Mairon the Admirable, Sauron the Abhorred, Gorthaur the Cruel, Artano the smith, Aulendil the emissary, Annatar the kind, Halbrand the reluctant king, Tar-Mairon the King Excellent, Zigûr the Wizard, King of Kings, King of the Earth, God King, the Great Eye, the Necromancer, the Deceiver, Shakburz the Dark Lord, the Lord of the Rings, the Enemy, the Nameless.
Damn, I really wanted Halbrand to be a Witch King. On the other hand, Charlie did a great job portraying a seductive, deceiving version of Sauron we never saw before.
Watching the series for the first time was a meh experience for me. Watching it for the second time after the reveal made it much better. Good job for making us root for Sauron, literally the single most enjoyable character (and a very good actor!)
As an aspiring media composer, I think the idea of having both a melodic motif and a non-melodic motif for a character is awesome! Glad to have another source of inspiration.
Sauron is without a single doubt the greatest villain in cinema. Even though we don't see him directly in the OG trilogy, his presence of malice and dark will resonates through the screen. When it comes to music on the other hand it fits his character perfectly. Bear McCreary's music reflects Sauron's initial motives in the Second Age and how he goes about doing it, as a planner and manipulator, the music sounds like a brewing storm growing stronger and stronger. By the time of the Third Age the music escalates into something far more intense, Howard Shore captures the doom and dread of Sauron's imminent onslaught and his will to utterly crush his enemies. Just listening to both Shore's AND McCreary's creations gives so much insight into Sauron's mind, his evolution and ultimately how he deserves the title of Dark Lord of Mordor.
Thats the best interpretation of him for me. In the Second Age he is a chessmaster that plans his ultimate ascent to ruler of all of Middle Earth in order to create a perfect utopia for the Children of Iluvatar (although, being already a corrupted spirit, his good intent is warped). In the Third Age his inner corruption has reached such a level that he drops any renmant of good intentions he might have had and is completely consumed by his paranoia, hatred and lust for utter control over the Children of Iluvatar.
Sauron: Sauron lives BECAUSE OF YOU!!! Galadriel: And you will DIE because of me!!! Sauron: I'm NOT in danger, Galadriel! I AM the danger!!! I'm THE ONE who knocks!!!!
lol interesting that you mention that. I was just listening to the Masters of the Universe (movie) opening with Skeletor's theme in it. Might be something to what you wrote.
thanks a lot for creating this Sauron suite 🙏 tbh I'm rooting for the villains in TROP series! I'm so excited to see the showdown when Sauron & Adar clash in Mordor 🙏 listening to this suite makes me imagine how it feels like to walk in the hall or the throne room of Barad-dūr
To paraphrase another franchise I love "My master. With the Rings abandoned and the leaders of Middle Earth Aware, how will you claim your great prize?" "Middle Earth is mine to control, and I will stop at nothing to possess it...ready the armies ...we will use the old ways" *pans to an unfathomable mass of orks*
I see what you did there. *Zack Snyder's Justice League.* Dude. if Bear got the chance to score a New Gods film, I can definitely see this be used as Darkseid's theme for the rest of the DC universe moving forward alongside he people that Zack cast for the characters of DC.
you know, listening to this suite, it seemed more than once that the people who composed this work descended into hell and themselves heard it there: and I don’t think I exaggerated much, since the composers had to let it pass through themselves
It seems to me that what you need Is to find out what your enemy fears most And exploit it? No. Give them the means of mastering it. That way, when they conquer their fear.... *you can conquer them.*
@@shawnthompson2303 I never watched the show, I'm only here for the soundtrack. And if the studio had that attitude, then you won't get your precious season 3.
