For years I found modes impossible to grasp because I thought they were just random notes and shapes. Now when I'm explaining it to beginner musicians I focus on intervals and it's so much easier to explain.
There's more than just the Major scale thou. The mode term simply help identify the various interval..and sort of group Them. So you can retrieve from the top of your head on the fly once you memorize it...it's not that hard... Ive memorized harder codes braking crap in USELESS video GAMES...FFS So you can MODULATE over the same TONE CENTER or chord Example...over the A min chord ( A, C, E) Every one of these MODES/INTERVAL has the A,C, E note in it.. ROOT from A.... aeo dor phy lyd #2 Lyd b3 mix #2 mix #2,#4 aeo #4 dor #4 phy b4 dor b2 Harmonic min Melodic min Harmonic min b2 melodic min b2 Harmonic min #4 Melodic min #4 some mode you can play over whatever chords such as Mix #2, #4 1, 3, 5 or 1,3, 5, b7 1, #2. ,5 or 1, #2, 5 , b7 1, #2, #4, ,6 or b7 ( full or half diminished) or the phygian b4....the b4 is still the is sort of like a Maj3 b3, b4.........The 4th got lowered. example....Ion b6 = Harmonic MAJOR you could play these notes.....1, 3, 5 or 1, 3, b6 ( Maj or augmented)
@@kenhv74 you might be right. My guitar teacher taught this to me 25 years ago. and you'll never see me hanging around the Lydian-->Dorian neighborhood; it's not in my wheelhouse so I don't know too much about it \m/ \m/
Lydian is brighter, but not happier than Ionian to me. But you're pretty much right. If you add modes from Melodic Minor and Harmonic Minor, you'll get even darker sounding modes than Locrian.
Those formulas are clutch. I was thinking, "Hey, I understand modes," but that definitely taught me something. There's a song I love, Temazcal by Monsters of Folk, that's got a deceptive cadence. It goes G#m F#, repeat, then goes E - B - E - F#. You start out thinking you're in F#, but really you're in E with a major 2 (or G# Minor). Only later in the song, in the chorus, is the truth really revealed when it goes E - B - E - B - B7 - A - E. That A tells you, indeed, you are in E. Didn't think it through to realize it was suggesting Lydian. Salute.
I didn't understand modes until I started studying jazz about 15 years ago. My instructor explained how they related to the chords and it clicked. I'm glad you discussed this topic in an easy to understand way.
I needed a teacher like this guy when I was 7 and first went to the music store for lessons. This guy probably would have told me, "hey kid you dont have to play it upside down if your left handed, we can restring it with the fat string on the top like me". Instead I was told sorry kid you need to learn right hand if you want to play guitar. So after a few months I went back as a right hander, and been right handed ever since. So for that reason later in the years I bought a left handed strat and restrung it upside down . The guitar teachers these days are on another level. Great video!
A nice refresher! To all modal noobs, the easiest way to grok these modes is to take C Major (no sharps/flats) and just walk down the modes: C Ionian CDEFGAB, D Dorian DEFGABC, E Phrygian EFGABCD, F Lydian FGABCDE, G Mixolydian GABCDEF, A Aeolian ABCDEFG, B Locrian BCDEFGA.
How can one so evil, so dark, give us such great lessons and keen insight? I would think that the hounds of Hades would have shredded you by now but we are all fortunate that they have not. Thank you for your efforts and great content.
This is a great ADVANCED lesson on modes that is a welcome challenge for me (and I've been pounding all 84 modes and their places within the 12 keys), but I doubt anyone confused by modes became any less confused by this cool lesson. Actually, so many people are confused by modes, because NOBODY teaches THE SEVEN DIATONIC MODES WITHIN ONE SCALE and how butt simple modes can be. "The 7 diatonic modes of the A minor/C major scale." THAT should be the FIRST lesson on modes.
