Brahms - Klavierstücke op.119 - Serkin London 1975

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  • Опубликовано: 24 июл 2024
  • Johannes Brahms
    Vier Klavierstücke op.119
    n°1 Intermezzo 0:00
    n°2 Intermezzo 04:49
    n°3 Intermezzo 09:18
    n°4 Rhapsodie 10:58
    Rudolf Serkin
    Live recording, London, 3.II.1975
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Комментарии • 34

  • @PaulJones-oj4kr
    @PaulJones-oj4kr 5 лет назад +5

    The first Intermezzo is perfectly rendered. Marvelous. Serkin always gave memorable concerts. We heard him a lot in New York City and Cleveland. Tremendous playing. Banging.....sometimes; often. So did Horowitz and the rest of them. There were times that he broke through to a different reality, that of the composer, and the audience knew it instantly, shedding a great deal of clapping, shouting, and tears.

    • @mikhailtrushechkin1642
      @mikhailtrushechkin1642 2 года назад

      Hi:) and what do You think of this? ruclips.net/video/BYr9HN_KeQ4/видео.html

  • @bertrameckle
    @bertrameckle 11 лет назад +5

    Ein Klavierspiel der alten Schule mit viel Hintergrund und ohne falsche Extravaganzen.
    Wer Serkin,wie ich, im Konzert erlebt hat,ist begeistert von seiner Interpretation.

  • @themusicalgerbil192
    @themusicalgerbil192 6 лет назад +27

    It's true, Serkin is the only one who does the first intermezzo justice. According to Brahms' own words: "The little piece is exceptionally melancholic and ‘to be played very slowly’ is not an understatement. Every bar and every note must sound like a ritard[ando], as if one wanted to suck melancholy out of each and every one, lustily and with pleasure out of these very dissonances!"

    • @donkgated8074
      @donkgated8074 5 лет назад +4

      Each to their own. I find the interpretation of the first rather contrived and tortured. Radu Lupu's is more coherent with much of the qualities you described.
      Confession: I do find Peter Serkin's artistic profile often contrived and tortured, as if because he is expected to emulate his father Rudolf's artistry. Peter is a sensitive musician and should really try to be his own person rather than trying to match the intense artistic profile of his father.

    • @PeterLunowPL
      @PeterLunowPL 4 года назад +2

      @@donkgated8074 interesting what you write...I must be a traitor in your eyes, because I thought Lupu was the ultimate expression of nr.1
      I just heard this Serkin interpretation and was at first shocked by the incredibly slow rendition. But after a few times listening, I must confess that I think it is breathtakingly beautiful

    • @donkgated8074
      @donkgated8074 4 года назад +2

      @@PeterLunowPL
      Haha not at all! Thanks for sharing your thoughts. I don't appreciate Mr Serkin's artistry as much as others, but it's great that others find beauty in it. I appreciate greatly his love for music and dedication to teaching. I have friends who are benefactors of his generosity and kindness, both as a person and musician - he is sorely missed.
      Edit: friends - both pianist and composer.

    • @PeterLunowPL
      @PeterLunowPL 4 года назад

      @@donkgated8074 at least you are a tolerant man, haha. Greetings from The Netherlands

    • @donkgated8074
      @donkgated8074 4 года назад +1

      @@PeterLunowPL Goodness. Stay safe up there! Greetings from Australia

  • @photo161
    @photo161 Год назад +1

    No. 1 begins VERY slowly, and yet with his extreme sensitivity to dynamics Serkin makes it work, at least for me. I first heard these astonishing pieces more than 45 years ago. I since have heard them played often and often quite well. YetI have listened to this live interpretation by Serkin several times now, and how I have come to love this performance! Do listen more than once...

  • @gerardbegni2806
    @gerardbegni2806 6 лет назад +4

    A great rendreing of these pieces. I love the waltz that appears in the second piece. Serkin renders the first piece with much reserve.

