I sung this with a children’s choir as a child over 30 years ago. I’m still remember every word and still have the sheet music. This brings back wonderful memories.
« If you're with me, I'll go with joy » is a Aria from Gottfried Heinrich Stölzels Opera Diomedes, which premiered in 1718. The « Aria » is known as « Bist du bei mir » (BWV 508), a version for voice and continuo, which can be found as No. 25 in the 1725 music booklet for Anna Magdalena Bach. Stölzel and Bach were in the same places at different times and shared knowledge, but whether they met in person can only be assumed. The Bach family copied dozens of Stölzel pieces in their public and private musical practices with or without Stölzel's approval. History will tell according to the research of musicologists. This composition will be orchestrated later by Thomas Frost. I am very moved by this beautiful soprano voice. *Lucien* Aria: « If you are with me, I will go with joy die and rest. Oh, how happy my ending would be, your beautiful hands closing my faithful eyes. » *Gottfried Heinrich Stölzel*
Very interesting! Thank you for sharing the historical background to this lovely piece. BTW, if anyone reading this has not yet listened to Stölzels Concerto Grosso "a Quattro Chori," you owe it to yourself to give it a listen. You can find it here on YT.
@@danawinsor1380 When we talk about Gottfried Heinrich Stölzel, he represents the greatest musical loss of the Baroque period and beyond. Indeed, almost all of his output is lost because his works were not published and scholars want to know why. According to Lorenz Christoph Mizler, a mathematician and music theorist, Stölzel wrote much more than Bach, including operas. The score of this opera (aria), long thought to be lost, was found in 2000 at the kyiv Conservatory in Russia. Concerning this Concerto grosso, I know this what remains of the composer. My thanks ! *Lucien*
Mit diesem Trost kommt die Arie wieder auf ihren Anfang zurück: Gott ist da. Er lässt dich seine Nähe erfahren. Und trägt dich über den Abgrund. Bist du bei mir, geh ich mit Freuden zum Sterben und zu meiner Ruh. The presence of God takes the fear out of dying and in anticipation of the communion with Christ joy returns. Diese Glaubensgewissheit ist zutiefst sakral.
@@ArcheNova1resistance Hm, diese Arie singt Diomedes in Gegenwart von Pulcheria, der Kronprinzessing von Trapezunt, und das "Du" im Titel ist ganz klar an eben jene gerichtet. @Mulligan1212's Antwort war also, zumindest auf die Oper, aus der diese Arie stammt, vollkommen korrekt. Es ist eine wunderschöne Liebesarie eines irdischen Mannes an eine irdische Frau.
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Eine so wunderschöne Stimme. Man kann dieses Lied immer wieder hören.❤
아름답습니다 ❤...........danke schon~~~^-^
Beautiful and sincere singing! Bravo!
I sung this with a children’s choir as a child over 30 years ago. I’m still remember every word and still have the sheet music. This brings back wonderful memories.
Genau die Engelstimme, die zum Inhalt dieses Liedes passt!
Bravissima e Bellissima Cantante 😊❤Saluti da Lecce South Italy 🏖 🕍 ⛪😎🙏✨🎇🌌 1:55 🎼💋🎶🎶🎶🎶
wunderschön!
Der Hammer, was für Soloisten dieser BR-Chor hat!
Чудово! Чекаємо нових виступів.
Beautiful voice and good tempo
Beautiful voice
Would love to hear you in the UK one day.
"Verweile doch, Du bist so schön"
« If you're with me, I'll go with joy » is a Aria from Gottfried Heinrich Stölzels Opera Diomedes, which premiered in 1718. The « Aria » is known as « Bist du bei mir » (BWV 508), a version for voice and continuo, which can be found as No. 25 in the 1725 music booklet for Anna Magdalena Bach. Stölzel and Bach were in the same places at different times and shared knowledge, but whether they met in person can only be assumed. The Bach family copied dozens of Stölzel pieces in their public and private musical practices with or without Stölzel's approval. History will tell according to the research of musicologists. This composition will be orchestrated later by Thomas Frost. I am very moved by this beautiful soprano voice. *Lucien*
Aria:
« If you are with me, I will go with joy
die and rest.
Oh, how happy my ending would be,
your beautiful hands closing
my faithful eyes. »
*Gottfried Heinrich Stölzel*
Very interesting! Thank you for sharing the historical background to this lovely piece. BTW, if anyone reading this has not yet listened to Stölzels Concerto Grosso "a Quattro Chori," you owe it to yourself to give it a listen. You can find it here on YT.
@@danawinsor1380
When we talk about Gottfried Heinrich Stölzel, he represents the greatest musical loss of the Baroque period and beyond. Indeed, almost all of his output is lost because his works were not published and scholars want to know why. According to Lorenz Christoph Mizler, a mathematician and music theorist, Stölzel wrote much more than Bach, including operas. The score of this opera (aria), long thought to be lost, was found in 2000 at the kyiv Conservatory in Russia. Concerning this Concerto grosso, I know this what remains of the composer. My thanks ! *Lucien*
@@LucienMarine Thank you again for your historical information.
Sooo schöne Stimme! Sooo schön gesungen!
Bravo!!! 👏👏👏👏
Wonderfully sensitive performance - beautiful clear voice 👏
Most beautiful singing ever.
Sehr schön
Dieses lied, wurde bei unserer hochzeit vor 36 jahren instrumental von einer bläsergruppe gespielt. Er war und ist sehr würdevoll
This is truly sublime. Your voice is so clear and beautiful. Thank You.
Pure beauty ❤
Wunderbar! Sakrale Musik die Trost verspricht. 🙏 ❤🩹
Trost ja, sakral nein.
@@Mulligan1212 I am German. Perhaps you don't quite understand the meaning of the song.
Mit diesem Trost kommt die Arie wieder auf ihren Anfang zurück: Gott ist da. Er lässt dich seine Nähe erfahren. Und trägt dich über den Abgrund.
Bist du bei mir, geh ich mit Freuden
zum Sterben und zu meiner Ruh. The presence of God takes the fear out of dying and in anticipation of the communion with Christ joy returns. Diese Glaubensgewissheit ist zutiefst sakral.
@@ArcheNova1resistance Hm, diese Arie singt Diomedes in Gegenwart von Pulcheria, der Kronprinzessing von Trapezunt, und das "Du" im Titel ist ganz klar an eben jene gerichtet. @Mulligan1212's Antwort war also, zumindest auf die Oper, aus der diese Arie stammt, vollkommen korrekt. Es ist eine wunderschöne Liebesarie eines irdischen Mannes an eine irdische Frau.
Wunderbar!
❤❤❤❤❤
beautiful ❤
most beautiful
Incredible! I love all your performances ❤
Schöne Interpretation
❤️❤️❤️
Herrlich
Brava!
👏👏👏👏💐🌺❤️
🐾🐾🐻🇫🇮 Moi.
Бесподобно!
The instrumentalists could do it, but the vocalist had to warble her way through the piece