There's another video coming soon, but some of you have asked why Chester isn't included here. It's because he uses a combination of several different types to get what he gets. I've done lots of videos on Chester as he happens to be one of my all time favs. But here's a video I did awhile ago on Given Up explaining how he does his screams. Hope you enjoy! ruclips.net/video/Qk9HSFZBaFE/видео.htmlsi=FWsGeXPK92hcCQ_o
I would really love to hear you explain what type of distortion is used by both Axl Rose and Brian Johnson, and why Axl lost his rasp while Brian only got raspier over time.
In the late 80’s early 90’s when the likes of Phil Anselmo made this type of vocalization more widely accessible, we were calling this “Cookie Monster” vocals. And not disparagingly. The thing that’s amazing, is you have to remember that all of these people (we) grew up listening to Frank Oz.
@@Chariza_rd lol if I find a good video I make my own doc with my own timestamps 🤔 Because I make RUclips videos, but I don't think everybody has that skill to know where the time stamps should be and what each one should be about 😂
Getting past my vocal break is the hardest part for me because I don't want to damage my vocals or make them even worse. Let alone having a raw throat and having a hard time swallowing when I eat. Funny thing is I can do the cookie monster growl pretty easily
Thank you! That was a much clearer explanation than I've been able to find anywhere else. Here are where the 4 types occur in the video for handy reference: Fry: Corey Taylor (very low frog croaking, remove support, then feed it back in: "revving"): 0:35 Compression: Hetfield and Cornell (withhold air while talking normally, then move it higher in larynx, glottal compression?): 2:32 Fry scream(?): Bennington and Carter (push your break): 6:22 Growl(?): Armstrong and Lawless (talk like Cookie Monster, then push higher in pitch): 8:53
Wow, Chris, what a masterful demonstration, especially at the end, when you show how to combine those 4 types of distortion with each other! Just great!
Not only is this amazingly eloquently taught, I'm getting the vibe that Chris is an amazing nerd to hang with. I have a friend who's constantly testing notes in various opera voices and talks similarly passionately about vocal folds and technique, and it just makes me feel at home. Seeing the little giggles Chris does when he discovers something or has fun with his voice just makes me want to sit on a nearby couch, chew on cookies and smile when he screams, goes "hm, no", then screams some more, for half an hour.
Cookie Monster distortion: the way you explained that made it make sense why I was so much louder than I thought I would be understanding that distortion tends to pull back dBs. While singing songs by vocalists like Blackie Lawless even with all that distortion I still have to hold the mic miles away from my face. Singing Wild Child specifically the only time my dBs dialed back is when hitting the falsetto. But yeah makes sense now that I’ve heard you separate the distortions like that. The other distortions pulled in with Cookie Monster voice throughout to support the sound of the song in general did not pull back on dBs but rather added texture. Thank you.
man i can't stress this enough. you are pure gold. a really talented singer, and even more talented tutor. i've been watching you for maybe two years now, and my professional life is basically divided 'before/after Chris Liepe'. you've been a huge help for me and i believe lots of others. keep it up man, you deserve so much more recognition
This lesson I feel is very applicable to voice actors, almost more universally so than singers (many of whom just aren't that interested nonclean singing even though it might be of use to them)
Well, I must say: this here is GOOD stuff. Really widens a view on the nature of the vocal apparatus and sound production techniques. Thanks for what you are doing man!
Great video Chris! The thing I admire in you the most is that everyone can see in you very eyes, that you absolutely love what you do, that's you're so good on what you do. It's a blessing living this way. Cheers pal and happy 2024.
Man... your videos help me a lot ! It gave me the confidence to try that sounds without being scared to injured my voice ! A big thank you to help me unlock and discover my real singing voice !!
I am so happy that you have reached so many followers with your honest way of teaching singing techniques. When I first started learning to sing, there were really no others on youtube who really showed what it sounds like to practice the aggressive techniques. I mean, when you're practising it, it sounds weird and strange, but when nobody shows you that it's OK, you tend to think that you either have it or you don't. You kind of gave me the confidence that it is ok to suck when you start, but it will get better as you rehearse.
