Mixing Vocals with ONLY Universal Audio Plugins (UAD)
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- Опубликовано: 11 июл 2024
- In this tutorial, we will mix vocals using ONLY Universal Audio Plugins (UAD). Whether you're a beginner or an experienced producer, you'll learn valuable tips and techniques to improve your vocal mixing.
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Matty Harris is a highly skilled mixing and mastering engineer hailing from the vibrant music scene of Los Angeles, California. With an impressive track record and a diverse clientele, Matty has firmly established himself as a sought-after professional in the industry.
Having honed their craft over years of experience, Matty has had the privilege of working with a multitude of renowned artists, elevating their music to new heights. From Grammy-winning sensation Kelly Clarkson to the prolific talents of Travis Barker, EricDOA, Cuco, Rhea Raj, Sammy Adams, and many others, Matty's impressive list of collaborators is a testament to their exceptional skills and dedication.
As the driving force behind mixandmastermysong.com, Matty has created an invaluable platform that caters to both established artists and budding musicians alike. Through their website and RUclips channel, Matty offers comprehensive mixing and mastering services, ensuring that every song receives the utmost care and attention to detail.
Moreover, Matty is passionate about empowering artists who wish to take the DIY approach. Through his educational content, he provides aspiring musicians with the knowledge and tools necessary to achieve professional-quality mixes and masters from the comfort of their home studios.
Equipped with an extensive arsenal of industry-standard equipment and cutting-edge software, Matty possesses an innate ability to breathe life into every track they touch. Their keen ear for sonic balance, meticulous attention to detail, and unwavering commitment to client satisfaction have garnered them a reputation as a trusted and reliable engineer.
Matty's journey as a mixing and mastering engineer is an ongoing adventure fueled by a love for music and an unwavering dedication to supporting artists in realizing their sonic visions.
0:00 Intro
0:20 Why I use StudioRack for my Presets
1:03 VU meter for Gainstaging
1:58 1073 Plugin
2:33 Compression
3:35 EQ
4:47 Effects
8:21 Final Before & After 
Видеоклипы
Thank you Matty. I truly appreciate your tutorials. You're the best.
I generally prefer 1176 into LA2A. 1176 for the peaks. Fast compression envelope levels the transient spikes, into lLA2A for overall leveling. A sharp transient peak into an LA2A is not desirable generally speaking as the release is so incredibly slow, we can easily overcompress, meaning the next vocal line has been pushed out of the pocket. Every source is different but I generally get a smoother, denser result by using this sequence.
For sure. You can go either way. I like the LA-2a to smooth things out than the 1176 to handle the rest. But vice versa works great too.
I do CL1B into 1176. I tried the other way around and whichever processor comes first tends to color the sound the hardest (pretty similar to Opto > FET). Many of the biggest songs in the world were tracked through a CL1B and then processed with an 1176-style later... so this is not far off from that concept.
You make a great point though - if you're hitting the LA2A with more than 2-3db of GR in that first pass, you are putting yourself in a compromising position. Better to just add another one after the 1176 if you need more compression and want to stick with the OPTO>FET signal path.
Had to subscribe. Very well done
Great!
GOLD!
Thanks so much!
🔥🔥🔥
Very helpful tutorial and it's a great sounding chain. The two reverbs have a similar decay time - do you have them at the same levels in the returns? Also, I have to set the Studio D to be quite loud in order to hear the chorusing effect. I have each of the four effects on individual returns.
The chorus effect is (typically) set very subtly - almost invisible to the ear - for some almost subconscious widening and thickening. You can run into some issues with your vocal in mono if hit that chorus too hard.
Where can I hear this song? Sounds really nice
Can you do one for softube?
Great advice here! Do you ever use the Pultec EQP-1A on vocals? If so, what kind of settings have you found to be useful? Thanks!
For sure. 10 to 16k for air. If you need some thickness in the vocal the 100hz can help
Is there any decent alternative to the 1073 preamp?
Wats the name of the song it sounds amazing
You should put spark in the title
This is good for a great vocalist. How about for vocals that needs surgical eqs?
That’s the one thing I don’t feel uad offers is a good surgical EQ. Except the Massenburg one. But they don’t include that in spark.
if you use Ableton, just use their included parametric EQ8 - it's incredible for this. Otherwise pick up fabfilter pro-q 3 and call it a day. I use it on every mix all over the place. Plus if you're cutting out resonances that only happen when you hit certain notes, Pro-Q3 offers dynamic EQ - essentially only cutting the frequency when you hit that specific note. This can also be achieved with automation if you're just using your stock EQ.
On your plate, are you purposely lowering your mix knob?
Wet Solo is on so the mix knob is not active
No holding back on auto tune
funny... I also use two compressors but I go from 1176 into a Teletronix
That's how I've done it too, but I prefer Matty's ordering after trying it. He's the man!
Bro do you offer vocal mixing classes
I don't. But I do have a course on my website.
Can't get license for Studiorack free download?
YEs