Myslivecek was a friend of the Mozart family. The most heart rending writing we have from a Mozart is when Amadeus wrote his family about poor Myslivecek who had his nose burned off by an incompetent surgeon who had tried to treat his syphilis.
Enjoy all of his music. He seems so important and so little known. Just bumped into his music this year based on friend recommending Il Boemo movie based on his life .
It's pretty obvious that Myslivecek was a genius at composing concertos. All of his concertos that I have heard are very polished, elegant, and with plenty of energy to them as well.
Came to this video after hearing Myslivecek's symphonies. The second movement of this concerto has such a romantic feel to it. Reminds me in a way of Dvorak's music. The Bohemian spirit can definitely be felt.
Not only do I enjoy this contemporary of Mozart along with Gluck etc but my cats that have been brought up from kittens on the like seem to like this also as they gather around my speakers and seem to listen with rapt attention. Not so my Labrador"Wellington" who seems to like Wagner and Berlioz . I just wish my associates at work were as discerning and I wouldn't be assailed with what passes for "music" these days.
Fantastic concerto. I only recently discovered Myslivecek... to realize that at that period of time Prague and Vienna must have been the centers of Europe for music... alas only Mozart is in the minds... Myslivecek definitely deserves a similar ranking than Mozart!
In March 1770, Mysliveček met Wolfgang Amadeus Mozart for the first time in Bologna. A friendship developed between the two creators, despite the larger age difference. Mozart held Mysliveček in high esteem. He is one of the most frequently mentioned composers in his letters; this correspondence is also often the only source about Myslivečka's life events. Mozart's father Leopold was initially positive towards the Czech composer, as he assumed that he would be beneficial for his son not only as an artistic role model, but that he would also enable him to establish himself in Italy and elsewhere. For example, Mysliveček wrote Mozart a letter of recommendation for Count Jan Josef Pacht in case he decided to travel to Prague. Leopold Mozart changed his opinion after the outbreak of Myliveček's illness, which he considered to be the result of his disordered life. On the contrary, Wolfgang was in contact with Mysliveček even at a time when many turned away from him - despite his father's ban, he visited him in Munich in 1777 on the occasion of the performance of the oratorio Isacco figura del Redentore. He informs his father about this in a letter dated 11/10/1777. The cooling of relations occurred after Mysliveček failed to fulfill his promise to promote Mozart's opera for the Neapolitan Carnival of 1779. Wolfgang Amadeus Mozart was very positive towards Mysliveček's work. He operated, for example, his piano sonatas. Mysliveček's compositions served as a stylistic model for the young Mozart. E.g. in his opera seria Mitridate KV 87 (1770) the inspiration of Myslivečkova Nitteti is evident. Affinities can also be found in the chamber and orchestral works of early Mozart.
Myslivecek was a bohemian composer who went to Italy and Vienna. He became friend of Mozart and like him died rather young - though older than Mozart. The sources of inspiration of the two composers were almost the same, and thier differnce is what seperates a gifted professional from a genius. Indeed, Myslivecek was very gifted. His instrumental works are formally perfect, their language is refined. Here we have something that his friend Mozart did not write: a concerto for cello. It is a very beautiful and appealing score. The cello is used in line with its peculiar voice. In particular, the voice of the cello is prominent in the slow movement and it has an opportunity to modulate the expression. There is no special virtuosity request, except of course in the cadenza - which is not so difficult, in fact.
@@olavtryggvason1194 Yes I know you are quite right. In the XX th century, think that Hindemith as the violist of Amar quartet created works by Webern, which was so far from him!
In March 1770, Mysliveček met Wolfgang Amadeus Mozart for the first time in Bologna. A friendship developed between the two creators, despite the larger age difference. Mozart held Mysliveček in high esteem. He is one of the most frequently mentioned composers in his letters; this correspondence is also often the only source about Myslivečka's life events. Mozart's father, Leopold, initially took a positive view of the Czech composer, as he assumed that he would benefit his son not only as an artistic role model, but that he would also enable him to establish himself in Italy and elsewhere. For example, Mysliveček wrote Mozart a letter of recommendation for Count Jan Josef Pacht in case he decided to travel to Prague. Leopold Mozart changed his opinion after the outbreak of Myliveček's illness, which he described as the result of his disordered life. On the contrary, Wolfgang was in contact with Mysliveček even at a time when many turned away from him - despite his father's ban, he visited him in Munich in 1777 on the occasion of the performance of the oratorio Isacco figura del Redentore. He informs his father about this in a letter dated 11/10/1777. The cooling of relations occurred after Mysliveček failed to fulfill his promise to promote Mozart's opera for the Neapolitan Carnival of 1779. Wolfgang Amadeus Mozart was very positive towards Mysliveček's work. He operated, for example, his piano sonatas. Mysliveček's compositions served as a stylistic model for the young Mozart. E.g. in his opera seria Mitridate KV 87 (1770) the inspiration of Myslivečkova Nitteti is evident. Affinities can also be found in the chamber and orchestral works of early Mozart.
