man how does this only have 2.6k views? i learnt alot more than what i learnt in those so called 'paid' tutorials. Really getting to the basics and fundamentals instead of just sculpting and hoping your audience gets it. You have my like and subscribe sir !!
Yeah this is sad, maybe people only watched top viewed tutorials but to be honest they are just ok. But this tutorial is the best head sculpting tutorial on youtube. Unbelievable.
We 3,685 viewers are lucky to find this gem :D. sorry I am little bit over excited :p because this tutorial cleared my all disturbed anxiety confusions, now no more why how when where etc etc etc :D Hope this channel getting so much success. He is the best teacher on youtube. Thank you so so much once again.
This is probably the best sculpting tutorial(prob wouldnt even call it a tutorial) I have seen. And somewhere at the half point I started thinking how it would be a good idea to have a sheet that writes down the important info and then I just follow that until I am good enough to do it without it. I have always had trouble making characters and its probably because I just didnt have the understanding of the skeleton and I would have happy accidents and feel like man I have really improved,onto something and then I would be at the next char and once again be stomped and sad how I cant make it look right. The one thing that scares me and potentially pushes me from pursuing sculpting and 3D modeling in general is that it will take weeks or months to learn it and only if I go for it the proper way.
Thankyou for your kind words. The key is to try to keep the learning process interesting and fun rather than academic. There is no shortcuts as such, but there are things that can be simplified to make it easier to learn. Maybe I should make a video on the learning process, whats important, why and how to manage the process. In truth there is no end, more doors open up as you go, but as long as your progressing and getting the reward for your effort then its all worth it.
Same story I was sad and once again after looking my pumpkin head sculpt so I tried to search on youtube again and found this one and this tutorial blow my mind. well I can't explain how much I am happy right now.
I was stupid to watched thousands head sculpting videos and wasting my time on other people creating heads and tutorial bla bla bla, and when I try I banging my head how can I do the same because I don't understood anything. But then I see this video and trust me if you understand this one you can understand everything. Thank you so much. CGDreams you make my dreams come true.
Thankyou for your kinds words. I think you will like a video Im working. It fills the gaps of how to understand and some questions I had but never found answers regarding progress and the psychology of the learning process. Im fortunate to have training for modern day masters, and like you am in the journey to progress, we are just all at different levels.
@@CGDreamsTutorials Wow that's greatI will love to get more knowledge from you and wish other people who are still struggling find your video as I did, to understand everything with a professional way as you teach. Thank you. =)
Top notch as always. Bony landmarks and muscle are very important, I would love to see your findings on fat pads of the face, a reason is why human faces don't look like Skeletor, A lot of beginners may trip up just learning muscles and bones of the face that will show movement and wrinkles with pads you get also age and weight of the person. Thanks a lot for your work, i got zbrushing thanks to your tuts. Cheers! Mariusz
Hi Mariusz, thanks for your comments. Fat pads, your right there is not much talked about about this, I guess most average people who are of ideal weight get the common areas filled out between the Zygomatic, Maxilla, Nasolabial, and Mandible. Then there is room for variation such as under the chin and around the neck. Im thinking the reason there is not much on this for art is once the basic structures of the skull and muscles are in place the artist builds on top of this for a person's likeness massing out the fat where needed even if they ar not aware this mass is, in fact, fat and including muscle for expressions that cause surface forms. When we sculpt overweight individuals then I think more attention is certainly needed as to how forms made up of muscular and some skeletal that are covered over while the volume of such structures are what the fat lays on. In these cases some areas become more evidence such as the PSIS of the pelvis, this becomes a deeper dimple due to the way the fresh is jointed to this point without muscle or fat there. Its very difficult to streamline something that is in itself complex knowing that while trying to push for simplification of things, in reality, leads to missing gaps in knowledge that at some point you have to backtrack on. My take on it all so far is there is no short cuts, you don't get the end, and there is always room for improvement, and out of all of this that is of use is you only get better when your practice as no progress in the art can be made from accumulating knowledge alone.
@@CGDreamsTutorials True the attention should be on getting your landmarks proportion and muscle insertion should be the base rest you can extrapolate as you go learning from observation. Roundness of younger female faces compared to the chiseled male of the same age is in part because of the amount of fat. That broad notion that it is there and dont overlook it because everyone is fat in some amount the ideal person doesn't exist unless you are in a marvel universe with zero BMI, i personally didnt know much of its influence until someone told me to look into it. Anatomy for sculptors has a good visual guide in their books.
Thanks for pointing that out, Im setting up a redirect to my Artstation. www.artstation.com/cgdreamstutorials/profile cgdreamstutorials.artstation.com/
@@aneebartist7207 Il get some of the files uploaded over week end. Check out my site by Late Sunday, there will be a new top menu for Tutorials. cgdreams.co.uk
Hi. I certainly can. Book wise there are many but what I have used is Anatomy For Artist by Elliot Goldfinger, this gives you the details, and Anatomy For Sculptors by Uldis Zarins which is a great visual aid. Video training wise any by Sabin Howard, Rey Bustos, Ryan Kingsling, and Zack Petroc. As far as high-end courses online or in person Scott Eaton which I attended and found very good.
every image shown here is pure gold, cant thank you enough for your work!
man how does this only have 2.6k views? i learnt alot more than what i learnt in those so called 'paid' tutorials. Really getting to the basics and fundamentals instead of just sculpting and hoping your audience gets it. You have my like and subscribe sir !!
Yeah this is sad, maybe people only watched top viewed tutorials but to be honest they are just ok. But this tutorial is the best head sculpting tutorial on youtube. Unbelievable.
Best and number 1 Head tutorial on youtube.