This was so helpful, this video helped me realize the scream I have no problems with and that I was actually doing it right. Your videos have been such a help man keep it up!
This was a fcking awesome hands on description of vocal distortions. I'm very impressed not only of how you describe them but how you manage to present the transitions in a practical way. You have great vocal control. Thank you for this!
I've been trying to figure out how to scream for over two years now, and somehow, after countless videos from dozens of channels, i somehow got it while playing around with the techniques shown in this video. Thank you so much, and keep up the awsome content!
I just started my journey into making music as a vocalist who always did it for fun but actually trying to make music now. THANK YOU for all of your videos. Very inspiring and good teaching lessons. I feel that there's never enough practice for one's voice
Hi Chris, I just want say how awesome you are! I've been watching your channel for years now and trying to absorb everything before having the proper training, but for a bit over a year I started taking vocal classes, and I started learning distortion a bit over a month ago, came back to this video right now (after finally having a better understand of support, fry and false chord engagement), and I was able to access the Chester Bennington scream for the first time ever, AND even maintain it for a bit without fking up my throat, that's amazing! I hope I'm able to sit by your side as your student eventually, I'm sure I'd evolve like crazy.
Thanks for the video! I hope to see more Corey Taylor analysis/how to videos in the future. His yells/screams are something else. (And yes I've seen your vocal breakdown videos already for him. I just can't get enough lol).
Putting all techniques for distortion in one video makes it much easier to understand the difference. I still struggle with pure compression based distortion, as we've discussed before due to my disability, but I think I've been improving. Method 4 has always been an odd one for me, it stings my throat every time and doesn't give me a good sound. Think I'll avoid that one cause I don't really need it, but this was a great video!
Thank you for responding back to me brother I am 55 years old I have been singing pretty much in the shower most of my life but now I have a microphone and some speakers trying to get some control over this Bad ass voice of my own
Holly crap, you make it seem so easy!! It's about a year that I'm trying to find my distortion voice rather than fry, and just ended up with throat burn.
I’ve been singing for some 30 years now but I’m still learning… most of all from your videos. This one was especially awesome for me as it helped me localize where the sounds I wanted to practice come from. And also: cookie, cookie 😂😂😂
Thank you for the great explanations on various distorted singing techniques! You're a fantastic teacher, providing live examples and guiding us through them. I've been singing with distortion for about a decade now, heavily influenced by Metallica, Rammstein, and Eisbrecher. Over the years, I’ve developed my own unique style. I’m quite happy with my compression singing and can use vocal fry to hit lower notes, similar to Rammstein. I’ve got a solid understanding and a practical approach that allows me to jump into these voices and even sing for extended periods without fatigue or harm. Lately, though, I've been looking to expand my range and add new techniques. My first experience with distorted vocals came from using the "growl" method, much like the fourth technique you described in this video, and it was my favorite. However, I pushed my voice too hard back then, and now I have to take a more cautious approach, which means it’s not as harsh or devastating as it once was. After that, I practiced James Hetfield's style, and one day, while driving home listening to Eisbrecher, I discovered how to do compression-style distorted singing. I’ve been using that technique for a few years now, and it’s become my go-to-it sounds great, is reliable, and easy on my voice. More recently, I’ve been getting into Disturbed and David Draiman’s vocal style, especially those higher-pitched notes. I’ve also revisited bands from my youth like Linkin Park. Now, I’m training to incorporate those influences into my own style. My goal is to master these new techniques, just as I have with compression and growl distortion, and eventually use them in my own music. It’s been a real challenge to get it all to sound good and remain consistent. These days, I’ve gotten pretty good at hitting higher notes like those in Disturbed and Linkin Park, using a very controlled falsetto. My next challenge is refining my distorted notes. I’ve been listening to Indestructible by Disturbed on repeat, singing along to naturally adapt it into my style without hurting my voice. I also listen to raw vocals from both David and Chester to better understand how they push their voices to achieve those notes. Every day I learn something new and develop cool new techniques for my own music. It’s been an incredible journey so far!
