One pet peeve I have is when the main character answers the phone and another character says: "I have found the missing clue, but I can't tell you over the phone. Meet me at Death-Stab Alley in 40 minutes".
Exactly! If you can’t say something on the phone cause someone might be listening, why would you say where you’re going (and why would you go somewhere dangerous)? It makes no sense at all.
Now I want to see a story where the villain has a last minute Star-Wars-esque redemption and tries to sacrifice himself to save the day, only to end up unexpectedly surviving the ordeal. And then he’s all like “Ah shit, now I have to actually still face the consequences for all the terrible shit I’ve done”
Proceeds to be put in front of a tribunal in the Hague and say "well I'm not a bad guy anymore, I saved all those people remember?". "Yes, but you also previously personally ordered the massacre of four villages"
This is why I spare a villainous character in Dragon Age: Origins and make him survive the game. I find it so interesting. I want more stories about the difficulty of true redemption and the struggle to truly change yourself while living in a world that remembers you as a villain.
For me, Darth Vader's "redemption" has always rung particularly hollow. Billions of deaths, tortures, the massacre of youngling Jedis, but it's all ok because he saved his own son.
As someone who drowned at three among.... many other things.... I can reassure you dying and coming back is problematic and your resurrected character probably needs some therapy. My only take on resurrections, if you're going to do it don't make them wake up smiling and shit. Walk us through how they cope with being dead for x amount of time.
It is said in the tradition of the Orthodox Church that St. Lazarus, after he was raised from the dead, never again laughed save for one time, seeing a thief steal a clay pot. He chuckled and said, "Look. Dust is stealing dust."
A wise man once said “Men shit themselves when they die.” But yeah- this goes along with the fate worse than death thing, but having a character ultimately succeed but be left to deal with the emotional/mental consequences of their journey will always be more of a gut punch to me than them dying. I’m also a fan of the good old fashioned happily ever after… just to mix it up a bit haha.
I think ASOIAF (spoilers) gets character resurrections right. In the case of Catelyn it was previously established with Beric, and even though she’s brought back, she’s so different as Lady Stoneheart that it still feels we’ve lost Catelyn as a character, and because of that it doesn’t cheapen her death. And Lady stoneheart goes along with the themes of vengeance in the series and also further establishes and foreshadows Jon’s eventual resurrection (if GRRM ever writes it)
I agree. And the cost is very well established. It costs a life to bring someone back and when they are brought back they have very little left of what they originally were
One thing to consider: terminating characters upon completion of their arcs treats them as disposable commodities that are trashed as soon as they are no longer useful. This is dishonest and breaks suspension of disbelief because it doesn't treat them as people, but rather as convenient storytelling vectors. It also makes the stories predictable because you can anticipate deaths after their presence no longer serves the purpose of fulfilling their personal arc.
Regarding that last one about killing off the comic relief: that's what Shakespeare did in Romeo and Juliet. The first part of the play is raunchy, comically violent, and over the top with sex. The violence becomes less comical as the stakes increase. It comes to the climax when the loud, clowning best friend Mercutio is fatally wounded through the Capulet-Montague feud and curses the families in his dying breath. That curse turns the play from action-comedy to drama. Everything goes downhill from there (situationally, not the quality of the work). Definitely try killing off your comic relief and explore how devastating it might be to the survivors.
I pretty liked this kind of video. Would like to see more of this. Plus I noticed that I`m watching your videos for over 2 months now whitout being subscribed and finally changed it.
Yup, I have recently discovered that I kinda hate "redemption equals death" for villains, unless it is very well set up. I have encountered it A LOT recently in fiction, and it's really annoying because every character I can think of would have been SOOOO interesting if left alive to deal with the consequences of their choices. Most of them either had completed or were in the middle of a redemption arc anyway, so WHY????? Why not actually have them complete the arc rather than dying?
I kind of what a villain to dramatically redeem themselves with a sacrifice and have a monologue about how maybe in their last moments they can do some good, then have the heroes look at their corpse and go, "well, that was a freebie"
1:18 I keep hoping for this to happen. Every time a character dies off-screen, I believe it, because I desperately want it to be true. Then my hopes and dreams just get shattered when they walk back into the story.
I personally irreversibly hurt way more characters than I kill. Thaaat has probably a lot to do with the fact that I'm disabled and have multiple illnesses, so I'm kind of in a way trauma dumping my stories, lol
As someone who is currently reading through Malazan: Book of the Fallen for the first time I'm really loving Erikson's way of dealing with character death - wouldn't be surprised if its controversial though
Imo, death just being "on the table" is a lot more important than any death *actually happening.* Whenever a story gets to a point where you know for sure nobody is going to die anymore, it's much harder to get invested in the conflict, and even on the off-chance that someone does die past the point you stopped caring, it's too little too late, you already stopped caring. Which is the problem One Piece faces in many people's eyes. However, even if nobody ends up dying by the end, if there is an understanding that they CAN die, that creates tension. Of course, having too much death runs into a similar problem, where the audience stops caring if anyone dies or not. Which is the problem GoT had. So not too much and not too little.
One show that really did this right was Transformers: Prime. (I’m serious, stop laughing). The show kills off one of its characters in the first five minutes. As in, one of the good guys gets fucking stabbed and turned into an eldritch horror they have to throw into a pit. It constantly gives a feeling of suspense, and I was genuinely worried they were gonna kill off another character throughout the entire thing.
@@Thatguyy100 I love ASOIAF and tried First Law but it was boring. I enjoyed Glokta’s chapters but whenever it was someone else, especially Jezal (is that his name?) I got bored and put it down. I got over 100 pages in but like nothing was happening. It seemed like I was just following the characters daily routines. I’ll probably try it again some day though
@@Lezzyboy87 I find the Standalone books are less good then the original triliogy but still worth a read. The second trilogy is simply amazing and better or the same quality as the first.
