One can only imagine what Schubert would have written had he lived another 35 or 40 yrs. His music clearly shows his deepening and maturing as a musician and composer as he grew older, especially his final 2 yrs. If only he had composed a piano concerto!
I wonder that as well but was his musical direction also influenced by this illness and that he knew he was not going to live much longer. I wish he had recovered if it had been possible, he was exploring something truly wonderful in his later work.
Wow, so beautiful by Zimerman! I loved and played the impromptus when I was a teenager, then dislikeed it and switched to Chopin. I thought Schubert's music has too few variations, unlike Chopin or Liszt. Now I am in my mid-30s, and I suddenly realize that Schubert offers what I need: the use of chord is simple and straightforward but full of meanings and so many beauties. Similarly, life is filled with all kinds of tastes and hardness, but simply you should enjoy the beautiful moments (being with your loved ones and when creative work brings you a lot of joy) and forget about others. His music will make you feel that the meaning of life is simply to enjoy life! Simple but powerful, and less is more. Thanks for putting the impromptus here!
Ha! I find myself in the same situation. I'm currently 16 yrs old and playing stuff like chopin and liszt. Perhaps I'll understand Schubert more when I'm your age :)
@@batmansully2317 funnily enough, I'm 18 and I absolutely adore Schubert, especially the Impromptus (No. 3 is my favourite from this set). However, although I respect the late sonatas, I still haven't explored them in a way that they speak to me the same some of the late Beethoven sonatas do. Love of Chopin has never died (and I doubt it ever will), although Liszt has never inspired me the same as Schubert, Bach, Beethoven and Chopin
crazy similar to my experience with Schubert, I'm in my 40's and finally discovering some of these amazing works (I knew of the impromptus but never gave them much thought) - also check out the 3 Klavierstücke, D946 - amazing.
B flat major theme and variations are so good they would even impress Beethoven. Sublime variations full off rthymic plays and innovative ornamentation.
@@matthewperson4191 I know opinions are different, but honestly, there are many pieces out there with equally dramatic endings, or even more dramatic. Beethoven Sonata 23, Rachmaninoff Sonata 1, Bruckner Symphony 9 First movement, Chopin Scherzo 1, Prokofiev Piano Concerto 2, I could list many, many more.
I pay $15 per month for RUclips premium. Apparently there are multiple benefits. For me it is worth it just for being advert free. If I wasn't a classical music listener it probably wouldn't be such an issue .
Is there anything so heavenly as Schubert? And what a delightfully rich and nuanced performance. I've been struggling with #1 for decades, listening to every pianist I could find for hints. Now here is the most divine imaginable answer to that riddle! Of course I'll never play it one iota so well. But it's a gift to at last hear it played right. Like hearing it for the first time. All my thanks to everyone involved in sharing this.
It's funny how you mentioned the "Beethoven" approach for Impromptu no. 1, because the principal theme is almost exactly the same as in the first movement of Beethoven's 4th piano concerto :)
Schubert most likely was able to perform these… those saying that Schubert was only a “mediocre” pianist should look no further than the fourth impromptu. He could not play some of the Wanderer fantasy, but who can? And the development section of the 1st stirs my soul every single time I hear it.
Согласен с вами. Шуберт был опытным пианистом и мог прекрасно исполнить большую часть своих произведений без предварительных занятий. Должно быть, фантазию Wanderer он тоже играл с листа. В четвëртой части содержатся виртуозные выподверты, которые требуют как минимум аппликатурной работы. Справедливо предположить, если бы Шуберт хотел исполнить Фантазию До-мажор публично, он без особого труда преодолел бы все технические трудности, позанимаясь ими заранее.
interesting similarity. Also, I think that the section that comes after that (4:22) was inspired by Mozart's A-major sonata K.331 (4th variation). Texture, harmony and charachter are very similar.
2:30 (start of B section) is just so indescribably beautiful... Having said that, I am not sure if I would consider No. 1 in F minor a sonata form, especially since I think it has more of an A-B-A'-B' structure rather than the A-B-A' structure seen in sonatas. And while the A and A' sections do sound a like Beethoven, could you not argue that the B and B' sections sound far more lyrical than Beethoven? If anything these sections sound more what you would expect from Romantic-style piano repertoire. Just my opinion
Ketan Fernandes It's a mix between a sonata form, a sonata form without development, and a rondo form : A : exposition in sonata form, with one first theme, one bridge to another theme in the relative tone and a second theme in the relative tone. B : central part, not a development but a new theme in A-flat minor/major. As in the final movement of the first sonata of Beethoven. A' : reexposition with the second theme in f major this time. B' : return of the central theme in f minor/major (Big coda or new part ? Actually it's both, we can't decide). Coda : return of the first theme. Ultimate rondo or coda ? We can't be sure.
