It's hilarious the early previews of r5 ii say the wobble was fixed. Not even close, still terrible on the corners at in first minute of video. Pretty cool recorder though. Enjoy your content.
@ ok.. it’s more the wiring in the mic cable and 3.5 connector that I’m asking about. All the major brands are different which is stupid, but here we are. 🤓
Interesting! I don't know anything about Diety, man. I've been rocking with my boom mic for about 2 years. I got the Sennheiser mke-600 and that was love since day one. It's, as you probably know, an XLR mic, so I got a converter XLR to mini XLR for my Blackmagic, but now with the new boy in the house (the Komodo) I was thinking about getting an external audio recorder (by the way, the audio in the Komodo sounds pretty good), and I was thinking to get the Zoom H5, then the H6, to hook my mic directly into the external recorder, but they're a bit bulky..... then I heard about the Zoom F3, which also has 32 bit float, but I don't know where to place it.... ALL that to say that I'm confused and need to advise, lol. Thanks for all the good info as always!
I’ve heard the f3 is the ticket for og komodo! Running the bright tangerine side plate gives you tons of mounting options as well. Definitely worth a look!
What if you have audio sources that are far away from each other which become unsyncable via sound? What if one of the scratch mics of a camera was turned off by accident? What if I wanna sync everything in one fast click inside of Premiere without having to wait for PluralEyes to read all the audio/video files in my 2TB large project with multiple cameras? If you're doing a simple 1 or 2 camera interview with one mic, then PluralEyes is fine. But once things get more complex with more cameras and audio sources, timecode is a robust way to keep things smooth.
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I’m loving the PR II as well. Looking forward to grabbing a few more
Nice! Ya I’m probably going to pick another one up too
It's hilarious the early previews of r5 ii say the wobble was fixed. Not even close, still terrible on the corners at in first minute of video. Pretty cool recorder though. Enjoy your content.
Haha ya definitely not fixed. Maybe it would be better with an IS lens like the 15-35 but I just used the 16mm prime lol
Ugh so sad…. The r5ii was so close to being a good camera. And they just can do a simple thing and not make the corners wobble 🤦.
I thought for sure that he wasn’t filming on the R52 with the wobble at the beginning. #nexttimecanon
you ever use the zoom f3? wondering if this has better sound quality, the size and internal timecode is tempting
I haven’t used one, but I’d venture to guess that the f3 pre’s might be better and it provides xlr 48v phantom power too right?
@@TylerEdwards yeah it does. I didn’t catch that the deity doesn’t provide phantom power…
Great video man! - weather is starting to get better around here to where it actually feels good to be filming outside 😂
Hahaha ya dude, at least for a couple of days!
Is this better than the tentacle track E?
What type of mic connector do they take? I have Sony adapted Sankens. Thanks!
Locking 3.5mm
@ ok.. it’s more the wiring in the mic cable and 3.5 connector that I’m asking about. All the major brands are different which is stupid, but here we are. 🤓
Interesting! I don't know anything about Diety, man. I've been rocking with my boom mic for about 2 years. I got the Sennheiser mke-600 and that was love since day one. It's, as you probably know, an XLR mic, so I got a converter XLR to mini XLR for my Blackmagic, but now with the new boy in the house (the Komodo) I was thinking about getting an external audio recorder (by the way, the audio in the Komodo sounds pretty good), and I was thinking to get the Zoom H5, then the H6, to hook my mic directly into the external recorder, but they're a bit bulky..... then I heard about the Zoom F3, which also has 32 bit float, but I don't know where to place it.... ALL that to say that I'm confused and need to advise, lol. Thanks for all the good info as always!
I’ve heard the f3 is the ticket for og komodo! Running the bright tangerine side plate gives you tons of mounting options as well. Definitely worth a look!
@@TylerEdwards thanks, brother
timecode is unnecessary if you use a program like pluraleyes or syncaila. it's 2024, timecode is obsolete for any serious filmmaker
haha ok
@@TylerEdwards I bet you also label every single file
@@EdwardHeavrin i mean i label each camera as a,b,c,d and so on like any production does if thats what you mean. i dont change file names though
I didn’t get scratch audio for a multi cam shoot once (maybe twice..). I’ve been dreaming of timecode ever since. Obsolete? Never.
What if you have audio sources that are far away from each other which become unsyncable via sound? What if one of the scratch mics of a camera was turned off by accident? What if I wanna sync everything in one fast click inside of Premiere without having to wait for PluralEyes to read all the audio/video files in my 2TB large project with multiple cameras?
If you're doing a simple 1 or 2 camera interview with one mic, then PluralEyes is fine. But once things get more complex with more cameras and audio sources, timecode is a robust way to keep things smooth.