Night on Bald Mountain - NOTEPERFORMER 3.0

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  • Опубликовано: 29 сен 2024

Комментарии • 8

  • @JazzyJazzRock
    @JazzyJazzRock 5 дней назад +1

    At first i thought you wrote this lol...........Sounds really nice

    • @laurajhball
      @laurajhball  5 дней назад +1

      Quite a compliment to put me on the same compositional plane as the dynamic duo of Mussorgsky and Rimsky-Korsakov! Alas, this was all theirs, though I transcribed the entire score note-for-note from an IMSLP score to produce this--quite a task in and of itself. But, a truly fun and informative one at that! I'd do it over again just for that reason! 😃

  • @AndrewRemillard
    @AndrewRemillard 6 дней назад +1

    Orch scores tend to be too big for good use in a video format. Everything ends up too small to see.

    • @laurajhball
      @laurajhball  6 дней назад

      @AndrewRemillard Yes! So irritating, since it takes meticulous and long work to input! Albeit, most people watch these on their itty-bitty devices anyway.

  • @juliannesharer
    @juliannesharer 4 дня назад +1

    Nice job! Such a great way to learn.

    • @laurajhball
      @laurajhball  4 дня назад

      @@juliannesharer Yes! Entirely immersive. Rimsky-Korsakov had some terrific ideas in here.

  • @stefan.kraus-composer
    @stefan.kraus-composer 6 дней назад +1

    Respect for putting in this work. Sounds really good!

    • @laurajhball
      @laurajhball  6 дней назад

      @stefan.kraus-composer You have made my day!! Seriously. Ever since I started using Noteperformer, I've marveled at its power and accuracy, especially for the orchestral medium. No one virtual instrument engine does live strings justice, but NP still does not disappoint.
      My main complaint would be the suspended cymbal sounds are way too choppy and artificial, but, again, that's kind of nitpicky considering the program is incredibly affordable and works seamlessly with the "top 3" professional notation programs (Sibelius, Dorico, and [the late] Finale).
      I did not alter any of the dynamics, hairpins, etc., nor did I mess with the equalizer even once, and this remains a rather convincing mockup on which even Rimsky-Korsakov and Mussorgsky could put their imprimaturs. :)