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Great video, simplifying it makes it a lot easier to comprehend. I know those scale diagrams from the Aebersold books but your analysis is a lot more easy to think about.
Great video as always George- I use this approach quite often and sometimes find incorporating or alternating the relative minor in a chord form e.g. a C minor shape at fret 8 often covers many situations.
FREE TRIAL LESSON lessons.jumpstartjazzguitar.com/freejazzguitarclass The Jumpstart Jazz Guitar Coaching program is specifically geared towards guitarist over 50 who are making the transition from rock or blues to jazz. My unique program provides a private lesson experience with custom lesson plans and unlimited video feedback, but made to fit your busy schedule. Click the link to schedule a free trial lesson and learn more about the program.
Great insights, thank you! 😊
Glad it was helpful!
Interesting approach!
Great video, simplifying it makes it a lot easier to comprehend. I know those scale diagrams from the Aebersold books but your analysis is a lot more easy to think about.
Thanks. Jamey is a sax player and that might be a good way for sax players to think, but I never thought it made sense on guitar.
Great video as always George- I use this approach quite often and sometimes find incorporating or alternating the relative minor in a chord form e.g. a C minor shape at fret 8 often covers many situations.
I use both the pentatonic scale and major scale as my framework. The only difference is how it phrases