Amazing video! I'm studying extreme vocals for a year, doing only compressed distortion (as I know now). This vid will definitely bring me to the next level. Thanks a lot!
Forgot I was halfway thru this video and when I opened up RUclips, while in an automotive parts store, full volume Chris with Compression high voice kicks in 😂😂😂
This is a really good guide for not scratching up my throat when I try to add texture. I've been stabilizing way too high in my chest because I didn't trust myself to reach higher notes with a lower placement.
If there’s one thing I’ve gotten out of Chris’s videos is playful experimentation as a path (THE path?) to getting the head out of the throat. Let the body do the talking.
Just joined a pantera cover band. This is exactly what I was looking for. Had a few rehearsals and I get pretty rough after a few hours of singing pantera tunes. A bit worried about our first show.
As a self-taught versatile wannabe, I have to admit that this guy has this serious yet playful (aka, I don't give a sh*t if that sounds weird to your ears) codification of the craft.... High value free content, right here !
I´ve watched it @Chris 8:50 The 3. Type is some kind of fry(-scream) I think, like in the Kurt Cobain Video you did, btw amazing Video!!. The point is, distortion comes from letting your voice break from being very relaxed, in opposition to technique 1+2 where you push and compress. I would argue, that lose fry screams are very safe, in comparison to compression techniques. Axl Rose also uses Fry but in falsetto.
The last kind of distortion is the basis of the deep gutturals of the vocalist Travis Ryan of the band Cattle Decapitation. Taking the "voice" out and compressing the distortion alone and sometimes pressing the tounge at the roof of the mouth to create a different sounding resonance.
Your ability to be variable is so amazing! I can do compression type distortion in my mid-high chest register, but it's not very comfortable yet Also I can do pretty easily cornell type of sound in my mixed voice, especially in a4-c#5 area, but chester-like and Noah Sebastian-like screams are f**king mystery for me. Definitely will try your advices tomorrow
Hi, I'm a fan of your videos. Thank you for your knowledge. I'm only uncertain about the cookie monster type of distortion, in previous videos you said it was bad for the voice, that scream singing should feel higher in the throat rather than lower. In fact when I try the cookie monster type of distortion I feel discomfort in my larings.
Hey Chris! You can approach the Janis Joplin distortion by using the mucous membrane, this would be a different sound than the 4 you have there! Also, maybe you wanna talk about it some day, mixing different distortions for hybrid ones can generate very different effects!
Great vid as always. There’s an Aussie band from the 90s called “the mavis’s. The scream that the dude does on the track “naughty boy” is something else. Would love to hear your take on it
![Noob To Max With DRAGON REWORK In Blox Fruits [FULL MOVIE]](http://i.ytimg.com/vi/LnBMOinoOvA/mqdefault.jpg)
Get the foundation necessary to sing with distortion. Join my free course! chrisliepe.com/free-your-voice/
There's another video coming soon, but some of you have asked why Chester isn't included here. It's because he uses a combination of several different types to get what he gets. I've done lots of videos on Chester as he happens to be one of my all time favs. But here's a video I did awhile ago on Given Up explaining how he does his screams. Hope you enjoy! ruclips.net/video/Qk9HSFZBaFE/видео.htmlsi=FWsGeXPK92hcCQ_o
I would really love to hear you explain what type of distortion is used by both Axl Rose and Brian Johnson, and why Axl lost his rasp while Brian only got raspier over time.
It would be nice to see some females on this list.
How to fry: talk like your father is a successful patent lawyer.
I never thought I'd hear Cookie Monster singing Metallica, but here we are.
