L'italiana Carla Fracci, era la mia preferita. Vanto nazionale del balletto mondiale, fu anche attrice per 1o spot sulle sanagens. Delicata com'era! Chi ama la musica classica, la Lirica e il balletto, metta 1 like al mio commento.🦢👑🔥📀💿🥁🪕🎷🎧🎤🎼🎵🎺🎻🎸🎙🎶🪐🌠🌫🎷🌌🌹🌏🩰
In questo video la Fracci dimostra che la danza non è solo gambe altissime , colli dei piedi mostruosi , aperture esagerate con developed di gambe eccessive ma si la danza è arte vissuta danzando ..... pochissime ballerine dotate ancora oggi non sono arrivate a farmi venire la pelle d’ oca come lo è stata la Fracci in questa divina rappresentazione ...! Tanto di cappello ! Artisti si nasce e non ci si diventa !
Verissimo. Anche in altre circostanze, quando sembra che stia poco appresso alla danza in senso stretto, a un certo punto ti stupisce con equilibrio e forza inattesi. Come dire, su, a me basta esserci, però se è il caso ecco qua.
La più bella "Giselle" che ho mai visto, che ti affascina e ti incanta. Ho visto tutto il balletto più volte. Carla Fracci È Giselle... Per me nessuna è Giselle come lei... La gioia spensierata e ingenua del primo atto, la drammaticità profonda e disperata del secondo atto, l'espressività del suo volto bellissimo che esprime più che con le parole, la sua fluidità sempre, la leggerezza, la poesia...
Da colpo di fulmine !!! Meravigliosamente stupendi fanno emozionare questa è la danza!!!!!!!! Dove non stacchi gli occhi neanche per un secondo !!! Unica Carla Fracci e Bruhn.
People who knob on about the filming of this are being silly! I’m really enjoying how the Willis are portrayed, as truly ghostlike at times, and the way the camera can show them swiftly flying around Bruhn like a hoard of ghouls, lol! I love it, and the wholly different emotional experience this gives me! If people are “up in arms,” I’m not caring....I think it’s great!
Самый красивый балет в мире И Ролан Пети сотворил чудо Продумал каждую деталь Какие переживания и облики персонажей Наконец то у Жизели прекрасные руки которые так нежны и воспринимаются как нечто важное и содержательное Какие прекрасные воздушные платья у всех девушек и Жизели Как это необходимо для Эфемерность и воздушности их существа Как танцовщики артистичны Их лица их облик выражают глубочайшие переживания И конечно благоговейная благодарность Карле Фраччи чей образ возникает перед нами как чистейшая прелесть в музыке Адана в его прекрасной Жизели
Очень красивый фильм,Карла просто потрясающая, костюмы у балерин просто космос,ткань такая воздушная ,подчеркивает эфемерность вилисс. Спасибо большое за прекрасный балет,всем артистам ,всем кто создавал фильм, вам за то что выложили ролик,слава YT,что мы можем наслаждаться искусством ,видеть великих артистов разных лет,ни кого не сравниваю,просто восхищаюсь,с благодарностью принимаю такую возможнось!👏
Bruce Marks, is the best Hilarion, I've ever seen, dancing to his death, by the love betrayed, spirits of all woman, the wilies. For the first time, I feel HIS PAIN, of been rejected, by Giselle! This is my late, great father, David Blair, vision, of his ballet that he directed and choreographed, for the cinemar, that he wanted to bring ballet to the people, not just the elite, who can afford the huge price of good ballet tickets, as it still is! How sad, ballet is for all, as it is the cruelist, but most beautiful art of all. BRAVO, to all the cast. How fortunate, we can watch this again, at home with the internet, and RUclips!
I adored your father. He was wonderful in many ballets but I loved his Mercurtio in the Romeo and Juliet Nureyev and Fonteyn film. A real artist. Thank you.