I totally agree with you, right now I'm listening to n.1 and n.3 because my piano teacher told me to choose one of these pieces to play this year... I think I'm gonna choose n.1
@@samthepianoman Ahah yes, I liked that one too, right now I'm playing n.1, but I've bought the whole book of Schubert's Improptus, maybe I could start playing n. 3 too, in my spare time. I don't really like to play variations, but I believe it would be funny to play that one
The last piece is unspeakably unique...I cannot imagine how music since 250 years ago could capture his emotions as he encounters life day to day...another names for these pieces is "schubert's journal" how fascinating
Zimmerman's approach in the 4th Impromptu is the version I've been looking for. Too many people play the work with excessive delicateness, when, at least in the coda, it really needs a fiery, exciting touch!
@@falfield he's good, and his impromptus were my very first recording, which I have a lot of reverence for, but I still think he's not fiery enough in 142-4. Perhaps what I want is a bit ahistoric, but the piece is a dramatic piece to me, and some sections of it (the long two-handed scalar passages, for example) don't even really musically work for me unless it's being played with a virtuosic approach.
I’m always carried away by this piece until 35:48, then I get so mad, because the progression of the previous melodies compared to what comes next is ridiculous, it almost feels lazy and out of place, maybe just me idk
I wonder if is just a coincidence that the four movements of this miniature set map perfectly to that of a classical sonata (with the slightly rarer scherzo-slow-movement arrangement): sonata-allegro first movement in f minor; scherzo and trio in the relative major; theme and variations slow movement; rondo finale in f minor (the same key as the first). Perhaps they were intended as a single work initially, but were, as Schumann described Chopin's second sonata, 'like four unruly children' and consequently published as a set of character pieces. Some of the most sublime piano music ever penned nevertheless.
@@orangutan1262 Why was Schubert working on three genuine and very musically challenging piano sonatas at the same time as these impromptus then? Also, just as a note, they were published posthumously.
I agree with comments below. Yes have ads, but to interrupt a sensitive, delicate and delightful piece mid performsnce like this is brutal, not to mention startling. it does NOT ENDEAR me to buy the product. Pertiod. And that is being nice, resisting temptation for crude expletives.
@@jacobsimonson9040 No problem with ads, it is when they come in during the playing itself. No issue at start or between movements. So YES I will complain. Thankfully most classical music have appropriately spaced ads.
When you say that you can easily imagine it being scored for orchestra I believe the theme of the 3rd impromptu was also used in a string quartet and opera ouverture
Some say so. I'm not that convinced about it. Why Schubert called it Impromptus? Probably mainly because each piece has its own idea, character and richness of melodies (so typically for Schubert)! The only indication of a sonata is that the first and the last pieces are in f minor ... ;)
PieInTheSky I agree on you. This piece resembles so much with Schubert's last three sonatas, D.958, 959, 960. I heard Schubert had special attachment to the theme of the variation in Op.142, so... I'm guessing maybe he originally wanted to write a sonata but also really wanted to write a variation on the theme, then it got too long and just decided to publish them seperately. Just my own opinion haha.
A set of Impromptus, from which amateurs can perform excerpts, was far more "sellable" of a four movement Sonata that has to be performed in its entirety
In order for it to be a sonata there must be a development section in the first movement, but in the first impromptu we don't hear any development of the first and second theme groups, they just repeat in different keys, so the first movement is not in sonata form and technically this is not a sonata. I agree with you that the pieces are linked in character and keys but again this is not a sonata in a classical sense, there is no scherzo or minute this can also be a second reason.
35:01-36:07 Look at the Sheet Music..and listen; it Looks and Sounds like a fairground ride, but the brakes have come off, it is out of control, and you plunge downwards into....
Thanks for pointing that out. I hadn't noticed the strong similarity in the opening bars of each. As this impromptu shows, Schubert quite liked to quote himself (and why not? It can't be described as plagiarism. If you've got a good theme, why not give it some decent exposure. There are some minor variations among the theme which appears in these three works - this, the Rosamunde Entr'acte and the String Quartet.
