there are very few violinists in the world that could match the technical perfection and depth of interpretation at the peak of their careers and she did this at 14. And yet she has continued to mature and grow and go deeper with every year. You see her performances as a teenager of some of the most difficult virtuoso pieces ever created and you think how can she get any better than that. But when you listen to her play a Bach adagio as a mature woman and break into tears on the first gripping chords you realise how amazingly fortunate you are to be able to witness the evolution of one of the greatest artists to ever pick up a violin.
ruclips.net/video/DgfyryZJES4/видео.html Le mouvement lent est un enchantement. Enregistré en 2020, la distance sociale entre les interprètes est réduite à une sublime osmose. The slow movement is enchanting. Recorded in 2020, the social distance between the performers is reduced to sublime osmosis.
This is "Recitativo and Scherzo-Caprice" by Fritz Kreisler, dedicated to Eugene Ysaye, and copyrighted in 1911. It is posted at IMSLP where it says (as of 18 Nov 2024): "This work has been identified as being in the public domain in Canada and the United States, as well as countries where the copyright term is life+50 years. However, this work is not in the public domain in countries where the copyright term is life+70 years (including all EU countries)..." (Kreisler died on 29 January 1962.) In the US, works published in 1928 and earlier are out of copyright as of 1 January 2024. As of 1 January 2025, works published in 1929 will also enter public domain in the US. For works created after 1 January 1978, US copyright protection lasts for the life of the author plus an additional 70 years.
What was that squawk at 0:33? A baby in the audience? A duck? She's fantastic, obviously. Heard her do Bach's Chaconne about 8 yrs ago. Transfixed the whole time.
Funny! For what it's worth, there's a good argument to be made that she's the best living violinist, and one of the five or so best of whom we have recordings. That's controversial, of course. But I rank her with Oistrakh, Heifetz, Kreisler, and Huberman in a group above everyone else. Then come the other greats: Milstein, Menuhin, Chang, Szeryng, Perlman, Vengerov, Stern, Grumiaux, Jansen, Hadelich, Busch, Szigeti, and so on, and in no particular order.
Technically always perfect, but I don't see (or hear) much musicality in HH. I give her a 10 for technique and a 7.5 for musicality. Musicality can't be taught. If I compare to Himari Yoshimura (much younger, now 13): I give her a 10 for technique and a 10 as well for musicality.
To proclaim Hahn isn't musical is downright ignorant. Hahn's Bach is superb and she's demonstrated both her technical and musical abilities countless times. As for this video, there simply isn't enough context to reasonably judge it, much less make comparisons.
@@Vesperas_ Well, well, ignorant, huh? No, she is musically not really top. I think my score of 7.5 is pretty accurate. Of course, she can dazzle with her virtuosity.
@@alexandreboyenval3140 You are entitled to think so. I think it is accurate. I would only marginally count HH with the greats. Heifetz is a great, although I don't like very much his playing. There is no denying though that such assessments are to some (or even large) degree subjective.
I used to think teenage HH was at the same prodigy level as people like himari and Chloe but after watching videos it's clear that is not the case. Compare to himari today and Chloe's ysaye 3 at 14. Of course now HH is much better but not at 14
![Felix "Unfair" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/Oswujxm2Ag0/mqdefault.jpg)
My goodness. It's all there way back then: the bowing, the vibrato, the sound, the precision and the musicality. At the age of Fourteen. Incredible.
🥰🙏
there are very few violinists in the world that could match the technical perfection and depth of interpretation at the peak of their careers and she did this at 14. And yet she has continued to mature and grow and go deeper with every year. You see her performances as a teenager of some of the most difficult virtuoso pieces ever created and you think how can she get any better than that. But when you listen to her play a Bach adagio as a mature woman and break into tears on the first gripping chords you realise how amazingly fortunate you are to be able to witness the evolution of one of the greatest artists to ever pick up a violin.
Possiamo parlare benissimo di bambine prodigio con annessa forza della natura!
@@Maeco-kv7ht 🙏
ruclips.net/video/DgfyryZJES4/видео.html Le mouvement lent est un enchantement. Enregistré en 2020, la distance sociale entre les interprètes est réduite à une sublime osmose. The slow movement is enchanting. Recorded in 2020, the social distance between the performers is reduced to sublime osmosis.
@@mahlonrhoades4509 i agree!
Check!
She’s amazing
GREATNESS FROM WHICH EVEN ALEXANDER THE GREAT COULD LEARN!
HILARY KNOWS HER DESTINATION -
THROUGH HER SOUL
TO RECREATE THE HARMONY
OF NSTURE IN MUSIC!
NATURE
My gosh the dynamics at FOURTEEN. Otherworldly talent.
0:32 her smile when she hears that strange noise in the background
Yeah lol
Kol
Is it a meow?