Jolianne Baum Thank you so much, for your lovely but true, comment. It's been really am emotional journey, during the last few months, but I'm amazed how much work he achieved, and has left behind him, before, his tragic death, at only 43 years, and I and my sister, Diana, were just 16. He had all the great choreographers, like, Ashton, who created La fille mal gardee, for him, and the divine, Nadia Narina, which is on YT, plus "An evening with the Royal Ballet, 1963," that you might be interested in, just before Rudi, defected, and Margot was my father's dancing partner. It was a hell of a time, and we were such a beautiful, young family. My mother was also, principal dancer with the RB, and later went on to become, a brilliant ballet teacher. I'm desperate to find help to archieve all his works, with ABT, and all the film footage of him, somewhere in London, where I live. The ROH, have been of little help, I wonder why? Maybe, guilt, just total disrespect. x
with that macho handsome passionate hilarion if l was giselle.................but also probabily because l find mr bruhn a terribily overrated dancer ,off course is an opinion.
pediatrapaola Thank you Enrico, for your opinion. Did you know Carla and Erik has a very special bond together, both on and off stage. I should know, as I was there, when we all used to have talks, and meals etc, together, in New York, and in Madrid, where my father, David Blair, made this film together, with them? The handsome, brilliant Marks, and superb ballerina, Toni Lander were married, at this time too. This was made as a FILM, to put bums on seats, to bring back the money, that was so loving made and crafted, for the ordinary people. My father would have chosen very carefully, the divine Fracci AND Bruhn, as at the time, they were at the top, the cream of ballet dancers. It's impossible to please all the people, at the same time! AND the film people, right at the top, who really "pull the strings."
Singularmente BELLISSIMA. Que es lo que tenian las bailarinas de antes que no tienen las de hoy. Primero,pasion por su trabajo,el arte contrario a lo de hoy,dinero. Si bien es cierto las bailarinas de antes tambien bailaban por dinero,pero estaban mas comprometidas con su publico que las adoraban,las taquillas se agotaban por admirar a esas brillantes bailarinas. Las BALLERINAS de antes eran expresivas gestual y corporalmente vivian sus actuaciones personificando de manera natural. Diferenciaban con gran genialidad el tempo musical adagios,allegros,codas con fuocco y grand finales los matizaban con magistral ejecucion. Actualmente bailarinas con hiperextensioes,famelicas,sacrificando tempos musicales por quedarse mas en equilibrio,se les adapta el tempo en las baterias de piernas,perdiendo la velocidad,rostros inexpresivos por estar mas atentas a la elevacion de piernas y los agonizantes equilibrios,sus rostros son como una hoja en blanco independientemente de su belleza fisica y dominio de la tecnica. No es mi intencion herir senti si fuse asi le ruego me disculpen. Mi opinion es personal,no universal. Gracias.
She's wearing the silk tulle tutu that Gelsey Kirkland described in her autobiography. Gelsey admired the graceful way it behaved on stage, and secretly cut off a tiny piece, had the fabric analyzed, and got a tutu custom made for herself at huge expense. The other dancers were wearing synthetic tulle, which was quite serviceable, but not quite as effective as Carla's.
I am putting this segment, 1 of 9, by xxxFreyjaxxx, which is taken from a dvd, and not an old, very badly edited, video, of Erik Bruhn, who is a wonderful ballet dancer who is Danish trained, in the Bournonville style. As you can see by the comments below, pediatrapaola, an expert on Ballet, had a difference of opinion, on Bruhn's style of dancing, and felt the role, should have gone to other male dancers, of that 1969, era. This is my father's, David Blair, film and choreography, along with Hugo Niebling,(whom I know nothing about, I'm sorry to say), However, it was my father's choice, to pair them together, even if they're both trained in such different ballet techniques. He adored the Danish technique, along with ALL different ballet backgrounds, as shown in this, to me, beautiful FILM, and always RESPECTED, all good, hard working, gifted ballet dancers, as he too had worked from 7 years old, to 40 years, with the Royal Ballet, and became their principal dancer at 17 years old. 'd like people to remember that relentless, unconstructive remarks, really do hurt, very deeply, to the family, that are left behind. Please would you think twice, before you go onto a World wide platform, that's RUclips, and will be seen by all, about your comments. I've been horrified at times, comments made about the present and future, ballet dancers too, which is cruel, cowardly and being a bully. Thank you.
This is Gorgeous ....Thank you dear Catherine for sharing I love them both together ...I love Carla ..and Erik is very elegant and enjoyed his style of dancing and acting... .....
***** Thank you Masha, I do too, but my main point is too respect,embrace, ALL types of ballet techniques, past and present. Constant insults can and indeed do, cost lives, to the artists, who give their all, for our pleasure. Each and everyone, is unique and different, due to their training, and then their gift for dancing, and giving a different feeling. What a BORE, it would be, if every ballet/opera/painter,etc., gave us the same "picture?" I know you THINK, before you comment, and if you don't like it, I don't feel you would repeatedly comment, or watch it on YT, like a "dog with a bone!" Blessings to you.
