Thanks everyone that tuned in! Here is a link to Marc's course mixing Eric Burdon! promixacademy.com/course/mixing-eric-burdon-with-grammy-nominee-marc-daniel-nelson/
Big fan of Warren and pro mix academy, the course is 2h 40min for two songs , I’m hesitating to buy cos of that , not sure if my money will be well spent. With all due respect I just don’t see how you can mix two songs in 2h40mins. Can anyone explain to me the structure of this course please, is it worth it?
As Marc was implying, it's like Isaac Newton saying he was able to "stand on the shoulders of giants to see further". The great work of earlier Producers, Engineers & Mixers shouldn't be forgotten as their work allows us to be where we are today.
Man I wish Marc was my mentor. I find great relief when he speaks because he and I think almost exactly the same when it comes to music and mixing. It’s encouraging. Thanks Warren for giving him the space to teach us!
If I can put into practice half of the lessons I've learned from Warren, Rick, and Marc Daniel- I should be able to develop my ears in a way that was near impossible only 20 years ago without literally working under Mr. Schnee himself. Thank you so much for what you do.
Thanks to Marc for the tip on the Simgot EN700 Pro ear buds. Great sounding pieces for the price. Nice to be able to have options that don't break the bank when you need to get some work down on the road.
Transients move air. It’s an audio/physical thing. Even subtle transients. That’s why live music always “feels” better. I don’t know if that can be totally be retained in a mix, but I’ll be rooting for Marc to figure it out. 😁 I have really enjoyed Warren and Marcs conversation. Keep up great work.
@@Producelikeapro I don't know if you are the right person to say this to but I don't know who to turn to anymore. I have tried to reach support for the course a week ago but they don't seem to care. At least 9 audiofiles are MISSING on the song For What It's Worth the folder is not complete. Can you PLEASE notify somebody on the team on this? Regards Tom
Hello Marc, so many great details, thanks a lot for sharing the insights! MJUC for acoustic guitar, what a great idea, I had the Lindell 354 because the playing was a bit rough and inconsistent, but the MJUC sounds clearer (auto time) and can even out things as well.
7:29 Thank you so much for this response, Warren! Massively helpful, and makes so much sense - loving this conversation with you and Marc Daniel Nelson!
Two cracking, knowledgeable nice blokes. Love this channel. Who are you ten people who give this vid a thumbs down? What could you possibly dislike?! Hang your heads in shame.
Townshend on Tommy, Harrison on Here Comes The Sun, Page on LZ I, Beck on Truth - all J200 with tune-a -matic bridge. Some of my favorite acoustic guitar sounds ever.
Oh weedywet! Haha most of Tommy is that wonderful Sovereign 12 String (JJ has one, sounds fantastic and sounds exactly like Pinball Wizard guitar sound, not close but exactly!) Here Comes the Sun is capo on the 7th fret, not going to get any boominess up there!
The only acoustic to my knowledge on Truth (one of my favourite albums) is of course Greensleeves, all finger picked! Beautiful, if it is a J200 that’s cool, but again not much chance of boomy chords on that either when there isn’t any!
@@Producelikeapro Both Beck and Page borrowed Mickie Most's J200 (which had the tune-o-metic). You can hear that weird snappy top e string on Black Mountain Side that only that bridge gives you, same as on Here Comes The Sun (and other Harrison in that era). But my all time favourite acoustic guitar sound is what Townshend got on Tommy (notably the acoustic solo at the end of the Overture). They're not nearly as prized as the 'regular' bridge models, but thet oddball J200 with the electric bridge remains my favourite, in part because it balances out the intrinsic boom of that giant body. cheers, w2
Aside from a few day warm up last week, it's mainly been in the teens and single digits here in PA. Man I miss living in Key West Florida :( Love both of your videos guys :)
Good point by Warren that less compression is needed in analog mixing. Maybe it's possible to get a similar result in digital mixing with saturation plugins etc. And UAD Luna even has optional analog summing emulation in the DAW.
You can absolutley recreate the working conditions of analog mixer and tape machine in your DAW with Uad apollo and plugins emulating it all in real-time. But it takes commitment to do that so most people add,s it in the mixing stage instead. What Warren says is true it all used to be natural saturation from tubes transformers and tape being driven so there was not the same needs for alot of signal processing back in the days with compression and plugins emulating tape saturation and transformers like it is today if you want that sound signature and are recording and mixing with a DAW.