@@M_SC ou un bébé???? or a baby????
ups sorry
.. that was me😅
This is "Recitativo and Scherzo-Caprice" by Fritz Kreisler, dedicated to Eugene Ysaye, and copyrighted in 1911. It is posted at IMSLP where it says (as of 18 Nov 2024): "This work has been identified as being in the public domain in Canada and the United States, as well as countries where the copyright term is life+50 years. However, this work is not in the public domain in countries where the copyright term is life+70 years (including all EU countries)..." (Kreisler died on 29 January 1962.) In the US, works published in 1928 and earlier are out of copyright as of 1 January 2024. As of 1 January 2025, works published in 1929 will also enter public domain in the US. For works created after 1 January 1978, US copyright protection lasts for the life of the author plus an additional 70 years.
Can never get enough of Hilary Hahn playing. A true master - and at 14!
THIS IS AMAZING!!!
Imagine playing after her
I bet everyone in the audience was thinking “ I better go home and practice “.
Sounds like 2 violins playing at once. And effortless.
Omg quiero gritaaaaaaaaaaaaaar! 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭
Kinda wild to think she'd already been studying at Curtis for about 4 years up to this point
That’s what a fourteen year old GOAT looks and sounds like! Precious!🙏😘🙏
unbelievable tone and dynamics
14 yr old hilary played this better than all the soloist recordings ive heard. perlman's recording was a sloppy mess.
Absolute perfection in every possible way 🤩🥰
So wonderful, I'm speechless
She’s masterful, sensitive and oh so talented! ❤❤😮😮
TRULY A GREAT VIOLINIST ,PERFECTION AT HER BEST🎼🎶🎶🎶🎶🎶AND SHES HAS A EAR FOR GREAT MUSICAL NOTES,SIMPLY FANTASTIC!!!🎼🎶🎶🎶🎶👍🇺🇸BOB.
What was that squawk at 0:33? A baby in the audience? A duck?
She's fantastic, obviously. Heard her do Bach's Chaconne about 8 yrs ago. Transfixed the whole time.
I was expecting this to be good when I saw the title but damn! It surpasses good by quite a stretch even by her standards!
2:44 scherzo for personal notes-
Is that even possible?
What did I just see 😮
What piece is this?
P.s. I love you Hilary
It’s a Kreisler piece - Recitativo and Scherzo
Best to ever do it
1- the concentration face
2-peak scrunchie year 1994
I don’t even like this piece but I like this rendition
What piece is this?
Anyone know what became of her? 🤭
She’s an international super star!
Funny! For what it's worth, there's a good argument to be made that she's the best living violinist, and one of the five or so best of whom we have recordings. That's controversial, of course. But I rank her with Oistrakh, Heifetz, Kreisler, and Huberman in a group above everyone else. Then come the other greats: Milstein, Menuhin, Chang, Szeryng, Perlman, Vengerov, Stern, Grumiaux, Jansen, Hadelich, Busch, Szigeti, and so on, and in no particular order.
@@RachelHandlin-w7c I was…..joking?
@@uliwidmaier5192 Она входит в избранную группу ныне живущих гениев скрипки: П. Цукерман, А.-С.Муттер, Ю.Фишер... Их скоро догонят А.Хаделих, Ф.Вильде
@@uliwidmaier5192 Honestly would put Hadelich up with her! His playing is out of this world.
Great intonation and bow control 😅
Woo
NOT A WORD
The baby at 0.32 😂
.... wht is she playin❓
Kreisler Recitativo and Scherzo
@djr7144 😊
Technically always perfect, but I don't see (or hear) much musicality in HH. I give her a 10 for technique and a 7.5 for musicality. Musicality can't be taught. If I compare to Himari Yoshimura (much younger, now 13): I give her a 10 for technique and a 10 as well for musicality.
To proclaim Hahn isn't musical is downright ignorant. Hahn's Bach is superb and she's demonstrated both her technical and musical abilities countless times.
As for this video, there simply isn't enough context to reasonably judge it, much less make comparisons.
@@Vesperas_ Well, well, ignorant, huh? No, she is musically not really top. I think my score of 7.5 is pretty accurate. Of course, she can dazzle with her virtuosity.
I Think your score of 7,5 is pretty inaccurate.
But people claims the same « lack of musicality » for Heifetz, so, maybe it’s a compliment after all…
@@alexandreboyenval3140 You are entitled to think so. I think it is accurate. I would only marginally count HH with the greats. Heifetz is a great, although I don't like very much his playing. There is no denying though that such assessments are to some (or even large) degree subjective.
I used to think teenage HH was at the same prodigy level as people like himari and Chloe but after watching videos it's clear that is not the case. Compare to himari today and Chloe's ysaye 3 at 14. Of course now HH is much better but not at 14
That’s what a fourteen year old GOAT looks and sounds like! Precious!🙏😘🙏