Sounds absolutely gorgeous! Amazing playing. Just got the Poly D today and having fun getting stuck into it (and mainly just getting stuck 😂) I bought it for this kind of sound though. Is it single oscillator, Sawtooth? Any advice for setting the Poly D up for this kind of tone would be great to help me get started with it.
Hi, Thanks for the comment! It does get some getting used to haha... I came from the acoustic piano world and at the begining it was a bit overwhelming with the synths... It's important to know exactly what each control does so you can play around with the sound in real time rather than relying on patches. With some practice you can get to the sounds you want quickly. Check out Cory Henry playing analog synths.. I can't really remember how this sound was made but probably 2 osc, sawtooth and triangle..fast attack, delay round half.. It's also important to have a bit of reverb with these analog synths, really makes a diference in the sound.
Thanks! It was improvised.. but mostly around minor chords with lots of extensions like cm7,9,11, fm7,9,11,13 etc... there's a part where it goes Bm7 to Bbm7 then Abm7...
@@patrickcaldwell7626 Thank you for replying with this info, Mr. Caldwell. I'm no slouch of a player and have way too many synths, but i tend to rely on the presets a little too much and have found i'm not playing the Poly-D as much because 1) it's a little daunting having so many knobs/switches, and 2) there's lots of other stuff around that has some of those classic Moog-y sounds already dialed in (e.g., Novation MiniNova, microKORG, Volca Keys, etc. -- even my M-Audio Venom has samples that get pretty near to this same sonic territory).. But relying upon your "probably 2 osc, sawtooth and triangle.. fast attack, delay round half" comment -- along with the chords you've mentioned above -- well, that'll probably get me at least 90% of the way there. :) Thank you kindly, good sir!
@@keykrazy Thank you! :) I think most of the fun is to be able to alter the sound while playing. For me, coming from an acoustic piano background, it kind of substitutes the dynamic control present in piano keys, or velocity sensitive keys of other keyboards... Specially in more jazzier contexts! Kind of like what hammond organ players do...
Видеоклипы
Final someone playing musically with the Poly D instead of noodling
Thanks very much! :)
So good! Great tone choices.❤
Thanks :)
You sound kind of like Matt Johnson of Jamiroquai, which is a very good thing in my book! Lovely.
Thank you very much :)
Who?
Great vibz
:)
Oh man nice touch tones and feel
Thanks!
70s vibe indeed! Thank you. :)
Cheers :)
🔥🔥🔥
Sounds absolutely gorgeous! Amazing playing.
Just got the Poly D today and having fun getting stuck into it (and mainly just getting stuck 😂)
I bought it for this kind of sound though. Is it single oscillator, Sawtooth? Any advice for setting the Poly D up for this kind of tone would be great to help me get started with it.
Hi, Thanks for the comment! It does get some getting used to haha... I came from the acoustic piano world and at the begining it was a bit overwhelming with the synths... It's important to know exactly what each control does so you can play around with the sound in real time rather than relying on patches. With some practice you can get to the sounds you want quickly. Check out Cory Henry playing analog synths.. I can't really remember how this sound was made but probably 2 osc, sawtooth and triangle..fast attack, delay round half.. It's also important to have a bit of reverb with these analog synths, really makes a diference in the sound.
Needddd the poly d preset!
Would you be open to sharing the patch?
Nice lead sound 👍 but I'm too to know which kind of Rhodes sound is used ?
Juno D
yep
what kind of rhodes is it?
Juno D
want to know the chords，really beautiful！
Thanks! It was improvised.. but mostly around minor chords with lots of extensions like cm7,9,11, fm7,9,11,13 etc... there's a part where it goes Bm7 to Bbm7 then Abm7...
@@patrickcaldwell7626 Thank you for replying with this info, Mr. Caldwell.
I'm no slouch of a player and have way too many synths, but i tend to rely on the presets a little too much and have found i'm not playing the Poly-D as much because 1) it's a little daunting having so many knobs/switches, and 2) there's lots of other stuff around that has some of those classic Moog-y sounds already dialed in (e.g., Novation MiniNova, microKORG, Volca Keys, etc. -- even my M-Audio Venom has samples that get pretty near to this same sonic territory).. But relying upon your "probably 2 osc, sawtooth and triangle.. fast attack, delay round half" comment -- along with the chords you've mentioned above -- well, that'll probably get me at least 90% of the way there. :) Thank you kindly, good sir!
@@patrickcaldwell7626 PS: Nice playing, btw -- you really nailed that classic Rhodes + Moog lead sound!
@@keykrazy Thanks very much! :)
@@keykrazy Thank you! :) I think most of the fun is to be able to alter the sound while playing. For me, coming from an acoustic piano background, it kind of substitutes the dynamic control present in piano keys, or velocity sensitive keys of other keyboards... Specially in more jazzier contexts! Kind of like what hammond organ players do...