Another information packed video, Thank you, Gentlemen.. Back in"The. Day", I had the honor of working with Bruce Swedien when Michael. did "Dangeroous" with Teddy Riley. Dave Way was Teddy's engineer and came with him freom NY. (Dave is such a great guy, engineer, Dad, and one of my favorite drummers to play with...) To see and chat with Bruce almost everyday for months was a high point. in my career that cannot be equaled. In one room, hooked up to Larrabee's 96 i/o SSL 4000 G was 2 Studer A800 24 tks with Dolby SR, a Sony 3348 (1/2 digital multitrack ) AND a mitsubishi x850 1" 32 tk digital machine. The to see 5 tape recorders locked up in sync is a cool accompilshment, and something the" Young'ns" will never see unfortunately. Warren, you made the comment about the all analog workflow of records back then, and how the path was filled with components that added compression and harmonic artifacts. EXACTLY.. Which in digital we are sorta emulating with plugins, to varying amounts of success But it;s more subtle. than that, Childrens.. When recording to a Studer 2" machine, there is internal compression going to AND expansion coming off of tape, not to mention the Dolby SR which used a "multiband compansion "technique to do it's job. It's one. of the reasons Studers sound sooo goood. Bruce Swedien would track to the Studers, and when they had the take, they would transfer it to the 3348 or X850 to save it digitally for no degradation from head wear, or rmagnetic hysteresis (weakening tape signal). Im sorry for the long winded comment, but you guys brought up a great memory pertinent to your subject. I've been doing this for a long time, and I feel like a noob again watching your videos and hearing tricks and tips from great engineers like you two. Kids, take. notes when these two get together....
So many great nuggets of advice and insight that it’s impossible to comment on any one thing. Thanks so much for sharing so much and for giving us so much of your time!
I get great results using a SM57 going through UAD Neve 1073 and Oxide Tape. Mic placement just like Warren does, toward the lower body neck side of sound hole
The older Neves added even more heat to the room. Still if given a chance to get an early one or even a few channel modules, I would probably grab them
a detailed group structure that ends up in registers in terms of musical "director/conductor" thinking, it helps a lot with solo and mute checks (what is the brass doing here, or give me all harmony vocals plus all guitars etc.), and helps with quickly changing the mood of the piece, like having bass and drums on one fader, or all room-like sounds (=not the audible reverb effects) etc., so you get different versions fast.
@@Producelikeapro I saw you got a name check recently from the super talented Marc Martel! I believe you two have been working together and I very much look forward to hearing the results.
I just ordered these Simgot EN700 PRO. At least looking 1/2 as cool as Marc is worth it. Next thing, working on my MDN hair style. My LA hair salon is still shut down since last year, so I am getting there.
I love this whole session. So much great information being thrown around and you guys have a rapport & combined experience that drags out even more stories and lessons and great information. Perfect listening for a Sunday night!
Warren you’re a legend and love what you bring! sometimes I just wish you’d put a bit more focus on the people you’re interviewing, let them answer questions before you do, and then add to their answers! instead of the other way around. Will make you an even stronger host 🙏🚀 love!
1:19:24 I Just picked up the Lindell 80 Series plugin. The limitatations have absolutely been so helpful at forcing myself to Do Less! It and a tape emulation have become pretty much all I use on everything now lol.
@@massivebeatzz I think it sounds great. I can't compare it to the real thing, but I prefer it to the Slate Virtual Console and EQ I was using before. The compressor and gate are fantastic too. Very easy to get a mix happening fast.
Question for Marc. On the Simgots 700EN Pro for mixing- do you use the bright ear-tips (#1) or the ones with more low end (#2). Mine just arrived. The bright's are "bright" detail!!... Had to turn down the volume immediately...The bassy ones (#2) sound so good - listening to Brian Bromberg's Soul Intro / The Chicken (Jaco)...now.. can't stop! Thanks for the recommend.
Mp3 hi-freq cutoff is 19.5kHz @320kb and 16kHz for 128kb bitrate. I was wondering if you could maybe one day do an explainer of the old school Dolby recording, mixing ‘hot’ up to +3dB RMS into the Dolby Noise Reduction system then on to tape? Is it possible to emulate that by driving the tape saturation in a similar way or is that actually what we are achieving by using saturation? Also I suspect the Waves Renaissance plugins enhance harmonics with saturation so that, for example, the higher frequencies of a bass are enhanced making the bass more audible through low quality speakers like in a phone or kiosk display.
Yes, @ 2:30 you began talking about Tegeler! I bought the Creme and love it! What else of theirs do you like? I appreciate you saying that about 1176's.... thoughts on the Black Lion Audio "Bluey"?
