Klaus Makela is a present from heaven, really a great gift to the Classic music.We can see how he feels the whole symphony. He dives into the orchestra and take us together. Its my first time to watch this concert to the end.He holds us with his enthusiasm and youth. Lovely, totally delightful. His name should be Klaus Amazing!!!❤
This is exquisite! All of the comments about the performance of the players and the conducting--not to mention the momentous score itself--are absolutely on target: this is a keeper of a Ninth! Moreover, the camera direction is superb, and the director clearly studied the score, which is not always the case with video recordings. The sound is also very well recorded . . . supple when needed, and punchy when needed. Bravi tutti!
Beethoven. The one and only. Universal. A gift of hope in mankind. With him, we can believe in future. A composer becoming deaf imagining this music. A forever gift for mankind. We just have to deserve such a gift. Let’s not disappoint him ❤❤❤❤
Bin Beethoven Fan, aber die 9. gefiel mir nie. Wie immer hat Mäkelä eine zauberhafte Musik daraus gemacht !! Das beste der Welt und viel Gesundheit für ihn !! 👍❤
Bei der "Neunten" geht es auch wirklich nicht darum, ob sie irgendjemandem "gefällt". Als wenn das eine Intention LvBs gewesen wäre... Es geht um die Expansion der Quinte vom ersten bis zum letzten Takt, um die Erweiterung des Klangappartates, die Botschaft der umfassenden Humanität und darum, die Entwicklung der Musikgeschichte mit einem einzigen Werk um Lichtjahre voranzubringen.
Como para cortarse las venas. Qué grande Mäkelä, Beethoven estaría orgulloso de este joven lleno de energía, de música y belleza. La vida es bella. ¡Aleluya!
Klaus Mäkelä 2024 No.9 Beethoven Symphony in D minor, Op.125, Orchestre de Paris; s-Angel Blue,ms-Catriona Morison, t-Siyabonga Maqungo, bb-René Pape; Recorded the May 7, 2024 (Grande salle Pierre Boulez - Philharmonie)
This year is 2024. Today is Christmas. I take many things. I bought iPhone 15 Pro max. Good pictures. Good sound. Thank you very much. Merry Christmas. 🎅
Хочу я тебе вот такое сказать . Хочу я тебе вот такое сказать! Массивное чувство меня обуяло! Да так, что ничем его нет описать! Накрыло, как будто кота одеяло. Жил раньше, как врун, дебошир Дон Кихот и Воланд с его деловой чертовщиной, и вольник Лотрек, или кот-обормот, но вдруг отрезвел, вдруг увидев святыню! Достаточно, даже с лихвою, познал явления всех многократных страданий. И как ныне здравствующий аксакал вещаю как тост весь избыток признаний. С тобою ценю каждодневность свою, свою еженощность, свою всеобъёмность, особенно время, когда я в цвету, и дни, где безгрешие или порочность. Я, книгопоклонник, марксист и поэт, я, франт и павлин с чумовым опереньем, я, чадолюбивый простак и атлет, готов ко всему, что в тебе есть с рожденья! Влюбившись в финальной июльской жаре, всю осень скулил и слезами сочился, смирялся в метельно-морозной поре, и вот по весне наконец-то решился! Старался, но пыл не сумел умертвить. Полгода терпел. Шил волшебное знамя. И вот я признался в прозрачной любви, как стылой воде исповедалось пламя!
I really don't understand, what is so interesting in the arpeggio-like passages and the scales that the strings play up and down during the second theme of the First movement, so that they should be put so much forward in terms of balance?? As a result, the woodwinds sink down behind them at that moment and the melody simply goes to hell...Also, why the rhythmically 'small' notes in first theme should be played with such short strokes: this makes the theme sound empty, mechanic and expressionless, and thus deprives it of dramatic emotional resonance and depth. The dynamic forcing cannot compensate that. The slow movement is also very sustained and constricted as an expressive amplitude. This is a music stepping with one leg into the Romantic epoque and aesthetics. In my opinion, it should not be played that dry, no matter what historically-informed highbrow 'experts' claim.