It’s always a difficult topic for sure. My main point is to shift the emphasis from scales to chords. Understanding the harmonic implications of modes will allow you to actually make music
It's definitely a great lesson for me, because I'm not as focused on the chords as much as I should be and you're covering stuff I never heard of, with my limited smattering of music theory. Great channel, btw!
You#re a great teacher man. Back then when I started I had a teacher that was nowhere near as encouraging, but I thought it was cool that he could solo away while I was plucking the intro to Nothing Else Matters during my first lesson ;)
I just bought your course! I have been a bedroom player for long. But i feel i really needed this lesson. Hope i learn something new . Cheers from India!!
You don't need to. If it sounds good, it's good. Rules in music are just closed doors. Think about when you were young and you just made up a song easily. You felt it and found it but weren't forced to look in a certain place.
I think this was the best explanation of modes I've seen yet. I love how you included the tendency tones/sensitive pitches. I found that quite helpful. Keep it up man! Love your channel!
this is a great perspective. I learned theory from piano lessons and high school band, so I learned everything relative to scales, for example that em/am/bm is just the relative minor to g major etc etc. excellent video. I learned something today. fwiw, for me, the shapes on the guitar actually make it easier for me to think in modes, because there aren't white and black keys set in stone, it is an unlabeled grid and you make your own shapes.
@@ShredmasterScott It was like getting bitten by a radioactive shred-spider! I find I actually end up using the modes sparingly to add some flavor! Maybe just a quick melodic section or using the modal chords!
Greetings Professor 🤓 Scott. I thank you so very much for your interest in sharing knowledge about the universe of metal music 🎼. I have to tell you that you have an incredible trained memory, thus , you are an amazing 😉 theoretical dude. I show you my respect ✊ because you are very good teacher 👨🏫. Good for you.
1st- time i heard Shred's laugh...? Iz the way i go like muaha ha haaa ...on my LOL-possession!!! I have already sold my soul but i don't have any guitar yet, n a lots of bum of questions... Can afford neither...
This is a controversial issue since the renaissance. At that time common practice was not to think harmony in a vertical way (chords) but horizontaly (melodies). People still won't understand completely modes but at least they'll know why. I love them all but my favourite is phrygian. Harsh Iberian sound.
This more applies to beginners, but whats really annoying is when people teach modes like: okay so lets start with C major/Ionian C D E F G A B C. Now likes go to D Dorian D E F G A B C D. Now E Phrygian E F G A B C D E... If you're just going to teach modes as a bunch of notes, nobody is going to be able to tell the difference between C Major and B Locrian, because they use the same notes, but are obviously very different scales. "BuT tHe ToNiC mAkEs ThE dIfFeReNcE" - but you you don't teach what that means, all the student hears are the same notes. Now imagine you teach the different modes starting with C Ionian, then C Dorian, then C Phrygian and so on. Then the notes change, but its still centred around C so students can see how the intervals change. Then you can start teaching the chords, and THEN you can go C Ionian, D Dorian, E Phrygian etc.
Shredmaster Scott : Ahahhaahahhaaha...!!! Give me the Harmony Baby...! Ahahhaahahhaaha...!!! So GREAT & FUNNY...! Thank's so much for the tutorial lessons and you GREAT and so FUNNY HUMOR...! Salutation from Galiza...!
Took me 20 years to realize this. I was focused on the scales and not the chords. Couldn’t figure out why I wasn’t getting it. Once I realized the sound actually comes from the chord progression, it clicked.
I know music theory but I always end up writing stuff in the chromatic scale, but always coming back to a pedal tone. However, if I ever run out of ideas I just pick a scale or chord progression that fits the other parts I already wrote for the song and write something based on that. But in the end, we all know the Harmonic Minor scale is the best
After years of being frustrated by modes, I think I am getting it from this explanation. Joe Satriani kind of explains them in short lessons and interviews but it doesn't make sense to me.
