Learn to write music that's interesting!
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- Опубликовано: 25 авг 2024
- If you've ever wondered how to spice up your songs or compositions, then here you go! I put together a short lesson on secondary dominants in the major key to help you spice things up. Additionally, I do a quick breakdown of Billy Joel's new song "Turn the Lights Back On".
Do checkout other music theory sources to help further comprehend the content in this video.
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You’re too kind!
The V7/V going to IV is so cool and I never thought of it that way. Can’t wait for the next video!
Yeah! There's some fun minor one on the way.
Great video demonstrating a vocabulary of common chord progressions
9:48 It might be useful to also name the chord in relation to the home key (as in, V/V is enharmonically the II (major) of the home key, functioning as V/V).
Also, does it really make sense to name a chord V of V which resolves to the IV?
Ex: A to B/d# to D major
I would not think of the B as V/V , rather as a II major
Thanks for the feedback, Marc. I had more information that was cut last minute because it made my explanations too academic and verbose.
Regarding the V/V going to IV.
While what you’re saying makes sense, the idea behind the example was more for a “surprise” effect. As in, this chord is setup to function like a V/V, but then goes to the IV instead. Additionally, a major II to IV is more of a chromatic mediant relation. Maybe I’ll save that for another video! lol
I appreciate the feedback and will make a note of it in my next video on Secondary Dominants in the minor key.
Is V/V V I the same as II V I?
Sort of. Major II chords don’t really exist. But it’s ok to think of it that way as long as you’re not in academia.
Rick Beato ain’t got nothing on you! 😋