I know I’m in the minority, but I hate it when any characters I like die! It’s ok for a book to be unrealistic, and I don’t mind the resurrection trope! 😜😁
Star Wars was 100% what I had in mind when I wrote that comment. In terms of resurrections (actual resurrections, not fakeouts) I feel like if they're handled well than they can serve the story (for instance: exploring the psychological effects of literally dying and being brought back). The trouble is that most stories rely too much on resurrection to specifically *avoid* the consequences of death.
"I will write a book where all the characters die in the first 15 minutes." Okay, but now I want a story about the afterlife having to deal with the consequences of omnicide. Like, what kind of accomidations do they have to make up in Heaven? The angels would probably be pretty overworked. What would it be like for your average joe to just suddenly wake up and realize that he's dead, but so is everybody he's ever loved, hated, and lost connection with? I can see serious potential in this premise...
Chainsaw Man is one of my favorite pieces of media in how it deals with character death. Because it happens a lot, but I feel like it handles it very well. We see the impact that those deaths have on the rest of the characters, and every death has a ton of weight.
Death can be cheap stakes. Give me actual consequences and character struggles. Like quote unquote "serious fiction" where the stories aren't these grand battles.
14:42 "That's actually... I'd read that." 😂 Don't tempt me. I'd write a short story just for the meme. lol... or a five-book Fantasy saga. Definitely one of those.
Not only that, but the consequences of the deaths of important characters are always appropriately massive. Like we are, in book 5 basically still seeing the consequences of a certain main characters death.
ASoI&F became kinda predictable after a while. It's usually the PoV characters that are boned. E.g. notice how Cersei wasn't a PoV character early on and things went well for her. But then she became a PoV character in A Feast for Crows and uh-oh, Spaghetti-O's!
We were once discussing predictions for the 5th Stormlight book and someone told me Kaladin was gonna die for sure cause his arc was now complete and he had reached catharsis and it made me SO DAMN ANGRY!! If Bondo Sandman killed off Kaladin it would really piss me off and I'd be really disappointed cause that would go against all that Kaladin stands for. P.s. happy early birthday to us!
My own theory is that Kaladin would complete his arc and live through Book 5. Then he'd get reintroduced in the second Stormlight arc as a happy hermit or whatnot, AND THEN they'd kill him off.
I hate having my heart ripped out by well done character deaths, (looking at you, His Dark Materials book series). But one thing I thought about during this, that would be interesting is having a character death done properly, then bringing that character back, and now everyone who grieved that character and moved on has to deal with the consequences of having that character back in their lives. Would they actually be happy to have them back? Would they resent them, openly or covertly? Would there even be room for that character in their lives? Would they keep it a secret or not? Would the once dead character need to move on as well and "find new pastures" as it were? Would they wish they’d stayed dead? Not to mention the legal side of things if this is like a modern society - like, citizenship, passport etc. "Oh, I see here it says you used to be dead. Excuse me while I go and find the correct form to fill out." And also the government wanting the secret to bringing people back.
I agree with you here. Nothing pisses me off more than character resurrections, especially if the death was really well done. So if you're going to bring someone back, take the time to examine how difficult it would be to reintegrate, and how difficult it might be for their loved ones to have them back. I won't get into specifics, but that's something that hugely bugged me with the most recent season of Stranger Things. Right at the end of the last episode, a character that has been assumed dead for months finally reunites with several members of the cast. And they're just? Really underwhelmed? They're acting like they just haven't seen him for months, rather than like they've just learned that he's actually been alive the whole time.
Kind of random, but your comment makes me think of a French comic book series called Les légendaires, made for teenagers. One of the main characters is killed dramatically in book 12...and three pages later, he is resurrected by a very mysterious woman with unknown intentions. In book 17, he finally reveals that he's alive to his friends, and as you might expect, they aren't exactly thrilled at first. He quickly manages to win their trust and affection back(unfortunately...).
Star wars is interesting... Darth Vaders death didn't redeem him to the universe, it reconciled him to Luke. Kylo ren however.... oh boy. He didn't even need to die, felt like the studio just realised 'oh, yeah, he's a bad guy, better pull that lever'
I like the trope of ‘imperfect resurrection’. like they’re brought back but different. Like it lets the character come back but keeps all of the issues that their death brought.
Good resurrection storyline that comes to mind is Buffy the Vampire Slayer. We expirience the death, feel the emotions of it, watch the characters deal with it. And when Buffy is brought back we expirience the fallout of her experiences being dead and brought to life. She is a fundamentally different character after.
I really liked that they went into the conflict she felt about having been in Heaven before being pulled back into the endless fight. Was so well done.
Really? I never thought he was coming back. It was just more dramatic to experience his death the way Arya did (not being there to see it, but knowing it absolutely certain)
@@TheJadedJames Yeah, I gathered that was what they were doing eventually, it just seemed to me like there was ever so slightly the chance that he was the Faceless Man and disguised himself as Jaqen H'gar on his way out of the city. Just a small chance.
@@TheJadedJames My assumption (if he had survived) was that he managed to knock out the guards with his wooden sword and then escaped to do his next task/disguise.
My favourite character deaths are in Twin Peaks. While the main character's death is a serious thing and investigated thoroughly, every other character that dies does so very violently and pointlessly.
What about a character who fakes his death and everyone know he ain't dead but he doesn't know they know he alive..? Guess that would be on the comedy genre, but still would like to read that XD
My two cents on character death and resurrections: -Deaths are -often- more impactful to me when they just happen out of the blue. When there's this big dramatic lead-up it gets me to prep for it, and it feels like I get to start processing their death before it happens. When it's done in a snap, I get to be more in the shoes of the still living characters, and get shocked *with* them, rather than just reading about how they were surprised. Plus it feels more realistic. -I don't like having characters constantly getting killed off. Take game of thrones; it was a great twist to have the just protagonists actually die. But by book three, it was suddenly like "oh a nice person. Bet they'll get skinned soon." Eugh, I guess I'm saying breaking tropes is a great way to create surprise and tension, but if you ALWAYS break the trope, it's just as predictable as before. But yeah, some death is great, it just needs to feel impactful. -Resurrection sucks. unless it's made very clear that it can only happen to certain people, or under certain scenarios, it is bad and will forever ruin the stakes. Look at the MCU. Who gives a shit about what happens, they'll just rewind time, or grab someone from another universe or something. I don't *care* about any of it, because ANYTHING can just be undone. Obviously there's exceptions to all of these. If it's a good enough writer or a good enough story, just about anything can be explained away. But still.
