Thank you for upload. I have listened to Jules Massenet: Meditation from Thais for Violin and Piano many times, by Renaud Capucon as well, but this one for violin and harp is so beautiful. Mesmerizing!
La Méditation de Thaïs is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet on the libretto eponym of Louis Gallet who tells a story that takes place in Alexandria in the 4th century. Athanaël, a monk, tries to convert to Christianity Thaïs, courtesan and pagan priestess dedicated to Venus. The work is characterized by a mixture of sensuality and Sulpician religiosity which underlines a dramatic structure based on oppositions such as eroticism and holiness, seduction and renunciation. The piece is written for solo violin and orchestra in D major. It is quite possible that Massenet wrote this piece with religious intentions, the tempo indication is « Andante religioso », which means that he intended the piece to be performed religiously or to be literally with an emotion based on religion because beyond the dramatic work, the underlying treatment evokes well reconversion to monotheistic religion. The work opens with a short harp introduction, the solo violin entering quickly with the motif. After the violin plays the melody twice, the piece enters a section marked « animato », which gradually becomes more and more impassioned (wrote poco a poco appassionato). The climax is reached passionately at a place indicated « poco piu appassionato » and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the subject has been replayed twice, the soloist joins the orchestra playing harmonics in the upper register while the harp and strings play quietly below the solo line. The Meditation is, in the words of critic Ernest Newman : « a perfect musical portrait of the emotional process that leads to comfort and to the remittance in question. » Massenet's music is of power evocative and of rare penetration psychological in this lyrical world. *Lucien*
Mes sincères remerciements pour avoir partagé le contexte de création de l'oeuvre me permettant ainsi d'apprécier sa richesse structurale et sa profondeur musicale ainsi que les exigences d'interprétation des artistes pour nous retransmettre la richesse multi-dimensionnelle (émotion, performance technique, lyrique musicale et ... profondeur) de ce chef d'oeuvre intemporel. MERCI !
verdaderamente maravilloso, realmente oigo a este espectacular violinista con mucha frecuencia casi a diario, es para mí un relax.Lo vi por primera vez en directo en el Auditorio Alfredo Kraus en Gran Canaria con esta maravillosa pieza y ya lo busco para escucharlo gracias gracias
Wunderschöne und tiefempfundene Aufführung dieses melodischen und fein komponierten Meisterwerks im detaillierten Tempo mit süßem doch gut phrasiertem Ton der Violine und zurückgehaltenem doch schimmerndem Klang der Harfe. Wahrhaft faszinierend!
Jules Massenet (1842-1912) was born in Montaud, a village in the north of the city of Saint-Étienne, in France (58 km Southwest of Lyon). The local School pf Music and Opera House have been named after him. His christian name, Jules, is slighty outdated and it made me laugh, but I must admit some of his works are great chefs d'œuvre. There is an anecdote about this great artist. As he was professor at the Conservatoire National de Paris, a woman from the high bourgeoisie asked him during a very selective cocktail about her daughter who studied singing at this school had managed during a concourse in which she had to interpret a lied. The mother asked "dear professor, how has my daughter sang her lied ?" pronouncing this german word wrongly "liayd" (as if it were a french
I had hoped that at the end he would also honour the harpist by accompanying her to the front to take the applause, but instead he left her in the middle of the orchestra and only after a little hint of greeting and thanks. theatre etiquette or has Narcissus struck again.!?
Was für ein kalter und scharfer Ton… unbegreiflich, wie man dieses Stück so hart spielen kann. Ich hoffe, es liegt am Mixing, dass der Ton so überbrillant klingt.
... word, showing by such doing she had no culture. The maestro answerd her immediatly : (she sang it) "comme un pis, chère Madame, comme un pis !" (deforming the french expression "comme un pied" which mean "awfully badly, a total failure"). The expression is utterly comic, because the two words exist in french : "pied" means "foot", as for "pis", it means "the udder of a cow" 🤣.
@@odilebeltran3952 The Mannheim on-stage performance is garbage. The performance on his CD "Classic Romance" is much better, but, in part because "Meditation" is not a romantic work, one would be better off listening e.g. to Chloe Chua, who perfectly captures the transcendent rapture of Thais' vision of God and the path to salvation.
@@odilebeltran3952 I do not think he is a violinist of the first rank. (Sorry! I guess you are a big fan.) I listen to him only when he performs a work, such as the Meditation, that I am studying, in which case I listen to pretty much all performances of the work on YT, including any that he has given. (I must have listened to 100+ performances of Meditation on YT. I think that the most rewarding is the performance Chloe Chua gives in rehearsal with the SSO.)
