For podcast stuff I’d actually recommend getting a dynamic microphone with a small interface over one of the condenser microphones. This is actually gonna end up being way more cost effective for a few reasons + radio stations and most successful podcasters use them 1. Dynamic mics are going to eliminate 90-99% of need for acoustical treatment. Put very simply, this is because the condenser mics pick up more signal more easily than dynamic mics.(this is why people are usually right up against the microphones in podcasts, as you need to be really close to a dynamic) 2. The dynamic mics will eliminate the need for much processing. You’ll most likely only need some sort of compression and a low cut on eq. Due to the lack of room noise provided by a dynamic you’ll also eliminate the need for stuff like RX de-noise which will also save money (and quality). 3. You’ll also probably eliminate the need for a pop filter on the mic as most dynamic mics handle transient signals just fine. Most huge podcasters use the shure sm7, though you can definitely use the shure sm58 no problem. People also use the RE320 to avoid too much bass when getting close to the microphone. (The bass gets dropped from the vents on the side)
I agree with your suggestions I have used the behringer ultravoice with good results. The Lauten LS-208 is a great condenser for podcasting has good noise rejection and can be used for vocals, guitars and drums.
02:53 Jon Sine ASMR! I remember asking you about an year ago to make an ASMR video of you saying words in your own accent (words like "really really important", "project", etc). It just reminded me of that lmaooo
Why spend so much money on gear when you clearly don’t really use it in ur final productions? I get infuriated by ppl like you, spending hundreds of thousands on gear for then to end up making the most basic deep house tunes 😂
![Noob To Max With DRAGON REWORK In Blox Fruits [FULL MOVIE]](http://i.ytimg.com/vi/LnBMOinoOvA/mqdefault.jpg)
For podcast stuff I’d actually recommend getting a dynamic microphone with a small interface over one of the condenser microphones. This is actually gonna end up being way more cost effective for a few reasons + radio stations and most successful podcasters use them
1. Dynamic mics are going to eliminate 90-99% of need for acoustical treatment. Put very simply, this is because the condenser mics pick up more signal more easily than dynamic mics.(this is why people are usually right up against the microphones in podcasts, as you need to be really close to a dynamic)
2. The dynamic mics will eliminate the need for much processing. You’ll most likely only need some sort of compression and a low cut on eq. Due to the lack of room noise provided by a dynamic you’ll also eliminate the need for stuff like RX de-noise which will also save money (and quality).
3. You’ll also probably eliminate the need for a pop filter on the mic as most dynamic mics handle transient signals just fine.
Most huge podcasters use the shure sm7, though you can definitely use the shure sm58 no problem. People also use the RE320 to avoid too much bass when getting close to the microphone. (The bass gets dropped from the vents on the side)
I agree with your suggestions I have used the behringer ultravoice with good results. The Lauten LS-208 is a great condenser for podcasting has good noise rejection and can be used for vocals, guitars and drums.
sm7 is expensive, look at comparison with cheap Fifine - quality almost the same with huge difference of pri
ce
02:53
Jon Sine ASMR! I remember asking you about an year ago to make an ASMR video of you saying words in your own accent (words like "really really important", "project", etc). It just reminded me of that lmaooo
I would prefer to see more music production oriented videos...
why that mic sound like crap?
That looks hideous 😂
How did u get your white light bars on the wall Thanks if u can help
I know a fair bit of podcasts that could have used this as a mandatory video.
Hi Jon ,
Can you make a video about budget recording mics ?
Why spend so much money on gear when you clearly don’t really use it in ur final productions? I get infuriated by ppl like you, spending hundreds of thousands on gear for then to end up making the most basic deep house tunes 😂
1st