Well, yes and no. For a general fantasy series set in Middle-Earth it is good. The problem honestly comes from the Lore. Outside of the show, the timeline of events is recorded to have happened very differently and with a much longer timeline than how the show is presenting it. And to be quite frank, rather than accepting and respecting the limitations of the film industry or accepting that Tolkien Estates did not give Amazon the rights to the Silmarillion, they would rather hate amazon and their creation than take that anger out on Tolkien Estates for not being willing to give the Show Runners access to the existing lore. Not that I think they have much room to speak considering Tolkien Estates is the one who approved of the show and I doubt they would have done so if they felt the show was so offensive. Like any other fandom, the lore hard fans will act like they are owed something better and will always do so. Outside of that unnecessary drama bubble, the show is getting a lot of negative reviews, but for different reasons. The main issue is with Galadial. There are a few good characters. I love the relationship between Durin the 4th and Elrond for example. I love Halbrand and how he is written. Among other characters. But the problem with Galadial is that at least until the end of this season, she is a very head strong tunnel visioned character. Which, for a lot of people, is very very hard to connect with. Personally, I see what they are trying to do with her and I think it works, but there is some poor execution with it because her internal struggle to cope with the death of her brother is not directly challenged. It is the driving mechanic of her character and it gets mostly ignored until the end where she has to surrender the dagger that once belonged to him and in turn, make peace with his death. The issue at hand right now is that Season 2 can go either way and if it does not show her growing from her Season 1 self and she continues this bloodlust, it will make surrendering the dagger basically meaningless to her character. The other problem with the series is the main plot is very subtle. Too subtle. I get the point of the plot is to find and defeat Sauron before he returns to power, but with Galadial being the only one focused on ensuring he is defeated, it makes it very hard to be a forward main plot. Now, if she were looking for clews to prove she was right and prove Sauron was still around, that would be a different story. But instead she is only looking for the fight the whole season. Everyone she interacts with, she keeps trying to drag into this fight but with no proof the fight is even necessary. The only time the show has anything happen to back her is when the leaves start to fall from the tree in Numenor. The conflict with Adar and his followers would honestly have been better if Adar was serving Sauron and his intrists. If he haden't claimed to have killed Sauron and went on a small speech about how doomed everyone would be when he returned, it would have added more validation to Galadials concerns. Instead, by doing the opposite, it just conflicts with the events in Numenor and really paints Galadial out to be a mislead, bloodthirsty, revenge driven character who is holding onto a shadow of a motivation without merit. Those are the two biggest issues I have seen with the show, and personally I still found a way to enjoy it despite it. I don't think the show is bad, I just think that some of the execution was poorly done and mistakes like this happen all the time in the industry. They aren't the first. What will really determine if it bounces back or not is the direction Season 2 takes because right now, people are right. There is more reason to back and support Sauron than there is to support Galadial right now and the kicker is that Sauron is supposed to be the villain lol. But I like a good villain. Even better if you feel drawn to support him too and he isn't made out to be evil for the sake of evil. Something I didn't like about the LOTR series (but I love those films regardless) is that Sauron is made out to be Evil for the sake of Evil. Which, at that point, he isn't supposed to be. He isn't good, far from it. Heavily misguided despite his well found intentions. But not Evil for the sake of Evil and I think that threw a lot of people off too. At least the few who didn't know about his origins and backstory. It would feel weird if you are only exposed to him in LOTR to see him now making this play at being a victim of Morgoth and not a loyal servant.
You are serious ? You believe this show is the best of what they have to offered? 🤣..been watching too much of kiddies movies series it seems..one of the worst streaming series of all time ..even children of the Dune which was in 1990 was more watchable than this Soap Opera ....please stick to Saturday kids cartoon if you like this desire..
@@robertnguyen2025 lmfao telling people they cant enjoy something, big boomer energy. Wasn't as bad as any of the Resident Evil series, GoT S8, could go on. But keep ranting about how 'bad' it is lmfao
@@kylesmith7448 I won't demean your tastes, but since you started the topic of ROP's quality, please understand that we all have our own benchmarks by which we judge some work of entertainment that we intake. Now, speaking for myself, I pay attention to many facets of a work - script (or the structure of the story and how it applies to characters portraying it), makeup, acting, scene design, effects, music, costumes, direction... But acting, music (which is... Why I'm here, after all), and script are top 3 in my book. And script, I found, is something that majority of people value above most other things. When screenwriters go to strike, a dip in quality of storytelling can be seen everywhere. When screenwriting falters, every other effort in a work suffers as well. The story of ROP season 1 felt... Boring. And that, to me, is the worst offense a LotR series could commit. No one was tricked by the red herring Gandalf (or whoever he turns out to be), Galadriel's character is needlessly undignified (and un-husband-ized, wth!) for a person that has at least a millennium of life behind her, and there doesn't seem to be anything of tangible stakes in the story. THAT is how anyone can dislike the season. Again, some aspects were done incredibly well (effects, music, art), but the central thing that should've been done better was screenwriting, and maybe direction.
