What I enjoy about tiny desk is that there is something for everyone. This is something I typically would never look for myself but I honestly enjoyed it.
To the person who asked "who is listening in the present moment?" I am. I have chills. I've been transported. In the present moment. Thank you Joyce "et al". Thank you. I feel the love.
It wasn't what I was expecting at first, but I stuck with it and am glad I did!!!! What a talented band and singer. The end of the first song at 5:50 was amazing.
Always love what Tiny Desk brings to me...I learn so much about genres of music I was not accustomed to. Thank your for your musical diversity...Joyce is amazing!
LOVE THIS!!!!! AWESOME, JOYCE! Joyce really practices what she preaches indeed and she's the one whose suggestion of learning to trill hit me super hard to the point where I cringe at hearing opera singers with slow vibratos and try to get them to learn the trill tecnnique over everything else. In fact, both Joyce and another sadly deceased opera singer Cristina Deutekom (1931 - 2014) both wrote at different times that, the reason why a lot of singers have unknowingly slow vibratos and take this perfectly for granted is because they have not been taught to do this exercise covered in the video. This involves learning the trill and also runs up and down the scale on one syllable, sometimes separating several notes on the same pitch. (Cristina Deutekom could do these scalic runs the best - in fact she did it so well that a lot of people literally thought it was a violin playing the scales, when really, it was because Cristina spent literally eight years doing nothing but trills and scales). According to an article in 1986 written in English by Cristina herself, very few people are aware that this trill technique is the real ticket to a healthy vibrato, which is primarily the reason why a lot of singers have the wrong type of vibrato - instead, Cristina dissatisfactorily claims, they literally just dive in and hope to become famous with the even more negative consequence of having seriously untrained voices. Cristina further emphasizes that because of this overlooked skipping of trill lessons and not graduating up to the highest levels - instead just taking the test without ever studying for it, or running the marathon without a single bit of tra*g, she compares - in other words, hoping they will get a vibrato purely by just singing over and over, without this key exercise - here we are with a huge number of singers with unknowingly slow wobble vibratos, oblivious to the fact that they simply have not worked on DiDonato's exercise.
The album Songplay from which she sings here has been nominated for a Grammy (best classical solo vocal album)! For me, this year definitely seems to be one of strangely awesome soprano performances. First I've found "The most unwanted music" with a rapping soprano, then this. Though this is definitely more on the awesome side.
Parisotti goes jazz by Joyce DiDonato SE TU M’AMI A. Parisotti Se tu m'ami, se tu sospiri Sol per me, gentil pastor Ho dolor de' tuoi martiri Ho diletto del tuo amor Ma se pensi che soletto Io ti debba riamar Pastorello, sei soggetto Facilmente a t'ingannar Pastorello, sei soggetto Facilmente a t'ingannar Bella rosa porporina Oggi Silvia sceglierà Con la scusa della spina Doman poi la sprezzerà Ma degli uomini il consiglio Io per me non seguirò Non perché mi piace il giglio Gli altri fiori sprezzerò Se tu m'ami, se tu sospiri Sol per me, gentil pastor Ho dolor de' tuoi martiri Ho diletto del tuo amor Ma se pensi che soletto Io ti debba riamar Pastorello, sei soggetto Facilmente a t'ingannar Pastorello, sei soggetto Facilmente a t'ingannar STAR VICINO S. Rosa Star vicino al bell'idol che s'ama, È il più vago diletto d'amor. Star lontano dal ben che si brama E' d'amore il più vivo dolore (Star lontano da colei che si brama E' d'amore il più mesto dolor.) TU LO SAI G. Torelli Tu lo sai quanto t′amai. Tu lo sai, lo sai crudel! Io non bramo altra mercè Ma ricordati di me, E poi sprezza un infedel, E poi sprezza un infedel! Tu lo sai quanto t'amai Tu lo sai, lo sai crudel Tu lo sai, quanto t′amai Tu lo sai, lo sai crudel QUELLA FIAMMA F. Conti Il mio bel foco O lontano o vicino ch'esser poss'io Senza cangiar mai tempre Per voi, care pupille, arderá sempre Quella fiamma che m'accende Piace tanto all'alma mia Che giammai s'estinguerà E se il fato a voi mi rende Vaghi rai del mio bel sole Altra luce ella non vuole Nè voler giammai potrà Quella fiamma che m'accende Piace tanto all'alma mia Che giammai s'estinguerà
Joyce DiDonato is one of my favourite sopranos right now. She is awesome. The band is also great but the fusion in these in these songs is not really my taste. It's great to see the experimentation though.