Barbara Lendaro Thank you Barbara, I do hope you'll have time to view the whole ballet. I'm having a miserable time with someone, who thinks he knows it all, and constantly makes disgraceful remarks, re Erick Bruhn's dancing to me, as if I can change anything, 46 years later, plus it's my father's film, not mine! Please read the comments. Pathetic and sad, distressing, and without any respect. to the late, wonderful dancer. and he calls himself a ballet expert/fan.
+Catherine Blair, I was privileged to work at the Kennedy Center at its opening in 1971, and subsequently up until 2006. I was lucky to see your father's beautiful production. I believe he also did the Swan Lake that ABT had in their rep at the time. Though I did not get to see Fracci/Bruhn paired in this production, I did see them in La Sylphide in what turned out to be Bruhn's final performance as a danseur. He later returned to the stage for character roles, but I feel blessed to have seen this magical team together. I was only 19 at the time, and I just wish I could have appreciated it then as much as I do now.
@@pediatrapaola Вам не нравится Брюн? Смотрите Жизель с гениальным Нуреевым)) или со смешным, в этом образе, Васильевым (Жизель Е.Максимова), который пытается подражать Нурееву, но тщетно. Из него аристократ-соблазнитель никак не получается.
La Osipova? Dai, per carità. Eccezionale quando era al Bolshoi, ultimamente non si può guardare per quanto è sporca. Vista proprio in Giselle qualche mese fa. Camminava in en dedans sul palco e per salire in punta dalla quinta puntava il piede davanti. Voglio sperare fosse solo una serata "no", personalmente sono rimasta molto delusa ☹️
L'italiana Carla Fracci, era la mia preferita. Vanto nazionale del balletto mondiale, fu anche attrice per 1o spot sulle sanagens. Delicata com'era! Chi ama la musica classica, la Lirica e il balletto, metta 1 like al mio commento.🦢👑🔥📀💿🥁🪕🎷🎧🎤🎼🎵🎺🎻🎸🎙🎶🪐🌠🌫🎷🌌🌹🌏🩰
In questo video la Fracci dimostra che la danza non è solo gambe altissime , colli dei piedi mostruosi , aperture esagerate con developed di gambe eccessive ma si la danza è arte vissuta danzando ..... pochissime ballerine dotate ancora oggi non sono arrivate a farmi venire la pelle d’ oca come lo è stata la Fracci in questa divina rappresentazione ...! Tanto di cappello ! Artisti si nasce e non ci si diventa !
Verissimo. Anche in altre circostanze, quando sembra che stia poco appresso alla danza in senso stretto, a un certo punto ti stupisce con equilibrio e forza inattesi. Come dire, su, a me basta esserci, però se è il caso ecco qua.
La più bella "Giselle" che ho mai visto, che ti affascina e ti incanta. Ho visto tutto il balletto più volte. Carla Fracci È Giselle... Per me nessuna è Giselle come lei... La gioia spensierata e ingenua del primo atto, la drammaticità profonda e disperata del secondo atto, l'espressività del suo volto bellissimo che esprime più che con le parole, la sua fluidità sempre, la leggerezza, la poesia...
Completamente d'accordo. Oltre alla tecnica perfetta unisce una interpretazione sublime
Her arm movements are pure poetry.
Da colpo di fulmine !!! Meravigliosamente stupendi fanno emozionare questa è la danza!!!!!!!! Dove non stacchi gli occhi neanche per un secondo !!! Unica Carla Fracci e Bruhn.
Сказочно! Восторг!! Жаль, что наша Плисецкая не танцевала в паре с Брюном!!! Восхищение этим танцором !!!! Эрик Брюн!
Fantastica e meravigliosa non mi stanco di guardarla, grazie Carla per tutto cio' che ci hai donato, pura bellezza.
People who knob on about the filming of this are being silly! I’m really enjoying how the Willis are portrayed, as truly ghostlike at times, and the way the camera can show them swiftly flying around Bruhn like a hoard of ghouls, lol! I love it, and the wholly different emotional experience this gives me! If people are “up in arms,” I’m not caring....I think it’s great!
