydn is boring, he is one of the most inventive, funniest composers and pieces like his creation or late sonatas can compete with anything Mozart ever composed
i'd love a video about the liszt sonata!
I really do not understand the underappreciation and hatred for Einaudi's music, his music is meant to be a blank canvas for you to paint on.
Fine. But perhaps there are more interesting canvases.
Please do a thing about Liszt sonata
There are basically two types of music. Educational and entertaining. In the past centuries, those who wanted to listen to educational music might get bored with entertaining (time-passing) music. Similarly, people who intended entertaining music would find educational (prescriptive) music boring.
Nowadays, with the spread of digital culture, I think the majority has shifted to educational music. The algorithm of everything is being solved and having fun and spending time is becoming a mindless behavior.
you mean it's shifted to entertaining music
@@pamplemoo No. To educational music. Love from Turkey. >> ruclips.net/video/PBjqCIxUCNo/видео.html
Listen to the late works by boulez! You will be amazed. (Sur incises, Notations pour orchestre...)
I love these pieces.
I have a simple trick for distinguishing Mozart from Haydn when I hear a classical piece I don't recognize: if it bores me to tears it 's Mozart, the most overrated composer in the history of music if you ask me. (Luckily no one ever does haha). I just don't get it. Like, at all.
Mahler’s first is an amazing 1st symphony, better than the likes of Beethoven and his predecessors
I love it but I don't think Mahler himself would have agreed!
About 95% of humanity finds classical music boring. And another 3% finds most of it boring. Deal with it.
SURVEY???? The indictment is not on the music but on the person. If it doesn’t resonate it has reached a brick wall.
@@ernieragogini3994 I agree. I'm part of the 2%! The numbers are not scientific.
I got into the habit of switching Classic FM on every morning during the pandemic.... and.... aaargh! To put it simply, many months later, it had completely ruined my enjoyment of some of my hitherto favourite pieces. And by the time the 698th rendition of 'The Lark Ascending' had only reached the end of the third bar, The Radio Descended, like a brick, through my kitchen window. Sorry RVW, Classic FM cracked me!
I've tried Bruckner several times and always found it boring. I just can't get it I suppose.
All in all, the choice of the "boring" music pieces is quite on the surface. If those "music lovers" criticising the pieces cannot mention other works than those classics, it shows that they do not really know more than the basic repertoire everybody knows. And their judgment is most probably not a very understanding and deep one.
Haydn is the most consistently interesting composer of the classical Era. The invention is just jaw-dropping. Mozart may be a greater composer but he is nowhere near as consistently good.
the person who said bartok doesn't understand music at all
That person is wrong.
I find Greig a bit boring; not bad but very easy listening and doesn't demand anything from me like, for instance, Beethoven does.
For boring classical music I suggest Rubinstein's quintet opus 55.
I always thought some of Schumann was boring. Some of Jan Peeterzoon Sweelinck’s organ fantasias go on and on seemingly endlessly. They are like an author than rambles on and on and takes forever to actually say something. I played several this morning merely for the sight reading brain work. I have always thought Haydn’s symphonies are boring. Also I was never excited about learning Kabalevsky’s sonatinas. Thank you for this video. It reminded me of all the music I have found boring in my life.
When i think of Stamitz i first think of the father then of the Solo Concerts By the son (where Are certainly Great works among!) Maybe the similarity with haydn is the difference in quality. Some pieces sound Kind of odd (even if i Love haydn, yes, some of the 105 (?) Haydn Symphonies do too). But they have in common, that they share the experimental classical character especially with Form!
My god you are a fast reader
I tried to like Bruckner, but alas I could not. Nothing but soft ethereal passages followed by fanfares; wash, rinse, repeat. Nope. Boring!
I like it, I guess you just have to like EPIC music like I do, better try his choral works.
Bruckner needs some serious dynamic compression, I'm a big fan and yet I end up constantly reaching for the volume knob 😲
So, Mahler 1 = forest murmers from Siegfried?
Well I'd say they're slightly different. Forest Murmers is a very typical Wagnerian response to the forest in terms of a kind of idyll in which you discover yourself for the first time: he creates a wonderful fusion of rustling leaf effects in the strings and various antiphonal quasi-birdsong calls in the wind and horns. It's completely mesmerising but it's slightly different with Mahler 1: it's more like a completely still landscape at dawn with various mysterious sounds (birds waking, fanfares etc.) in the distance. Bartok did something slightly (but more Hungarian) at the beginning of his Concerto for Orchestra (and also the beginning of this ballet 'The Wooden Prince').
My wife thinks anything performed solo on piano is boring. As someone who firmly believes that Beethoven's piano sonatas comprise one of the most incredible bodies of music ever composed, I could not disagree more.
Leave her right now