This isn't quite as unlikely as it might sound. Mainstream jazz, particularly vocal jazz, is built on loose, extended, improvisational interpretations of the Great American Songbook, and a whole lot of those songs were written by European immigrants trained as classical composers. So the musical language is related, and adapting them to jazz treatments might not be too much of a stretch. The primary difference may be in the musical structures: Most Great American Songbook tunes follow a fairly strict 32-bar AABA layout, whereas the classical material still tends toward some type of ABA form, but the details and lengths might be unique to each individual song.
I adore Joyce Didonato for her musicianship, her pedagogue, her humanity and her taste in clothing. I need that jacket 💜❤️💜
What I enjoy about tiny desk is that there is something for everyone. This is something I typically would never look for myself but I honestly enjoyed it.
I'm enjoying this performance myself.
Whoever thought fusing jazz with opera would work? It does! Magnificent! Musicianship... first class!
To the person who asked "who is listening in the present moment?" I am. I have chills. I've been transported. In the present moment. Thank you Joyce "et al". Thank you. I feel the love.
This is so amazing and so unexpected! I just learned the answer to a question I never even had. Tiny Desk is the best music program ever invented.
what a great woman she is really
Joyce is amazing!!!!!!!
WHY AM I NOW DISCOVERING THIS! COME ON JOYCE!
Marvel: Infinity War is the greatest crossover ever
Joyce DiDonato: hold my wine
**spits coffee out laughing**
It wasn't what I was expecting at first, but I stuck with it and am glad I did!!!! What a talented band and singer. The end of the first song at 5:50 was amazing.
Listen to the whole album on spotify! It's nominated for a grammy
I LOVE THIS!!!! I wish there were more opera modern crossovers. I wish I could meet an edm producer and do a crossover.
Yessss, she is Saucy!!!! Loving the vibe, I watched because the look in her eye!
great fun. love the bandoneon and trumpet esp. loved joyces improvisations/ ornamentatioms
The description is always nice to read
It never occurred to me to read those. Thanks for pointing it out!
Always love what Tiny Desk brings to me...I learn so much about genres of music I was not accustomed to. Thank your for your musical diversity...Joyce is amazing!
This concert is making my eyes water - in the best kind of way. Love it!
How fun ! Charlie Porter continues to WOW me with his trumpet playing !!
LOVE THIS!!!!! AWESOME, JOYCE!
Joyce really practices what she preaches indeed and she's the one whose suggestion of learning to trill hit me super hard to the point where I cringe at hearing opera singers with slow vibratos and try to get them to learn the trill tecnnique over everything else. In fact, both Joyce and another sadly deceased opera singer Cristina Deutekom (1931 - 2014) both wrote at different times that, the reason why a lot of singers have unknowingly slow vibratos and take this perfectly for granted is because they have not been taught to do this exercise covered in the video. This involves learning the trill and also runs up and down the scale on one syllable, sometimes separating several notes on the same pitch. (Cristina Deutekom could do these scalic runs the best - in fact she did it so well that a lot of people literally thought it was a violin playing the scales, when really, it was because Cristina spent literally eight years doing nothing but trills and scales). According to an article in 1986 written in English by Cristina herself, very few people are aware that this trill technique is the real ticket to a healthy vibrato, which is primarily the reason why a lot of singers have the wrong type of vibrato - instead, Cristina dissatisfactorily claims, they literally just dive in and hope to become famous with the even more negative consequence of having seriously untrained voices. Cristina further emphasizes that because of this overlooked skipping of trill lessons and not graduating up to the highest levels - instead just taking the test without ever studying for it, or running the marathon without a single bit of tra*g, she compares - in other words, hoping they will get a vibrato purely by just singing over and over, without this key exercise - here we are with a huge number of singers with unknowingly slow wobble vibratos, oblivious to the fact that they simply have not worked on DiDonato's exercise.