Josef Mysliveček 1737 - 1781 ... provided his younger friend Wolfgang Amadeus Mozart with significant compositional models in the genres of symphony, Italian serious opera, and violin concerto; both Wolfgang and his father Leopold Mozart considered him an intimate friend ... Mysliveček was born in Prague, and studied philosophy at Charles-Ferdinand University ... In Prague, he studied composition with Franz Habermann and Josef Seger in the early 1760s ... in Venice in 1763 study with Giovanni Pescetti. .. In Italy he became known as Il Boemo ("the Bohemian") ... Mysliveček prized freedom of movement and was never employed directly by any noble, prelate, or ruler, unlike most of his contemporaries ... WIKI
Il n'y a pas de secrets. Si ce compositeur est resté aussi longtemps méconnu c'est que dans sa musique il n'y a "pas de mélodie"... Tout est en place, l'architecture est fameuse, l'orchestration est parfaite, la façon est charmante mais rien qu'on puisse vraiment retenir. Un artisan de tout premier ordre... Ni plus ni moins.
Myslivecek potrebbe essere il vero autore di alcuni concerti per violino di Mozart ...oltre che dell'opera Il re pastore ...ormai tutto è possibile dopo gli studi di Giorgio Taboga che purtroppo è morto ... ma nel romanzo di Giampiero Bernardini "L'uomo ombra" viene ricostruita la possibile e probabile truffa che vede coinvolto in particolare modo il grande musicista veneto Andrea Luchesi ormai accreditato di essere il vero autore di tante sinfonie, oratori, opere di Mozart e Haydn ... la storia della musica del '700 forse va davvero riscritta ...
Josef Mysliveček as the author of Mozart´s concertos? Surely not. Mysliveček wrote seven violin concertos in the keys C, D, E, F, G, A, B flat. They are very beautiful and stylish. Mozart and Mysliveček are different, and it is also evident on the violin concertos.
In March 1770, Mysliveček met Wolfgang Amadeus Mozart for the first time in Bologna. A friendship developed between the two creators, despite the larger age difference. Mozart held Mysliveček in high esteem. He is one of the most frequently mentioned composers in his letters; this correspondence is also often the only source about Myslivečka's life events. Mozart's father Leopold was initially positive towards the Czech composer, as he assumed that he would be beneficial for his son not only as an artistic role model, but that he would also enable him to establish himself in Italy and elsewhere. For example, Mysliveček wrote Mozart a letter of recommendation for Count Jan Josef Pacht in case he decided to travel to Prague. Leopold Mozart changed his opinion after the outbreak of Myliveček's illness, which he considered to be the result of his disordered life. On the contrary, Wolfgang was in contact with Mysliveček even at a time when many turned away from him - despite his father's ban, he visited him in Munich in 1777 on the occasion of the performance of the oratorio Isacco figura del Redentore. He informs his father about this in a letter dated 11/10/1777. The cooling of relations occurred after Mysliveček failed to fulfill his promise to promote Mozart's opera for the Neapolitan Carnival of 1779. Wolfgang Amadeus Mozart was very positive towards Mysliveček's work. He operated, for example, his piano sonatas. Mysliveček's compositions served as a stylistic model for the young Mozart. E.g. in his opera seria Mitridate KV 87 (1770) the inspiration of Myslivečkova Nitteti is evident. Affinities can also be found in the chamber and orchestral works of early Mozart.
Hello! I am young cellist from Ukraine and looking for full score of this concerto. Could someone tell me where i can find it? Because i need it immediately. Thank you!
Josef Myslivec - purity of perception , joyfull, melody and visible lightness - sweetness of Czech ♡Kingdom. Love,admiration,respect,inspiration)) VH
Myslivecek was a friend of the Mozart family. The most heart rending writing we have from a Mozart is when Amadeus wrote his family about poor Myslivecek who had his nose burned off by an incompetent surgeon who had tried to treat his syphilis.
Enjoy all of his music. He seems so important and so little known. Just bumped into his music this year based on friend recommending Il Boemo movie based on his life .