Completely agree that a shocking death is always better. You're caught off guard with all the characters, and the death feels all the more upsetting because of the endless unresolved plot threads they had when they died. And hard agree that resurrections suck, they just kill any emotional impact on reread/rewatch. I can think of exactly one character death followed by resurrection that still gets me emotional, which is in the second season of Supernatural. One of the main characters dies out of nowhere in the penultimate episode of the series, and his brother absolutely loses it. He's been an emotional wreck all season, and his single greatest fear was losing his brother. So now his worst nightmare has happened, and it pushes him so far over the edge that he compromises his own moral standards and does something awful to bring his brother back. It's made crystal clear that resurrecting him was a reckless and selfish thing to do, the consequences of doing so form the main plot of the entire next season. (Ironically the show is famous at this point for endlessly resurrecting characters when they run out of ideas, but the first time they attempted it is the only character resurrection I actually really love).
I mean when I was younger, I had this whole interconnected universe of stories I created which ended when all the characters died in a climatic final battle. So I guess I am a true writer.
Offscreen deaths are legit so suspicious, I never realised how prevalent that trope is. I guess it just feels less satisfying to have major offscreen deaths
He should realize by now that I’m immortal. A little canyon means nothing to me. I also wanted to say that that’s a nice little RUclips channel you’ve got there. Hmmm, Joshua Carrying Thing has a nice ring to it…
Spoilers for Maze Runner series: Ngl, when Newt died it was such an epic moment. The build up was fascinating and even thought it was suggested he would die because he had the sickness one would have never expected it, and much less how it happened, because other characters with the illness didn't die. His death was sudden and impacted the flow and ambience of the story so significantly. You had to take a step back and reread the scene and it still hurt. Such an amazing story.
Regarding the way worse things to happen than death to a bad guy, let us reminisce about the fates of our enemies in Dishonored in a non-lethal run. I mean, some of them are really savage (but deserving nonetheless).
Also, I'm okay with the resurrection trope (using it for my own story), but make it so there is at least some kind of implication. Looking at you Snowy Jony boy.
@@TheGamerITA1 what stops you from reading a book because of one vague ass spoiler I didn’t specify the character, when it happened why it happened, what happened or the context of the event. Barely anything is ruined or spoiled Also, there’s 5 OTHER BOOKS
@@kaladinstormblessed8790 Dude, I understand that not everyone reacts this negatively to spoilers, but personally I can get really upset about them (I literally have no social media account for this very reason). And I have friends who are of the same mind! So I know I not the only one. If you had the time to write a reply, then you also had the time to edit your original comment with a warning.
The guy at 5:39 👏👏👏 My fave character dying shines the spotlight on them in a way, so I'm usually happy to see it! Fun to see the effect their absence has on other characters.
I like ressurections in stories when there are consequences for the one who brought them back to life, like them having to pay a big price. Also dealing with the trauma of dying for the ressurected person. They did this well in Supernatural the first two times, but than it sadly got way out of hand. Percy Jackson spoilers Another example I find interessting is Thalia from the Percy Jackson Series. She died before the start of the series and her ressurection wasn't even on purpose by the ones ressurecting her. I find it interessting seing a character acting in the story who was important for the backstories of two main characters and the villain but wasn't really active in the story before and who comes back to a changed world. Like everyone else ist older, her mother died and her best friend became a villain and the leader of a group they are at war with now
Lmao I literally just made a comment gushing about how the first death and resurrection in Supernatural season 2 is the only death fakeout that I actually like and that doesn't diminish the emotional impact on rewatch.
Unless the death makes sense I usually just get angry. For example, I recently read a 4 book series that I really enjoyed and ended on a relatively happy note for the characters. (won't include the name to avoid spoilers) There was a follow-up series set years later following the next generation. I started reading it because I loved the first series and wanted to see how the characters had lived and where they would go next. AND THEY KILLED A MAJOR CHARACTER IN CHAPTER 2 OF THE FIRST BOOK. It wasn't even earned; they just died from random street thugs in order to motivate the new main character. It was one of the most anticlimactic moments I've ever experienced in a novel. I just stopped reading and took a break for several weeks out of anger before finally going back.
I know I'm pretty late to this, but this video just gave me a thought/question that I don't know where else to take. Re: @5:58 I'd already been thinking lately about some of the classics stories from writers like Camus, Kafka, Melville, etc; about how many of the protagonists arcs inevitably lead to their death, and if it is truly inevitable. I enjoy writing, and I love the themes and ideas explored in many of these books. But I think I might be depressed enough already without constructing my own narrative that demonstrates that death is the only meaningful resolution in the absurd struggle and torment that is life. Could Bartleby, or The Stranger, cockroach Gregor have survived their stories without ruining them?
On the 'kill the comic relief' comment, I completely agree that it can really work wonders in upping the stakes and darkening the tone. Teen Wolf sort of does this in its third season, and the result was widely praised as one of the best seasons of a supernatural teen show ever. The comic relief doesn't die, but he spends most of the season as a punching bag and eventual vessel for the series villain. He cracks a couple jokes early on, but he spends most of the season either in emotional turmoil or possessed by an evil spirit, and you *feel* the absence of his usual fun presence.
I think one of the best resurrections I’ve ever seen was in Buffy The Vampire Slayer (spoilers obviously). When Buffy is brought back from the dead in the beginning of Season 6, it’s not treated as a wholly good thing. Sure, it’s nice to have her back, but she suffers a lot of psychological torture from the ordeal. I mean, she literally has to claw her way out of her buried casket and stumbles around town for hours trying make sense of what is happening for the whole episode. And to add insult to injury, it’s revealed at the end of the episode that she actually ended up in the equivalent of heaven, and existing on earth in comparison was like hell. It’s becomes her character arc throughout the most of the season, so there are huge character consequences for such an act. Another layer is the fact that she’s not brought back by some random happenstance to bring back into the plot, the other characters actively use a spell to bring her back from the dead because they miss her. It contributes to another running theme in the season: the unexpected consequences of wielding magic without caution. So the show chooses to make a big deal out of how much hell being resurrected puts someone through, and (to my recollection) never does a revival in the same way. There are plenty of problems with Buffy the vampire slayer (especially the people behind it) but it does a lot of stuff like this really well.