I dunno I've got a feeling Disney is behind it. They own nearly half of the entertainment sector and have used their influence in the past to turn general audiences against potential competitors using strawmen (check the reaction to BvS before it even came out for reference). Over here the main criticism was that it was "woke" which couldn't be further from the truth as someone who is very prone to calling out such bs.
Обожаю 🥰 эпическую музыку, в особенности из Властелина колец 🧝. Спасибо 🙏 вам огромное, за красивую музыку. 👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰
You know I'm actually surprised it's been used nearly as much as shores theme, but hey am not complaining ;) Now... this is beautiful. Thank you for adding another video to my collection. And great work on putting it together. Till the next villian 😈 (Your other non-villian vids are good, liked the fellowship one alot. But am just that type of guy ;/ )
Wouldn't make sense to put it in here. It's an entirely different theme, and associated more with the Southlands as a whole. That's going to be It's own suite in the future
Well it’s clear now this is disconnected from the movies. I respect bear as a composer Immensely for what he did in KOTM. But it’s clear there was no intend to tie this into the Jackson movies or they would’ve at least attempted to use the Mordor theme made by Howard shore. Good thing too since this series is pure shite.
Eesh, I'm surprised this is getting as much praise as it is. Bear McCreary has composed some good music... but this is all mediocre. Instrumentation and composition are all very bland, and definitely doesn't capture what Shore had created with his music. It feels like just some generic villain music, lots of tension and deep foreboding bass. It follows the same awful tropes that I'm seeing a lot of modern composers rely on. I've listen to this suite, and then gone back to the original score by Shore. Absolute worlds apart in composition, use of harmonics, instrumentation and the general atmosphere of the music and what it evokes. Shore creates incredible tension through an oppressive theme, made moreso by his ability to interlock other motifs and show restraint in his score - so when we get the contrast with Sauron's theme the watcher/listener can really understand that Sauron is "the source of all our fear" - the thing that instils terror in the free peoples. I've tried listening to this a few times over now, and honestly nothing is improving it. It just feels so bland to listen to.
can't wait to see what female sauron looks like when he faces the all mighty guyladriel in the epic showdown of whos more feminine. Girl power YAYYY..................................
"I've been awake since before the breaking of the first silence. In that time... I have had many names."- Lord Sauron.
Mairon the Admirable, Sauron the Abhorred, Gorthaur the Cruel, Artano the smith, Aulendil the emissary, Annatar the kind, Halbrand the reluctant king, Tar-Mairon the King Excellent, Zigûr the Wizard, King of Kings, King of the Earth, God King, the Great Eye, the Necromancer, the Deceiver, Shakburz the Dark Lord, the Lord of the Rings, the Enemy, the Nameless.
@@Kynokefalos I'd say Halbrand the "reluctant" king instead, his journey in this form was a parallel to Aragorn.
@@darn4285 I like it, thanks. Im not native english speaker XP
@@Kynokefalos No problem. 🤗
@@Kynokefalos how do you miss the deceiver
Damn, I really wanted Halbrand to be a Witch King. On the other hand, Charlie did a great job portraying a seductive, deceiving version of Sauron we never saw before.
So freaking true.
I wanted him to be the father of the Rohirrim, but after seeing the finale I conclude it couldn’t have ended in a better way.
I thought Halbrand would be the future King of the Dead or Sauron Lieutenant (a.k.a) Mouth of Sauron that we saw in ROTK
Halbrand should have been a herald of Sauron. Could become a ringwraith in that case.
Halbrand being Sauron is pretty awful though.
@@cashwalk7253 Normie.
*I have had many names.*
🔥👁🔥
Watching the series for the first time was a meh experience for me. Watching it for the second time after the reveal made it much better. Good job for making us root for Sauron, literally the single most enjoyable character (and a very good actor!)
As an aspiring media composer, I think the idea of having both a melodic motif and a non-melodic motif for a character is awesome! Glad to have another source of inspiration.
Sauron is without a single doubt the greatest villain in cinema. Even though we don't see him directly in the OG trilogy, his presence of malice and dark will resonates through the screen.