Myslivicek was a friend of Mozart who called him " his dear Bohemian". Their styles were close, as this concerto proves it. Thx for posting.
It's pretty obvious that Myslivecek was a genius at composing concertos. All of his concertos that I have heard are very polished, elegant, and with plenty of energy to them as well.
Came to this video after hearing Myslivecek's symphonies. The second movement of this concerto has such a romantic feel to it. Reminds me in a way of Dvorak's music. The Bohemian spirit can definitely be felt.
Plain awesome & lifts the soul - give us some more & never stop - Thank you.
Not only do I enjoy this contemporary of Mozart along with Gluck etc but my cats that have been brought up from kittens on the like seem to like this also as they gather around my speakers and seem to listen with rapt attention. Not so my Labrador"Wellington" who seems to like Wagner and Berlioz . I just wish my associates at work were as discerning and I wouldn't be assailed with what passes for "music" these days.
Thank you very much for the beautiful upload
Wonderful, such a beautiful slow movement.
Fantastic concerto. I only recently discovered Myslivecek... to realize that at that period of time Prague and Vienna must have been the centers of Europe for music... alas only Mozart is in the minds... Myslivecek definitely deserves a similar ranking than Mozart!
In March 1770, Mysliveček met Wolfgang Amadeus Mozart for the first time in Bologna. A friendship developed between the two creators, despite the larger age difference. Mozart held Mysliveček in high esteem. He is one of the most frequently mentioned composers in his letters; this correspondence is also often the only source about Myslivečka's life events. Mozart's father Leopold was initially positive towards the Czech composer, as he assumed that he would be beneficial for his son not only as an artistic role model, but that he would also enable him to establish himself in Italy and elsewhere. For example, Mysliveček wrote Mozart a letter of recommendation for Count Jan Josef Pacht in case he decided to travel to Prague. Leopold Mozart changed his opinion after the outbreak of Myliveček's illness, which he considered to be the result of his disordered life. On the contrary, Wolfgang was in contact with Mysliveček even at a time when many turned away from him - despite his father's ban, he visited him in Munich in 1777 on the occasion of the performance of the oratorio Isacco figura del Redentore. He informs his father about this in a letter dated 11/10/1777. The cooling of relations occurred after Mysliveček failed to fulfill his promise to promote Mozart's opera for the Neapolitan Carnival of 1779.
Wolfgang Amadeus Mozart was very positive towards Mysliveček's work. He operated, for example, his piano sonatas. Mysliveček's compositions served as a stylistic model for the young Mozart. E.g. in his opera seria Mitridate KV 87 (1770) the inspiration of Myslivečkova Nitteti is evident. Affinities can also be found in the chamber and orchestral works of early Mozart.
So beautiful.
Thanks for posting-John
Uma grande obra infelizmente ainda ausente de nossas salas de concerto.
So beautiful !!!!
Wonderful! Thanks for sharing.
Myslivecek was a bohemian composer who went to Italy and Vienna. He became friend of Mozart and like him died rather young - though older than Mozart. The sources of inspiration of the two composers were almost the same, and thier differnce is what seperates a gifted professional from a genius. Indeed, Myslivecek was very gifted. His instrumental works are formally perfect, their language is refined. Here we have something that his friend Mozart did not write: a concerto for cello. It is a very beautiful and appealing score. The cello is used in line with its peculiar voice. In particular, the voice of the cello is prominent in the slow movement and it has an opportunity to modulate the expression. There is no special virtuosity request, except of course in the cadenza - which is not so difficult, in fact.
Sometimes Mozart and Myslivecek played string quartets together. The other parts were played by Dittersdorf and - Haydn !
@@olavtryggvason1194 Yes I know you are quite right. In the XX th century, think that Hindemith as the violist of Amar quartet created works by Webern, which was so far from him!
In March 1770, Mysliveček met Wolfgang Amadeus Mozart for the first time in Bologna. A friendship developed between the two creators, despite the larger age difference. Mozart held Mysliveček in high esteem. He is one of the most frequently mentioned composers in his letters; this correspondence is also often the only source about Myslivečka's life events. Mozart's father, Leopold, initially took a positive view of the Czech composer, as he assumed that he would benefit his son not only as an artistic role model, but that he would also enable him to establish himself in Italy and elsewhere. For example, Mysliveček wrote Mozart a letter of recommendation for Count Jan Josef Pacht in case he decided to travel to Prague. Leopold Mozart changed his opinion after the outbreak of Myliveček's illness, which he described as the result of his disordered life. On the contrary, Wolfgang was in contact with Mysliveček even at a time when many turned away from him - despite his father's ban, he visited him in Munich in 1777 on the occasion of the performance of the oratorio Isacco figura del Redentore. He informs his father about this in a letter dated 11/10/1777. The cooling of relations occurred after Mysliveček failed to fulfill his promise to promote Mozart's opera for the Neapolitan Carnival of 1779.
