Pharoah Sanders Quintet - Warsaw Summer Jazz Days, Poland, 1999-06-27
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- Опубликовано: 27 фев 2016
- Pharoah Sanders Quintet - Warsaw Summer Jazz Days 1999
Sala Kongresowa
1999-06-27
1. Interview
2. Ole (Coltrane)
3. Tina (Sanders)
4. The Creator Has A Master Plan (Sanders-Thomas)
Pharoah Sanders - tenor saxophone
Jean-Paul Bourelly - guitar
William Henderson - piano, talking drum
Alex Blake - bass
Trilok Gurtu - drums, percussion 
Видеоклипы
![Sean Rii, Karyon, Sharzkii - Taungule [My Love] (Official Music Video)](http://i.ytimg.com/vi/eJoMuypbSzQ/mqdefault.jpg)
The power of the horn you'll feel it whenever Pharaoh Sanders blows his horn
if anybody is interested in the interview at the beggining but doesn't know Polish I translated it, here you are:
-in 1994 you went to Africa. After coming back to US you recorded an album „Message from home”
who or what was your inspiration to record this album?
-My trip to Africa did not have a lot in common with this song or album. I wrote this tune many years ago and i didn't feel like recording it untill recently. I can say I was creating it for many years
-so the impact that your trip to Africa or a mystical experience had on you is a myth?
-yes, but not talking about a song „message from home” the trip to Africa was for sure a big experience. I hadn't been there before and i really felt like in home there and I found there messagges adressed specifically to me. I benefited from the contacts with local musicians i met there, it was a kind of an exchange, conversation of the cultures.
-everything began with the blues, then you played with Coltrane but recently your music became, or is becoming, more spacious, there is more place in it beetwen the sounds. Do you agree with it and what's the reason, maybe the maturity?
-I don't know what you mean by space
-sounds are not that dense, not that close to each other
-I still dont know what you mean, maybe straight ahead playing? When it comes to my searching for the ways of expressing myself I only try to convey my emotions, I'm looking for a way of expressing them. For example, recently I listen to a lot of Hindu music played on sitar, maybe some day I would look at my horn as at sitar. It is about what I currently feel. Feelings are my only space.
Thank You
😮 QA
i regularly return to this video, an absolutely beautiful performance
Of course Pharaoh is totally profound. Nuttin new. But my man on the bass? Dude is absolutely clinically insane on that joint!!!🤣🤣🤣The Truth!!!
You are not kidding! Alex Blake is a powerhouse.
That bass player, god damn!
I saw this concert
Na zawsze w naszej pamięci.
Slapping on a double bass....insane
One and only Pharaoh!
An incredibly intense performance. As always with Pharoah, transcendent. Farewell guru!
Always a joy and a pleasure to see Pharaoh, just digging his band & dancing. To me it's one of the best parts.😎 When they go into Funkmode, it's a done deal.🤠
An absolutely stunning performance!
E' SCOMPARSO UN GRANDE! PACE ALL' ANIMA SUA.PURTROPPO SONO SEMPRE MENO COLORO CHE ESPRIMONO IN MUSICA I SENTIMENTI E I VALORI UMANI. MI INCHINO AL GENIO.
incredible
Einer der Giganten des Tenorsaxophons. R.I.P. Pharoah
pure beauty
Pharaoh certainly has a beast of a band here.
Love that collection
that bass solo at 25ish minutes is killer
R.i.p. legend
beautiful
Für mich war das prägendste Album meines Lebens. Thauhid. Pharoah lives forever!❤
Yes, TAUHID is iconic; Upper and Lower Egypt is a masterpiece! Dave Burrell’s piano is the glue that holds it All together!!
Thank you !! 😊
at min 10 and 19 seconds... magnificent
A musical world of mastery. Thanks. 😊🎉
Pharoah Sanders is my king!! 😊😊
stupendo grazie
Thank you guys! You’ve made my Sunday. 🙏🏾🙏🏾🙏🏾
54:00 The Creator Has A Master Plan
Cool! Thank you very much!))
The cry of the soul.
I think, Bourelly shares that same sweet spot that the late Sonny Sharrock shared within Pharaoh's music.
Would love to hear more of Jean-Paul Bourelly's guitar in the mix....Then he emerges, like Godzilla out the water... respectfully, for his solo. Then disappears again.😊
I was instantly reminded of another guitarist from his tone! Peter Green’s first solo album, The End of The Game has a similar flavor w/o of course a tenor sax genius leading it.
the bass player!!!!!
Leroi Jones said it all in his book, 'Black Music'. Anyone interested in this form of expression should read it.
why?
amiri baraka?
@@pgonzo98 He was one of the first to take Black music seriously and set it into the context of global White supremacy. See his book, Blues People. Though consider the last essay in W. E.B. Du Bois, The Souls of Black Folk, where he argues that the "Sorrow Songs" are the most authentic American music .
@@meckel1271 "How did I get here on my back in the dark? With the wind and the water rushing through my ears-how did I get here in the dark? My brother The King sold me to The Ghost. When you put your hand on Your Sister and made her A Slave? When you put your hand on Your Brother and made him A Slave, Africa?" David Murray-Evidence, ft. lyric/vocal by Amiri Baraka.
Jazz, 'triple-distilled' for intensity and clarity. Pure & simple (but not!)
Alex Blake.
Wow almost brain washed then I was reminded about real music 🎶
Wish I could hear Pharoah. Would be better if translation was in caption so the rest of us who do not understand translation, could hear him. Is there one without translation? Any footage of Pharoah is always spectacular. Thank you.
I can try to translate it if u want to know what he talked about
@@franekkwiatkowski9472 please can you
@@oreoluwaa7736 here you are :))
-in 1994 you went to Africa. After coming back to US you recorded an album „Message from home”
who or what was your inspiration to record this album?
-My trip to Africa had not a lot in common with this song or album. I wrote this tune many years ago and i didn't feel like recording it untill recently. I can say I was creating it for many years
-so the impact that your trip to Africa or a mystical experience had on you is a myth?
-yes, but not talking about a song „message from home” the trip to Africa was for sure a big experience. I hadn't been there before and i really felt like in home there and I found there messagges adressed specifically to me. I benefited from the contacts with local musicians i met there, it was a kind of an exchange, conversation of the cultures.
-everything began with the blues, then you played with Coltrane but recently your music became, or is becoming, more spacious, there is more place in it beetwen the sounds. Do you agree with it and what's the reason, maybe the maturity?
-I don't know what you mean by space
-sounds are not that dense, not that close to each other
-I still dont know what you mean, maybe straight ahead playing? When it comes to my searching for the ways of expressing myself I only try to convey my emotions, I'm looking for a way of expressing them. For example, recently I listen to a lot of Hindu music played on sitar, maybe some day I would look at my horn as at sitar. It is about what I currently feel. Feelings are my only space.
What's that flute called? At 30:00
jak sie nazywa ten dziennikarz ze wstepu?
min 38
nashe
Masakra, wzięli z łapanki dziennikarza "co umie w angielski". Pewnie przeczytał notkę o artyście w jakimś mainstreamowym pismie i wista wio na wywiad. A tu lipka i kompletny blamaz.
kurwaaa