Sort of related, it bugs the hell out of me when two characters who may have a spark but didn't act on it at a good time do so during a pitched battle where that 20 seconds of inaction should result in maiming or death. I would love a story where a main character and their love interest take the time to kiss or whatever and one or both get run through or decapitated.
“Mentor them, give them the advice they need, and never talk to them again.” Name of the Wind did this well. Abenthy literally and metaphorically fucked right off.
I'm poisoned from reading tie-in novels that have characters shared by authors - but I'll *always* prefer a character dying to them hanging around past their use-by date - if only so they can't be 'ruined' by something else later. Is it silly, and having them just live on off-screen would be better some of the time? sure... but if that temptation is there...
Give me a fantasy where the mentor lives and the young protagonist dies, and he gets pulled back into the conflict. That would be interesting!
that legit sounds awesome
That is actually done at the start of the 2019 IDW transformers comic.
now I'm gonna have to write a novel doing this
The once and future king
Dude that is baller.
One pet peeve I have is when the main character answers the phone and another character says:
"I have found the missing clue, but I can't tell you over the phone. Meet me at Death-Stab Alley in 40 minutes".
Yeah for sure I'll be rite there.... Wait a second... Is that North Death-Stab Alley or South Death-Stab Alley?
death-stab alley is such a pain. have to walk 3 miles out of my way just to get to work
Exactly! If you can’t say something on the phone cause someone might be listening, why would you say where you’re going (and why would you go somewhere dangerous)? It makes no sense at all.
Oh my. I hate this with passion.
I love this joke. Its the kind of thing youd hear in an old police squad episode.
I've been thinking my autobiography doesn't have enough character deaths... Guess it's time to 'prune the bushes'
@Anne Day Or whatever the British equivalent is. : )
Ben.......ben are you ok
that made me laugh so hard
@@ManCarryingThing he is overly average
I am still recovering from The Good Place. All of the main characters died before the first episode. That is quality story telling.
Hahaha i really liked that show. Specially the first season.
….whos going to tell jake he’s been dead for 3 years?
Ah yes, George Bush will be missed.
I think it'd be funniest and the most emotionally cathartic if Haley Joel Osment told him - playing the part of his son.
Deborah didn't leave him for Joshua, she remarried after Jake died
Now I want to see a story where the villain has a last minute Star-Wars-esque redemption and tries to sacrifice himself to save the day, only to end up unexpectedly surviving the ordeal. And then he’s all like “Ah shit, now I have to actually still face the consequences for all the terrible shit I’ve done”
I didn't really like the book but that is the premise of Shadow of the Conquerer
Proceeds to be put in front of a tribunal in the Hague and say "well I'm not a bad guy anymore, I saved all those people remember?". "Yes, but you also previously personally ordered the massacre of four villages"
This is why I spare a villainous character in Dragon Age: Origins and make him survive the game. I find it so interesting. I want more stories about the difficulty of true redemption and the struggle to truly change yourself while living in a world that remembers you as a villain.
For me, Darth Vader's "redemption" has always rung particularly hollow. Billions of deaths, tortures, the massacre of youngling Jedis, but it's all ok because he saved his own son.
@@ian_b star wars is that black and white by design though
Title: Why you are WRONG about character deaths
Video: Jake agreeing with almost every person
lololol my therapist will be knowing about this comment
@@ManCarryingThing Therapist, more like thumbnail designer.
As someone who drowned at three among.... many other things.... I can reassure you dying and coming back is problematic and your resurrected character probably needs some therapy. My only take on resurrections, if you're going to do it don't make them wake up smiling and shit. Walk us through how they cope with being dead for x amount of time.
Interesting take... yeah who gets back from the dead happy and smiling
It is said in the tradition of the Orthodox Church that St. Lazarus, after he was raised from the dead, never again laughed save for one time, seeing a thief steal a clay pot. He chuckled and said, "Look. Dust is stealing dust."
When they come back as some corpse monstrosity and their role in the story changes >>>>
@@DS-xg7hk the irony is, I'm watching a video on Zombies.....
First half of BTVS season 6 in a nutshell
I feel personally insulted that my tweet is not part of the video. Gonna commit character mass resurrection.
You mean... Like dragonball?
Now I can't unsee your bookshelf. Damn you Donald Green.
@@erixperience4050 THANK YOU
now i will put all my books sideways OUT OF SPITE
A wise man once said “Men shit themselves when they die.”
But yeah- this goes along with the fate worse than death thing, but having a character ultimately succeed but be left to deal with the emotional/mental consequences of their journey will always be more of a gut punch to me than them dying. I’m also a fan of the good old fashioned happily ever after… just to mix it up a bit haha.
Only men though, because we all know that women don't poop
“Brandon Sanderson is scared to kill his main characters.”
The Fortnite books :
so we're just calling them the fortnite books. i see.
BONK HOL
BONK HOL ISS ME BHALDHIE
@@hurshal3279 HELLO
@@cytonicstarspren4384 POGGAS
Speaking of death, Joshua’s death was NOT your fault but if it was, he deserved it
“Death”
THANK you. 100% accident. and it was the FBI
Ahhh, more than 17 minutes! What a treat
Also, man carrying depression? I felt that one dude
lol someone tweeted that at me so I read it on my phone. reacted in real time
❤️
I think ASOIAF (spoilers) gets character resurrections right. In the case of Catelyn it was previously established with Beric, and even though she’s brought back, she’s so different as Lady Stoneheart that it still feels we’ve lost Catelyn as a character, and because of that it doesn’t cheapen her death. And Lady stoneheart goes along with the themes of vengeance in the series and also further establishes and foreshadows Jon’s eventual resurrection (if GRRM ever writes it)
I agree. And the cost is very well established. It costs a life to bring someone back and when they are brought back they have very little left of what they originally were
One thing to consider: terminating characters upon completion of their arcs treats them as disposable commodities that are trashed as soon as they are no longer useful. This is dishonest and breaks suspension of disbelief because it doesn't treat them as people, but rather as convenient storytelling vectors. It also makes the stories predictable because you can anticipate deaths after their presence no longer serves the purpose of fulfilling their personal arc.
