Truly excellent video! That wham-bam-bam of Gladiator’s plummet into DNotS is absolutely brutal. Reminds me of the Tower card in the tarot - a lightning strike.
That's right. Dialogue can be on-the-nose, without feeling on-the-nose in these scenes. Characters are allowed to express exactly how they feel, which is unusual in other areas of the story.
You'll see it most easily in 4-act episodic shows. The end of act 3 is usually this low point. For a one-hour drama, this tends to happen somewhere between 30-45 minutes into the episode. With this info, can you find examples?
You don’t have to qualify John Mcclain’s friend as his “black pal”. You don’t mention white people’s race? So why are you pointing out his - this is subtle racism, but it is nonetheless racism, and tho unintended, it IS something you must change.
Hi Stevie, When I describe a white guy in a black world, for clarity I would ABSOLUTELY say "the white guy". Here, NOT mentioning the race would hint at a reluctance to say the obvious thing, which would bring the racial issue even more into focus IMO. We all have different levels of sensitivity around the issue, and I thank you for your recommendation. Cheers, Karel
I've discovered this channel recently and wow... I found gold in these videos
This was an excellent class. Thank you.
Your classes are fantastic
Thanks for your effort. It was excellent
Truly excellent video! That wham-bam-bam of Gladiator’s plummet into DNotS is absolutely brutal. Reminds me of the Tower card in the tarot - a lightning strike.
Glad you enjoyed it!
That was an absolutly AMAZING class, thank you so much. Best regards all the way from Brazil =)
You're very welcome!
This is really awesome, great and useful advice delivered beautifully, thank you❤
You're so welcome!
It was wonderful!
Wonderful, thank you
Our pleasure!
I never knew all these secrets! Thanks
Happy to help!
Great ⭐️ Thanks
Thanks a lot :)
The best part is , in" The dark night of the Soul" the moment we become naked, there is no subtext. is it true? Karel
That's right. Dialogue can be on-the-nose, without feeling on-the-nose in these scenes. Characters are allowed to express exactly how they feel, which is unusual in other areas of the story.
How would that be applied in a TV show episode structure?
You'll see it most easily in 4-act episodic shows. The end of act 3 is usually this low point. For a one-hour drama, this tends to happen somewhere between 30-45 minutes into the episode. With this info, can you find examples?
@@TheStoryDepartment Wow, you answered me quite quickly! Thanks for that, I believe this will help me a lot!
@@ЖудаМ You're welcome! I'm here to help. :)
I'm sorry, but Tom Hanks loosing Wilson will never be even somewhat upbeat. I don't care if it's one of the bridesmaids watching it. 😭😂
🤣
You don’t have to qualify John Mcclain’s friend as his “black pal”. You don’t mention white people’s race? So why are you pointing out his - this is subtle racism, but it is nonetheless racism, and tho unintended, it IS something you must change.
Hi Stevie,
When I describe a white guy in a black world, for clarity I would ABSOLUTELY say "the white guy".
Here, NOT mentioning the race would hint at a reluctance to say the obvious thing, which would bring the racial issue even more into focus IMO. We all have different levels of sensitivity around the issue, and I thank you for your recommendation.
Cheers,
Karel