  • @mtierra
    @mtierra 11 лет назад +9

    I think he plays the first intermezzo slow the way Brahms described it in a letter to Clara -- as no tonality and so extremely slow. These were his last pieces for the piano. Serking is one of the most daringly expressive pianists of all time.

    • @mikhailtrushechkin1642
      @mikhailtrushechkin1642 2 года назад

      Hi:) and what do You think of this? ruclips.net/video/BYr9HN_KeQ4/видео.html

  • @madraven07
    @madraven07 6 лет назад +3

    Every clarinetist (or violist) who wants to learn the two sonatas (op. 120) should listen to these piano works - so many style similarities.

    • @donkgated8074
      @donkgated8074 5 лет назад +4

      And likewise, every pianist who wants to play the late piano works should listen to the clarinet sonatas, trio and quintet.

  • @MrGer2295
    @MrGer2295 7 лет назад +2

    Beautiful ! Thanks for sharing!

    • @mikhailtrushechkin1642
      @mikhailtrushechkin1642 2 года назад

      Hi:) and what do You think of this? ruclips.net/video/BYr9HN_KeQ4/видео.html

  • @Eckleoriginal
    @Eckleoriginal 11 лет назад +3

    Lieber Bertam, ich habe Serkin zwar nicht im Konzertsaal erlebt, aber viel auf Schallplatten gehört. Wahr ist, Serkin spielt sehr natürlich und zugleich mit großer Emotionalität: wunderbares Klavierspiel im Konzertsaal, mit wunderbarem Klang !

  • @notaire2
    @notaire2 5 лет назад +1

    Warmherzige live Aufführung dieser melodischen Klavierstücke im relativ langsamen Tempo mit anmütigem Anschlag und effektiv kontrollierter Dynamik. Echt wunderschön!

    • @mikhailtrushechkin1642
      @mikhailtrushechkin1642 2 года назад

      Hi:) and what do You think of this? ruclips.net/video/BYr9HN_KeQ4/видео.html

  • @mirnamiglioranzi6641
    @mirnamiglioranzi6641 3 года назад

    Meravigliosa op.119 di Brahms ,esecuzione impareggiabile di Rudolf Serkin ...mi***

  • @jcharwag
    @jcharwag 8 лет назад

    Hervorragend ... in jedem Ton, "Beseelung".

  • @TRRyan
    @TRRyan 2 года назад +2

    Rudy has been one of my favorites since the 1960's when my Dad had a record of his Brahms 2nd Piano with the Philadelphia and Eugene Ormandy. The only time I was completely disappointed with an interpretation of Serkin's was the opening movement to Beethoven's piano sonata #30. His tempo was weird, and a conductor I knew agreed.
    All in all though, I'd say he had as good a balance between keeping his ego in check (are you listening, Vladimir?) and being terrifically expressive.

  • @MsLinjohn
    @MsLinjohn 5 лет назад

    the man that taught Cecile Licad ... the great teacher and player

  • @amber40494
    @amber40494 3 года назад

    Exciting, really sings

    • @mikhailtrushechkin1642
      @mikhailtrushechkin1642 2 года назад

      Hi:) and what do You think of this? ruclips.net/video/BYr9HN_KeQ4/видео.html

  • @Dtiaah
    @Dtiaah Год назад

  • @kome1976
    @kome1976 Год назад

    First two Brahms Why like Schumann, Schubert last one 🍂

  • @butaketon
    @butaketon 5 лет назад +2

    最高

  • @calebhu6383
    @calebhu6383 Год назад

    0:01

  • @user-sb9jj2oq4o
    @user-sb9jj2oq4o 11 месяцев назад

    1.4

  • @bealreadyhappy
    @bealreadyhappy 7 лет назад +1

    Gosh?

  • @maralba8319
    @maralba8319 2 года назад +2

    1. Radu Lupu
    2. Rudolf Serkin
    3. 4. 5. 6... Everyone else