Isn't this a common thing with side characters or character that goes through an arc of caring about your team XD
Regarding that last one about killing off the comic relief: that's what Shakespeare did in Romeo and Juliet. The first part of the play is raunchy, comically violent, and over the top with sex. The violence becomes less comical as the stakes increase. It comes to the climax when the loud, clowning best friend Mercutio is fatally wounded through the Capulet-Montague feud and curses the families in his dying breath. That curse turns the play from action-comedy to drama. Everything goes downhill from there (situationally, not the quality of the work).
Definitely try killing off your comic relief and explore how devastating it might be to the survivors.
Yeah, that moment was pretty ballsy. And truly everything did get utterly fucked in the following chain of events
I pretty liked this kind of video. Would like to see more of this.
Plus I noticed that I`m watching your videos for over 2 months now whitout being subscribed and finally changed it.
hey, thanks for watching!
Yup, I have recently discovered that I kinda hate "redemption equals death" for villains, unless it is very well set up. I have encountered it A LOT recently in fiction, and it's really annoying because every character I can think of would have been SOOOO interesting if left alive to deal with the consequences of their choices. Most of them either had completed or were in the middle of a redemption arc anyway, so WHY????? Why not actually have them complete the arc rather than dying?
How about an antagonist that is offered a chance to redeem him/herself but they're like "Fuck that!" and commit suicide?
I kind of what a villain to dramatically redeem themselves with a sacrifice and have a monologue about how maybe in their last moments they can do some good, then have the heroes look at their corpse and go, "well, that was a freebie"
I mean is dying and going to Hell not a consequence of its it own? You are still paying with karma technically XD
My comments was actually read. Now I can die happy or live for ever
wait i just granted you eternal life? sweet.
@@ManCarryingThing it sure is. But I would prefer if you granted me some books with that eternal live but guess I got to be happy with what I have
1:18 I keep hoping for this to happen. Every time a character dies off-screen, I believe it, because I desperately want it to be true. Then my hopes and dreams just get shattered when they walk back into the story.
I can only recall it happening in no country for old men
The book and the movie
I personally irreversibly hurt way more characters than I kill. Thaaat has probably a lot to do with the fact that I'm disabled and have multiple illnesses, so I'm kind of in a way trauma dumping my stories, lol
I swear to god I ran into this once:
"He was dead."
/end of chapter
/turn page
"He wasn't dead."
No, but my interest in this book is!
As someone who is currently reading through Malazan: Book of the Fallen for the first time I'm really loving Erikson's way of dealing with character death - wouldn't be surprised if its controversial though
Am also reading Malazan, death is transitory!
That major injury point makes so much sense and it looks like Robert Jordan also went that route
also Roland in TDT
I think the person stating sanders is scared of killing characters didn't read mistborn lol. How many of the characters live to the end? 3?
Imo, death just being "on the table" is a lot more important than any death *actually happening.* Whenever a story gets to a point where you know for sure nobody is going to die anymore, it's much harder to get invested in the conflict, and even on the off-chance that someone does die past the point you stopped caring, it's too little too late, you already stopped caring. Which is the problem One Piece faces in many people's eyes.
However, even if nobody ends up dying by the end, if there is an understanding that they CAN die, that creates tension.
Of course, having too much death runs into a similar problem, where the audience stops caring if anyone dies or not. Which is the problem GoT had. So not too much and not too little.
One show that really did this right was Transformers: Prime. (I’m serious, stop laughing). The show kills off one of its characters in the first five minutes. As in, one of the good guys gets fucking stabbed and turned into an eldritch horror they have to throw into a pit. It constantly gives a feeling of suspense, and I was genuinely worried they were gonna kill off another character throughout the entire thing.
And this is a point where First law needs to be recommended
Starting the second book today
Defs. Best Grim dark series I read. Better then ASOIAF in my opinion.
@@Thatguyy100 are the follow ons as strong as the original trilogy?
@@Thatguyy100 I love ASOIAF and tried First Law but it was boring. I enjoyed Glokta’s chapters but whenever it was someone else, especially Jezal (is that his name?) I got bored and put it down. I got over 100 pages in but like nothing was happening. It seemed like I was just following the characters daily routines. I’ll probably try it again some day though
@@Lezzyboy87 I find the Standalone books are less good then the original triliogy but still worth a read. The second trilogy is simply amazing and better or the same quality as the first.
I know I’m in the minority, but I hate it when any characters I like die! It’s ok for a book to be unrealistic, and I don’t mind the resurrection trope! 😜😁
Star Wars was 100% what I had in mind when I wrote that comment. In terms of resurrections (actual resurrections, not fakeouts) I feel like if they're handled well than they can serve the story (for instance: exploring the psychological effects of literally dying and being brought back). The trouble is that most stories rely too much on resurrection to specifically *avoid* the consequences of death.
"I will write a book where all the characters die in the first 15 minutes." Okay, but now I want a story about the afterlife having to deal with the consequences of omnicide. Like, what kind of accomidations do they have to make up in Heaven? The angels would probably be pretty overworked. What would it be like for your average joe to just suddenly wake up and realize that he's dead, but so is everybody he's ever loved, hated, and lost connection with? I can see serious potential in this premise...
So the Good Place?
Chainsaw Man is one of my favorite pieces of media in how it deals with character death. Because it happens a lot, but I feel like it handles it very well. We see the impact that those deaths have on the rest of the characters, and every death has a ton of weight.
