Steven, just a suggestion. Can do more full length tutorials like these so we can purchase them through your site.....kind of like what Josh Wright does.
Thanks Alan, I saw what he was doing last week and would definitely like to do the same! I admire a lot what he does. I need to find someone to help me set up a website that can do this
0:06 Scratch wrote a new one? Awesome! I thought he had died. It's cool that he's still composing. ; ) Seriously, great video, Steven. Thanks for posting it.
I used to play this etude before 5 years and practiced 2 hours every day. This piece is mad, really hard, u don't know it yet, cause it looks kind of easy, but technically very difficult.. so, viel Glück
I'm currently learning this etude. I've played a few of his other Transcendental etudes as well as concert etudes. Can you do a tutorial on the "Chasse neige" on how you would go about learning this?
Hallo Steven, I have a question. You say you first read through a new piece. What about harmony? Do you manage to see all harmonic progressions within the piece at once while you read the music? I am kind of intermediate level and I struggle with that a lot. I understand harmony quite well when I analyze it with time but not in a quick read through. How important is harmonic understanding in your opinion for mastering a piece? For me it feels like grammar in a language and I think its very important. Would be great if you could do an episode on your approach with harmony in learning a new piece. Thanks for your inspiring videos!!
Matthias Klein thanks, I will try to do something on that in the near future. I think it is a very important element to master a piece, but not always necessary for learning the notes, although it can be extremely useful. When it gets complicated it can be more of an intellectual thing which is less practical, but again, very useful.
Alanzott Drawer is pretty awkward for thirds at that speed. I find that having flexibility in the wrist or movement is very important. It is more like making fake wheels, over half bars
You are a Genius!!! I've spent like 2 weeks reading the piece and you play It in one hour !! 😱
17:45 very useful to me. Thank you.
Excellent choice 😀
Steven, just a suggestion. Can do more full length tutorials like these so we can purchase them through your site.....kind of like what Josh Wright does.
Thanks Alan, I saw what he was doing last week and would definitely like to do the same! I admire a lot what he does. I need to find someone to help me set up a website that can do this
Steven Massicotte I would LOVE if you looked at Liszt's Transcendental Etude no. 10 I would definitely pay for that!
That is a good possibility, I have played it before
Steven Massicotte you could use same platform as Josh: Teachable
Ohh!!! That would be amazing!!!
0:06 Scratch wrote a new one? Awesome! I thought he had died. It's cool that he's still composing. ; ) Seriously, great video, Steven. Thanks for posting it.
5:55 excuse me?!?!? *Correction* Everything feels hard when you first start it, then it gets even harder as you keep playing it.
LMAO xDDDDDD
Sexy
I used to play this etude before 5 years and practiced 2 hours every day. This piece is mad, really hard, u don't know it yet, cause it looks kind of easy, but technically very difficult.. so, viel Glück
It's only a henle 7/8, calm down.
And what a piece indeed..!
I'm currently learning this etude. I've played a few of his other Transcendental etudes as well as concert etudes. Can you do a tutorial on the "Chasse neige" on how you would go about learning this?
우와 ㅠ이런 레슨영상 너무땡큐베리모치ㅠ
love this!
Hallo Steven, I have a question. You say you first read through a new piece. What about harmony? Do you manage to see all harmonic progressions within the piece at once while you read the music? I am kind of intermediate level and I struggle with that a lot. I understand harmony quite well when I analyze it with time but not in a quick read through. How important is harmonic understanding in your opinion for mastering a piece? For me it feels like grammar in a language and I think its very important. Would be great if you could do an episode on your approach with harmony in learning a new piece. Thanks for your inspiring videos!!
Matthias Klein thanks, I will try to do something on that in the near future. I think it is a very important element to master a piece, but not always necessary for learning the notes, although it can be extremely useful. When it gets complicated it can be more of an intellectual thing which is less practical, but again, very useful.
Thank you Steven. See you at your masterclass!
Hi Steve, could yo do Liszt Transcendental Etude no.6 Vision. Thanks
Steven, quick question..do we use the drawer technique for etude 25 no 6, bar 1? I am stumped 🤔 thanks.
Alanzott Drawer is pretty awkward for thirds at that speed. I find that having flexibility in the wrist or movement is very important. It is more like making fake wheels, over half bars
Steven Massicotte Thanks Steven.
7:07 you can reach 12th.. life is unfair 😢
GOOD!
It reminded me of Beethoven’s fifth a bit.