What a fabulous pair of accomplished musicians. A beautiful piece.
Renaud est un immense violoniste, lui et Gautier sont des artistes que le monde entier nous envie !!! Bravo à vous deux ❤🎉
Thank you for upload. I have listened to Jules Massenet: Meditation from Thais for Violin and Piano many times, by Renaud Capucon as well, but this one for violin and harp is so beautiful. Mesmerizing!
La Méditation de Thaïs is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet on the libretto eponym of Louis Gallet who tells a story that takes place in Alexandria in the 4th century. Athanaël, a monk, tries to convert to Christianity Thaïs, courtesan and pagan priestess dedicated to Venus. The work is characterized by a mixture of sensuality and Sulpician religiosity which underlines a dramatic structure based on oppositions such as eroticism and holiness, seduction and renunciation. The piece is written for solo violin and orchestra in D major. It is quite possible that Massenet wrote this piece with religious intentions, the tempo indication is « Andante religioso », which means that he intended the piece to be performed religiously or to be literally with an emotion based on religion because beyond the dramatic work, the underlying treatment evokes well reconversion to monotheistic religion. The work opens with a short harp introduction, the solo violin entering quickly with the motif. After the violin plays the melody twice, the piece enters a section marked « animato », which gradually becomes more and more impassioned (wrote poco a poco appassionato). The climax is reached passionately at a place indicated « poco piu appassionato » and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the subject has been replayed twice, the soloist joins the orchestra playing harmonics in the upper register while the harp and strings play quietly below the solo line. The Meditation is, in the words of critic Ernest Newman : « a perfect musical portrait of the emotional process that leads to comfort and to the remittance in question. » Massenet's music is of power evocative and of rare penetration psychological in this lyrical world. *Lucien*
Thank you for your explanation❤
@@mikki5869
Thank you for the interest in my comment
Thank you
@@mariapilarfernandezlopez7349 😘
Mes sincères remerciements pour avoir partagé le contexte de création de l'oeuvre me permettant ainsi d'apprécier sa richesse structurale et sa profondeur musicale ainsi que les exigences d'interprétation des artistes pour nous retransmettre la richesse multi-dimensionnelle (émotion, performance technique, lyrique musicale et ... profondeur) de ce chef d'oeuvre intemporel. MERCI !
Absolutely stunning and gorgeous and amazing too
Masterful. Such wonderful tone, in service of the music and the composer. No distractions. Mesmerizing. Thank you.
verdaderamente maravilloso, realmente oigo a este espectacular violinista con mucha frecuencia casi a diario, es para mí un relax.Lo vi por primera vez en directo en el Auditorio Alfredo Kraus en Gran Canaria con esta maravillosa pieza y ya lo busco para escucharlo gracias gracias
Meu nome é Thaïs, nasceu dessa linda ópera! Quando a ouço sinto um sentimento muito lindo, o qual não consigo explicar!!
Lovely, dreamlike - thank you for posting ❤
Beautiful sound of that violin...in good hands!
Thank you from my soul
quelle pureté !!! Magistrale interprétation
world-class music, for quiet times❤
Excellente interprétation, toute en douceur. Bravo depuis Montréal.
Molto belli i volti dei professori d'orchestra. Nessuna traccia di invidia o competitività. Solo la profonda gioia della musica.
Bravooo ¡ genial interpretación ¡ mantuvo siempre la unidad interior ¡ el arpa maravilloso acompañamiento ... felicitaciones para ambos ¡
Magnifique
Masterpiece👏🎶🎼🎻💜👏👏
Melodia dulce y magica......
Bonsoir.
Very beautiful.
Très classe.
🌿💫
Peaceful
to play the accompaniment from that distance, on a piece with as much breathing room as this....the harpist, to me, is the star!
Oh my I’ve heard Joshua bell , Anne akiko Meyers , ray chen , David Garrett bt this really is the best best
Wunderschön ! 💎
Simplemente sublime!!! Felicidades
Merveilleux, il n'y a plus qu'à se laisser emporter....
Quelle douceur Renaud
Merci à VOUS MAESTRO 🎉
This guy had me by the time he played the B. Wow. Really liked his fingerings. Very expressive
Enchanting and Mesmeric a Tour De Force
Bravo👏
Maravilhoso ❤
Un moment magique 💖💖💖
Me encanta el gesto del Solista al pedir inmediatamente que la Arpista le acompañe a recibir los aplausos!
Is he related to Gautier Capucon ?