Pour moi il joue beaucoup trop piqué, pourquoi ? C'est d'un romantisme fou, ils ne sont PAS sur la partition. Ce n'est pas une mazurka ! Le dernier thème est saccagé ! On m'avait dit pour la première mesure "ça vient de loin"... Il attaque beaucoup trop violemment, et encore une fois, ce n'est pas ce qui est écrit ! Trop nerveux, trop agressif; trop tonique...
This reminds me of Zimerman's recording of the Debussy Preludes--perhaps a little "harder edged" sound than most recordings which are more about warmth and atmosphere (for example, consider the Schubert impromptus recordings of Uchida, Lupu, etc.) I like that fact that Zimerman is not afraid to putting a little "body" and "oomph" into his playing, and not be so delicate and refined.
Than the first set? You have to be crazy. Impromptu 3 and 4 are very well known pieces that everyone loves. 1 is dark as hell and 2 is romantic as hell. So in no way shape or form does this set overshadows the first set. They are both great.
It's a fair question. Personally I don't think it sounds like any of Schubert's other sonatas, particularly the placement of the theme and variations as the 3rd movement rather than a shorter scherzo or minuet and trio.
i hear a little bit of Beethovens 12th Sonata (also in A-Flat major) in the second Impromtu:) Thank you btw for the great work you do! Zimerman is fantastic!!!
My edition of the Impromptus doesn't have the repeat at 4:45 in #1. Of course, that's perhaps the most beautiful passage in the whole piece so I don't mind hearing it twice.
What could be better.... listening to Schuberts beautiful impromptus while watching the soccer. Impromptu no 1 of this set is quite simply divine. I just cannot find the words that do justice in describing it. Shame Schubert could not steer clear of the ladies. Had he lived to be 70, he would have composed more majestic music for the piano, and we would have loved it.
I am very sorry about the many ads during this beautiful playing of Schubert. Neverthless, I enjoyed listening and chasing the playing with my Schubert music book. Thank so much for this music.
Its not because of the creator but because of RUclips. Thwy made an update and now they can monetize peoples videos without their consent. It gives them money
I was just getting into this wonderful ad about the new Hyundai and this Schubert stuff spoilt it all.
If it was not for Hyundai you would not have Schubert. No ads equals no music.
ㅋㅋㅋㅋㅋㅋㅋ
현대 무엇
So agree 👍 do them before but not in it ! What a shock lol
🤣
Why the hell do you listen to this on YT?? Just download it, for heaven's sake!
One can only imagine what Schubert would have written had he lived another 35 or 40 yrs. His music clearly shows his deepening and maturing as a musician and composer as he grew older, especially his final 2 yrs. If only he had composed a piano concerto!
I wonder that as well but was his musical direction also influenced by this illness and that he knew he was not going to live much longer. I wish he had recovered if it had been possible, he was exploring something truly wonderful in his later work.
He wrote this at the same time as the Opus 90. It just published later. Drei Klavierstrucke are written before six months of his death.
Schubert in his 32 years lived more than many who grow old are fortunate enough to be able to.
Mozart and Schubert, my two favorite composers...dead before 36 years old. Very unfair.
@@Alix777. And Chopin 39 😢
32:39 The importance of practicing scales.
..and practiSing writing
A lot of Schubert is like that
@@iconicshrubbery It's better to shut up than to make a fool of yourself.
i was scared by 19:59 haha
The end of the fourth one is so incredibly powerful, I'm so in love with it.
Wow, so beautiful by Zimerman! I loved and played the impromptus when I was a teenager, then dislikeed it and switched to Chopin. I thought Schubert's music has too few variations, unlike Chopin or Liszt. Now I am in my mid-30s, and I suddenly realize that Schubert offers what I need: the use of chord is simple and straightforward but full of meanings and so many beauties. Similarly, life is filled with all kinds of tastes and hardness, but simply you should enjoy the beautiful moments (being with your loved ones and when creative work brings you a lot of joy) and forget about others. His music will make you feel that the meaning of life is simply to enjoy life! Simple but powerful, and less is more. Thanks for putting the impromptus here!
Disfrutar los buenos momentos , y olvidar los sinsabores. Es una buena filosofía de vida!