When it comes to music on the other hand it fits his character perfectly. Bear McCreary's music reflects Sauron's initial motives in the Second Age and how he goes about doing it, as a planner and manipulator, the music sounds like a brewing storm growing stronger and stronger. By the time of the Third Age the music escalates into something far more intense, Howard Shore captures the doom and dread of Sauron's imminent onslaught and his will to utterly crush his enemies. Just listening to both Shore's AND McCreary's creations gives so much insight into Sauron's mind, his evolution and ultimately how he deserves the title of Dark Lord of Mordor.
Thats the best interpretation of him for me. In the Second Age he is a chessmaster that plans his ultimate ascent to ruler of all of Middle Earth in order to create a perfect utopia for the Children of Iluvatar (although, being already a corrupted spirit, his good intent is warped). In the Third Age his inner corruption has reached such a level that he drops any renmant of good intentions he might have had and is completely consumed by his paranoia, hatred and lust for utter control over the Children of Iluvatar.
True🏆💯
Sauron: Sauron lives BECAUSE OF YOU!!!
Galadriel: And you will DIE because of me!!!
Sauron: I'm NOT in danger, Galadriel! I AM the danger!!!
I'm THE ONE who knocks!!!!
Always like to hear Bear's darker music. There's a bit of Skeletor and Odin in here.
lol interesting that you mention that. I was just listening to the Masters of the Universe (movie) opening with Skeletor's theme in it. Might be something to what you wrote.
An excellent theme fit for an excellent Dark Lord!
Love that you put all of Sauron's musical moments from the extended soundtrack into one video. A great musical vibe to blast on Halloween!
thanks a lot for creating this Sauron suite 🙏 tbh I'm rooting for the villains in TROP series! I'm so excited to see the showdown when Sauron & Adar clash in Mordor 🙏 listening to this suite makes me imagine how it feels like to walk in the hall or the throne room of Barad-dūr
To paraphrase another franchise I love
"My master. With the Rings abandoned and the leaders of Middle Earth Aware, how will you claim your great prize?"
"Middle Earth is mine to control, and I will stop at nothing to possess it...ready the armies
...we will use the old ways"
*pans to an unfathomable mass of orks*
I see what you did there. *Zack Snyder's Justice League.* Dude. if Bear got the chance to score a New Gods film, I can definitely see this be used as Darkseid's theme for the rest of the DC universe moving forward alongside he people that Zack cast for the characters of DC.
@@sky_walker_1235 Bear is AMAZING at using previous themes in a new way
Said anything about this show, but this theme is really Bop, it really embodiments Sauron as character.
you know, listening to this suite, it seemed more than once that the people who composed this work descended into hell and themselves heard it there: and I don’t think I exaggerated much, since the composers had to let it pass through themselves
It seems to me that what you need
Is to find out what your enemy fears most
And exploit it?
No.
Give them the means of mastering it.
That way, when they conquer their fear....
*you can conquer them.*
Is that a line from the show? Because if so... HOW FUDGING ORIGINAL.
Nope, I refuse to believe that the Amazonian Empayah spent a billion USD on this.
@@cashewnuttel9054 Don't like it? Don't watch.
@@shawnthompson2303 I never watched the show, I'm only here for the soundtrack.
And if the studio had that attitude, then you won't get your precious season 3.
Approved.
Idk why the show is getting as much hate as it is, it's really fuckin good
Well, yes and no. For a general fantasy series set in Middle-Earth it is good.
The problem honestly comes from the Lore. Outside of the show, the timeline of events is recorded to have happened very differently and with a much longer timeline than how the show is presenting it. And to be quite frank, rather than accepting and respecting the limitations of the film industry or accepting that Tolkien Estates did not give Amazon the rights to the Silmarillion, they would rather hate amazon and their creation than take that anger out on Tolkien Estates for not being willing to give the Show Runners access to the existing lore. Not that I think they have much room to speak considering Tolkien Estates is the one who approved of the show and I doubt they would have done so if they felt the show was so offensive. Like any other fandom, the lore hard fans will act like they are owed something better and will always do so.
Outside of that unnecessary drama bubble, the show is getting a lot of negative reviews, but for different reasons.