I understand that I missed the livestream, however, I do have a question. What advice would you give, for those of us that wear all the hats ? Musician, Audio Engineer, Mastering, etc. I believe a large portion of your subscribers are in this situation. A kind word, (if you choose... I fully support your/anyone’s right to say no.) might hold the exact info that someone may need, to get to the next level. If not... cool either way... still gonna be coming back brother 🤘🏻⚡️🤘🏻
Like the banter. I wonder....here in the first 20 minutes or so, you guys are sort of putting down the use of compression, even in the digital world. But I've seen so many videos from Warren about the use of serial compression on the same track, even with acoustic guitars. So, I wonder what you think about these 2 approaches,. There is more to this question, but I think you can extrapolate. Thanks
I downloaded the presets from Marc Daniel Nelson for the delay trick for guitar but my waves plugins will not recognize them. Can he release screenshots of them?
Where is Rick Beato and you guys getting all of these isolated trax / stems for his channel? do these stem generators that I see now really work well now? Thought there would be kickback from the publishers / copyright holders of the songs that have been separated into stems / isolated trax. So sorry I am late to the party and love all the invaluable info you guys are imparting! Thanks for the education!
@@Producelikeapro thank you so much!!! I'm really thankful for all your videos which helped me a lot in music production as i am 17 and i don't have access to music production classes, i have produced 2 songs by far with your help
Please dedicate a show to re-amping. I get the idea but practically I don't. Do you go to an external recorder, and if you don't how do you avoid latency problems?
Finally had time to watch this! Spectacular information as always. I particularly geeked out on the converter talk. I recently purchased a Neve 1073OPX with the USB/DANTE card. While I haven't had much time to track through it. I'm finding that anything I playback through it sounds phenomenal! Obviously eons better than my Focusrite Scarlett gear. Aside from the preamps themselves in the 1073OPX (i.e. missing the output transformers), any thoughts on the Neve conversion?
Hi Warren I loved your Interview with Hugh Padgum thanks.One of my favorite Producers is Tim-Friese Greene who produced all the Talk Talk albums thanks not sure if it is possible would love to hear his insights into recording Thanks Tim
Thanks Warren guys, you’ve been a great help while mixing new tunes out soon and live streams on our channel follow @nomadrush_uk and @temperancesrudios on Instagram for more
Big fan of Warren and pro mix academy, the course is 2h 40min for two songs , I’m hesitating to buy cos of that , not sure if my money will be well spent. With all due respect I just don’t see how you can mix two songs in 2h40mins. Can anyone explain to me the structure of this course please, is it worth it?
I bought it and it's really good! It's a step by step proper analysis rather the typical 'ums and ahs' that most of the 'other' companies do. Marc feels like a natural teacher who cares a lot!
Ehum..honestly I feel I'd like a refund. There are essential audio files missing and support is non existent. So if your aim is to exactly follow along and get a mix with the same musltitracks..at this point not working. Just a heads up..
Ok so Warren, I heard him say he shoots for -4db on the mix bus before Mastering, so... What do you shoot for? Not to beat a dead horse. Sorry. I used to shoot for -10db so I'm thinking I will now go a little hotter pre master. Thanks for evs bro!
Hi David, great question! I ask all the Mastering Engineers who I've interviewed (maybe 20?) and they all say, they don't care as long as it's not clipping! So whether it's -4 or -10 that's fine! Just don't digitally clip it.
@@Producelikeapro I just checked. It is - at least one developer works on both projects. Ardour appears to be benefiting from this in terms of new features. Nice. I've been involved with Linux audio long enough not to suggest that anyone should switch DAWs, particularly if they've already committed to learning Pro Tools, however it is a viable alternative capable of professional results for those interested in an Open Source approach. Mixbus 6 walks between the worlds, so to speak.
![Chris Langan - The Interview THEY Didn't Want You To See - CTMU [Full Version; Timestamps]](http://i.ytimg.com/vi/9miVG2xT5jY/mqdefault.jpg)
Thanks everyone that tuned in! Here is a link to Marc's course mixing Eric Burdon! promixacademy.com/course/mixing-eric-burdon-with-grammy-nominee-marc-daniel-nelson/
Getting it now! Thanks Warren and Marc ...so much to process but looking forward to the course and hopefully the next time you guys live-stream😎😎
@@paulsteds fantastic!! Thanks ever so much!
Great. Are these multi tracks that'll work with any DAW, or PT projects?
Big fan of Warren and pro mix academy, the course is 2h 40min for two songs , I’m hesitating to buy cos of that , not sure if my money will be well spent. With all due respect I just don’t see how you can mix two songs in 2h40mins. Can anyone explain to me the structure of this course please, is it worth it?
@@massivebeatzz the muktitracks will work in any DAW!