Самый красивый балет в мире И Ролан Пети сотворил чудо Продумал каждую деталь Какие переживания и облики персонажей Наконец то у Жизели прекрасные руки которые так нежны и воспринимаются как нечто важное и содержательное Какие прекрасные воздушные платья у всех девушек и Жизели Как это необходимо для Эфемерность и воздушности их существа Как танцовщики артистичны Их лица их облик выражают глубочайшие переживания И конечно благоговейная благодарность Карле Фраччи чей образ возникает перед нами как чистейшая прелесть в музыке Адана в его прекрасной Жизели
Che Grazia !!! Lui la tiene con la cura di una nuvola perché non si disperda ...Incantevoli , unici entrambi.
Magnífica Carla Fracci! Entrechats inesquecíveis!
Очень красивый фильм,Карла просто потрясающая, костюмы у балерин просто космос,ткань такая воздушная ,подчеркивает эфемерность вилисс. Спасибо большое за прекрасный балет,всем артистам ,всем кто создавал фильм, вам за то что выложили ролик,слава YT,что мы можем наслаждаться искусством ,видеть великих артистов разных лет,ни кого не сравниваю,просто восхищаюсь,с благодарностью принимаю такую возможнось!👏
Few ballerinas today can match Fracci's 'entrechat 6' towards the end of the video - fantastic!
Totally true
I’ve never seen anything or anyone like it! Inimitable! 👏👏👏👏👏
@@levondelite4072 Alicia Alonso in NY
@@susannevollmer2347 I’ll have to track down a video of her! Thanks 😊
Спасибо за движения рук у Фраччи такие соответствующие образу Жизни Как они скромны выразительны идеальны
Bruce Marks, is the best Hilarion, I've ever seen, dancing to his death, by the love betrayed, spirits of all woman, the wilies. For the first time, I feel HIS PAIN, of been rejected, by Giselle! This is my late, great father, David Blair, vision, of his ballet that he directed and choreographed, for the cinemar, that he wanted to bring ballet to the people, not just the elite, who can afford the huge price of good ballet tickets, as it still is! How sad, ballet is for all, as it is the cruelist, but most beautiful art of all. BRAVO, to all the cast. How fortunate, we can watch this again, at home with the internet, and RUclips!
and hilarion here looks far better than bruhn ,if l was giselle..............
I adored your father. He was wonderful in many ballets but I loved his Mercurtio in the Romeo and Juliet Nureyev and Fonteyn film. A real artist. Thank you.
Jolianne Baum Thank you so much, for your lovely but true, comment. It's been really am emotional journey, during the last few months, but I'm amazed how much work he achieved, and has left behind him, before, his tragic death, at only 43 years, and I and my sister, Diana, were just 16. He had all the great choreographers, like, Ashton, who created La fille mal gardee, for him, and the divine, Nadia Narina, which is on YT, plus "An evening with the Royal Ballet, 1963," that you might be interested in, just before Rudi, defected, and Margot was my father's dancing partner. It was a hell of a time, and we were such a beautiful, young family. My mother was also, principal dancer with the RB, and later went on to become, a brilliant ballet teacher. I'm desperate to find help to archieve all his works, with ABT, and all the film footage of him, somewhere in London, where I live. The ROH, have been of little help, I wonder why? Maybe, guilt, just total disrespect. x
with that macho handsome passionate hilarion if l was giselle.................but also probabily because l find mr bruhn a terribily overrated dancer ,off course is an opinion.
pediatrapaola Thank you Enrico, for your opinion. Did you know Carla and Erik has a very special bond together, both on and off stage. I should know, as I was there, when we all used to have talks, and meals etc, together, in New York, and in Madrid, where my father, David Blair, made this film together, with them? The handsome, brilliant Marks, and superb ballerina, Toni Lander were married, at this time too. This was made as a FILM, to put bums on seats, to bring back the money, that was so loving made and crafted, for the ordinary people. My father would have chosen very carefully, the divine Fracci AND Bruhn, as at the time, they were at the top, the cream of ballet dancers. It's impossible to please all the people, at the same time! AND the film people, right at the top, who really "pull the strings."
Semplicemente meravigliosa.Non la dimenticherò mai!!!
