J.S. Bach: Goldberg Variations
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- Опубликовано: 17 июл 2024
- Evgeny Koroliovʼs Golberg variations have become a cult recording. Seldom has this monumental piece sounded so purely musical, with such natural rhetorics, in fact simply so beautiful as in his hands.
This recording (licensed from Haenssler classic) was showered with international prizes, such as Diapason dʼor and others. György Ligeti chose Koroliovʼs Bach as his desert island disc: “forsaken and dying of thirst, I would listen to it up ʻtil my last breath”.
Koroliov was born in Russia in 1949, his teachers were Maria Yudina, Heinrich Neuhaus and Lev Oborin. He soon settled in Hamburg/Germany, from where he developed his international career as a soloist and much-in-demand teacher.
Composer: Johann Sebastian Bach
Artist: Evgeni Koroliov (piano)
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Goldberg Variations, BWV 988:
00:00:00 I. Aria
00:04:58 II. Variatio 1 a 1 Clavier
00:06:51 III. Variatio 2 a 1 Clavier
00:08:29 IV. Variatio 3 Canone allúnisuono a 1 clavier
00:10:29 V. Variatio 4 a 1 Clavier
00:11:33 VI. Variatio 5 a 1 ô vero 2 clavier
00:12:48 VII. Variatio 6 Canone alla seconda a 1 clavier
00:14:25 VIII. Variatio 7 a 1 Ôvvero 2 clavier. Al tempo di giga
00:16:23 IX. Variatio 8 a 2 Clavier
00:18:15 X. Variatio 9 Canone alla terza a 1 clavier
00:20:11 XI. Variatio 10 Fughetta a 1 clavier
00:21:46 XII. Variatio 11 a 2 Clavier
00:23:36 XIII. Variatio 12 Canone alla quarta a 1 clavier
00:25:49 XIV. Variatio 13 a 2 Clavier
00:31:31 XV. Variatio 14 a 2 Clavier
00:33:41 XVI. Variatio 15 Canone alla quinta a 1 clavier
00:39:23 XVII. Variatio 16 Ouvertüre a 1 clavier
00:42:28 XVIII. Variatio 17 a 2 Clavier
00:44:17 XIX. Variatio 18 Canone alla sexta a 1 clavier
00:46:25 XX. Variatio 19 a 1 Clavier
00:48:43 XXI. Variatio 20 a 2 Clavier
00:50:28 XXII. Variatio 21 Canone alla settima a 1 Clavier
00:53:55 XXIII. Variatio 22 a 1 Clavier
00:55:49 XXIV. Variatio 23 a 2 Clavier
00:57:54 XXV. Variatio 24 Canone alla ottava a 1 Clavier
01:00:36 XXVI. Variatio 25 a 2 Clavier
01:11:45 XXVII. Variatio 26 a 2 Clavier
01:14:17 XXVIII. Variatio 27 Canone alla nona a 2 Clavier
01:16:02 XXIX. Variatio 28 a 2 Clavier
01:18:08 XXX. Variatio 29 a 1 Ôvvero 2 Clavier
01:20:37 XXXI. Variatio 30 Quodlibet a 1 Clavier
01:22:18 XXXII. Aria da cato è fine 
Видеоклипы
Brings out the inner voices you don't usually hear. His ornamentations are very nicely placed.
아름다운 피아노 연주곡 잘 들었습니다~감사합니다~🎵🎹🌿🍀☘🌹🌹☘🍀🌿❤❤
Lovely and smooth interpretation.
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Very nice…
Recently subscribing was such a good idea on my part. Thanks for posting more Bach!!
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For years I listened well over 100 interpretations of BWV 988 on different (and exotic) instruments. What concerning to piano, this Koroliov recording (1999) is definitely one of my best (maybe even 'the' best because of lovely slow tempos, but not always). I highly recommend also his videorecording of 2008 (Gewandhaus zu Leipzig; total 88 minutes, a tiny slower and yet more magnetizing) and his later audiorecording of 2011 (Max Reger Halle, Stadt Weiden in der Oberpfalz; total 83 minutes).
For other piano interpretations of my 'the best' list, firstly I recommend two recordings by Rosalin Tureck: 1988-issued recording of late 1970s (maybe early in 1980s) of 75 minutes length, quite energetic but sparingly, not overwhelming; and rather slow interpretation of 1998 (90 minutes).
Later I recommend interpretation by Ekaterina Dershavina (1994) - 1st place on "J.S.Bach Piano International Competition" (Saarbrucken-Germany, 1992); 77 minutes, quite moderate.
Also I recommend meditative Ragna Schirmer (1999) - she twice was winner in Bach Competition Leipzig (1992 and 1998); 87 mins total. I very fond of her performance.
I continue with 'powerful' and energetic rendition by Murray Perahia (2000), 75 mins. Just transcendental. My preferred tempos are slow but here Perahia had overcomed my tastes and given me his own view to Goldbergs - very satisfactory for me.
Next but not least comes incomparable Angela Hewitt (1999), 78 minutes of true perfection.
Anyone still reading?.. Let me introduce charming and tender Simone Dinnerstein (2005), 78 minutes of charm and sweeteness.
Andras Schiff enters with three somewhat shorter recordings of 70-80 mins (1982, 1990, 2001). So specific Schiff's touching is more distinguishible in earlier recording.
Yes, Glenn Gould (1981) here not first, quite short recording, about 50 mins. And definitely perfect, and definitely quick tempos somewhere.
And now comes Kimiko Ishizaka (2012) with 82 minutes of meditative perfection (Open Goldberg Variations project).
Last in this list is quite extravagant rendition of Alexander Paley (2000 or 2004) with many own 'variations' and very-very slow, 104 minutes!
This was my own list of my best Goldbergs on Piano.
Wow! Very good taste...
Are they actually a "cult recording"? Why is that?