The main issue is with Galadial. There are a few good characters. I love the relationship between Durin the 4th and Elrond for example. I love Halbrand and how he is written. Among other characters. But the problem with Galadial is that at least until the end of this season, she is a very head strong tunnel visioned character. Which, for a lot of people, is very very hard to connect with. Personally, I see what they are trying to do with her and I think it works, but there is some poor execution with it because her internal struggle to cope with the death of her brother is not directly challenged. It is the driving mechanic of her character and it gets mostly ignored until the end where she has to surrender the dagger that once belonged to him and in turn, make peace with his death. The issue at hand right now is that Season 2 can go either way and if it does not show her growing from her Season 1 self and she continues this bloodlust, it will make surrendering the dagger basically meaningless to her character.
The other problem with the series is the main plot is very subtle. Too subtle. I get the point of the plot is to find and defeat Sauron before he returns to power, but with Galadial being the only one focused on ensuring he is defeated, it makes it very hard to be a forward main plot. Now, if she were looking for clews to prove she was right and prove Sauron was still around, that would be a different story. But instead she is only looking for the fight the whole season. Everyone she interacts with, she keeps trying to drag into this fight but with no proof the fight is even necessary. The only time the show has anything happen to back her is when the leaves start to fall from the tree in Numenor. The conflict with Adar and his followers would honestly have been better if Adar was serving Sauron and his intrists. If he haden't claimed to have killed Sauron and went on a small speech about how doomed everyone would be when he returned, it would have added more validation to Galadials concerns. Instead, by doing the opposite, it just conflicts with the events in Numenor and really paints Galadial out to be a mislead, bloodthirsty, revenge driven character who is holding onto a shadow of a motivation without merit.
Those are the two biggest issues I have seen with the show, and personally I still found a way to enjoy it despite it. I don't think the show is bad, I just think that some of the execution was poorly done and mistakes like this happen all the time in the industry. They aren't the first. What will really determine if it bounces back or not is the direction Season 2 takes because right now, people are right. There is more reason to back and support Sauron than there is to support Galadial right now and the kicker is that Sauron is supposed to be the villain lol. But I like a good villain. Even better if you feel drawn to support him too and he isn't made out to be evil for the sake of evil. Something I didn't like about the LOTR series (but I love those films regardless) is that Sauron is made out to be Evil for the sake of Evil. Which, at that point, he isn't supposed to be. He isn't good, far from it. Heavily misguided despite his well found intentions. But not Evil for the sake of Evil and I think that threw a lot of people off too. At least the few who didn't know about his origins and backstory. It would feel weird if you are only exposed to him in LOTR to see him now making this play at being a victim of Morgoth and not a loyal servant.
You are serious ? You believe this show is the best of what they have to offered? 🤣..been watching too much of kiddies movies series it seems..one of the worst streaming series of all time ..even children of the Dune which was in 1990 was more watchable than this Soap Opera ....please stick to Saturday kids cartoon if you like this desire..
@@robertnguyen2025 lmfao telling people they cant enjoy something, big boomer energy. Wasn't as bad as any of the Resident Evil series, GoT S8, could go on. But keep ranting about how 'bad' it is lmfao
@@kylesmith7448 I won't demean your tastes, but since you started the topic of ROP's quality, please understand that we all have our own benchmarks by which we judge some work of entertainment that we intake. Now, speaking for myself, I pay attention to many facets of a work - script (or the structure of the story and how it applies to characters portraying it), makeup, acting, scene design, effects, music, costumes, direction... But acting, music (which is... Why I'm here, after all), and script are top 3 in my book. And script, I found, is something that majority of people value above most other things. When screenwriters go to strike, a dip in quality of storytelling can be seen everywhere. When screenwriting falters, every other effort in a work suffers as well.
The story of ROP season 1 felt... Boring. And that, to me, is the worst offense a LotR series could commit. No one was tricked by the red herring Gandalf (or whoever he turns out to be), Galadriel's character is needlessly undignified (and un-husband-ized, wth!) for a person that has at least a millennium of life behind her, and there doesn't seem to be anything of tangible stakes in the story.
THAT is how anyone can dislike the season. Again, some aspects were done incredibly well (effects, music, art), but the central thing that should've been done better was screenwriting, and maybe direction.
I dunno I've got a feeling Disney is behind it. They own nearly half of the entertainment sector and have used their influence in the past to turn general audiences against potential competitors using strawmen (check the reaction to BvS before it even came out for reference). Over here the main criticism was that it was "woke" which couldn't be further from the truth as someone who is very prone to calling out such bs.