Can’t you just enjoy Beethoven’s art ? Different interpretations, different way of impersonate it. But Beethoven is there. He’d appreciate all these musicians playing their own way. This is not a contest for the best 9 th symphony conducting. This is just musicians enjoying doing this absolute masterpiece. This 9th symphony is for everybody. You don’t like it. It’s not academic. Ok But who cares ? Joy. Joy. Freude über alles. For all mankind. This is the opinion of a 66 yo Beethoven fan as I became at 8 yo by listening to the 5 th symphony live on radio in 1966 for the first time. Just sharing simple joy This is the will of Beethoven. And it’s still the same now. 200 years after.
@@didzouille I appreciate and respect your democratic concerns about art making. They would definitely hold true if the conductor and orchestra at hand were some unprofessional music lovers that have gathered together to enjoy Beethoven's music by performing it. But these guys here are professionals, and when we speak about professional music making, there are certain requirements and principles that need to be present and implemented. Unfortunately, I don't hear them to be present and implemented to a very high degree in that interpretation. Certainly, it is not bad but is not an extraordinary one. I don't want to sound elitarian or snobbish, this simply is the reality of professional art. As I said in another comment here, Makala definitely is talented and a good musician but does not really possess the superstar qualities he was granted, at least not yet. That is what I think and believe in, sorry about that.
Klaus is still young for this kind of music, he often lacks musical depth, especially in the slow parts. Plus, the large number of concerts does not allow one to really penetrate into the musical material.
Well, this my take: I stumbled upon this young man conducting Mahler’s 3rd (my favorite!) and I literally did a double-take when I saw how young he is. What may lack now he will acquire with time. As for me, bravo, Maestro!!!
Странный дирижер) много лишних движений, рисуется, позЁрничает...смотрится как шут слегка...но, каждый имеет право на свою индивидуальность...это не мешает оркестру играть вполне прилично!
The balance of the piece’s character is off & not stable. Even though the representation of it is probably the most accurate attempt. But I don’t blame the audacity of this attempt, because it is simply almost impossible to meet Beethoven’s own standards when it comes to the exact representation along with the overall balance of its portrayal. I would rather say that the more original an interpretation is represented to becoming closer to Beethoven’s own way, it becomes substantially that much more difficult to play & make everything balance together effortlessly. This can only be done by another Beethoven, who knows every aspect of it’s creation & essence. But still, we are at least getting closer to understanding Beethoven in 2025! But still, we’re not yet caught up with his real genius.. It is just so ahead of our time! Perhaps, one day we may meet that standard, or we may just never get there. We can only get closer to it, but I don’t think we can ever meet Beethoven’s own standard. For this, there must be another Beethoven! He is just infinitely beyond every time. In fact, It is just timeless to be honest. We can never be another Beethoven in order to meet his exact needs & the way he wanted it to be done..
Klaus Makela is a present from heaven, really a great gift to the Classic music.We can see how he feels the whole symphony. He dives into the orchestra and take us together. Its my first time to watch this concert to the end.He holds us with his enthusiasm and youth. Lovely, totally delightful. His name should be Klaus Amazing!!!❤
Beautiful Beethoven's Symfoni and perfect performance the young conductor Klaus Mäkelä .
❤❤❤😊😊😊
This is exquisite! All of the comments about the performance of the players and the conducting--not to mention the momentous score itself--are absolutely on target: this is a keeper of a Ninth! Moreover, the camera direction is superb, and the director clearly studied the score, which is not always the case with video recordings. The sound is also very well recorded . . . supple when needed, and punchy when needed. Bravi tutti!
The most beautiful conductor ever.
Beethoven. The one and only. Universal. A gift of hope in mankind. With him, we can believe in future. A composer becoming deaf imagining this music. A forever gift for mankind.
We just have to deserve such a gift. Let’s not disappoint him ❤❤❤❤
@@didzouille I had not seen your commentary which is specially right 😊😉 🎼 🎹🎵🎻🎶🎺🎶
What a masterpiece of performance! Awesome! Marvelous!
Composer starts off with the face like “oh yea, that’s the good stuff right there”
Absolutely❣️They're really compatible😍
Une direction dynamique et un orchestre au top, un grand moment de bonheur. Merci beaucoup d'avoir posté.
Such a joy to see klaus in one with the orchestra - great piece! Thank you for uploading the full concert!
Outstanding and wonderful. ❤
Wenn das Orchester ist zufrieden mit solcher Leitung dann sollten sie weiter so begeistert spielen. Orchester BRAVO!
Y gracias a esta maravilla de página por compartir. Albricias para ustedes.