Wow. You know your stuff! Thanks for the education. 👏🏻👏🏻👏🏻
What a presence! Great band!
I was born catholic and that intro had me trying to kneel at work.
🤣🤣🤣
Oh my stomach
Love this type of sound!
Oh this is brilliant. What a superb team. Love this.
Wow, I've never heard this fusion before, amazing. Thank you NPR.
Joyce! Love her
Thank you. It is called M U S I C, our real muse. and it sounds like EVERYTHING!
WOW! What a voice!
WOW!!! Craig is awesome, missing you Craig
Saw Joyce DiDonato on Tiny Desk, had to click
Merveilleux !
I must say...I was pleasantly surprised! Never judge a book by its cover (or a tiny desk performance)✌🏾❤
She's got that "I'd like to speak with the conductor" look about her.
Cause she's so prepared "she likes to know the score better than a conductor so her notes can have a meaning found in the partitura"
She’s the most popular female classical singer in America (and possibly the world) right now.
She can (and would) probably get anything she wanted.
Stop, shes literally the sweetest in her masterclasses 💀
This is a very interesting sound. I find something new everytime with Tiny Desk.
I'd like to think this is what opera singers do every weekend at brunch
Wooooooow!!!!! Very especial performance 🤩😍
A fantastic collision of classic and jazz!👍✌️😊🙏🏼🎶🎶🎵🎶🎵🎶🎶
Well said!!
Incredibile! La mia cantante preferita a Tiny desk…❤❤❤
6:30 Love the Le Jazz Hot--Victor/Victoria moment.
Some of us just ain’t ready for it. I never heard 12 notes sound so good.
this is really really good and unique!!!!!
This was very, very cool.
Who's listening to this in the present moment?
i do and i dig it
here in 2022
***
5,624 people and counting.
A fellow Malaysian who loves Joyce?? I suddenly feel less alone! :D
I only clicked because she has my name, but I'm captivated! watching to the end now
Please bring Cultura Profetica to tiny desk!
Love it! Thanks npr
Великолепно✨ пересматриваю без конца...
Wonderful!
Yo when are we getting a Marc Rebillet tiny desk?
Opera vocalist over jazz band........delightful
This is so freaking cool! 💙
Charlie Porter! I sub to his channel. He's a genius in his own right.
Can’t say I expected that voice
loved it!
Wow, wow, wow.
I loved it
Thank you NPR Music Tiny Desk Concert! Delightful! And much appreciated respite from the political insanity!
Besides her amazing voice, she's the sexiest mezzo I know of.
❤ maravillosa
Mr. Porter, you sure get around!
Великолепно!!!!
Woww!!
A cup of tea.
🔥🔥🔥🔥🔥🔥
WE NEED A STEVE LACY TINY DESK!!!!!!
She's like a sophisticated opera singer with a really cool old band.
Florence WilliamS Felt! I’m digging her Vibe!!!!
lol.. she's not "like" a sophisicated opera singer, she actually is one. Shes been in opera houses for over 20 years.
@@Akkordinator good to know. Never really listened to that genre of music. But that's why i love npr exposes u to different kinds of music.
Jazz band
The album Songplay from which she sings here has been nominated for a Grammy (best classical solo vocal album)!
For me, this year definitely seems to be one of strangely awesome soprano performances. First I've found "The most unwanted music" with a rapping soprano, then this. Though this is definitely more on the awesome side.