Ha! I find myself in the same situation. I'm currently 16 yrs old and playing stuff like chopin and liszt. Perhaps I'll understand Schubert more when I'm your age :)
@@batmansully2317 funnily enough, I'm 18 and I absolutely adore Schubert, especially the Impromptus (No. 3 is my favourite from this set). However, although I respect the late sonatas, I still haven't explored them in a way that they speak to me the same some of the late Beethoven sonatas do. Love of Chopin has never died (and I doubt it ever will), although Liszt has never inspired me the same as Schubert, Bach, Beethoven and Chopin
crazy similar to my experience with Schubert, I'm in my 40's and finally discovering some of these amazing works (I knew of the impromptus but never gave them much thought) - also check out the 3 Klavierstücke, D946 - amazing.
@@batmansully2317 I'm. The same I'm eight years old and love liszt prokofiev etc I do love this though
B flat major theme and variations are so good they would even impress Beethoven. Sublime variations full off rthymic plays and innovative ornamentation.
But how firey is that coda of the final impromptu!?
hey kyle!!!
Very firey indeed
seriously. I think that and maybe the coda of opus 90 impomptu no 2 in Eb are the most dramatic finishes in all of classical music
@@matthewperson4191 I know opinions are different, but honestly, there are many pieces out there with equally dramatic endings, or even more dramatic. Beethoven Sonata 23, Rachmaninoff Sonata 1, Bruckner Symphony 9 First movement, Chopin Scherzo 1, Prokofiev Piano Concerto 2, I could list many, many more.
@@matthewperson4191 I quite agree. Schubert is often very calm, but those two really stand out in terms of dramatic endings. I love both.
I love the ending to no. 4! In Schubert's time it would have been a scale down the entire length of the keyboard.
I think that the fourth last impromptu should had the alla ungarese hue indication
An advert in the middle of a classical composition is a sin that needs to be purged with fire.
Holy words. I can't stands those ads...
I pay $15 per month for RUclips premium. Apparently there are multiple benefits. For me it is worth it just for being advert free. If I wasn't a classical music listener it probably wouldn't be such an issue .
adblock
Download in with videoder
Boo-hoo. Use fucking adblock.
Is there anything so heavenly as Schubert? And what a delightfully rich and nuanced performance. I've been struggling with #1 for decades, listening to every pianist I could find for hints. Now here is the most divine imaginable answer to that riddle! Of course I'll never play it one iota so well. But it's a gift to at last hear it played right. Like hearing it for the first time. All my thanks to everyone involved in sharing this.
:)
Play it for yourself if you don't have an audience. enjoy it !
It's funny how you mentioned the "Beethoven" approach for Impromptu no. 1, because the principal theme is almost exactly the same as in the first movement of Beethoven's 4th piano concerto :)
Zimmerman is the best. Everything he plays is fabulous.
Ikr! There's something about the way he plays the piano, not too full of pedals, but also not too dry. He's a very briliant interpreter.
22:01 is delightful
Didn't expect to see you here 👀
A good theme to put in a fourth mash-up ;)))
#harassment
@@blezz9715 why the #harrasment though?!
Schubert most likely was able to perform these… those saying that Schubert was only a “mediocre” pianist should look no further than the fourth impromptu. He could not play some of the Wanderer fantasy, but who can?
And the development section of the 1st stirs my soul every single time I hear it.
That's my favorite passage in all of the Impromptus.
@@timward276 In all of music if you ask me. Such soothing harmonies.
Согласен с вами. Шуберт был опытным пианистом и мог прекрасно исполнить большую часть своих произведений без предварительных занятий. Должно быть, фантазию Wanderer он тоже играл с листа. В четвëртой части содержатся виртуозные выподверты, которые требуют как минимум аппликатурной работы. Справедливо предположить, если бы Шуберт хотел исполнить Фантазию До-мажор публично, он без особого труда преодолел бы все технические трудности, позанимаясь ими заранее.
As much as I love op 90 no 3, I have to say that I enjoy this set of impromptus more in total
2:19 Could this be a reference to Beethoven's piano sonata no. 31 in the same key, composed just 6 years before?
interesting similarity. Also, I think that the section that comes after that (4:22) was inspired by Mozart's A-major sonata K.331 (4th variation). Texture, harmony and charachter are very similar.
I never click on a video as fast as when I see Zimerman
relatable
Yo same
so wonderful the music and the playing🌟🌟🌟🌟🌟🌟
I always thought that Zimerman was the reincarnation of Schubert!