Never thought to hear Rick Sanchez in this video either
In the late 80’s early 90’s when the likes of Phil Anselmo made this type of vocalization more widely accessible, we were calling this “Cookie Monster” vocals. And not disparagingly. The thing that’s amazing, is you have to remember that all of these people (we) grew up listening to Frank Oz.
Lord forgive me for what I am about to put my neighbors trough
Literally wondering when my roommates gonna ask if I'm dying
I always think abt them I'm stuck :(
Fry screaming always came easy to me, and I can do things like subharmonization, but distortion has always eluded me. Thank you for this video
I have to wonder if anyone else was in the house/able to hear Chris screaming "PUT ME OUT OF MY MISSEEERRRRRYYYYYYYYYY!!!"
I like to imagine they walked into earshot right as he was doing it before leaning into the distortion, when it REALLY sounded like a cry for help 😂
That "scream" is probably not that loud. It sounds loud because of the mic and it sounds full and robust because of the distortion.
A 'fry' for help... I'll see myself out 👈🏼👈🏼
My mom asked what I was listening to. "It sounds awful "
0:00 - introduction
0:35 - Vocal Fry
2:30 - Compression-based distortion
6:22 - ??? Juicier? More Extreme?
8:53 - The Growl
This comment should be pinned! The amount of times I clicked this video and searched for your comment is off the charts haha
@@Chariza_rd lol if I find a good video I make my own doc with my own timestamps 🤔
Because I make RUclips videos, but I don't think everybody has that skill to know where the time stamps should be and what each one should be about 😂
I call the third one "vocal break."
@@RobertJene Who? 🤔
Getting past my vocal break is the hardest part for me because I don't want to damage my vocals or make them even worse.
Let alone having a raw throat and having a hard time swallowing when I eat.
Funny thing is I can do the cookie monster growl pretty easily
Thank you! That was a much clearer explanation than I've been able to find anywhere else.
Here are where the 4 types occur in the video for handy reference:
Fry: Corey Taylor (very low frog croaking, remove support, then feed it back in: "revving"): 0:35
Compression: Hetfield and Cornell (withhold air while talking normally, then move it higher in larynx, glottal compression?): 2:32
Fry scream(?): Bennington and Carter (push your break): 6:22
Growl(?): Armstrong and Lawless (talk like Cookie Monster, then push higher in pitch): 8:53
The Lemongrab to Chester transition at 8:15 caught me off guard.
I patiently waited for this moment after reading your comment and...holy hell. You nailed it
7:49 I love the way he pretends to be surprised for us to understand where to focus when practicing
Wow, Chris, what a masterful demonstration, especially at the end, when you show how to combine those 4 types of distortion with each other!
Just great!
This video is a treasure to advanced singers, but you probably don't wanna do this without the right basics...
Yes, that's why I always promote my free vocal course in all my videos, and link them in the video description =D
Not only is this amazingly eloquently taught, I'm getting the vibe that Chris is an amazing nerd to hang with. I have a friend who's constantly testing notes in various opera voices and talks similarly passionately about vocal folds and technique, and it just makes me feel at home. Seeing the little giggles Chris does when he discovers something or has fun with his voice just makes me want to sit on a nearby couch, chew on cookies and smile when he screams, goes "hm, no", then screams some more, for half an hour.
And that playful experimentation is key in discovering your own unique voice.
Bro, best vocal theorist ever. The Richard Feynman of human voice. Clear accessible explanations exemplified.
That level of control is so humbling
"Be Patient" spoken with compression is so life 😉🤣. Sounds great when spoken with grit.
This is gold. Your main points throughout the series condensed in a single video. Hope this gets huge ❤
Cookie Monster distortion: the way you explained that made it make sense why I was so much louder than I thought I would be understanding that distortion tends to pull back dBs. While singing songs by vocalists like Blackie Lawless even with all that distortion I still have to hold the mic miles away from my face. Singing Wild Child specifically the only time my dBs dialed back is when hitting the falsetto. But yeah makes sense now that I’ve heard you separate the distortions like that. The other distortions pulled in with Cookie Monster voice throughout to support the sound of the song in general did not pull back on dBs but rather added texture. Thank you.
