J. S. Bach. Katholische Hofkirche, Dresden.
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- Опубликовано: 29 авг 2024
- 1755 Gottfried Silbermann/Zacharias Hildebrandt organ.
James Kibbie.
Prelude in C major, BWV 545 0:00
Prelude in E minor, BWV 548 1:53
Fugue in G minor, BWV 578 7:47
Toccata and Fugue in F major, BWV 540 11:18 
Видеоклипы
I was in this church and attended an organ concert there. It's an unforgettable time.
La musica di. Bach e celestiale. Spirituale infinita. Meeacugluoaaac bar nel nostro ♥ e ci regala armonie degli. Angeli. Grazie!
素晴らしいジルバーマンオルガンだ。私も死ぬまでに一度はここを訪れて生の音色を聞きたいです。
My oh my! Small wonder Silbermann is considered one of the best organ builders of all time. Boy that 16' Bombarde is awesome!
Posaune!
hazelnutt big booty
The lowest tones of the Posaune are far too dominating in relation.
@@jelmarvanderwal7368 in relation to.... the highest tones of the posaune?
@@JH-tq3uy Yesss!!
wonderful execution, very well done
Bože kakav zvuk ...sjajan orguljas! A Bach...❤️❤️❤️🌹🌹🌹
On aurait aimé aussi les fugues 545 et 548 ! C'est vrai que cet instrument est extraordinaire !
Tak to je paráda, vždy, když to slyším, mám pocit, že neumím nic. Vojta Prague
😀
What a beauty!
gracias por el video,excelente
And I did not even notice that the pedal has not enough keys for BWV 540.
Hey guys! I performed the complete organ works of J. S. Bach in under 30 minutes!
Also, I didn't realize that this organ had only one manual....
@Paulo Jorge Cruz I was being sarcastic; I guess this didn't come across.
I was making a joke about the organist's decision to play on the Hauptwerk, at well-nigh full organ, for an entire 10-odd-minute piece of music.
At a recent performance I attended of the BWV 582 Passacaglia and Fugue, the organist did a similar thing - played the piece at the 'gesamtpleno' (for 18 minutes!), pedal played with toes only, tempo faster than fast. Seriously?
@Irineo Romero
It's the Posaunen Bas, not a bombarda. Bombardas are usually brighter. Listen this ruclips.net/video/VXNlXGCuDXc/видео.html
Adam Baranowski Ummmm, I recall Silbermann having preferred the Bombarde to the Posaunen Bass, having been a pupil of Mr. Thiry from France, where the Bombarde has always been the "all-purpose bass" as Gottfried Silbermann's organ at St. Pierre-le-jeune in Strassburg proves. I own recordings of that magnificent instrument, played by none other than maestro Helmut Walcha. He also plays a Frans-Casper Schnitger organ at St. Laurenskerk in Alkmaar. You immediately notice the difference between the Posaunen Bass and the Bombarde. The first lacks that brilliance and series of harmonics. Those give it its masterful "singing voice" I assume. Thank you for your comment by the way. Greetings.
+Adam Baranowski Is more like a muffled "basson-bombarde"...is a kind of hibrid. Remember that his brother buildt organs all in the french classic style. All his trumpets also are in the french style (lead boots, leather-less shallots) as you can clearly listen from 9:21. When usually bass-posaune is coupled with the 8' foot pedal trumpet in the same pedal division the sounds is very bad for me. Bach really likes Silbermann organs? i think only from a practical-technical view...My "ideal" Bach organ should have Hildebrandt's pipe works, Trost mechanichs and Joachim Wagner's reeds...
+Dante Casora You talk about Johann Andreas? Guess you're right, his magnificent instrument at Marmoutier is one of the best/purest-sounding all-time Silbermann's. Even its façade looks french since I recall another instrument by the all-time reknown Cavaillé-Coll (I think that organ is located at St. Marie de Salles) where maestro Daniel Robilliard plays a fantastic version of Charles-Marie Widor's finale from his 5th Symphony. Masterful!
+Dante Casora Gottfried Silbermann had after his return from Alsace/France initially used in his first two in Saxony built organs 16'- Bombards in French style (open shallots without leather - Frauenstein 1710 and Freiberg St Marien 1714). For his next organ for the small church in Pfaffroda 1715 he developed another type (closed lead shallots with leather) which is less intrusive in the acoustically dry room and does better mix with the plenum sound and is simply more versatile. This 'new' Silbermann-Posaune with rounder and fuller sound pleased the Freibergian organist Immanuel Lehmann so much that he wanted to have one for his organ, whereupon Silbermann exchanged the shallots there. In his 8'- Manual-Trumpets he kept the bright and brilliant French type, in the pedal trumpets he used both types. The combination 'german' Posaune 16 + 'french' Trompette 8' = effect of a 'Bombarde' 16'.
Small wonder he achieved such awesome sounds. Thank you very much for your valuable info. Greetings.
11:18 19:43
Does the player want to win a speed-Competition? I can't hear music, just a race.
warum dieses gehetzte tempo? keine z eit für klangentfaltung
DIE HOFORGELBAU FAMILIE SILBERMANN WAR ANWESEND
Ist das nicht die frauenkirche
ApesPlays Nein, das ist die Katholische Hofkirche. In der Frauenkirche stand zwar auch einmal eine Silbermannorgel, die aber leider dem Krieg zum Opfer gefallen ist. Beim Wiederaufbau hat man überall ganz genau auf originalgetreue Rekonstruktionen gesetzt. Nur bei der Orgel hat man sich erstaunlicherweise gegen eine Rekonstruktion entschieden. Ärgerlich!
Elias Walther ja auf den 2. Block fällt es mir auch auf
Aber die neue Orgel der Frauenkirche ist auch sehr schön... ;-)
@@bjornhegner6947 Definitiv ,nur das Prospekt erinnert an die alte Silbermannorgel.Eine französische Orgelbaufirma baute die neue Orgel.Eine Rekonstruktion hätte wohl Unsummen verschlungen,deshalb wollte man zumindest die Orgel optisch an den Silbermannstil von damals anpassen,wenn ich richtig informiert bin.Viell.wäre eine originale Rekonstruktion technisch nicht möglich gewesen ,abgesehen von dem Neubau der Kirche und der damaligen Disposition der Orgel (Akustik usw.)
Auf jeden Fall ist und bleibt Silbermann etwas besonderes ,genau wie J.S.Bach. Vg
@@pionier5362 Was ich nicht verstehe, daß die Orgel an eine französische Firma vergeben wurde, nachdem dort eine unbezahlbare Silbermann-Orgel aus ganz lokaler Handwerkstradition stand. Hier hätte man sich eine Vergabe an eine deutsche Firma gewünscht, um genau das, was Bach so wichtig fand, nämlich die Handwerkskunst, hochzuhalten. Auch dieses Gerede von modernerer Orgelmusik war unseriös; man muß halt transponieren und sich überlegen, wie man Stücke auf einer Barock-Orgel ohne a1 = 440 Hz spielt, aber nur deswegen eine Mischmasch-Orgel zu bauen, weil man zu faul ist, vom Barock auf moderne Stimmungen zu transponieren, pffffffffff, klingt wie Faulheit.
All I hear is bass.