2:30 (start of B section) is just so indescribably beautiful...
Having said that, I am not sure if I would consider No. 1 in F minor a sonata form, especially since I think it has more of an A-B-A'-B' structure rather than the A-B-A' structure seen in sonatas. And while the A and A' sections do sound a like Beethoven, could you not argue that the B and B' sections sound far more lyrical than Beethoven? If anything these sections sound more what you would expect from Romantic-style piano repertoire. Just my opinion
Ketan Fernandes It's a mix between a sonata form, a sonata form without development, and a rondo form :
A : exposition in sonata form, with one first theme, one bridge to another theme in the relative tone and a second theme in the relative tone.
B : central part, not a development but a new theme in A-flat minor/major. As in the final movement of the first sonata of Beethoven.
A' : reexposition with the second theme in f major this time.
B' : return of the central theme in f minor/major (Big coda or new part ? Actually it's both, we can't decide).
Coda : return of the first theme. Ultimate rondo or coda ? We can't be sure.
I totally agree with you, right now I'm listening to n.1 and n.3 because my piano teacher told me to choose one of these pieces to play this year... I think I'm gonna choose n.1
Andrea Iacco I’m doing number 3, it’s REALLY fun to play
@@samthepianoman Ahah yes, I liked that one too, right now I'm playing n.1, but I've bought the whole book of Schubert's Improptus, maybe I could start playing n. 3 too, in my spare time. I don't really like to play variations, but I believe it would be funny to play that one
Number 1 iz the most beautiful
The last piece is unspeakably unique...I cannot imagine how music since 250 years ago could capture his emotions as he encounters life day to day...another names for these pieces is "schubert's journal" how fascinating
You living in 2070 or some?
Best painkiller EVER.
Some of the finest music Schubert ever wrote for the piano
14:27
III
22:00 var 2*
23:34 var 3
25:40 var 4
27:37 var 5
29:18
The Sound of perfection.Amazing and legendary pianist.
is no. 2 influenced by Beethoven's 12th sonata I wonder?
NickB Yes, completly !
Something about schubert's allegrettos are so divine 11:11
especially the 6th musical moment he composed
Very beautiful impromptus composed by that gigantic melodic SCHUBERT!
Thank you
Zimmerman's approach in the 4th Impromptu is the version I've been looking for. Too many people play the work with excessive delicateness, when, at least in the coda, it really needs a fiery, exciting touch!
Radu Lupu?
@@falfield he's good, and his impromptus were my very first recording, which I have a lot of reverence for, but I still think he's not fiery enough in 142-4. Perhaps what I want is a bit ahistoric, but the piece is a dramatic piece to me, and some sections of it (the long two-handed scalar passages, for example) don't even really musically work for me unless it's being played with a virtuosic approach.
Zimmerman is very good. Do yourself a favour and listen to Maria Joao Pires version too.
Magnifique interprétation
Quels sons magiques !
Cet impromptu est poignant
18:49 Wanderer Fantasy 3rd movement 🤔
No.3 is very lovely
I’m always carried away by this piece until 35:48, then I get so mad, because the progression of the previous melodies compared to what comes next is ridiculous, it almost feels lazy and out of place, maybe just me idk
I wonder if is just a coincidence that the four movements of this miniature set map perfectly to that of a classical sonata (with the slightly rarer scherzo-slow-movement arrangement): sonata-allegro first movement in f minor; scherzo and trio in the relative major; theme and variations slow movement; rondo finale in f minor (the same key as the first). Perhaps they were intended as a single work initially, but were, as Schumann described Chopin's second sonata, 'like four unruly children' and consequently published as a set of character pieces. Some of the most sublime piano music ever penned nevertheless.
@@orangutan1262 Why was Schubert working on three genuine and very musically challenging piano sonatas at the same time as these impromptus then? Also, just as a note, they were published posthumously.
@@orangutan1262 Well, I happen to disagree with Schumann and Einstein in this instance for the reasons stated above.
Variation 3 is so powerful...
If you mean impropmptu 3, I agree: after a deceptively simple start, challenging to play. Some of the rhythms are quite complex, to my mind at least.
Какая деликатность в исполнении, сколько нежности! Брависсимо!!!
Thanks for always providing beautiful music here.