The best example of irreversibly hurt is Griffith in berserk. That crushed me more than his death ever would've.
But luckily he recovered and got his revenge on that dastardly Black Swordsman who abandoned him.
gurufisu did nothing wrong
What do you mean “that 1 Marty Robbins song in which the narrator dies?” There’s like 4
perfect comment. 10/10
Please prevent the death of the MCT discord server by using the link in the video description.
It’s not really dyin’ hard tho
No but we need new recruits
join the ranks. we have.......thing
Death can be cheap stakes. Give me actual consequences and character struggles. Like quote unquote "serious fiction" where the stories aren't these grand battles.
14:42 "That's actually... I'd read that." 😂 Don't tempt me. I'd write a short story just for the meme. lol... or a five-book Fantasy saga. Definitely one of those.
palpatine voice: *do it*
Dew it
"have you ever heard the tragedy of Darth plagueis the wise? I killed him. Now here's 5000 pages about beautiful trees and shrubs
ASOIAF handles it really well in my opinion. Stakes are important because there is a looming threat overhead that if you fuck up it’s a wrap for you.
Not only that, but the consequences of the deaths of important characters are always appropriately massive. Like we are, in book 5 basically still seeing the consequences of a certain main characters death.
ASoI&F became kinda predictable after a while. It's usually the PoV characters that are boned. E.g. notice how Cersei wasn't a PoV character early on and things went well for her. But then she became a PoV character in A Feast for Crows and uh-oh, Spaghetti-O's!
One resection that can work is they come back messed up mentally scared by the memories and experiences of thair death
In my original comment I gave some series examples and I only wanted to add that I somehow forgot about JoJo's, and I am ashamed.
will you read the fortnite trilogy by brian sanders?
just wiped out tomato town
@@ManCarryingThing Mistborn just got downed
@Hydraulic Now we’re in the Luthadel streets
omg if you ever read asoiaf i’d be so interested to see your thoughts about punishment instead of death for antagonists and resurrection be challenged
No character death made me cry more than Where the Red Fern Grows
legit that was the exact book i was thinking of
We were once discussing predictions for the 5th Stormlight book and someone told me Kaladin was gonna die for sure cause his arc was now complete and he had reached catharsis and it made me SO DAMN ANGRY!! If Bondo Sandman killed off Kaladin it would really piss me off and I'd be really disappointed cause that would go against all that Kaladin stands for.
P.s. happy early birthday to us!
My own theory is that Kaladin would complete his arc and live through Book 5. Then he'd get reintroduced in the second Stormlight arc as a happy hermit or whatnot, AND THEN they'd kill him off.
happy early birthday!
@@alexheed5654 I hate you
It's possible, but I hate you 😭
"All of the characters die within next 15 pages"
This is literally Lews Therin Telamon's representation
I hate having my heart ripped out by well done character deaths, (looking at you, His Dark Materials book series). But one thing I thought about during this, that would be interesting is having a character death done properly, then bringing that character back, and now everyone who grieved that character and moved on has to deal with the consequences of having that character back in their lives.
Would they actually be happy to have them back? Would they resent them, openly or covertly? Would there even be room for that character in their lives? Would they keep it a secret or not? Would the once dead character need to move on as well and "find new pastures" as it were? Would they wish they’d stayed dead?
Not to mention the legal side of things if this is like a modern society - like, citizenship, passport etc. "Oh, I see here it says you used to be dead. Excuse me while I go and find the correct form to fill out." And also the government wanting the secret to bringing people back.
I agree with you here. Nothing pisses me off more than character resurrections, especially if the death was really well done. So if you're going to bring someone back, take the time to examine how difficult it would be to reintegrate, and how difficult it might be for their loved ones to have them back.
I won't get into specifics, but that's something that hugely bugged me with the most recent season of Stranger Things. Right at the end of the last episode, a character that has been assumed dead for months finally reunites with several members of the cast. And they're just? Really underwhelmed? They're acting like they just haven't seen him for months, rather than like they've just learned that he's actually been alive the whole time.
Kind of random, but your comment makes me think of a French comic book series called Les légendaires, made for teenagers. One of the main characters is killed dramatically in book 12...and three pages later, he is resurrected by a very mysterious woman with unknown intentions. In book 17, he finally reveals that he's alive to his friends, and as you might expect, they aren't exactly thrilled at first. He quickly manages to win their trust and affection back(unfortunately...).
With that silent wind there comes only death, only darkness, only The Stand
if i die before reading the stand...... *shudders*
Recommendation: overly sarcastic productions trope talk on 'fates worse than death'
Star wars is interesting...
Darth Vaders death didn't redeem him to the universe, it reconciled him to Luke.
Kylo ren however.... oh boy. He didn't even need to die, felt like the studio just realised 'oh, yeah, he's a bad guy, better pull that lever'
the rise of skywalker basically covers all my least favorite dying tropes
I like the trope of ‘imperfect resurrection’. like they’re brought back but different. Like it lets the character come back but keeps all of the issues that their death brought.
Good resurrection storyline that comes to mind is Buffy the Vampire Slayer. We expirience the death, feel the emotions of it, watch the characters deal with it. And when Buffy is brought back we expirience the fallout of her experiences being dead and brought to life. She is a fundamentally different character after.
I really liked that they went into the conflict she felt about having been in Heaven before being pulled back into the endless fight. Was so well done.
I was at that bit in Memories of Ice and I wanted to cry but I couldn't because everyone else was asleep and I didn't want to wake them up
Example of an offscreen death that totally seemed like a setup for them coming back but it never happened: Syrio Forel in Season 1 of Game of Thrones.
Really? I never thought he was coming back. It was just more dramatic to experience his death the way Arya did (not being there to see it, but knowing it absolutely certain)
@@TheJadedJames Yeah, I gathered that was what they were doing eventually, it just seemed to me like there was ever so slightly the chance that he was the Faceless Man and disguised himself as Jaqen H'gar on his way out of the city. Just a small chance.
@@stapler942 I would have never considered anything like that without fan theory culture. His killers are all alive, so he has to be dead.
