How to make a BORING Chord Progression INTERESTING

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Using two Major Triads, Bb & D we discover 5 methods to add harmonic flavour between chords and make the journey a lot more interesting. We cover musical cadences, secondary dominants and passing chords using jazz movements. And the Circle of Fifths is at the forefront of figuring this all out as it will give us and easy way to remember the transition chords with respect to the existing ones
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🦣 Major Scales (all 12 keys), Circle of Fifths and Chord Inversions: • One MAMMOTH Lesson To ...
🎶 Relative Minor & Parallel Minor Scales: • What are Relative & Pa...
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🕰️
00:00 - Performance
00:36 - Introduction
01:34 - Chords
03:45 - Adding Relative Minor Chord
13:02 - Plagal Cadence Passing
19:15 - Authentic Cadence Passing
23:28 - Secondary Dom
27:46 - Dim Passing Chord
28:42 - ii V I Cadence
33:04 - Conclusion
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[@nathanielschool]

📚 Download the Staff Notation & my handwritten notes and support us on Patreon: www.patreon.com/posts/how-to-make-99367933

[@tombuur]

After 60 years of guitar playing I started piano 2.5 years ago. I quickly picked up the basics. Then in another video you showed how to use secondary 5th like in this one. However in that video you stressed using the secondary fifth in the inversion starting from a semitone below the root of the following chord. That trick immediately added a pro touch to my improvisations. Thanks.

[@nathanielschool]

Woow Tom! Really glad to hear your musical journey!😇
I am really happy that my lessons are adding some significant value in your journey!
Thank you for your support!😇
Cheers!🤘🏽

[@ashishawasthi4350]

I can’t believe that content of this standard could be put so simply and beautifully…. (And I am glad it’s for free)
Everyone is rushing towards short videos … yours is an elaborate and long but equally interesting and compelling to watch and try out on my own…
Thank u sir

[@nathanielschool]

Glad you found the lesson useful Ashish!🙏🏼

[@hickszn]

Can’t wait to watch this! Seems like exactly what I need to stop feeling stuck.

[@nathanielschool]

Glad you found this helpful!😇

[@guna8762]

Sir please do a tutorial on the rhythmic possibilities that can be done in between chords, a follow up to your previous video "what to do in between chords"

[@nathanielschool]

Will surely plan something around it, however you can check out some of my playlist which will help you to get some ideas regarding the rhythmic fillers:
ruclips.net/p/PLrNNL05e9FT8AILe58QHSRI7c3I6LKcWI

[@reachTee]

Thank you for this video. Separately, the majesty of the starting point - Bflat to D itself!

[@nathanielschool]

Glad you enjoyed it😇!

[@coloaten6682]

Another great video from Jason & team. Thanks guys!

[@nathanielschool]

Glad you enjoyed the lesson!😇

[@andrewstillwell1191]

Awesome Jason, keep them coming 💛💛💛

[@nathanielschool]

Glad you liked the lesson Andrew!😇

[@mariojosepr]

Wow, Jason, I learned a ton! I love your videos.

[@nathanielschool]

Really glad you found the lesson useful!😇

[@ekklesia8795]

Superb lesson ! Thank You.

[@nathanielschool]

Glad you liked it!

[@michaelgoikhberg3107]

Another truly helpful video sir thank u

[@nathanielschool]

My pleasure Michael!😇

[@dunjaschumacher8819]

Incredibly useful video.

[@nathanielschool]

Glad you think so!

[@jayantjrathod]

Very Informative Sirjee 😊

[@nathanielschool]

Thank you soo much Jayant🙏🏼

[@tomgleason5546]

Very helpful! 🙂

[@nathanielschool]

Glad it was helpful Kishore!😇

[@kellek83]

Wouldn’t the plagal chord precede the target chord?

[@nathanielschool]

In my head, the Plagal is a IV going to I. Perhaps this video clarifies it: ruclips.net/video/2CZdVaVk6BY/видео.html

[@atle-erlinglunder1051]

Isnt Bb to Eb and D to G authentic cadence, 16:59

[@nathanielschool]

Definitely what you pointed out is correct, usually Plagal is from 4 - 1 but here we are just getting the 4 as a passing chord.