I played this work years ago and I don't remember the g flat in the horn at 5:12 (d flat for the horn) was played bouché. Does that really appear in the original music? Anyway, beautiful resource and beautifully played. I enjoyed the performance, thanks for sharing.
Originally played on natural horn. I don't think it's in the music, at least not my part I am using. Probably trying to bring back some of how it was originally performed.
Echoing previous comments, but this piece was originally played on the natural horn without valves, on which the only way to produce that pitch was to completely hand-stop it. Some players hand-stop certain notes (as Valtkovic does here) in this piece to keep the sound a bit more true to the original instrument. Somewhat akin to modern string players using open strings on Baroque/Classical rep even though it's not usually standard practice today...sort of.
![Stromae, Pomme - “Ma Meilleure Ennemie” (from Arcane Season 2) [Official Visualizer]](http://i.ytimg.com/vi/1F3OGIFnW1k/mqdefault.jpg)
One of those pieces where Brahms is in the groove and doesn't leave. Nothing better than that.
Perfect balance and forward motion. Absolutely perfect.
Completely fantastic artistry. I've watched many times. As a violinist, I'm completely taken with Huang's playing. Thank you and bravo to all three!
me too!!
dito !!
One of my favourite recordings of this trio
Fabulous, wonderful performance!
Gorgeous!! I LOVE this performance! Thank you for the inspiration!! 🙏
Gorgeous performance. Great execution. Well done
Straordinari. Grazie.
wonderful performance!!
Fantastico
finale 5:43
I played this work years ago and I don't remember the g flat in the horn at 5:12 (d flat for the horn) was played bouché.
Does that really appear in the original music?
Anyway, beautiful resource and beautifully played. I enjoyed the performance, thanks for sharing.
Originally played on natural horn. I don't think it's in the music, at least not my part I am using. Probably trying to bring back some of how it was originally performed.
Echoing previous comments, but this piece was originally played on the natural horn without valves, on which the only way to produce that pitch was to completely hand-stop it. Some players hand-stop certain notes (as Valtkovic does here) in this piece to keep the sound a bit more true to the original instrument. Somewhat akin to modern string players using open strings on Baroque/Classical rep even though it's not usually standard practice today...sort of.