Gambale is one of the only people who made it make sense to me because he would drone the root note under the scale. But also that you can't just play Gmajor scale starting on G and ending on G over a Cmajor chord and expect to it sound lydian. That concept of Gmajor is not C Lydian took me a long time to comprehend.
Shredmaster Scott you took your time, to write a comment to me. Me, a simple peasant got a comment from god himself Shredmaster Scott. My life is fulfilled. Thank you.
Thank You, this is a great lesson, hope you could make more videos like this but with the modes from other scales ( harmonic minor, major, melodic minor, major, etc ), just to understand better how to work the chord progressions with the other modes. The guitar Grimoire books are very good, but sometimes it's hard to understand everything alone. Thanks, Shred till you're Dead !
Do a search on triads here on youtube. Take the key of C. The notes of the key are C,D,E,F,G,A,B,C.D,E,F,G. Or 1,2,3,4,5,6,7,8,9...... A triad for the key of C is 1-3-5 or C-E-G . 2-4-6 or D-F-A 3-5-7 or E-G-B etc.... . Memorize this 1 is major, 2 is minor, 3 is minor, 4 is major, 5 is major, 6 is minor, and 7 is diminished. So in C the first chord is a C major the second D minor the third E minor etc.... .
Nope. Still don't quite get it. Or I have some chunks of theory I still don't understand. But this is one of the best explanations I have seen. I am twice as close to figuring this out than before watching the video. Thanks Scott.
@@ShredmasterScott - Well - I think I got the biggest point. Its the chords you use around the scale that make the mode something. Otherwise you are just playing the same scale starting from a different root and calling it a fancy name. Its all the theory about the chord names and intervals that throw me. Your examples made an excellent point of what the mode scales sound like against the chords.
Thanks again for the great info. Question I have is did you randomly pick the primary chords or does each mode have a specific chord progression aside the I IV V standard progression? Or are they based on the sensitive notes? Thanks for the answer!!
Any chance you can show us how to understand tendancy tones so that we can look for them in non diatonic scales? I looked it up on Google and its not making much sense to me
What's your favorite mode?
I tend to automatically write in Phyrgian without realizing it, so I guess that!
Depeche Mode...
Ok seriously, I’m a locrian dude
@@modafoto punching myself for not thinking of that DP joke
Shredmaster Scott Phrygian dominant
Major scales all the way G Ionian
I do that laugh in my head constantly.
me too
Me and my brother do it since age of 4 or 5. Now I realised we arent the only two. Our mum hates it xd
I'm a saxophonist and I like your work!
Same!
awesome brother, I'm pumped to have non-guitar viewers
Same here, dude I got a got a huge member and I approve of this
For years I found modes impossible to grasp because I thought they were just random notes and shapes. Now when I'm explaining it to beginner musicians I focus on intervals and it's so much easier to explain.
There's more than just the Major scale thou.
The mode term simply help identify the various interval..and sort of group
Them. So you can retrieve from the top of your head on the fly
once you memorize it...it's not that hard...
Ive memorized harder codes braking crap in USELESS video GAMES...FFS
So you can MODULATE over the same TONE CENTER or chord
Example...over the A min chord ( A, C, E)
Every one of these MODES/INTERVAL has the A,C, E note in it..
ROOT from A....
aeo
dor
phy
lyd #2
Lyd b3
mix #2
mix #2,#4
aeo #4
dor #4
phy b4
dor b2
Harmonic min
Melodic min
Harmonic min b2
melodic min b2
Harmonic min #4
Melodic min #4
some mode you can play over whatever chords
such as Mix #2, #4
1, 3, 5 or 1,3, 5, b7
1, #2. ,5 or 1, #2, 5 , b7
1, #2, #4, ,6 or b7 ( full or half diminished)
or the phygian b4....the b4 is still the is sort of like a Maj3
b3, b4.........The 4th got lowered.
example....Ion b6 = Harmonic MAJOR
you could play these notes.....1, 3, 5 or 1, 3, b6 ( Maj or augmented)
just a little tool to help out
1:28 ionian
2:18 dorian
3:15 phrygian
4:16 lydian
5:07 mixolydian
6:05 aeolian
6:59 locrian
0:36 "Does this sound musical to you?"
