Te Lindert on Bach Prelude and fugue in B minor BWV 544 | Netherlands Bach Society
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- Опубликовано: 25 авг 2024
- "The second theme of the fugue creates a connection with the prelude. Therefore, I think this prelude and fugue belong together." Organist Elske te Lindert talks about the Prelude and fugue in B minor, which she performed for All of Bach.
Recorded for the project All of Bach on October 2nd 2015 at Bovenkerk, Kampen. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
For the complete performance of the Prelude and fugue in B minor go to • Bach - Prelude and fug...
For more information on BWV 544 and this production go to allofbach.com/e...
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereni....
Elske te Lindert, organist
Organ: Albertus Antoni Hinsz, 1742
The vivid character of Elske te Linder explains her choice of a vivid tempo and even when she detects traits of melancholy, she continues with her choosing a faster tempo than the choice of the average performer. One can argue with this decision, but not with her brilliant professional performance. Brava! Thanks NBS for uploading.
i guess I'm kinda off topic but does anyone know of a good website to watch newly released series online ?
A great description, I think it's spot on. This is without question my favourite organ piece ever composed.
Hearing a woman talking about Bach with such passion. Just beautiful 😍
That's quite a sexist comment. I'm offended.
I like that we can hear the tracker action when interviewing and recording from the keyboard. This must be inaudible on the performance recording done in the church.
"Just touch the right key at the right time and the instrument will play itself." Well Master, you forgot to say that we have to spend a lifetime to do it...
Wonderful choice of tempo for the prelude. This piece makes much more sense like that. At least to me.
SO charming! Delightful.
The "jack in the box" Bach work -- I'll always remember that! Thanks for all the insights.
Beautiful ! Thank you for posting 💚💛💙
Amazing 🎉🎉🎉
Outstanding! Loved the artist impression of the music. Folks don't usually comprehend the effort it takes to play tracker organs - esp. when several manuals are coupled. Tiring!
So fabulous.
Fascinating! I really like her! I wonder if he threw that line in at the end just to mess around with us!
Come uscire dalla melancolia attraverso la musica
Recuperare la speranza
😁👍
La starei ad ascoltare per ore
BACH = m X c (squared)
I am sorry for my inadequate English. Not a single word about the dots arrive at bar 18. Staccato signs? I believe that Anthony Newman is closer to the truth. Those dots tells us not to play with inegalité. So why don't we find those spots from the very beginning? Because from the beginning we shall play with inegalité. No? Ok, but why not? I am not very impressed of Newmans performance, but unlike everybody else he make an attempt to understand the spots.
geir øyvind eskeland the dots at 18 aren’t so important but dot at 27 3rd 8th note beat are much more relevant, maybe to start the inequality again? Remembering this was sometimes used as a form of shorthand to avoid having to write out all the dots. The texture supports this and makes a legitimate case for inegalité. However this version is very convincing played “straight”, what a great musician! I’ve never seen someone write down the different pulse they use from year to year, interesting idea.
Jake Holmes, it is the middle of the night, but this is so interesting so I had to leave my bed and read and write. I don't want to be rude, but right here I disagree with you.....a little bit.. The first 8th in bar 17 is the end of a proper cadence. Bach continue with something new, a subject unknown to us so far. Therefore we need the information from the composer to not continue with inegalité.(bar 18) Or is it something I have overlooked? I believe you are right about 27 3rd 8th. Quote: "However this version is very convincing played "straight", what a great musician!" Here I support you 100%. She play the Preludium very well "straight!" But .....when I read "Netherlands Bach Society" I expect a kind of HIP-philosophical.
I like to add: It was not the dot 27 that made me curious for many years ago, but all the dots from bar 18: "Why all the dots? What's the point?" And then I started to whistle from the beginning in the style inegalité, and the music sounds so much better. Listen to those parallell thirds from bar 56 - wow, they sounds so much better not straight! So when I listen to Newman for the first time many years later, I enjoy it so much!
Agree entirely about those thirds. It’s almost a no-brainer.
Die Meinung einer Frau ist immer anders und riskant, ich meine vertvöller als eines Mannes. Tolle Version von ihr.
That is one adorable and endearing comment - 🤭🪞❤🩹 thx