The best and most talented vocal coach, here, on YT.
Yeah! Always love your distortion voice lesson vids
man i can't stress this enough. you are pure gold. a really talented singer, and even more talented tutor. i've been watching you for maybe two years now, and my professional life is basically divided 'before/after Chris Liepe'. you've been a huge help for me and i believe lots of others. keep it up man, you deserve so much more recognition
glad to see mailman being used as an example. my favourite soundgarden song, and it doesn't get the attention it deserves
This lesson I feel is very applicable to voice actors, almost more universally so than singers (many of whom just aren't that interested nonclean singing even though it might be of use to them)
Chris, this is the best video you've made!!!
Well, I must say: this here is GOOD stuff. Really widens a view on the nature of the vocal apparatus and sound production techniques. Thanks for what you are doing man!
Great video Chris! The thing I admire in you the most is that everyone can see in you very eyes, that you absolutely love what you do, that's you're so good on what you do. It's a blessing living this way. Cheers pal and happy 2024.
Man... your videos help me a lot ! It gave me the confidence to try that sounds without being scared to injured my voice ! A big thank you to help me unlock and discover my real singing voice !!
I am so happy that you have reached so many followers with your honest way of teaching singing techniques. When I first started learning to sing, there were really no others on youtube who really showed what it sounds like to practice the aggressive techniques. I mean, when you're practising it, it sounds weird and strange, but when nobody shows you that it's OK, you tend to think that you either have it or you don't. You kind of gave me the confidence that it is ok to suck when you start, but it will get better as you rehearse.
One of your very best videos, brother! Love that doing all of the coordinations and sounds while you explain!
I love how the "give me fuel give me fire" phrase jaust became the distortion exercise explaining
You are the master of what you do, the way you explain and demonstrate how these voice work its amazing, thanks to you man
This was so helpful, this video helped me realize the scream I have no problems with and that I was actually doing it right. Your videos have been such a help man keep it up!
This was a fcking awesome hands on description of vocal distortions. I'm very impressed not only of how you describe them but how you manage to present the transitions in a practical way. You have great vocal control. Thank you for this!
Best video I’ve seen on vocal distortion - thank you
I've been trying to figure out how to scream for over two years now, and somehow, after countless videos from dozens of channels, i somehow got it while playing around with the techniques shown in this video. Thank you so much, and keep up the awsome content!
How are things now?
@@The_Man_Who_Sold_the_World. pretty good!
As always, great video mate, one of few actually helpful vocal coaches on the platform!
Hands-down the best vocal coach on the internet
I just started my journey into making music as a vocalist who always did it for fun but actually trying to make music now. THANK YOU for all of your videos. Very inspiring and good teaching lessons. I feel that there's never enough practice for one's voice
Hi Chris, I just want say how awesome you are!
I've been watching your channel for years now and trying to absorb everything before having the proper training, but for a bit over a year I started taking vocal classes, and I started learning distortion a bit over a month ago, came back to this video right now (after finally having a better understand of support, fry and false chord engagement), and I was able to access the Chester Bennington scream for the first time ever, AND even maintain it for a bit without fking up my throat, that's amazing!
I hope I'm able to sit by your side as your student eventually, I'm sure I'd evolve like crazy.
Ong I can't your vibrato is like SO adictive!
Thanks for the video! I hope to see more Corey Taylor analysis/how to videos in the future. His yells/screams are something else. (And yes I've seen your vocal breakdown videos already for him. I just can't get enough lol).
Your + vibes make your channel! Love your passion brother.
ive learned how to growl alone in home trying to mimic the singers i like
Putting all techniques for distortion in one video makes it much easier to understand the difference. I still struggle with pure compression based distortion, as we've discussed before due to my disability, but I think I've been improving. Method 4 has always been an odd one for me, it stings my throat every time and doesn't give me a good sound. Think I'll avoid that one cause I don't really need it, but this was a great video!