As Marc was implying, it's like Isaac Newton saying he was able to "stand on the shoulders of giants to see further". The great work of earlier Producers, Engineers & Mixers shouldn't be forgotten as their work allows us to be where we are today.
Enjoy your warm winter. It was so cold here in Texas that I saw a lawyer with his hands in his own pockets! Thanks again for all you do!
Haha Genius!!
That was funny!
@@rjb7569 haha indeed!
''Music is supposed to be fun'' Thats a powerful reminder. Sometimes we forget.
Love your videos warren.
Thanks all for joining today. We had fun. 🐢
Thank you so much for sharing your gifts and wisdom!
You Rock Marc!!
@@michaeltablet8577 You Rock too!
It was really a RE20 on Stevie’s vocals? I read in a lot of places that it was a 441. Thanks Marc and Warren!
@@felipedemariscalone 100 percent RE20
Anybody else take copious notes when these guys are talking? SO many great tips. I could watch Marc and Warren talk for hours...in fact, I did!
Wow! Thanks ever so much John!
I always learn so much from this Gentleman. Marc is a exceptional teacher and engineer. Thank you for the educational vid guys! 😎🤙
Thanks ever so much Marc! Yes, Marc rules!
Man I wish Marc was my mentor. I find great relief when he speaks because he and I think almost exactly the same when it comes to music and mixing. It’s encouraging. Thanks Warren for giving him the space to teach us!
If I can put into practice half of the lessons I've learned from Warren, Rick, and Marc Daniel- I should be able to develop my ears in a way that was near impossible only 20 years ago without literally working under Mr. Schnee himself. Thank you so much for what you do.
You’re very kind Freddie! I’m glad to be able to help!!
marc is a delight. so much knowledge and experience but it’s his humility and sense of humor that i enjoy more than anything. thank you both!
Been a musician/recording engineer for 50 years and I ALWAYS LEARN something unexpected...cheers
Thanks to Marc for the tip on the Simgot EN700 Pro ear buds. Great sounding pieces for the price. Nice to be able to have options that don't break the bank when you need to get some work down on the road.
just awesome, as always Warren! @02:24:55 in case anyone ever had any doubt :) thx so much for this session
Transients move air. It’s an audio/physical thing. Even subtle transients. That’s why live music always “feels” better. I don’t know if that can be totally be retained in a mix, but I’ll be rooting for Marc to figure it out. 😁
I have really enjoyed Warren and Marcs conversation. Keep up great work.
Thanks ever so much
taking in all this great info. Missed it live as needed sleep. This week I met a couple of studio guys in Essex UK, Dan and Dan from Honywood Studios.
Thanks ever so much Robert
OK I'm in. Love Eric Burdon so looking forward to hearing it.
Thanks ever so much
@@Producelikeapro Hey Warren few issues with the course - when you get a chance to look at the comments on Part 01. Cheers.
@@Producelikeapro I don't know if you are the right person to say this to but I don't know who to turn to anymore. I have tried to reach support for the course a week ago but they don't seem to care. At least 9 audiofiles are MISSING on the song For What It's Worth the folder is not complete. Can you PLEASE notify somebody on the team on this? Regards Tom
This is making us feel validated for having quirky old things ! Enjoyed x
Marvellous!!
Two all time greats in one place!
Hello Marc, so many great details, thanks a lot for sharing the insights!
MJUC for acoustic guitar, what a great idea, I had the Lindell 354 because the playing was a bit rough and inconsistent, but the MJUC sounds clearer (auto time) and can even out things as well.
7:29 Thank you so much for this response, Warren! Massively helpful, and makes so much sense - loving this conversation with you and Marc Daniel Nelson!
It took me awhile to carve out a space to get to hear this, but I finally got to! Thanks you guys! 😃
Two cracking, knowledgeable nice blokes. Love this channel. Who are you ten people who give this vid a thumbs down? What could you possibly dislike?! Hang your heads in shame.
Thanks ever so much Andrew!!
Townshend on Tommy, Harrison on Here Comes The Sun, Page on LZ I, Beck on Truth - all J200 with tune-a -matic bridge. Some of my favorite acoustic guitar sounds ever.
Oh weedywet! Haha most of Tommy is that wonderful Sovereign 12 String (JJ has one, sounds fantastic and sounds exactly like Pinball Wizard guitar sound, not close but exactly!) Here Comes the Sun is capo on the 7th fret, not going to get any boominess up there!
I would have to argue the best Led Zeppelin acoustic guitar by far is again the Harmony Sovereign, Stairway To Heaven is a little song that used it!
The only acoustic to my knowledge on Truth (one of my favourite albums) is of course Greensleeves, all finger picked! Beautiful, if it is a J200 that’s cool, but again not much chance of boomy chords on that either when there isn’t any!
