AC/DC Gimme A Bullet (Malcolm Young Guitar Lesson)
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- Опубликовано: 7 окт 2024
- AC/DC Gimme A Bullet- Malcolm Young Guitar Lesson
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One of my favorite AC/DC albums!
So good 👍 love anything of Powerage one of Bons best !! Your lessons are awesome dude nice and simple of what is awesome rhythm playing keep them coming 🤙🤙
Thanks again Richard!
George Young played Bass in this track, driving bottom end. No guitar solo, but George's note selection is superb, a unique AC/DC song, one of the gems on this album which is my desert island AC/DC record.
Totally agree. Raw, blunt and to the point.....and no solo!!!. Great song, great album and my all time fav band for me 🤘
You can hear that it's a different ( better ) bass player for sure, i reckon he played on Down Payment Blues as well, for the suttle chord lead ins.
Source?
Fantastic, this is the best interpretation on this I have seen on RUclips. Some of the others would make one cry. The name of your channel is epic mate. Love it.
Thank you for that! This is one of my favorite tracks. I appreciate the kind words.
Thankyou for this excellent tuition as always! totally love it.
One of my favourite AC/DC tracks. Excellent 👏👏👍
Great breakdown, learnt something again !
Fantastic as always
Thanks Sean. Using the isolation stuff. Huge help.
Keep the AC/DC coming! Please and Thank you!
Thanks man and will do. More on the way
Oh man thank you so much. I'm gonna be jamming now for Shure. thank you thank you thank you.
Right on!! Your welcome!
Thanks for sharing. Great job for my inspiration 🤘🏿🤘🏿🙏🙏❤❤
I'm so envious of your guitar. Malcolm is my favorite guitarist and I'd love to have a custom shop model of his but I can't afford it.
Hey Brandon. Gretsch makes another double jet that’s looks very similar to the Malcolm one for a lot less money. They play really nice and sound great.
Great track ok a great album.
Really good lesson, thanks. I always though Mal was doubling Angus’s Riff Raff part (if you know what I mean) but your D to G is obviously right. How does your signature Beast play? It sounds unbelievably good but Gretsch necks can feel a little strange sometimes. It’s a beautiful instrument and I’m very jealous! Thanks again
A lot of Gretsch necks are Thin U necks, I don’t really care for those. The neck on this one is a Standard U and has an ebony fretboard. Plays very smooth and is really comfortable.
New sub here , awesome job 🤘🤘🤘👍👍👍☮☮☮. Currently learning guitar at a ripe age of 53, folks like you make learning fun .. kudos !
That’s awesome man!! Good for you. And thank you!!
@@malpractice5904 My pleasure!
Man.. powerage rocked.. was the first album we heard the Schaffer Diversity unit for Angus.. I have heard them use a bunch of old Marshalls.. in studio.. always seems to be older JTM 45/50.. and plexi era.. but live they seem to use the 4 input for quite a while and even the MV amps .. but always sounds like AcDc.. what attenuator are you using.. I was thinking if getting the Fryette Load IR.. he makes good stuff
I’m using this Burgera attenuator. Never used one before. Didn’t need it for the Fender Hot Rod but do for the Marshall. At 20 watts or 5 watts it’s so loud. And yeah. The second album I bought was If You Want Blood. That’s the album that hooked me good on the band.
Great stuff
Like your guitar
Man, where do you get these isolation tracks.. that c note pull off is there.. I listened hard for it.. this album is great.. one of my favs
. Mals tone on this one is awesome.. and Angus is crushing those greenbacks into massive breakup.. just sound killer together..nice job!
Fantastic just awesome thank you
Thanks man.
This such a underrated song. Its in my top five.
LONG LIVE ROCK AND ROLL⚡
Please keep churning these out
Nice work.
Nice 👍
Thank you!
Great tone. How’d you get it? Amp? Settings? Thanks
It’s just a Marshall SV20 though a Marshall 4x10. That’s it. No plug ins or computer software. No pedals. As basic as it get. The real tone comes from the pickups. The ones in this guitar are the Powertrons. The ones in my most recent guitar are the Filtertron pickups. A little lower output and the ones Mal actually used. Or so they say.
@@malpractice5904 greatly appreciate your response! Thank you. I play the same way. Directly into a marshall. I have the Gretsch signature Malcom too. It has the powertrons? Love your lessons. great content. sound. instruction. keep it up. Forever chasing the ac/dc tone!!!!
what makes this particular chord combination sound so badass?? it's just the typical A-D-G chords they used in practically every song!!
I did a cover of this one. I think I actually played the chords in the incorrect position on this one. Check out the cover. I believe that’s more accurate.
@@malpractice5904 regardless, the chords are still A, D, and G, and together they sound so good in this particular song!
It's Angus minimizing that D to G chord change to a F# note to G semitone change (with a jangling high D). F# is the major third of the D chord, so it's the same trick the bass does in "Back In Black" when it plays C# (major third of A chord) instead of A. The major third is that AC/DC magic!
@@primtones thanks for the analysis! but i dont know enough about theory to really understand. what is this major third magic you speak of? which chord is the major third? and what is another famous example of it in pop music?
@@yomuthabyotch You're welcome! The major third is the note four semitones above any other note. So this is a way of talking about the relationship between two notes. A note and its major third sounds very nice together! You can hear it in Lou Reeds "Walk on the Wild Side" too. The double bass is playing the root notes of the two guitar chords. But a second (electric) bass track is playing the major thirds of the root notes.