Oh my lawd! Girl. I have never seen anything like that in my life! 9:30
Singularmente BELLISSIMA. Que es lo que tenian las bailarinas de antes que no tienen las de hoy. Primero,pasion por su trabajo,el arte contrario a lo de hoy,dinero. Si bien es cierto las bailarinas de antes tambien bailaban por dinero,pero estaban mas comprometidas con su publico que las adoraban,las taquillas se agotaban por admirar a esas brillantes bailarinas. Las BALLERINAS de antes eran expresivas gestual y corporalmente vivian sus actuaciones personificando de manera natural. Diferenciaban con gran genialidad el tempo musical adagios,allegros,codas con fuocco y grand finales los matizaban con magistral ejecucion. Actualmente bailarinas con hiperextensioes,famelicas,sacrificando tempos musicales por quedarse mas en equilibrio,se les adapta el tempo en las baterias de piernas,perdiendo la velocidad,rostros inexpresivos por estar mas atentas a la elevacion de piernas y los agonizantes equilibrios,sus rostros son como una hoja en blanco independientemente de su belleza fisica y dominio de la tecnica. No es mi intencion herir senti si fuse asi le ruego me disculpen. Mi opinion es personal,no universal. Gracias.
Bravo ! 👏👏
Великолепно!
Спасибо.
Удивительное исполнение, свидетельство вкуса.
Они все трое прекрасны
Ну а Карла Фраччи - воздушное , нежное чудо
Прекрасно..до мурашек..
Thanks ❤
DIVINA FRACCI !
Csodálatos elöadás, nagyszerű! Gratulálok, nagyon szép.Üdvözlö tisztelettel és köszönettel, György Tibrea
DIVINE!
Bravo.
Très belle version 1969 de gisele c est celle de 1969nquenje préférée
Роскошная постановка и фантастически красивое видео Спасибо за наслаждение А Карла Фраччи кажется прирожденная Жизель Танцует и чувствует превосходно
Мне очень нравится эта балерина Танцует легко изящно нежно и очень артистично проникновенно
She's wearing the silk tulle tutu that Gelsey Kirkland described in her autobiography. Gelsey admired the graceful way it behaved on stage, and secretly cut off a tiny piece, had the fabric analyzed, and got a tutu custom made for herself at huge expense. The other dancers were wearing synthetic tulle, which was quite serviceable, but not quite as effective as Carla's.
I am putting this segment, 1 of 9, by xxxFreyjaxxx, which is taken from a dvd, and not an old, very badly edited, video, of Erik Bruhn, who is a wonderful ballet dancer who is Danish trained, in the Bournonville style. As you can see by the comments below, pediatrapaola, an expert on Ballet, had a difference of opinion, on Bruhn's style of dancing, and felt the role, should have gone to other male dancers, of that 1969, era. This is my father's, David Blair, film and choreography, along with Hugo Niebling,(whom I know nothing about, I'm sorry to say), However, it was my father's choice, to pair them together, even if they're both trained in such different ballet techniques. He adored the Danish technique, along with ALL different ballet backgrounds, as shown in this, to me, beautiful FILM, and always RESPECTED, all good, hard working, gifted ballet dancers, as he too had worked from 7 years old, to 40 years, with the Royal Ballet, and became their principal dancer at 17 years old. 'd like people to remember that relentless, unconstructive remarks, really do hurt, very deeply, to the family, that are left behind. Please would you think twice, before you go onto a World wide platform, that's RUclips, and will be seen by all, about your comments. I've been horrified at times, comments made about the present and future, ballet dancers too, which is cruel, cowardly and being a bully. Thank you.
This is Gorgeous ....Thank you dear Catherine for sharing I love them both together ...I love Carla ..and Erik is very elegant and enjoyed his style of dancing and acting... .....
***** Thank you Masha, I do too, but my main point is too respect,embrace, ALL types of ballet techniques, past and present. Constant insults can and indeed do, cost lives, to the artists, who give their all, for our pleasure. Each and everyone, is unique and different, due to their training, and then their gift for dancing, and giving a different feeling. What a BORE, it would be, if every ballet/opera/painter,etc., gave us the same "picture?" I know you THINK, before you comment, and if you don't like it, I don't feel you would repeatedly comment, or watch it on YT, like a "dog with a bone!" Blessings to you.