Omg RUclips recommended me The Most Unwanted Music video too! Let's go shopping at Walmart! RUclips algorithm works in mysterious ways
Mezzo is easier on the ears than soprano for people not brought up in clasical tradition. its closer to speech range
Yessssss
Parisotti goes jazz
by Joyce DiDonato
SE TU M’AMI
A. Parisotti
Se tu m'ami, se tu sospiri
Sol per me, gentil pastor
Ho dolor de' tuoi martiri
Ho diletto del tuo amor
Ma se pensi che soletto
Io ti debba riamar
Pastorello, sei soggetto
Facilmente a t'ingannar
Pastorello, sei soggetto
Facilmente a t'ingannar
Bella rosa porporina
Oggi Silvia sceglierà
Con la scusa della spina
Doman poi la sprezzerà
Ma degli uomini il consiglio
Io per me non seguirò
Non perché mi piace il giglio
Gli altri fiori sprezzerò
Se tu m'ami, se tu sospiri
Sol per me, gentil pastor
Ho dolor de' tuoi martiri
Ho diletto del tuo amor
Ma se pensi che soletto
Io ti debba riamar
Pastorello, sei soggetto
Facilmente a t'ingannar
Pastorello, sei soggetto
Facilmente a t'ingannar
STAR VICINO
S. Rosa
Star vicino al bell'idol che s'ama,
È il più vago diletto d'amor.
Star lontano dal ben che si brama
E' d'amore il più vivo dolore
(Star lontano da colei che si brama
E' d'amore il più mesto dolor.)
TU LO SAI
G. Torelli
Tu lo sai quanto t′amai.
Tu lo sai, lo sai crudel!
Io non bramo altra mercè
Ma ricordati di me,
E poi sprezza un infedel,
E poi sprezza un infedel!
Tu lo sai quanto t'amai
Tu lo sai, lo sai crudel
Tu lo sai, quanto t′amai
Tu lo sai, lo sai crudel
QUELLA FIAMMA
F. Conti
Il mio bel foco
O lontano o vicino ch'esser poss'io
Senza cangiar mai tempre
Per voi, care pupille, arderá sempre
Quella fiamma che m'accende
Piace tanto all'alma mia
Che giammai s'estinguerà
E se il fato a voi mi rende
Vaghi rai del mio bel sole
Altra luce ella non vuole
Nè voler giammai potrà
Quella fiamma che m'accende
Piace tanto all'alma mia
Che giammai s'estinguerà
Watch More of Joyce didonato on my Channel !! (Don't forget to Subscribe
Nicolas jaar, merece um conserto aí... Saudações brasileiras
Opera with Jazz some old things made into something new.good or bad i don't know yet might take awhile to sink in.
5:49
I would love to hear John Dowland's "Come Again" given this treatment.
我的女神❤
Interesting 😃
Oh my! 6:30
Wasn't a fan of opera until now.... the trumpet player may have sealed the deal on that. Throughly enjoyed.
D O N N Y B E N E T
❤❤❤
the thrompet guy left mythbusters to play here
Joyce DiDonato is one of my favourite sopranos right now. She is awesome. The band is also great but the fusion in these in these songs is not really my taste. It's great to see the experimentation though.
monika118 (mezzo) 😉😊
imagine how beautiful TOM ZE would be in tiny desk
69th comment lets goooooo! also, NPR is turning me into a man of culture
😂😍
Why does it end?? :'(
Can we get gregory allen isakov on this please. Get this to the top so they see
I want Françoise Hardy😭😭😭😭
Wow charlie porter? Lol
16:57 OMEGALULZ
This isn't quite as unlikely as it might sound. Mainstream jazz, particularly vocal jazz, is built on loose, extended, improvisational interpretations of the Great American Songbook, and a whole lot of those songs were written by European immigrants trained as classical composers. So the musical language is related, and adapting them to jazz treatments might not be too much of a stretch. The primary difference may be in the musical structures: Most Great American Songbook tunes follow a fairly strict 32-bar AABA layout, whereas the classical material still tends toward some type of ABA form, but the details and lengths might be unique to each individual song.
This is not Vulfpeck.
Jazz opera, who knew?
Good maridage!
after this, Robi Lakatos should be next...
" HARPO! WHO DIS WOMAN?"😒
Lol
She's really famous and beautiful mezzo-soprano! You're welcome Orange!
!
Plz! BRING MAC AYRES!
So posh.
Um. Ok. I guess I am the only one who thinks this is… awful. Great voice, don’t get me wrong. Horrible, cheesy arrangement. Sheesh. 🤦🏻♀️
I'm not really feeling the style of the singer, but this is neat, especially the last song. The trumpet player is a killer. Dude rips
3rd