Awesome suite
Here after the season 2 teaser
All hail the Deceiver, the Bearer of Gifts, the Shapeshifter, the Creator of the Rings, the Ruler of Mordor, the Dark Lord *SAURON!!!!!*
You come for 13:34
Oh come on :) some of us like the build up
your right, i did
Hail... the one...
Very cool soundtrack.
25:58 the best boss theme is right here
Heil to Annatar, Lord of Gifts. The one true ruler of middle earth.
Yes! I’ve been looking forward to the dark lords music for so long!!!!!
12:04 The big reveal!
*I told you I found it on a dead man.*
🔥👁🔥
The beast of the earth has got the ring. Solomon ring.
Обожаю 🥰 эпическую музыку, в особенности из Властелина колец 🧝. Спасибо 🙏 вам огромное, за красивую музыку. 👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰
I see you 🌋👁🌋
Ash nazg durbatulûk, ash nazg gimbatul, ash nazg thrakatulûk, agh burzum-ishi krimpatul.
A shame that the series was inferior to the soundtrack. Bear McCreary is a Master of Music composing.
was honestly hoping this theme would be for Morgoth instead of Sauron, but it gets the message across regardless.
You know I'm actually surprised it's been used nearly as much as shores theme, but hey am not complaining ;)
Now... this is beautiful. Thank you for adding another video to my collection. And great work on putting it together. Till the next villian 😈
(Your other non-villian vids are good, liked the fellowship one alot. But am just that type of guy ;/ )
You forgot Halbrands theme
Wouldn't make sense to put it in here. It's an entirely different theme, and associated more with the Southlands as a whole. That's going to be It's own suite in the future
🔥🔥🔥
Were these taken from the soundtracks to each episode? I've got the OST and it definitely doesn't have most of these tracks.
On Spotify, Bear released an extended soundtrack album with more cues from each individual episode.
"God of rings" Rings of power That's the first thing I thought when I heard this
*GIRL!*
-The Stranger to Nori
SAURON WAS RIGHT!!!☝️🫡🦅
I swear Adar and Sauron are the best things that came out of this otherwise not so great show.
Binh đoàn bóng tối trỗi dậy 😈
The only good thing about the show was its visuals and soundtrack
Well it’s clear now this is disconnected from the movies.
I respect bear as a composer Immensely for what he did in KOTM.
But it’s clear there was no intend to tie this into the Jackson movies or they would’ve at least attempted to use the Mordor theme made by Howard shore.
Good thing too since this series is pure shite.
The show is dogshit but at least the music is decent
L take
Says who? You?
@@ronalddepesa6221 Ye, me. I don't like it and I think it's dogshit
@@ironassaultdrama8938 "I don't like this show and so no one should enjoy it" lol
@@ironassaultdrama8938 why
I Hated this Show, and Even I Have to Admit that the Score was Great.
I hear that they are sacking the writers ahead of the 2nd season. Hope is gentle...
@@maidros85 Honestly the First Season Might be Too Far to Save. Sacking the Writers Now Will Just Alienate the Fans that they have
О Герб Украины
Нихуя конечно сравнение,но так то не ожидал что этот канал кто то в России кроме меня слушает сюиты этого канала
Atleast the songs are good, despite serie being absolute abomination
Eesh, I'm surprised this is getting as much praise as it is. Bear McCreary has composed some good music... but this is all mediocre. Instrumentation and composition are all very bland, and definitely doesn't capture what Shore had created with his music. It feels like just some generic villain music, lots of tension and deep foreboding bass. It follows the same awful tropes that I'm seeing a lot of modern composers rely on.
I've listen to this suite, and then gone back to the original score by Shore. Absolute worlds apart in composition, use of harmonics, instrumentation and the general atmosphere of the music and what it evokes. Shore creates incredible tension through an oppressive theme, made moreso by his ability to interlock other motifs and show restraint in his score - so when we get the contrast with Sauron's theme the watcher/listener can really understand that Sauron is "the source of all our fear" - the thing that instils terror in the free peoples.
I've tried listening to this a few times over now, and honestly nothing is improving it. It just feels so bland to listen to.
can't wait to see what female sauron looks like when he faces the all mighty guyladriel in the epic showdown of whos more feminine. Girl power YAYYY..................................
I think you may have smoked a little too much of something.
There's really no feministic themes in this apart from Bronwyn's weird role in rallying the Southlands. As a matter of fact it's rather traditional.
i think sauron is the good guy