@@TheJadedJames My assumption (if he had survived) was that he managed to knock out the guards with his wooden sword and then escaped to do his next task/disguise.
Game of Thrones did some great off screen character deaths.
Syrio Forell, for example
Great. Now I'm a little more intimidated about possibly writing deaths. 👀
damn the reading of my comment was killed suddenly and irreversibly halfway through you reading it.
What a sad comment death
murdering Wit would be a war crime
the only way for the internet to turn against sando
@@ManCarryingThing Syl dying would be worse
My favourite character deaths are in Twin Peaks. While the main character's death is a serious thing and investigated thoroughly, every other character that dies does so very violently and pointlessly.
7:41 omg, this is literally Professor Snape from Harry Potter, an awful and despicable human being but he dies so everyone loves him.
Okay but "I will see you all (parasocially) in the future" is such an excellent signoff
What about a character who fakes his death and everyone know he ain't dead but he doesn't know they know he alive..? Guess that would be on the comedy genre, but still would like to read that XD
"he tried so hard to make us think he was dead. would hate to break his heart"
im worried about that stuff you're drinking, i hope it doesnt make your brain explode (great vid btw)
thanks Larry. brain exploded 2 months ago and I appear normal
@@ManCarryingThing that's a bold statement there
@@LarryHasOpinions that’s a bald statement there.
Badooooom tsss.
@@thecontradictorian2225 can't remember if I've told you I hate you already?
@@LarryHasOpinions You did, that one time you dramatically unsubscribed.
My two cents on character death and resurrections:
-Deaths are -often- more impactful to me when they just happen out of the blue. When there's this big dramatic lead-up it gets me to prep for it, and it feels like I get to start processing their death before it happens. When it's done in a snap, I get to be more in the shoes of the still living characters, and get shocked *with* them, rather than just reading about how they were surprised. Plus it feels more realistic.
-I don't like having characters constantly getting killed off. Take game of thrones; it was a great twist to have the just protagonists actually die. But by book three, it was suddenly like "oh a nice person. Bet they'll get skinned soon." Eugh, I guess I'm saying breaking tropes is a great way to create surprise and tension, but if you ALWAYS break the trope, it's just as predictable as before.
But yeah, some death is great, it just needs to feel impactful.
-Resurrection sucks. unless it's made very clear that it can only happen to certain people, or under certain scenarios, it is bad and will forever ruin the stakes.
Look at the MCU. Who gives a shit about what happens, they'll just rewind time, or grab someone from another universe or something.
I don't *care* about any of it, because ANYTHING can just be undone.
Obviously there's exceptions to all of these. If it's a good enough writer or a good enough story, just about anything can be explained away.
But still.
Completely agree that a shocking death is always better. You're caught off guard with all the characters, and the death feels all the more upsetting because of the endless unresolved plot threads they had when they died.
And hard agree that resurrections suck, they just kill any emotional impact on reread/rewatch. I can think of exactly one character death followed by resurrection that still gets me emotional, which is in the second season of Supernatural.
One of the main characters dies out of nowhere in the penultimate episode of the series, and his brother absolutely loses it. He's been an emotional wreck all season, and his single greatest fear was losing his brother. So now his worst nightmare has happened, and it pushes him so far over the edge that he compromises his own moral standards and does something awful to bring his brother back. It's made crystal clear that resurrecting him was a reckless and selfish thing to do, the consequences of doing so form the main plot of the entire next season. (Ironically the show is famous at this point for endlessly resurrecting characters when they run out of ideas, but the first time they attempted it is the only character resurrection I actually really love).
I mean when I was younger, I had this whole interconnected universe of stories I created which ended when all the characters died in a climatic final battle. So I guess I am a true writer.
Offscreen deaths are legit so suspicious, I never realised how prevalent that trope is. I guess it just feels less satisfying to have major offscreen deaths
He should realize by now that I’m immortal. A little canyon means nothing to me. I also wanted to say that that’s a nice little RUclips channel you’ve got there. Hmmm, Joshua Carrying Thing has a nice ring to it…
😡😡😡
Be interesting to see your take on this post Gathering Storm.
i am scared
I should hope so
yeah I kept waiting for him to bring WoT into the discussion until he mentioned that he was still reading it
I will stand by the idea that for many heroes/protagonists their best trait to be their fatal mistake/ weakness.
Spoilers for Maze Runner series:
Ngl, when Newt died it was such an epic moment. The build up was fascinating and even thought it was suggested he would die because he had the sickness one would have never expected it, and much less how it happened, because other characters with the illness didn't die. His death was sudden and impacted the flow and ambience of the story so significantly. You had to take a step back and reread the scene and it still hurt. Such an amazing story.
Awww wanted to see my comment. Guess it was too long haha. Great video! :)
thanks for commenting tho!
@@ManCarryingThing
I hope you continue making these kinds of videos, pretty entertaining!
Resurrection must change the story. It’s like an inverse of how in tarot cards, “Death” represents change, not an end.
Regarding the way worse things to happen than death to a bad guy, let us reminisce about the fates of our enemies in Dishonored in a non-lethal run. I mean, some of them are really savage (but deserving nonetheless).
Also, I'm okay with the resurrection trope (using it for my own story), but make it so there is at least some kind of implication. Looking at you Snowy Jony boy.
damn i thought that as copium but nah its sangria
Surprisingly, 4:38 was the most effecitvely portrayed, at least to my eyes, in Futurama.
If done right death is incredible, the pain it can cause is forever
“Brandon Sanderson is scared of killing his main characters”
(Cosmere spoilers)
*cries in mistborn*
I'd mark that as a Cosmere spoiler.
Im glad that i have read mistborn. Plz use spoiler tag in future
And now I probably won't read the book. Thank you for the spoiler asshole.
@@TheGamerITA1 what stops you from reading a book because of one vague ass spoiler I didn’t specify the character, when it happened why it happened, what happened or the context of the event. Barely anything is ruined or spoiled
Also, there’s 5 OTHER BOOKS
@@kaladinstormblessed8790 Dude, I understand that not everyone reacts this negatively to spoilers, but personally I can get really upset about them (I literally have no social media account for this very reason). And I have friends who are of the same mind! So I know I not the only one.