Bin Beethoven Fan, aber die 9. gefiel mir nie. Wie immer hat Mäkelä eine zauberhafte Musik daraus gemacht !! Das beste der Welt und viel Gesundheit für ihn !! 👍❤
Bei der "Neunten" geht es auch wirklich nicht darum, ob sie irgendjemandem "gefällt". Als wenn das eine Intention LvBs gewesen wäre... Es geht um die Expansion der Quinte vom ersten bis zum letzten Takt, um die Erweiterung des Klangappartates, die Botschaft der umfassenden Humanität und darum, die Entwicklung der Musikgeschichte mit einem einzigen Werk um Lichtjahre voranzubringen.
beautiful hall. its a clear tone Choras and solisten, beautiful french sound orchestra. and Cool guy maestro マケラ！！！！
Enjoyed well done ❤️🙏🇨🇦
beautiful!!!
Fascinating, not many people can compose this even using their ears very well
We all ❤️ BEETHOVEN ❤❤❤❤HAPPY BIRTHDAY TODAY .👏👏👏👏🇩🇪🇩🇪🇩🇪🇩🇪🇩🇪🇩🇪
Trăiește numai muzica lui.El este mort de peste 100 de ani.
@@andrianpricopie4789 Él vive en su música, en ella están su carne y su sangre, por siempre.
Le 80 % de la carrière de Klaus Mäkelä est attribuable à sa beauté physique, évidemment.
Quelles voix !
Como para cortarse las venas. Qué grande Mäkelä, Beethoven estaría orgulloso de este joven lleno de energía, de música y belleza. La vida es bella. ¡Aleluya!
I look forward to seeing what the future holds for this young and promising conductor.
My fav conductor ❤
b8oven...joy (he is doing good) happy 2025= until january 29...everyday is happy😊 thank you
Magnifique Makela !! 🥇🌟
Klaus Mäkelä 2024 No.9 Beethoven Symphony in D minor, Op.125, Orchestre de Paris; s-Angel Blue,ms-Catriona Morison, t-Siyabonga Maqungo, bb-René Pape; Recorded the May 7, 2024 (Grande salle Pierre Boulez - Philharmonie)
He reminds me of a young Bernstein.
Magnifique
This year is 2024. Today is Christmas. I take many things. I bought iPhone 15 Pro max. Good pictures. Good sound. Thank you very much. Merry Christmas. 🎅
che c'entra BEETHOVEN con iPhone 15 Pro max. ?
@ Beethoven is beautiful. iPhone 15 pro max is clear. Good sounds.
SUPERBE. J'ai été conquis par ce jeune chef et par tous le interprètes musiciens chœurs et solistes, c'est ma version préférée de la 9em.
Ami me parece bien es joven Ya la fuerza vendrá con la experiencia que va dando más dominio
Timpani was accurate n precise!
Yeah, it imitates very well the sound produced by a hammer over a plate iron...
Хочу я тебе вот такое сказать
.
Хочу я тебе вот такое сказать!
Массивное чувство меня обуяло!
Да так, что ничем его нет описать!
Накрыло, как будто кота одеяло.
Жил раньше, как врун, дебошир Дон Кихот
и Воланд с его деловой чертовщиной,
и вольник Лотрек, или кот-обормот,
но вдруг отрезвел, вдруг увидев святыню!
Достаточно, даже с лихвою, познал
явления всех многократных страданий.
И как ныне здравствующий аксакал
вещаю как тост весь избыток признаний.
С тобою ценю каждодневность свою,
свою еженощность, свою всеобъёмность,
особенно время, когда я в цвету,
и дни, где безгрешие или порочность.
Я, книгопоклонник, марксист и поэт,
я, франт и павлин с чумовым опереньем,
я, чадолюбивый простак и атлет,
готов ко всему, что в тебе есть с рожденья!
Влюбившись в финальной июльской жаре,
всю осень скулил и слезами сочился,
смирялся в метельно-морозной поре,
и вот по весне наконец-то решился!
Старался, но пыл не сумел умертвить.
Полгода терпел. Шил волшебное знамя.
И вот я признался в прозрачной любви,
как стылой воде исповедалось пламя!