Thank you for actually telling us how it works and giving examples instead of trying to sell us stuff
I'm here for the "Juicy Breaks"
You took me back with the clips of Sam recording for Hollow Crown. I loved those studio diaries
You legend. Infinite thanks for your massive help, man. I will keep getting better.
THIS ...was so much fun and helpful. Discovering wonderful sides of my voice thanks to this. 💚
Very greateful 🍀
I just started vocal lessons yesterday your voice is amazing I am a baritone and you give me inspiration to hit them high notes brother
Thank you for responding back to me brother I am 55 years old I have been singing pretty much in the shower most of my life but now I have a microphone and some speakers trying to get some control over this Bad ass voice of my own
Holly crap, you make it seem so easy!! It's about a year that I'm trying to find my distortion voice rather than fry, and just ended up with throat burn.
It'll be usefull to a lot of aspiring singers, well done Chris !
As always chris great video . I really appreciate your explanation of the different technique with example 😊 . Keep up the good work
Your voice is incredible.
I’ve been singing for some 30 years now but I’m still learning… most of all from your videos. This one was especially awesome for me as it helped me localize where the sounds I wanted to practice come from. And also: cookie, cookie 😂😂😂
Thank you for the great explanations on various distorted singing techniques! You're a fantastic teacher, providing live examples and guiding us through them. I've been singing with distortion for about a decade now, heavily influenced by Metallica, Rammstein, and Eisbrecher. Over the years, I’ve developed my own unique style. I’m quite happy with my compression singing and can use vocal fry to hit lower notes, similar to Rammstein. I’ve got a solid understanding and a practical approach that allows me to jump into these voices and even sing for extended periods without fatigue or harm. Lately, though, I've been looking to expand my range and add new techniques.
My first experience with distorted vocals came from using the "growl" method, much like the fourth technique you described in this video, and it was my favorite. However, I pushed my voice too hard back then, and now I have to take a more cautious approach, which means it’s not as harsh or devastating as it once was. After that, I practiced James Hetfield's style, and one day, while driving home listening to Eisbrecher, I discovered how to do compression-style distorted singing. I’ve been using that technique for a few years now, and it’s become my go-to-it sounds great, is reliable, and easy on my voice.
More recently, I’ve been getting into Disturbed and David Draiman’s vocal style, especially those higher-pitched notes. I’ve also revisited bands from my youth like Linkin Park. Now, I’m training to incorporate those influences into my own style. My goal is to master these new techniques, just as I have with compression and growl distortion, and eventually use them in my own music. It’s been a real challenge to get it all to sound good and remain consistent.
These days, I’ve gotten pretty good at hitting higher notes like those in Disturbed and Linkin Park, using a very controlled falsetto. My next challenge is refining my distorted notes. I’ve been listening to Indestructible by Disturbed on repeat, singing along to naturally adapt it into my style without hurting my voice. I also listen to raw vocals from both David and Chester to better understand how they push their voices to achieve those notes. Every day I learn something new and develop cool new techniques for my own music. It’s been an incredible journey so far!
Amazing video! I'm studying extreme vocals for a year, doing only compressed distortion (as I know now). This vid will definitely bring me to the next level. Thanks a lot!
This is a must watch for vocalists out there.
Forgot I was halfway thru this video and when I opened up RUclips, while in an automotive parts store, full volume Chris with Compression high voice kicks in 😂😂😂
This is a really good guide for not scratching up my throat when I try to add texture. I've been stabilizing way too high in my chest because I didn't trust myself to reach higher notes with a lower placement.
8:10 is insane!!!!!! Amazing video!!
Chris is amazing!
If there’s one thing I’ve gotten out of Chris’s videos is playful experimentation as a path (THE path?) to getting the head out of the throat. Let the body do the talking.
Thank you Chris, you`re amazing!!!
I know you said it's good to sound silly to practice these sounds but the transition at 3:56 made me laugh out loud xD
Bro best video I’ll probably see all week I laughed and learned lol
Yay!!! Glad you enjoyed!