I agree with comments below. Yes have ads, but to interrupt a sensitive, delicate and delightful piece mid performsnce like this is brutal, not to mention startling. it does NOT ENDEAR me to buy the product. Pertiod. And that is being nice, resisting temptation for crude expletives.
Malcolm Abram you are not entitled to watch RUclips for free, so quit complaining
@@jacobsimonson9040 No problem with ads, it is when they come in during the playing itself. No issue at start or between movements. So YES I will complain. Thankfully most classical music have appropriately spaced ads.
Malcolm Abram tru. I don’t think I understood what you said when I first replyed
@@jacobsimonson9040 👍😎
Malcolm Abram 👍
Entirely delightful and educational. Thanks for posting and doing all the score-work!
Almost a big sonata form hidden !
Schumann thought they formed a sonata... but Schubert gave to them the numbers 5, 6, 7, 8.
Zimerman sempre da' attenzione allo spartito piu' degli altri. Bravo Zimerman!
When you say that you can easily imagine it being scored for orchestra I believe the theme of the 3rd impromptu was also used in a string quartet and opera ouverture
Which quartet? I tried to find it but couldn't get anything
@@josesilva-gm5md In the Andante of the Rosamunde Quartet (D804) and for orchestra in the 3rd entract of the Rosamunde Opera
This is basically Schubert's sonata in F minor :D
Some say so. I'm not that convinced about it. Why Schubert called it Impromptus? Probably mainly because each piece has its own idea, character and richness of melodies (so typically for Schubert)!
The only indication of a sonata is that the first and the last pieces are in f minor ... ;)
first mov in sonata form
second slow (allegreto but slow)
third variations, ok
fourth RONDO
more sonata than sonata
PieInTheSky I agree on you. This piece resembles so much with Schubert's last three sonatas, D.958, 959, 960. I heard Schubert had special attachment to the theme of the variation in Op.142, so... I'm guessing maybe he originally wanted to write a sonata but also really wanted to write a variation on the theme, then it got too long and just decided to publish them seperately. Just my own opinion haha.
A set of Impromptus, from which amateurs can perform excerpts, was far more "sellable" of a four movement Sonata that has to be performed in its entirety
In order for it to be a sonata there must be a development section in the first movement, but in the first impromptu we don't hear any development of the first and second theme groups, they just repeat in different keys, so the first movement is not in sonata form and technically this is not a sonata. I agree with you that the pieces are linked in character and keys but again this is not a sonata in a classical sense, there is no scherzo or minute this can also be a second reason.
슈베르트가 피아노 협주곡을 썼다면 얼마나 멋진 곡이었을까?
선율의 제왕 슈베르트 너무 젊은 나이에 죽어서 안타까울 뿐.
I play it badly, but the 4th impromptu might be the most fun piece to play in my repertoire.
It is so fun to play. So challenging technically yet so satisfying to just play through.
So much fun but those thirds are annoyingly hard to get clean
@@thekenanski8789 Definitely.
And the more badly you play the more fun it is to play
I was into a joint of hybrid when this beautiful music came on and I had to listen to all them.
23:31
35:01-36:07 Look at the Sheet Music..and listen; it Looks and Sounds like a fairground ride, but the brakes have come off, it is out of control, and you plunge downwards into....
I've just noticed that the var V of number 3 is basically op 90 n 2 based on the theme of that impromptu
Thanks for pointing that out. I hadn't noticed the strong similarity in the opening bars of each. As this impromptu shows, Schubert quite liked to quote himself (and why not? It can't be described as plagiarism. If you've got a good theme, why not give it some decent exposure. There are some minor variations among the theme which appears in these three works - this, the Rosamunde Entr'acte and the String Quartet.
Was playing this set of impromptus for study, until 25:12 .... SO Enchanting I want to cry
Jumpscare at 19:59
Pour moi il joue beaucoup trop piqué, pourquoi ? C'est d'un romantisme fou, ils ne sont PAS sur la partition. Ce n'est pas une mazurka ! Le dernier thème est saccagé ! On m'avait dit pour la première mesure "ça vient de loin"... Il attaque beaucoup trop violemment, et encore une fois, ce n'est pas ce qui est écrit ! Trop nerveux, trop agressif; trop tonique...
This reminds me of Zimerman's recording of the Debussy Preludes--perhaps a little "harder edged" sound than most recordings which are more about warmth and atmosphere (for example, consider the Schubert impromptus recordings of Uchida, Lupu, etc.)