I really don't understand, what is so interesting in the arpeggio-like passages and the scales that the strings play up and down during the second theme of the First movement, so that they should be put so much forward in terms of balance?? As a result, the woodwinds sink down behind them at that moment and the melody simply goes to hell...Also, why the rhythmically 'small' notes in first theme should be played with such short strokes: this makes the theme sound empty, mechanic and expressionless, and thus deprives it of dramatic emotional resonance and depth. The dynamic forcing cannot compensate that. The slow movement is also very sustained and constricted as an expressive amplitude. This is a music stepping with one leg into the Romantic epoque and aesthetics. In my opinion, it should not be played that dry, no matter what historically-informed highbrow 'experts' claim.
Can’t you just enjoy Beethoven’s art ?
Different interpretations, different way of impersonate it. But Beethoven is there. He’d appreciate all these musicians playing their own way.
This is not a contest for the best 9 th symphony conducting. This is just musicians enjoying doing this absolute masterpiece.
This 9th symphony is for everybody.
You don’t like it. It’s not academic. Ok But who cares ? Joy. Joy. Freude über alles. For all mankind.
This is the opinion of a 66 yo Beethoven fan as I became at 8 yo by listening to the 5 th symphony live on radio in 1966 for the first time.
Just sharing simple joy This is the will of Beethoven. And it’s still the same now. 200 years after.
@@didzouille I appreciate and respect your democratic concerns about art making. They would definitely hold true if the conductor and orchestra at hand were some unprofessional music lovers that have gathered together to enjoy Beethoven's music by performing it. But these guys here are professionals, and when we speak about professional music making, there are certain requirements and principles that need to be present and implemented. Unfortunately, I don't hear them to be present and implemented to a very high degree in that interpretation. Certainly, it is not bad but is not an extraordinary one. I don't want to sound elitarian or snobbish, this simply is the reality of professional art. As I said in another comment here, Makala definitely is talented and a good musician but does not really possess the superstar qualities he was granted, at least not yet. That is what I think and believe in, sorry about that.
Klaus is still young for this kind of music, he often lacks musical depth, especially in the slow parts. Plus, the large number of concerts does not allow one to really penetrate into the musical material.
@@arnaud1978-h5i Furt is beautiful!
@@arnaud1978-h5i This is marketing, we need to create "stars" to make it easier to sell tickets to concerts.
Obviously jealous of his succes!
Well, this my take: I stumbled upon this young man conducting Mahler’s 3rd (my favorite!) and I literally did a double-take when I saw how young he is. What may lack now he will acquire with time. As for me, bravo, Maestro!!!
I'm reluctant to criticise, but inclined to agree with you.
The slow part has a very fast tempo, the dreaminess in it has disappeared, what a fuss and running around.
Where is your version ?
Please show us your perfect version.
The so-called fast tempo made me think of a pair of lovers dancing in a hall.
bravo
Странный дирижер) много лишних движений, рисуется, позЁрничает...смотрится как шут слегка...но, каждый имеет право на свою индивидуальность...это не мешает оркестру играть вполне прилично!
Good conductor but Leonard Bernstein is the best.
Froh, wie seine Sonnen fliegen
Chacun voit midi à sa porte.
Et bien messieurs dirigé maintenant.
これを上回るものはない。
Вот это мощь!!
Gewandhaus
The balance of the piece’s character is off & not stable. Even though the representation of it is probably the most accurate attempt. But I don’t blame the audacity of this attempt, because it is simply almost impossible to meet Beethoven’s own standards when it comes to the exact representation along with the overall balance of its portrayal. I would rather say that the more original an interpretation is represented to becoming closer to Beethoven’s own way, it becomes substantially that much more difficult to play & make everything balance together effortlessly. This can only be done by another Beethoven, who knows every aspect of it’s creation & essence. But still, we are at least getting closer to understanding Beethoven in 2025! But still, we’re not yet caught up with his real genius.. It is just so ahead of our time! Perhaps, one day we may meet that standard, or we may just never get there. We can only get closer to it, but I don’t think we can ever meet Beethoven’s own standard. For this, there must be another Beethoven! He is just infinitely beyond every time. In fact, It is just timeless to be honest. We can never be another Beethoven in order to meet his exact needs & the way he wanted it to be done..
no one seems to be looking at him not sure why all that acting is needed
i just love the internet
music is about emotions. if you can't feel them, it's pointless.
Nicht diese Töne!!
please, no, thanks..