Truly wonderful!! ♡
Barbara Lendaro Thank you Barbara, I do hope you'll have time to view the whole ballet. I'm having a miserable time with someone, who thinks he knows it all, and constantly makes disgraceful remarks, re Erick Bruhn's dancing to me, as if I can change anything, 46 years later, plus it's my father's film, not mine! Please read the comments. Pathetic and sad, distressing, and without any respect. to the late, wonderful dancer. and he calls himself a ballet expert/fan.
+Catherine Blair, I was privileged to work at the Kennedy Center at its opening in 1971, and subsequently up until 2006. I was lucky to see your father's beautiful production. I believe he also did the Swan Lake that ABT had in their rep at the time. Though I did not get to see Fracci/Bruhn paired in this production, I did see them in La Sylphide in what turned out to be Bruhn's final performance as a danseur. He later returned to the stage for character roles, but I feel blessed to have seen this magical team together. I was only 19 at the time, and I just wish I could have appreciated it then as much as I do now.
Oh Carla! I love you!
Il se.retrouveront tout.les.deux au paradis des.anfe.mais.d.amour
Adorei lindos lindos 👏😍
Спасибо затакойроскошный плайлист Спасибо
Ганс чудо Кордебалет чудо Он и Она высшее чудо Их вклад в балет столь искренний превосходный живой
Lei e Nureyev i migliori di sempre
Gawd, she's gorgeous!
Чудо изящества.Лучшая.
La chiusa, è assolutamente superlativa.
Her face is so emotional 🥺
Eleganza leggererezza bellezza la vera danza Carla Fracci
A study on how NOT to edit a ballet film.
Great dancers, completely ruined by the director.
How right to are. You know your stuff. And THEY didn't.
Exactly
quite right
@Nornegest Thanks for the information.
Надо заметить, что также хорош Ганс, уже не говоря о главных героев.
💖💖💖💖
Hugo Niebeling is truly talented
Saw Giselle at ABT tonight...hideous! It's OVER! :( Thank god I didn't pay for the ticket
Vai ora, Carla, balla tra gli angeli. Insieme al tuo Nureyev, danzate poeticamente e piroettate su ballerine dorate.🩰🌌🌫🎶🎙🌠🎸🎻🎺💿🥁🪕🎧🎤🎼🎵📀🦢👼
what for addit. water spectres?
Bruhn's preparation's ridic
Carla Fracci busted out an entrechat six at 5:10.
She uses her head and acts,
it is so hard to find good port de bras anymore, it is either undeveloped or self indulgently over -fluffy
A dramatic and good production spoiled by messy Camera work anyone not knowing the ballet would be totally lost as the action is done too close up
9:20
Но кто же тут в самом начале ее партнёр? Уж никак не Брун, появившийся здесь позднее и справедливо названный по имени в заголовке
Juste le prince le vrais sera pardonner gisele ne veut pas.que elle.la.sylfide le fasse mourrire
The best Giselle was danced by Natalie Osipova and Charles Acosta. Everything else ist just immitation.
Who dances Hilarion in this please?
bruce marks much more handsome that boring bruhn if l was giselle.....
He is outstanding.
@@pediatrapaola Вам не нравится Брюн? Смотрите Жизель с гениальным Нуреевым)) или со смешным, в этом образе, Васильевым (Жизель Е.Максимова), который пытается подражать Нурееву, но тщетно. Из него аристократ-соблазнитель никак не получается.
Seul.le prince peut la.voir danser
ヒラリオン追い殺すコールドと映像がメチャクチャ怖いんですが・・・
Карла и Брюн бесподобны! Но съемка .... сплошная расчлененка ((((!
Simply can't watch this. What sort of ballet is it where you can't see the dancers dance?
5:00//오후
2:36//오후//커피^^5교시
close-ups in ballet are ridiculous
Bravo Bruce Marx !
so bad film cut editing!
Poi vedi la Lehznina... poi la Nunez...la Osipova....
La Osipova? Dai, per carità. Eccezionale quando era al Bolshoi, ultimamente non si può guardare per quanto è sporca. Vista proprio in Giselle qualche mese fa. Camminava in en dedans sul palco e per salire in punta dalla quinta puntava il piede davanti. Voglio sperare fosse solo una serata "no", personalmente sono rimasta molto delusa ☹️
Quite literally a 'feminist movement'.
😃😍
ma è ferma come un tronco la fracci
secondo me il tronco lo hai tu negli occhi
non capisci un cazzo
@@pediatrapaola dai, è scandalosa.