We 3,685 viewers are lucky to find this gem :D. sorry I am little bit over excited :p because this tutorial cleared my all disturbed anxiety confusions, now no more why how when where etc etc etc :D Hope this channel getting so much success. He is the best teacher on youtube. Thank you so so much once again.
Thank you very very much, this tutorial is a complete book.
This is probably the best sculpting tutorial(prob wouldnt even call it a tutorial) I have seen.
And somewhere at the half point I started thinking how it would be a good idea to have a sheet that writes down the important info and then I just follow that until I am good enough to do it without it.
I have always had trouble making characters and its probably because I just didnt have the understanding of the skeleton and I would have happy accidents and feel like man I have really improved,onto something and then I would be at the next char and once again be stomped and sad how I cant make it look right.
The one thing that scares me and potentially pushes me from pursuing sculpting and 3D modeling in general is that it will take weeks or months to learn it and only if I go for it the proper way.
Thankyou for your kind words. The key is to try to keep the learning process interesting and fun rather than academic. There is no shortcuts as such, but there are things that can be simplified to make it easier to learn. Maybe I should make a video on the learning process, whats important, why and how to manage the process. In truth there is no end, more doors open up as you go, but as long as your progressing and getting the reward for your effort then its all worth it.
@@CGDreamsTutorials Please make one about the learning process!! This tut is fantastic.
Same story I was sad and once again after looking my pumpkin head sculpt so I tried to search on youtube again and found this one and this tutorial blow my mind. well I can't explain how much I am happy right now.
I was stupid to watched thousands head sculpting videos and wasting my time on other people creating heads and tutorial bla bla bla, and when I try I banging my head how can I do the same because I don't understood anything. But then I see this video and trust me if you understand this one you can understand everything. Thank you so much. CGDreams you make my dreams come true.
Thankyou for your kinds words. I think you will like a video Im working. It fills the gaps of how to understand and some questions I had but never found answers regarding progress and the psychology of the learning process. Im fortunate to have training for modern day masters, and like you am in the journey to progress, we are just all at different levels.
@@CGDreamsTutorials Wow that's greatI will love to get more knowledge from you and wish other people who are still struggling find your video as I did, to understand everything with a professional way as you teach. Thank you. =)
Top notch as always.
Bony landmarks and muscle are very important, I would love to see your findings on fat pads of the face, a reason is why human faces don't look like Skeletor, A lot of beginners may trip up just learning muscles and bones of the face that will show movement and wrinkles with pads you get also age and weight of the person. Thanks a lot for your work, i got zbrushing thanks to your tuts.
Cheers!
Mariusz
Hi Mariusz, thanks for your comments. Fat pads, your right there is not much talked about about this, I guess most average people who are of ideal weight get the common areas filled out between the Zygomatic, Maxilla, Nasolabial, and Mandible. Then there is room for variation such as under the chin and around the neck. Im thinking the reason there is not much on this for art is once the basic structures of the skull and muscles are in place the artist builds on top of this for a person's likeness massing out the fat where needed even if they ar not aware this mass is, in fact, fat and including muscle for expressions that cause surface forms. When we sculpt overweight individuals then I think more attention is certainly needed as to how forms made up of muscular and some skeletal that are covered over while the volume of such structures are what the fat lays on. In these cases some areas become more evidence such as the PSIS of the pelvis, this becomes a deeper dimple due to the way the fresh is jointed to this point without muscle or fat there.
Its very difficult to streamline something that is in itself complex knowing that while trying to push for simplification of things, in reality, leads to missing gaps in knowledge that at some point you have to backtrack on. My take on it all so far is there is no short cuts, you don't get the end, and there is always room for improvement, and out of all of this that is of use is you only get better when your practice as no progress in the art can be made from accumulating knowledge alone.
@@CGDreamsTutorials
True the attention should be on getting your landmarks proportion and muscle insertion should be the base rest you can extrapolate as you go learning from observation. Roundness of younger female faces compared to the chiseled male of the same age is in part because of the amount of fat. That broad notion that it is there and dont overlook it because everyone is fat in some amount the ideal person doesn't exist unless you are in a marvel universe with zero BMI, i personally didnt know much of its influence until someone told me to look into it. Anatomy for sculptors has a good visual guide in their books.
@@mariuszzwolak_ Anatomy for sculptors is an excellent book, I have the hardback one, that's how much it was worth it to me as its not cheap.
This is the best shit ever
Thanks for sharing
Guys If you will understand this one you will understand everything please don't wast your time on other videos. Trust me
The site is down for me. wish I knew who Danny was.
Thanks for pointing that out, Im setting up a redirect to my Artstation.
www.artstation.com/cgdreamstutorials/profile
cgdreamstutorials.artstation.com/
Some files have been uploaded to my site. cgdreams.co.uk/zbrushfiles Morphology Heads is the one you want.
Plz share these files. So we practice on it. Great tutorial
I will try and find the files and post the link for you tomorrow
@@CGDreamsTutorials Please share files so we can understand better.
@@aneebartist7207 Il get some of the files uploaded over week end. Check out my site by Late Sunday, there will be a new top menu for Tutorials. cgdreams.co.uk
@@aneebartist7207 Some files have been uploaded to my site. cgdreams.co.uk/zbrushfiles Morphology Heads is the one you want.
this tutuorial so perfect but maybe you are give me you pptx file ? you are use this image and I need this image
!Sorry my english so badd!
Can you recommend any book or magazine for learn anatomy?
Hi. I certainly can. Book wise there are many but what I have used is Anatomy For Artist by Elliot Goldfinger, this gives you the details, and Anatomy For Sculptors by Uldis Zarins which is a great visual aid. Video training wise any by Sabin Howard, Rey Bustos, Ryan Kingsling, and Zack Petroc. As far as high-end courses online or in person Scott Eaton which I attended and found very good.