*Clip plays*
me: Ye... (Gets cut off)
*No!*
Me: Oh... Ok.
Fun fact: from happiest to evilest the modes are:
Lydian
Ionian (major)
MIxolydian
Dorian
Aeolian (minor)
Phrygian
Locrian
Helm of the Anti-lemon I think Ionian sounds happier than Lydian. the augmented 4th in Lydian can create a lot of sad tension
@@kenhv74 you might be right. My guitar teacher taught this to me 25 years ago. and you'll never see me hanging around the Lydian-->Dorian neighborhood; it's not in my wheelhouse so I don't know too much about it \m/ \m/
I agree except I'd flip #1 and #2
What about harmonic and melodic minor modes, symmetric scales like half-whole and other non natural major modes?
Lydian is brighter, but not happier than Ionian to me. But you're pretty much right. If you add modes from Melodic Minor and Harmonic Minor, you'll get even darker sounding modes than Locrian.
Those formulas are clutch. I was thinking, "Hey, I understand modes," but that definitely taught me something. There's a song I love, Temazcal by Monsters of Folk, that's got a deceptive cadence. It goes G#m F#, repeat, then goes E - B - E - F#. You start out thinking you're in F#, but really you're in E with a major 2 (or G# Minor). Only later in the song, in the chorus, is the truth really revealed when it goes E - B - E - B - B7 - A - E. That A tells you, indeed, you are in E. Didn't think it through to realize it was suggesting Lydian. Salute.
I didn't understand modes until I started studying jazz about 15 years ago. My instructor explained how they related to the chords and it clicked. I'm glad you discussed this topic in an easy to understand way.
Excellent. Yeah, my approach to modes is very jazz or film score ish
Your evil laughs still kills me 😂
6stringhellion MWAHHAHHHAHHA
50% of why I'm here tbh.
That laugh gets me every time.
As of now, I'm studying B Aeolian I love how it sounds to me.
Methane yep. The comfortably numb solo is in that mode
Amazing dude, when you're into classical you don't learn theory you just play the pieces and raise your level.
exactly, it's a whole other thing to study theory
I needed a teacher like this guy when I was 7 and first went to the music store for lessons. This guy probably would have told me, "hey kid you dont have to play it upside down if your left handed, we can restring it with the fat string on the top like me". Instead I was told sorry kid you need to learn right hand if you want to play guitar. So after a few months I went back as a right hander, and been right handed ever since. So for that reason later in the years I bought a left handed strat and restrung it upside down . The guitar teachers these days are on another level. Great video!
A nice refresher!
To all modal noobs, the easiest way to grok these modes is to take C Major (no sharps/flats) and just walk down the modes:
C Ionian CDEFGAB, D Dorian DEFGABC, E Phrygian EFGABCD, F Lydian FGABCDE, G Mixolydian GABCDEF, A Aeolian ABCDEFG, B Locrian BCDEFGA.
How can one so evil, so dark, give us such great lessons and keen insight? I would think that the hounds of Hades would have shredded you by now but we are all fortunate that they have not.
Thank you for your efforts and great content.
Dude. You look AND sound like the older brother of Ben Eller.
They are two sides of the same coin, imho.
Step brother, his step dad's son.
I was gonna comment this lol
Haha, thats nice.
more like his biological step dad!!!
This is a great ADVANCED lesson on modes that is a welcome challenge for me (and I've been pounding all 84 modes and their places within the 12 keys), but I doubt anyone confused by modes became any less confused by this cool lesson.
Actually, so many people are confused by modes, because NOBODY teaches THE SEVEN DIATONIC MODES WITHIN ONE SCALE and how butt simple modes can be. "The 7 diatonic modes of the A minor/C major scale." THAT should be the FIRST lesson on modes.