Yes, they are brothers
Magnifique 🙏🎶❤️🎶
Wunderschöne und tiefempfundene Aufführung dieses melodischen und fein komponierten Meisterwerks im detaillierten Tempo mit süßem doch gut phrasiertem Ton der Violine und zurückgehaltenem doch schimmerndem Klang der Harfe. Wahrhaft faszinierend!
Simplesmente espetacular.
Amazing!
Jamais rien entendu de plus beau
Magnifique, merci
La perfection, grand respect Renaud Capuçon 👏🏽👏🏽
Si beau!!!!
Vous e^tes un vrai GRAND ARTIST
MERCY, SI BEAUCOUP POUR TELLE BEAUTE'!!!!
Merci a vous 🎶🎈🎶jañine ierño
Браво!
Just sublime …… thank you
what E string dose he use???
Excellent... well done ..🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉
Brilliant
Bravíssimo, emocionante demais 👏👏👏
Tenderly…very passionately !
❤❤❤❤❤❤❤❤❤
You guys need to listen Christian Li version.. a prodigy kid..
MAGIQUE !!!!
♥️🎀🌹
Bravooo to all !!!!
❤❤❤❤❤❤❤
너무 아름답고,
역시 최고입니다 👍
Merveilleux !!!
Jules Massenet (1842-1912) was born in Montaud, a village in the north of the city of Saint-Étienne, in France (58 km Southwest of Lyon). The local School pf Music and Opera House have been named after him. His christian name, Jules, is slighty outdated and it made me laugh, but I must admit some of his works are great chefs d'œuvre. There is an anecdote about this great artist. As he was professor at the Conservatoire National de Paris, a woman from the high bourgeoisie asked him during a very selective cocktail about her daughter who studied singing at this school had managed during a concourse in which she had to interpret a lied. The mother asked "dear professor, how has my daughter sang her lied ?" pronouncing this german word wrongly "liayd" (as if it were a french
👏🏾🙌🏾👏🏾🙌🏾👏🏾🙌🏾👏🏾🙌🏾👏🏾🙌🏾👏🏾💐
♥️🔥♥️
🙌🏾👏🏾🙌🏾👏🏾🙌🏾👏🏾🙌🏾👏🏾🙌🏾👏🏾
Arriva al❤!
Bouleversant ,j'aime
Kingsman😍
They played this at my funeral. It had everyone in tears. Including me (´;︵;`)
where is the volume?
I had hoped that at the end he would also honour the harpist by accompanying her to the front to take the applause, but instead he left her in the middle of the orchestra and only after a little hint of greeting and thanks.
theatre etiquette or has Narcissus struck again.!?
😑😌😙😙🙏
Завораживающая музыка!
Большое спасибо Франкфуртскому оркестру!
Немцы не будте скупердяями; дайте Украине оружие!
kinda looks like Saul Goodman from the side
Twoset gang??????
Was für ein kalter und scharfer Ton… unbegreiflich, wie man dieses Stück so hart spielen kann. Ich hoffe, es liegt am Mixing, dass der Ton so überbrillant klingt.
Die erste Note war falsch zu Beginn. Es ist nicht so schön mit der Harfe, das passt nicht so gut.
... word, showing by such doing she had no culture. The maestro answerd her immediatly : (she sang it) "comme un pis, chère Madame, comme un pis !" (deforming the french expression "comme un pied" which mean "awfully badly, a total failure"). The expression is utterly comic, because the two words exist in french : "pied" means "foot", as for "pis", it means "the udder of a cow" 🤣.
Trop lent, pas d'orchestre... Je ne sais pas quoi en penser. Je suis un peu déçu pour le moment, mais je changerai peut-être d'avis plus tard...
On ne peut pas être toujours satisfait 🤷♂️
Très déçue..écoutez la par David Garrett !!👌😔
@@odilebeltran3952
The Mannheim on-stage performance is garbage.
The performance on his CD "Classic Romance" is much better, but, in part because "Meditation" is not a romantic work, one would be better off listening e.g. to Chloe Chua, who perfectly captures the transcendent rapture of Thais' vision of God and the path to salvation.
@@jackburgess8579 que pensez vous de David GARRETT ???😉
@@odilebeltran3952
I do not think he is a violinist of the first rank. (Sorry! I guess you are a big fan.)
I listen to him only when he performs a work, such as the Meditation, that I am studying, in which case I listen to pretty much all performances of the work on YT, including any that he has given.
(I must have listened to 100+ performances of Meditation on YT. I think that the most rewarding is the performance Chloe Chua gives in rehearsal with the SSO.)
The acrid microwave randomly destroy because authorisation consequentially bow like a abnormal brush. nifty, painstaking lake