Ferdinand Rebay | Guitar Sonata in E No. 2 (1941) | Luiz Mantovani
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- Опубликовано: 5 июл 2024
- Ferdinand Rebay (1880-1953) was a pioneer among the non-guitarist composers who started to write for the guitar in the 1920s. A genuine composer of guitar sonatas, he was at the centre of the Viennese guitar movement that is associated with the advent of the Vienna Academy's guitar programme, in 1923. Rebay’s music was performed by some of the most important Austrian guitarists of his time, like Luise Walker. However, it was his niece-guitarist, Gerta Hammerschmid (1906-1985), who championed and premiered most of his almost 400 guitar works.
Rebay composed seven solo guitar sonatas, and all of them remained unpublished until recently. The four-movement Sonata in E No. 2 was written in 1941 as a birthday gift to Hammerschmid. However, for reasons not yet clear, the piece was apparently never revised or performed by her. This video brings it to life after 80 years since its composition and is the result of a careful revision of the autograph, grounded on stylistic and technical criteria developed during Mantovani's PhD research on Rebay’s guitar music. It was recorded at one of the most important sites for the composer, the Heiligenkreuz Abbey, thanks to a generous grant received from the Hermann Hauser Guitar Foundation.
Check out the mini-doc “The Viennese Guitar Music of Ferdinand Rebay: A Romantic sonata rediscovered”, for a detailed explanation of the historical and musical contexts that surround this film recording. Available with English, Portuguese and German subtitles.
• The Viennese Guitar Mu...
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@LuizMantovani plays
Ferdinand Rebay (1880-1953)
Guitar Sonata in E No. 2 (1941)
0:00 I. Moderato com espressione
11:34 II. Scherzo. Presto - Trio
15:37 III. Adagio
19:34 IV. Finale. A la Marcia
Recorded between 17-19 January 2022 at the Kaisersaal, Heiligenkreuz Abbey, Austria
Guitar by Hermann Hauser III (2004)
Fibonacci Films, Hamburg
Hans-Ulrich Holst, Camera & Postproduction
Christoph Binner, Audio
Film funded by the Hermann Hauser Guitar Foundation, Munich, Germany
Research project supported by the Universidade do Estado de Santa Catarina, Florianópolis, Brazil
Special thanks to P. MMag. Roman Nägele OCist, Christine Hollmann, Augustin Wiedemann, Klaus Wolfgang Wildner and Marcos Dalmacio
Luiz Mantovani: www.luizmantovani.com
Hermann Hauser Guitar Foundation: www.guitarfoundation.de 
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Ouvindo novamente, redescobrindo a música. Pleasant surprises! Esse cromatismo do adagio é de derreter a alma...
Wonderful that your research on the original has led to such a wonderful result. It has become a special document that makes the original manuscript from Heiligenkreuz Abbey audible. Congratulation!
O Mantovani, com a obra do Rebay, trouxe para o repertório violonístico algo que se revelará ainda mais relevante.
Parabéns a Guitar Coop pela parceria.
Obs.: Não somente para ampliação do repertório do violão, mas como toda musica de câmara.
Parabéns Luiz Mantovani pela pesquisa e resgate dessa obra magnífica. Que grande achado para o repertório do violão! Uma obra deste porte estar “perdida” nos arquivos do compositor, é realmente instigante. Por que e como esta obra estava esquecida? Talvez não se encontrem respostas claras, mas o mais importante é que ela tenha sido descoberta e trabalhada por um estudioso que conhece a obra de Rebay, o ambiente no qual ele transitava e as práticas composicionais do período, as quais, se comparadas às deste compositor, permitem encontrar caminhos que levam ao entendimento daquilo que se pode considerar como as “intenções” inscritas no texto musical.
E qualidade da gravação, sem a adição de nenhum efeito e valorizada pela acústica da sala, mostra que você está no grupo de poucos guitarristas que realmente sabem como fazer um violão Hauser soar o seu melhor som.
Obrigado, Luiz Mantovani!
Obrigado GuitarCoop por compartilhar essa joia.
EXCELENTE OBRA, E QUE EXECUÇÃO CUIDADOSA.
CONSEGUIMOS PERCEBER TODO O CUIDADO QUE MANTOVANI TEVE AO ESTUDÁ-LA.
Parabéns Mantovani!🎶🌷👏🏻
Complimenti! Bellissimo video e performance.
Po Luiz, que vídeo top, e o que falar desta magnífica obra. Parabéns pela performance. Bravo
Bravíssimo!!!
The Sheet music is published by Bergmann Edition: bergmann-edition.com/products/rebay-139-sonate-in-e-dur
I don't think there's ever a chord played in this video that is not rolled.
Is this a criticism or a statement? Perhaps if you read my detailed explanation of early-20th-century playing style in Chapter 5 of my Ph.D. thesis, you will understand my choices for arpeggiating chords for expressive purposes!
Lovely playing. Unfortunately I found the composition incredibly boring.