It’s always a difficult topic for sure. My main point is to shift the emphasis from scales to chords. Understanding the harmonic implications of modes will allow you to actually make music
It's definitely a great lesson for me, because I'm not as focused on the chords as much as I should be and you're covering stuff I never heard of, with my limited smattering of music theory. Great channel, btw!
That’s what I like to hear, cheers brother 🤘
Wish I’d found this channel years ago. I know some theory, but was never really able to piece it together like this. Glad I did though.
This dude is a literally a musical genius
You#re a great teacher man. Back then when I started I had a teacher that was nowhere near as encouraging, but I thought it was cool that he could solo away while I was plucking the intro to Nothing Else Matters during my first lesson ;)
Did you watch to the end? @ 9:08 He played Nothing Else Matters riff on acoustic man, you could cut and loop that to solo over like the old days!
thanks brother, teaching is definitely a different skill than playing
@@THRASHMETALFUNRIFFS I'm afraid Lars might sue me ;)
Shred Master Scott; 50% Good Lessons 49% Evil Laughter 1%Memes
I just bought your course! I have been a bedroom player for long. But i feel i really needed this lesson. Hope i learn something new . Cheers from India!!
That's excellent to hear brother, enjoy your new found modal power!
I don't understand the modes and that's OK, I'll get there. What scares me is, I'm starting to understand Shredmaster Scott.
You don't need to. If it sounds good, it's good. Rules in music are just closed doors. Think about when you were young and you just made up a song easily. You felt it and found it but weren't forced to look in a certain place.
Email me if you want help: ouchris@gmail.com
This is sooo helpful!! Keep up the good work man! I’m loving this channel
This is way above my pay grade.
This stuff always reminds me that I'm still Guitarded 😞
Looks I need 2 take notes. Seriously, thanks bro 4 the tutorial.😈🔥🎅
you're welcome
Best guitar RUclips channel on the internet. Thanks for all the info you provide!
Appreciate you brother 🤘
I think this was the best explanation of modes I've seen yet. I love how you included the tendency tones/sensitive pitches. I found that quite helpful. Keep it up man! Love your channel!
glad to hear it brother 🤘
5:50 - Shredmaster manboob jiggle.
My day is complete.
LMAPOO
Man youre the best thank you
You're intro's and evil laugh always cracks me up.
I really like the way you're teaching! Just bought your Modal Mayhem course and I'm pretty excited to finally understand the modes haha
Dude, your Primary Chords approach is pure gold. lml
Yeah dude, modal chords will change your life.
this is a great perspective. I learned theory from piano lessons and high school band, so I learned everything relative to scales, for example that em/am/bm is just the relative minor to g major etc etc. excellent video. I learned something today. fwiw, for me, the shapes on the guitar actually make it easier for me to think in modes, because there aren't white and black keys set in stone, it is an unlabeled grid and you make your own shapes.
Great Scott! Excellent content as always. Best guitar channel EVER!
i'm not even a musician and i find these videos informative as hell
Man I absolutely loved this video and all your other ones they just keep getting better! Also a fan of your humor👍 keep it up brother!
Shred is a cult dude with a cool personality 🤘
Hey Scott. I couldnt bare yesterday to watch this. Its all for drill and not for the
" bellringers"
not sure what that means
Always love your stuff Master Scott!
Nice la villa strangiato lick in the beginning
Great explanation once again Shred! - Modal Mayhem was the turning point for me finally learning how to use the modes!
That's great to hear brother...it's like a super power once you really get modes right?
@@ShredmasterScott It was like getting bitten by a radioactive shred-spider! I find I actually end up using the modes sparingly to add some flavor! Maybe just a quick melodic section or using the modal chords!
Thank you Shredmaster Scott, I am not worthy of this knowledge.
Greetings Professor 🤓 Scott.
I thank you so very much for your interest in sharing knowledge about the universe of metal music 🎼.