I'm convinced I just sound bad, I can do all of them, but it sounds like a dying goat anyway.
It takes a lot of practice.
It always starts out sounding bad, He even explains it in another video.
You give such practical help with informative examples, it's so easy to grasp what you're saying and then mimic. You should be a vocal coach.
haha... thanks! Have you joined my free course linked in the video description yet?
I have now. Anybody else watching these videos needs to do the same.
Just joined a pantera cover band. This is exactly what I was looking for. Had a few rehearsals and I get pretty rough after a few hours of singing pantera tunes. A bit worried about our first show.
Good timing. I was just practicing distortion right now
This has to be one of the best vocal tutorials I’ve ever seen
HAHAHA, really laughing out loud with the cookie cookie, cookie monster!! hahah, but an awesome video alltogether of course!
10:35 my neighbor's weed eater at 7 in the morning
You have a incredible voice my brother
This was perfection! ty
This is soooo helpful and hilarious at the same time 😆😆😆
Omg that is so damn helpful! Thank you!
As a self-taught versatile wannabe, I have to admit that this guy has this serious yet playful (aka, I don't give a sh*t if that sounds weird to your ears) codification of the craft.... High value free content, right here !
Wow i do this on regular basis. I have taken vocal classes. I didn't know this was thing. I need to refine it. Thanks man 👍
I´ve watched it @Chris 8:50 The 3. Type is some kind of fry(-scream) I think, like in the Kurt Cobain Video you did, btw amazing Video!!. The point is, distortion comes from letting your voice break from being very relaxed, in opposition to technique 1+2 where you push and compress. I would argue, that lose fry screams are very safe, in comparison to compression techniques. Axl Rose also uses Fry but in falsetto.
The last kind of distortion is the basis of the deep gutturals of the vocalist Travis Ryan of the band Cattle Decapitation. Taking the "voice" out and compressing the distortion alone and sometimes pressing the tounge at the roof of the mouth to create a different sounding resonance.
Your ability to be variable is so amazing! I can do compression type distortion in my mid-high chest register, but it's not very comfortable yet
Also I can do pretty easily cornell type of sound in my mixed voice, especially in a4-c#5 area, but chester-like and Noah Sebastian-like screams are f**king mystery for me. Definitely will try your advices tomorrow
This is amazing, constructive content. Awesome Chris! Keep the good stuff coming. We'll be watching!
Listening to this while cleaning ur room is wild cuz you just hear the random ass sounds hes making with little to no context
thanks for adding up idea on what I am currently doing
Hi, I'm a fan of your videos. Thank you for your knowledge. I'm only uncertain about the cookie monster type of distortion, in previous videos you said it was bad for the voice, that scream singing should feel higher in the throat rather than lower. In fact when I try the cookie monster type of distortion I feel discomfort in my larings.
I was thinking the same thing
Hey Chris! You can approach the Janis Joplin distortion by using the mucous membrane, this would be a different sound than the 4 you have there! Also, maybe you wanna talk about it some day, mixing different distortions for hybrid ones can generate very different effects!
This is more helpful than most others on the topic of vocal distortion
This guy is a legend
Great vid as always. There’s an Aussie band from the 90s called “the mavis’s. The scream that the dude does on the track “naughty boy” is something else. Would love to hear your take on it
Sounds like a head voice fry scream to me
This is gold
🔥🔥🔥🔥 Thank you!
Nice breakdown! Your lessons have taught me so much. Can you do a breakdown on Prince's scream? Like on 'It' and 'Darling Nikki'
5:57 when you let thee voices win "so anyway GIMME FUEL GIMME FIRE as i was saying."
This was very useful thanks
Awesome!
Great video, I'd love to see a lesson on David Draiman's technique and how he does it.
+1,000 points for mentioning Blackie Lawless
Damn you're good!
This was fun… as well as difficult but also mainly fun! 😊❤