I like that fact that Zimerman is not afraid to putting a little "body" and "oomph" into his playing, and not be so delicate and refined.
SCHUBERT ... you were awesome! Beautiful music as always from you.
Thank you
Under Zimerman's touch Schubert's genius really shines - - - thanks for the upload!
14:26
18:49
the last impromptu is insanely hard.
Schubert's music is raw emotion. It's not about the music, or the playing, but the feelings conveyed by each note.
I'm practicing the 4
30:15
You wont succeed
@@gereonrath6601 shut up, if you practice hard enough you will succeed
27:36 Impromptu E flat major :)
N°1 is probably my outmost favorite
To be honest, these 4 are better than the others.
Than the first set? You have to be crazy. Impromptu 3 and 4 are very well known pieces that everyone loves. 1 is dark as hell and 2 is romantic as hell. So in no way shape or form does this set overshadows the first set. They are both great.
Hell no! I mean, this set I'd obviously great. And even arguably as good as the first set. But they aren't "better" than the first set
Four movements, beginning and ending in the same key, with the first movement being a Sonata-Allegro. Why didn't Schubert just call it a Sonata?
It's a fair question. Personally I don't think it sounds like any of Schubert's other sonatas, particularly the placement of the theme and variations as the 3rd movement rather than a shorter scherzo or minuet and trio.
Increíble
thank you for this great video!
1:33 - Classic Schubert!
Love that part!
29:15
9:29
Skip to the end and press replay for no ads
Genius
i hear a little bit of Beethovens 12th Sonata (also in A-Flat major) in the second Impromtu:)
Thank you btw for the great work you do! Zimerman is fantastic!!!
Still waiting for Schubert to drop his new album
i think that whole "dead" stuff might interfere w that, sorry man 😔😔
@@tgcccc i am alive but i am too tired to do anything now
My edition of the Impromptus doesn't have the repeat at 4:45 in #1. Of course, that's perhaps the most beautiful passage in the whole piece so I don't mind hearing it twice.
It seems you didn't buy henle verlag edition, you should always buy either, henle verlag or wiener urtext
It is so Schubert. Great playing!
GREAT ,GREAT ! PERFCT! PLAYING!
D.935 is better than D.899 fight me!
Yes, I prefer D. 935.
Always love reading the descriptions on these videos
What could be better.... listening to Schuberts beautiful impromptus while watching the soccer. Impromptu no 1 of this set is quite simply divine. I just cannot find the words that do justice in describing it. Shame Schubert could not steer clear of the ladies. Had he lived to be 70, he would have composed more majestic music for the piano, and we would have loved it.
27:56
11:11 Chapter 5 homework #4
?
23:32
I am very sorry about the many ads during this beautiful playing of Schubert. Neverthless, I enjoyed listening and chasing the playing with my Schubert music book. Thank so much for this music.
How about using the Brave browser? Say bye bye to ads.
Its not because of the creator but because of RUclips. Thwy made an update and now they can monetize peoples videos without their consent. It gives them money
Originalissimo
18:48 this made me think of schubert's rosamunde string quartet the opening of 2nd mvt. i knew it sounded so so familiar
35:49
Again, as with other uploads, I'd like to thank you for your postings and insightful comments.
Die "My skin, my way"- Reklameeinblendung bei 29:30 zeigt die Verkommenheit der kapitalistischen Geldgier.
크리스토프 에센바흐에 비하면 너무나 피상적이다
에센바흐가 치는 슈베르트를 들으면 가슴이 찢어진다
I seriously adore how he takes a breath every third beat in the second impromptu.
Schubert invented Pirates of the Caribbean 35:55
23:31
Zimmermann plays this wonderfully.
No.4 coda 35:40
20:36 var1
22:01 var.2
23:32 var.3
25:30 var.4
27:35 var.5
Vier minuten movie brought me here
Really?An ad in the middle of the piece??
Does anyone hear that weird voice at 31:10??
It's Zimerman ;)
at 3:16 you can hear his voice too (in headphones)
Beautiful ! Happy New Year !
La música de Chubert es de paz
*Schubert
How dare you misspell my name
@@W.D._Gaster chubert
@@GUILLOM >:(
Great content on this channel!!! Thanks.
Perfection. Je n'ai jamais entendu les traits en triples croches du 4e impromptu jouer en tempo !
Get'em Schubert! 👍👍👍👍