@@robertfletcher1139 well, It's not me who uploaded this video, but the best job is to do it on your own from the record, or, simply, copying every screenshot here.
@@alessandrovaccari782 screeshots that's what I've done, and now I've gona spend the rest of my life with this shit haha, there is so much to learn from this... that's why it's so rightly named Eternal... yep!
I subscribed and asked for the .pdf. You sent me an email but I don't see the .pdf. Just a link back to the RUclips page. Am I missing something? Thanks.
@@jazzmusiclaboratory3445 I'm very sorry. I sent you the wrong email address. Could you please send the .pdf one more time to: jamescampagnola@gmail.com Thank you very much. James
'Normal' improvisation technique, great, but nothing special. Anyway, it's a 'Rhythm Changes' on 'A strain'. By staying in key, (Bb concert), you can develop anything you want without all the passing changes. It's even better, and what most good Jazzmen use.
Straight up smoken...
Eternal solo
Please let me know how I can obtain a copy of this transcription, either digital or printed. R. Fletcher thefletch17@gmail.com
@@robertfletcher1139 well, It's not me who uploaded this video, but the best job is to do it on your own from the record, or, simply, copying every screenshot here.
@@alessandrovaccari782 screeshots that's what I've done, and now I've gona spend the rest of my life with this shit haha, there is so much to learn from this... that's why it's so rightly named Eternal... yep!
Wonderful transcription, incredible solo. Thanks so much.
Stitt was ready to pounce!
Thank you so much for this!
👏👏♥️
I subscribed and asked for the .pdf. You sent me an email but I don't see the .pdf. Just a link back to the RUclips page. Am I missing something? Thanks.
Just sent the file again. Please check your inbox and let us know. Thank you!
@@jazzmusiclaboratory3445 I'm very sorry. I sent you the wrong email address. Could you please send the .pdf one more time to: jamescampagnola@gmail.com Thank you very much. James
Done!
On the 5th measure of the A section I believe it goes straight to a C7 without a G-7 first
'Normal' improvisation technique, great, but nothing special. Anyway, it's a 'Rhythm Changes' on 'A strain'. By staying in key, (Bb concert), you can develop anything you want without all the passing changes. It's even better, and what most good Jazzmen use.
It's called the 2-5 my friend.