I have to tell you that you have an incredible trained memory, thus , you are an amazing 😉 theoretical dude.
I show you my respect ✊ because you are very good teacher 👨🏫.
Good for you.
thanks brother, appreciate you!
1st- time i heard Shred's laugh...? Iz the way i go like muaha ha haaa ...on my LOL-possession!!! I have already sold my soul but i don't have any guitar yet, n a lots of bum of questions...
Can afford neither...
This guy finds it joyful to edit his videos. 😆 I don't mind it.
I love this guy's videos. It's like a viking Keanu Reeves.
that's about right actually
You're just the best my brother. 🤘
cheers my man!
This is a controversial issue since the renaissance. At that time common practice was not to think harmony in a vertical way (chords) but horizontaly (melodies). People still won't understand completely modes but at least they'll know why. I love them all but my favourite is phrygian. Harsh Iberian sound.
Shine on you Crazy Diamond by Pink Floyd [1975] From the Album "Wish You Were Here" is also in G minor dorian
Your channel is awesome! Thanks for making these videos.
Awesome video!
You're the reason I now understand modes. Cheers🍺
That shredding on a nylon string guitar was sick lol hail satan
This more applies to beginners, but whats really annoying is when people teach modes like: okay so lets start with C major/Ionian C D E F G A B C. Now likes go to D Dorian D E F G A B C D. Now E Phrygian E F G A B C D E...
If you're just going to teach modes as a bunch of notes, nobody is going to be able to tell the difference between C Major and B Locrian, because they use the same notes, but are obviously very different scales. "BuT tHe ToNiC mAkEs ThE dIfFeReNcE" - but you you don't teach what that means, all the student hears are the same notes.
Now imagine you teach the different modes starting with C Ionian, then C Dorian, then C Phrygian and so on. Then the notes change, but its still centred around C so students can see how the intervals change. Then you can start teaching the chords, and THEN you can go C Ionian, D Dorian, E Phrygian etc.
love practicing with your lessons on my piano. I need to be trying these things on my uke more though. Someday soon. Thanks for the excellent lesson!
A locrian funky lick would be awesome
Great lesson Scott! I didn't know the primary chords.
Shredmaster Scott :
Ahahhaahahhaaha...!!!
Give me the Harmony Baby...!
Ahahhaahahhaaha...!!!
So GREAT & FUNNY...!
Thank's so much for the tutorial lessons and you GREAT and so FUNNY HUMOR...!
Salutation from Galiza...!
This guy is a frickin legend!
Cheers brother 🤘
Dude, you straight up fuckin RULE!!!!!!
Took me 20 years to realize this. I was focused on the scales and not the chords. Couldn’t figure out why I wasn’t getting it. Once I realized the sound actually comes from the chord progression, it clicked.
Exactly, I wish there was a way to communicate this to people. It's just impossible to pull the attention away from scales for some reason
Mixolydian lick reminded me of sprit of radio by rush
Do a video only on why tendency tones exist and why someone should bother with them :)
Tendency tones?
Your Ionian chord progression at 1:02 is such a good sound it would be cool to hear a whole song built around it. Maybe an anthem or ballad lyric.
I know music theory but I always end up writing stuff in the chromatic scale, but always coming back to a pedal tone. However, if I ever run out of ideas I just pick a scale or chord progression that fits the other parts I already wrote for the song and write something based on that. But in the end, we all know the Harmonic Minor scale is the best
I love u shred
Been struggling with modes and how to apply them. This video came close to explaining it but I feel there is still a missing piece. :(
Phrygien is my favorite mode
After years of being frustrated by modes, I think I am getting it from this explanation. Joe Satriani kind of explains them in short lessons and interviews but it doesn't make sense to me.
Killer channel
Gambale is one of the only people who made it make sense to me because he would drone the root note under the scale. But also that you can't just play Gmajor scale starting on G and ending on G over a Cmajor chord and expect to it sound lydian. That concept of Gmajor is not C Lydian took me a long time to comprehend.