Wolfgang Amadeus Mozart was very positive towards Mysliveček's work. He operated, for example, his piano sonatas. Mysliveček's compositions served as a stylistic model for the young Mozart. E.g. in his opera seria Mitridate KV 87 (1770) the inspiration of Myslivečkova Nitteti is evident. Affinities can also be found in the chamber and orchestral works of early Mozart.
Bravo!
Иозеф Мысливечек на все времена. Гениальный композитор, предтеча Моцарта и это хорошо, жаль только великий Моцарт не поклонился своему учителю.
Josef Mysliveček 1737 - 1781 ... provided his younger friend Wolfgang Amadeus Mozart with significant compositional models in the genres of symphony, Italian serious opera, and violin concerto; both Wolfgang and his father Leopold Mozart considered him an intimate friend ... Mysliveček was born in Prague, and studied philosophy at Charles-Ferdinand University ... In Prague, he studied composition with Franz Habermann and Josef Seger in the early 1760s ... in Venice in 1763 study with Giovanni Pescetti. .. In Italy he became known as Il Boemo ("the Bohemian") ... Mysliveček prized freedom of movement and was never employed directly by any noble, prelate, or ruler, unlike most of his contemporaries ... WIKI
Never heard of, nice surprise.
Marvelous
Certifié intergalactique!
Il n'y a pas de secrets. Si ce compositeur est resté aussi longtemps méconnu c'est que dans sa musique il n'y a "pas de mélodie"... Tout est en place, l'architecture est fameuse, l'orchestration est parfaite, la façon est charmante mais rien qu'on puisse vraiment retenir. Un artisan de tout premier ordre... Ni plus ni moins.
Myslivecek potrebbe essere il vero autore di alcuni concerti per violino di Mozart ...oltre che dell'opera Il re pastore ...ormai tutto è possibile dopo gli studi di Giorgio Taboga che purtroppo è morto ... ma nel romanzo di Giampiero Bernardini "L'uomo ombra" viene ricostruita la possibile e probabile truffa che vede coinvolto in particolare modo il grande musicista veneto Andrea Luchesi ormai accreditato di essere il vero autore di tante sinfonie, oratori, opere di Mozart e Haydn ... la storia della musica del '700 forse va davvero riscritta ...
Josef Mysliveček as the author of Mozart´s concertos? Surely not. Mysliveček wrote seven violin concertos in the keys C, D, E, F, G, A, B flat. They are very beautiful and stylish. Mozart and Mysliveček are different, and it is also evident on the violin concertos.
In March 1770, Mysliveček met Wolfgang Amadeus Mozart for the first time in Bologna. A friendship developed between the two creators, despite the larger age difference. Mozart held Mysliveček in high esteem. He is one of the most frequently mentioned composers in his letters; this correspondence is also often the only source about Myslivečka's life events. Mozart's father Leopold was initially positive towards the Czech composer, as he assumed that he would be beneficial for his son not only as an artistic role model, but that he would also enable him to establish himself in Italy and elsewhere. For example, Mysliveček wrote Mozart a letter of recommendation for Count Jan Josef Pacht in case he decided to travel to Prague. Leopold Mozart changed his opinion after the outbreak of Myliveček's illness, which he considered to be the result of his disordered life. On the contrary, Wolfgang was in contact with Mysliveček even at a time when many turned away from him - despite his father's ban, he visited him in Munich in 1777 on the occasion of the performance of the oratorio Isacco figura del Redentore. He informs his father about this in a letter dated 11/10/1777. The cooling of relations occurred after Mysliveček failed to fulfill his promise to promote Mozart's opera for the Neapolitan Carnival of 1779.
Wolfgang Amadeus Mozart was very positive towards Mysliveček's work. He operated, for example, his piano sonatas. Mysliveček's compositions served as a stylistic model for the young Mozart. E.g. in his opera seria Mitridate KV 87 (1770) the inspiration of Myslivečkova Nitteti is evident. Affinities can also be found in the chamber and orchestral works of early Mozart.
Hello! I am young cellist from Ukraine and looking for full score of this concerto. Could someone tell me where i can find it? Because i need it immediately. Thank you!
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