Bach 6 French Suites (complete) P. Barton, FEURICH piano

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  • Опубликовано: 2 июл 2024
  • FS1 00:00
    FS2 15:27
    FS3 30:39
    FS4 48:50
    FS5 01:04:03
    FS6 01:23:26
    Suites 1-4 played on FEURICH 133. Suites 5-6 played on FEURICH 218.
    Suites 1-5 recorded with CharterOak E700. Suite 6 recorded with Apogee HypeMiC.
    Please note: I made these home-recordings from a mixture of editions and occasionally added my own ornamentation as was customary back in the day. So, what you hear and see in these videos may vary from the featured public domain score.
    My Patreon: / paulbarton for those that like to support online creators from as little as 1$ a month
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Комментарии • 22

  • @sma2206
    @sma2206 2 года назад +14

    I cannot imagine the colossal work that went into performing and producing these. The control of tempo, dynamics and articulations are exquisite. I can't say that I like the Schiff performance better anymore :) True gift to the world.

    • @PaulBartonPiano
      @PaulBartonPiano  2 года назад +3

      Hi S ma, you are far too kind to me! thanks so much for the encouragement.

  • @brumels1570
    @brumels1570 Месяц назад

    The smoothness of his fingerings is cool to watch.

  • @Zephyrus47
    @Zephyrus47 2 года назад +8

    Yet another milestone achieved! Amazing work, as always, Paul!

  • @chenwu9867
    @chenwu9867 Год назад +1

    I finally understand this set of pieces…FINALLY

  • @Rosangela161
    @Rosangela161 2 года назад +2

    1.07 it's my favorite. Thank you, thank you very much. Adorable performance. Congratulations.

    • @PaulBartonPiano
      @PaulBartonPiano  2 года назад

      Hi Rosa, thanks for the kindness - you're most welcome.

  • @arletquintero2738
    @arletquintero2738 2 года назад +3

    Very beautiful Masterpiece!

  • @ingavelitchko6066
    @ingavelitchko6066 3 месяца назад

    C'est génial, merci beaucoup

  • @boomscxz5080
    @boomscxz5080 2 года назад +2

    AMAZING I LOVE IT🥰😍

  • @massimorolando8838
    @massimorolando8838 2 года назад +2

    Grazie Paul!

    • @PaulBartonPiano
      @PaulBartonPiano  2 года назад

      Hi Massimo, you're welcome!

    • @massimorolando8838
      @massimorolando8838 2 года назад +1

      Thank you. Have any suggestion on which French Suite to start from ? I am an amateur and play many 2 voices and some 3voices inventions.

    • @pwagner650
      @pwagner650 11 месяцев назад

      @@massimorolando8838 I'd suggest the 5th. It's the most popular and, except for the 4-part Gigue, isn't too hard. You can pick and choose a few movements.

  • @TFIG
    @TFIG 7 месяцев назад

    1:04:03 my favorite 🤩♥️😍

  • @chalindadilshan457
    @chalindadilshan457 5 месяцев назад

    You're great ❤

  • @balthazartyshow1765
    @balthazartyshow1765 2 года назад +2

    🎶 Merci 🎶
    💜

  • @bargledargle7941
    @bargledargle7941 2 года назад +3

    Hello Paul Barton, I am curious if you wrote musical pieces inspired by Bach? Have you written any fugues, generally speaking (not inspired by Bach necessarily even)? Your playing is very beautiful, I wish I could hear you playing your pieces. If not, would you ever consider taking a composition request given you consider it worthy, to play?
    I have no expectations whatsoever but genuinely interested in your answer :)
    Thank you!

  • @mysteriesphanto3528
    @mysteriesphanto3528 2 года назад +3

    Will you do the English suite in E minor ?

  • @peterfreyhan7562
    @peterfreyhan7562 Месяц назад

    Why does nobody, but really nobody from more than 20 of these RUclips videos, perform the Gavotte from this 5th French Suite as a true Gavotte? Well known or unknown, they all get it wrong. Is that too strong language from an unknown like myself? But read on, and I'll prove it. Like all Gavottes it starts with a double upbeat, three-four-ONE-two, three-four-ONE-two. But everyone plays it as if the first note was the first beat of the bar, the DOWNbeat. Prokofiev got it right in his 'Classical Symphony' parody: "diddle diddle DUMPy DUMPy DUMPy", now THAT's how a Gavotte should go. Peter Freyhan.