Johann Sebastian Bach: Matthäus-Passion BWV 244, Part 1 - Ton Koopman (HD 1080p)
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- Опубликовано: 9 сен 2024
- Faces of Classical Music
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Watch also:
Johann Sebastian Bach: St Matthew Passion, BWV 244 - Thomanerchor Leipzig, Georg Christoph Biller (HD 1080p)
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Johann Sebastian Bach (1685-1750)
♪ St Matthew Passion - Matthäus-Passion, BWV 244 (1727, Leipzig) - Part 1
Cornelia Samuelis, soprano
Bogna Bartosz, alto
Jörg Dürmüller, tenor
Paul Agnew, tenor
Ekkehard Abele, baritone
Klaus Mertens, bass
Amsterdam Baroque Choir
Cappella Breda Boys
Amsterdam Baroque Orchestra
Conductor: Ton Koopman
Live St. Joris Church, Amersfoort, Netherlands (03/22/2005 - 03/23/2005)
(HD 1080p)
Watch also:
Johann Sebastian Bach: St Matthew Passion, BWV 244 - Thomanerchor Leipzig, Georg Christoph Biller (HD 1080p)
facesofclassica...
•
Faces of Classical Music
facesofclassica...
This is the best performance of the St. Matthew Passion that I've ever heard. Superb soloists, choirs, and orchestra, ideal tempos, excellent camerawork, and the much appreciated bonus of subtitles. Thank you for posting.
I love the beginning….it swings like Glenn Miller….I would just start dancing around! A happy passion……
i love bach ! i listen to bach every single day
Same here, can't live a day without listening to Bach.
Best rendition I've ever heard after searching scores of conductors, this is better that Richter by far
What a blessing it is to have access to this wonderful performance!
Each Good Friday, on or near the anniversary and in recognition of the original performance of the St. Matthew Passion, I listen to the entire Passion while sitting alone in church.
Alone in church?
A stunning performance. The sincerity and dedication of the soloists and all concerned really comes through. Must be wonderful to participate in something like that and have the memory for life.
Absolutely wonderful!! And, I love that you have translations for us English-speakers-- the words are so important and a special complement to the music.
Starts at 2:15
Cornelia Samuelis, soprano
Bogna Bartosz, alto
Jörg Dürmüller, tenor
Paul Agnew, tenor
Ekkehard Abele, baritone
Klaus Mertens, bass
Amsterdam Baroque Choir
Cappella Breda Boys
Amsterdam Baroque Orchestra
Conductor: Ton Koopman
Live St. Joris Church, Amersfoort, Netherlands (03/22/2005 - 03/23/2005
Indrukwekkend met ton en uitmuntend orkest
The splendid performance, especialy the last part namely "O mensch bewein dein Sunde gross" Magnific Choral
What an amazing performance.
Art is tough to define but easy to see. This is piece is an avalanche of meaning and nuance. Overwhelming.
The command that Bach had of modeling human emotion and his art.... calling him a "genius" is putting him into a box.
Absolutely amazing! God bless you!
perfect, wonderful medicine
Excellent performance. Thanks for uploading this.
Wonderful Performance 🔝💯
Bach, le compositeur qui nous vient des cieux
Well. I appreciate good music... And I'm happy I'm able to determine the garbage from quality... Loved this stunning show!
This is a treasure
Absolutely fantastic
Absolutely beautiful. I always listen to this during Christmas time. I just get Christmas vibes from it for som odd reason.
I thought it was an Easter piece. Whatever works tho 😃
This is an epic performance and recording! Thanks so much for sharing!!!
never have heard this music before I was absolutely amazed at the beauty of the piece. wonderful (despite the theology).
duane anderson Agreed (agreed!)
Duane Anderson regrettably, you have misunderstood why you find the piece “absolutely amazing” and “wonderful”. The theology is why it is so incredible. Without the theology it would be empty.
I suppose we don't get to choose which 'theology' is true.
Sublime!!
Happiest Passion around…..
Let us admire the reason behind this excellent piece of art; Christ's eternal sacrifice and redemption to all humanity.
All the soldiers who died slowly in the great wars will remember your words in heaven. 🤮
I don't belive in christ. My god is JS Bach.
Min. 34:45 Coral.
Lorsque Dieu a entendu cette œuvre, je pense qu'Il a du demander à ses anges de se remettre au travail!
Appalled you've allowed ads to break up this wonderful performance!
you're appalled, however you're trying to watch this for free? No breaks needed if you would pay for content, cheap skate!
@@jacobwillemsen4102 You misunderstand. First, I would happily pay, but RUclips doesn't offer that possibility. Second, you either post content of this beauty and offer it for free (was it screened on TV for free?), or you don't. This is a great performance of a master-work, not an adolescent makeup tutorial! In conclusion, the experience is scarred by ads creating in at poignant moments. You should apologise for your bad-faith rudeness.
@@AcademieVocaleParis absolutely no apology. If you watch this on TV, the cable bill pays for it or you pay via commercials in the shoulders of such program. You have to understand that content on the internet can't exist for free. If you take a youtube membership you can watch content for free and youtube pays the owners of the content. That is how it works. Only the sun comes up for free. Or even better: you buy it/download from the website of the organization who paid for all the performers and recorded it. Then you can listen without any interruptions and they can create other beautiful content.
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I have sing this song today im a soprano😃
00:59:00
Wo findet das Konzert statt?Ich mag diese Kirche
St. Joris Kirche, Amersfoort (Niederlände)
57:02 LA ESCENA DEL VIDEO DE JAIME ALTOZANO ANALIZANDO LA MÚSICA DE STAR WARS EN EL LADO OSCURO
Jammer dat geklap na de uitvoering.... de grootste eer die de uitvoerders kunnen krijgen is een volkomen stilte.
Leichenteilchen.
Ob die Passion eine Art fröhlicher Tanz sein soll….naja…der Herr Koopman weiss es sicher besser…..
Swingt mehr als Glenn Miller……
And now... WITHOUT subtitels! (we know the story, grrr)
A non-German speaker would not be able to understand the important relationship between the text and music without subtitles, even if they did know the story.
Yes we know the story. A libretto for us who are not fluent in the nuances of German is appreciated.
Perhaps it could have been put as selectable subtitles? Would that be a good compromise?
@@ReubenLL28 I wonder iff you really would have any joy of your German in tis special case. The language is very old-fasioned, very far from modern German. Wi Germans understand it, but the style in both the Biblical and the poetic texts is very screwed. Nobody would talk like this today. It's - if this comparison is allowed - almost like Shakespeare.
Lurching around foolishly with affected phasing and dynamics, a small mind on the surface that doesn’t even qualify for self-conscious or HIP cleverness for the sake of it. Sketchy and cute light rhythmic ideas for the music with neither detailed thought in phrasing nor secure paragraphing, resulting in dullness and monotony; the extreme spareness looks not just to Schutz but back to early baroque opera. Solti for all his traditionalism is way ahead. A few glances at Koopman conducting and the singers and players shows there is little music here- the whole period of core repertory performance finished 15 years prior to this. 22 mins is enough, dreary results from the evenness of incident, metrical rigidity and thin textures- HIP irrelevance.