If you had the time to write a reply, then you also had the time to edit your original comment with a warning.
Now you have me worried that Wit will die
sanderson wouldnt dare
1:12 boromir dies like that in the book
The guy at 5:39 👏👏👏 My fave character dying shines the spotlight on them in a way, so I'm usually happy to see it! Fun to see the effect their absence has on other characters.
Ha! You're the man. You gave my redundant comment a good life and a good death.
just glad you saw it
@@ManCarryingThing
that's some spooky-tastic outro music
I like ressurections in stories when there are consequences for the one who brought them back to life, like them having to pay a big price. Also dealing with the trauma of dying for the ressurected person. They did this well in Supernatural the first two times, but than it sadly got way out of hand.
Percy Jackson spoilers
Another example I find interessting is Thalia from the Percy Jackson Series. She died before the start of the series and her ressurection wasn't even on purpose by the ones ressurecting her. I find it interessting seing a character acting in the story who was important for the backstories of two main characters and the villain but wasn't really active in the story before and who comes back to a changed world. Like everyone else ist older, her mother died and her best friend became a villain and the leader of a group they are at war with now
Lmao I literally just made a comment gushing about how the first death and resurrection in Supernatural season 2 is the only death fakeout that I actually like and that doesn't diminish the emotional impact on rewatch.
if you want an actual story where the main characters die in the first episode (kinda) watch the good place
That one about some characters being loved more because they die was so true tbh
You said “Lookin’ at you, Wit” and I literally screamed NOO!
Sanderson afraid to kill his characters? No spoilers, but I'm guessing someone hasn't read some prominent Sanderson books....
.
Mistborne (kelsier only kind of dies), or A Memory of Light (yup that death fucked me up for a few days)
@@jacksonmagas9698 Uh...Mistborn also killed:
Clubs, Dockson, Tindwyl, Oreseur, and even Elend and Vin at the very end.
Unless the death makes sense I usually just get angry. For example, I recently read a 4 book series that I really enjoyed and ended on a relatively happy note for the characters. (won't include the name to avoid spoilers) There was a follow-up series set years later following the next generation. I started reading it because I loved the first series and wanted to see how the characters had lived and where they would go next.
AND THEY KILLED A MAJOR CHARACTER IN CHAPTER 2 OF THE FIRST BOOK.
It wasn't even earned; they just died from random street thugs in order to motivate the new main character. It was one of the most anticlimactic moments I've ever experienced in a novel. I just stopped reading and took a break for several weeks out of anger before finally going back.
Kill the jester....
I'm looking at you Wit.
🤣
I know I'm pretty late to this, but this video just gave me a thought/question that I don't know where else to take.
Re: @5:58 I'd already been thinking lately about some of the classics stories from writers like Camus, Kafka, Melville, etc; about how many of the protagonists arcs inevitably lead to their death, and if it is truly inevitable.
I enjoy writing, and I love the themes and ideas explored in many of these books. But I think I might be depressed enough already without constructing my own narrative that demonstrates that death is the only meaningful resolution in the absurd struggle and torment that is life. Could Bartleby, or The Stranger, cockroach Gregor have survived their stories without ruining them?
On the 'kill the comic relief' comment, I completely agree that it can really work wonders in upping the stakes and darkening the tone. Teen Wolf sort of does this in its third season, and the result was widely praised as one of the best seasons of a supernatural teen show ever. The comic relief doesn't die, but he spends most of the season as a punching bag and eventual vessel for the series villain. He cracks a couple jokes early on, but he spends most of the season either in emotional turmoil or possessed by an evil spirit, and you *feel* the absence of his usual fun presence.
I think one of the best resurrections I’ve ever seen was in Buffy The Vampire Slayer (spoilers obviously).
When Buffy is brought back from the dead in the beginning of Season 6, it’s not treated as a wholly good thing. Sure, it’s nice to have her back, but she suffers a lot of psychological torture from the ordeal. I mean, she literally has to claw her way out of her buried casket and stumbles around town for hours trying make sense of what is happening for the whole episode. And to add insult to injury, it’s revealed at the end of the episode that she actually ended up in the equivalent of heaven, and existing on earth in comparison was like hell. It’s becomes her character arc throughout the most of the season, so there are huge character consequences for such an act.
Another layer is the fact that she’s not brought back by some random happenstance to bring back into the plot, the other characters actively use a spell to bring her back from the dead because they miss her. It contributes to another running theme in the season: the unexpected consequences of wielding magic without caution. So the show chooses to make a big deal out of how much hell being resurrected puts someone through, and (to my recollection) never does a revival in the same way.
There are plenty of problems with Buffy the vampire slayer (especially the people behind it) but it does a lot of stuff like this really well.
Sort of related, it bugs the hell out of me when two characters who may have a spark but didn't act on it at a good time do so during a pitched battle where that 20 seconds of inaction should result in maiming or death. I would love a story where a main character and their love interest take the time to kiss or whatever and one or both get run through or decapitated.
“Mentor them, give them the advice they need, and never talk to them again.”
Name of the Wind did this well. Abenthy literally and metaphorically fucked right off.
He'll come back in the third book. He has to!
1:25 that's just warrior cats
I know I'm over a year late, but I like that he has Red Rising on his bookshelf. It is a good book.
Yes it is El Paso although Feelina dies in the sequel song. Michael Martin Murphy does a good cover of El Paso too if you want a new take on it
Okay, I know what I said, but LEAVE WIT ALONE. Too precious to kill
YOU SAID WHAT YOU SAID
I literally screamed NOO! When he said that. What happened in RoW was enough to terrify me.
I 100% believe the Hound actually just died off screen
I'm poisoned from reading tie-in novels that have characters shared by authors - but I'll *always* prefer a character dying to them hanging around past their use-by date - if only so they can't be 'ruined' by something else later. Is it silly, and having them just live on off-screen would be better some of the time? sure... but if that temptation is there...
Plankton farts and dies.