The best guitar teacher in the world.
extra points for you brother
Shredmaster Scott you took your time, to write a comment to me. Me, a simple peasant got a comment from god himself Shredmaster Scott. My life is fulfilled. Thank you.
Great !
Dude! You are really COOL!!!
5:36 - When a GTA V npc walks infront of your car
Like the music lesson! Still learning them but keeping at them
At last I get it ( well I sort of do ). Kudos Master
boom brother
3:18, it's amazing how you have time to make such awesome compositions while grinding to make these highly edited videos.
appreciate you brother!
Should make a 30 min episode
Thank You, this is a great lesson, hope you could make more videos like this but with the modes from other scales ( harmonic minor, major, melodic minor, major, etc ), just to understand better how to work the chord progressions with the other modes. The guitar Grimoire books are very good, but sometimes it's hard to understand everything alone. Thanks, Shred till you're Dead !
Agreed my man, we need to hear musical examples for the modes. Cheers
thank u shred
So what determines what chords belong to a mode? Is it a question of seeing what chords you can create based on the notes available in the mode?
Do a search on triads here on youtube. Take the key of C. The notes of the key are C,D,E,F,G,A,B,C.D,E,F,G. Or 1,2,3,4,5,6,7,8,9...... A triad for the key of C is 1-3-5 or C-E-G . 2-4-6 or D-F-A 3-5-7 or E-G-B etc.... . Memorize this 1 is major, 2 is minor, 3 is minor, 4 is major, 5 is major, 6 is minor, and 7 is diminished. So in C the first chord is a C major the second D minor the third E minor etc.... .
Awesome vid, man. Thanks.
Oh, and hail Satan
you got it,
praise saton
Chris Yes praise the dark one
Finally an Ionian example that isn't in C major lol, it's gonna rain somewhere.
Thank you thank you thank you!
cheers brother
Could you make a video on primary chords? They seem interesting and important.
Nope. Still don't quite get it. Or I have some chunks of theory I still don't understand.
But this is one of the best explanations I have seen. I am twice as close to figuring this out than before watching the video.
Thanks Scott.
If we sat down together you'd have the concept in an hour
@@ShredmasterScott - Well - I think I got the biggest point. Its the chords you use around the scale that make the mode something. Otherwise you are just playing the same scale starting from a different root and calling it a fancy name.
Its all the theory about the chord names and intervals that throw me. Your examples made an excellent point of what the mode scales sound like against the chords.
do you have a degree from berklee?
No, but I have a degree from another school...
Shredmaster Scott the badass metal school of awesomeness?
School of Metal?
Undead Shred Ed.?
@@ShredmasterScott sold your souls to Satan 🤘🏾
Thank you shredmaster, really helpful... hey what's the music at the end, before nothig else modes, in violin?
Psycho theme by Bernard Herrmann
Thanks again for the great info.
Question I have is did you randomly pick the primary chords or does each mode have a specific chord progression aside the I IV V standard progression?
Or are they based on the sensitive notes?
Thanks for the answer!!
If you want to hear a good representation of the Dorian mode then listen the music in Castlevania, most of the pieces there are in Dorian.
I need to do more video game videos
Also Phrygian. The Tragic Prince is a good example.
I would like to learn more of the E Iommi-an mode.
Oh no! You told them the secret about chords! How dare you!
This is awesome, but what about harmonic minor modes?
Go back to jazz school ya bum! We don't need you causing trouble over here! Haha
P.S. phyrgian dominant is my spirit animal
5:36 i'm gonna flat *YOU*
😂😂😂😂
Hey Scott could we get a video with some hybrid picking tips/tricks? It is the one technique that trips me up
That’s a good idea
Love this guy 😂😂
Any chance you can show us how to understand tendancy tones so that we can look for them in non diatonic scales? I looked it up on Google and its not making much sense to me
That's a good idea