@@Producelikeapro Both Beck and Page borrowed Mickie Most's J200 (which had the tune-o-metic). You can hear that weird snappy top e string on Black Mountain Side that only that bridge gives you, same as on Here Comes The Sun (and other Harrison in that era). But my all time favourite acoustic guitar sound is what Townshend got on Tommy (notably the acoustic solo at the end of the Overture). They're not nearly as prized as the 'regular' bridge models, but thet oddball J200 with the electric bridge remains my favourite, in part because it balances out the intrinsic boom of that giant body. cheers, w2
@@weedywet yes, amazing talented musicians, songwriters and of course engineers with proper mic placement skills! Great times!
Aside from a few day warm up last week, it's mainly been in the teens and single digits here in PA. Man I miss living in Key West Florida :( Love both of your videos guys :)
Good point by Warren that less compression is needed in analog mixing. Maybe it's possible to get a similar result in digital mixing with saturation plugins etc. And UAD Luna even has optional analog summing emulation in the DAW.
Love you guys, it's obvious that you live and love music over anything. Thank you for sharing with us little guys in sunny Cambs UK! :)
You can absolutley recreate the working conditions of analog mixer and tape machine in your DAW with Uad apollo and plugins emulating it all in real-time. But it takes commitment to do that so most people add,s it in the mixing stage instead. What Warren says is true it all used to be natural saturation from tubes transformers and tape being driven so there was not the same needs for alot of signal processing back in the days with compression and plugins emulating tape saturation and transformers like it is today if you want that sound signature and are recording and mixing with a DAW.
Another information packed video, Thank you, Gentlemen..
Back in"The. Day", I had the honor of working with Bruce Swedien when Michael. did "Dangeroous" with Teddy Riley. Dave Way was Teddy's engineer and came with him freom NY. (Dave is such a great guy, engineer, Dad, and one of my favorite drummers to play with...) To see and chat with Bruce almost everyday for months was a high point. in my career that cannot be equaled. In one room, hooked up to Larrabee's 96 i/o SSL 4000 G was 2 Studer A800 24 tks with Dolby SR, a Sony 3348 (1/2 digital multitrack ) AND a mitsubishi x850 1" 32 tk digital machine. The to see 5 tape recorders locked up in sync is a cool accompilshment, and something the" Young'ns" will never see unfortunately.
Warren, you made the comment about the all analog workflow of records back then, and how the path was filled with components that added compression and harmonic artifacts. EXACTLY.. Which in digital we are sorta emulating with plugins, to varying amounts of success
But it;s more subtle. than that, Childrens..
When recording to a Studer 2" machine, there is internal compression going to AND expansion coming off of tape, not to mention the Dolby SR which used a "multiband compansion "technique to do it's job. It's one. of the reasons Studers sound sooo goood. Bruce Swedien would track to the Studers, and when they had the take, they would transfer it to the 3348 or X850 to save it digitally for no degradation from head wear, or rmagnetic hysteresis (weakening tape signal). Im sorry for the long winded comment, but you guys brought up a great memory pertinent to your subject. I've been doing this for a long time, and I feel like a noob again watching your videos and hearing tricks and tips from great engineers like you two.
Kids, take. notes when these two get together....
I must type; love you guys, both... PURE.. without FX.. I resonate on you both and could listen for days, nerdtalk.
Thanks ever so much!
I would give this video a hundred thumbs up if I could. So much value to the answers to these questions. Thanks fellas!
Our pleasure!
Thank you both for your many contributions !
So many great nuggets of advice and insight that it’s impossible to comment on any one thing. Thanks so much for sharing so much and for giving us so much of your time!
Had to have this one. Thanks for the great course, Marc & Warren!
That was great. This video is just wonderful. Thank both of you for all what you're doing.
Thanks ever so much
I heard Rumors and tracks in the same sentence... I'm a PLAP Lifer, and I'm in Warren and Marc !!!
Fantastic!! Yes, very exciting indeed!
Lets see how things go....... ;). never say never.
I get great results using a SM57 going through UAD Neve 1073 and Oxide Tape. Mic placement just like Warren does, toward the lower body neck side of sound hole
Fantastic! Thanks ever so much for sharing
The older Neves added even more heat to the room. Still if given a chance to get an early one or even a few channel modules, I would probably grab them
Sorry about being quite late to this video but 2 and a half hours ? Wow, thanks guys, that was great shift you both put in !
a detailed group structure that ends up in registers in terms of musical "director/conductor" thinking, it helps a lot with solo and mute checks (what is the brass doing here, or give me all harmony vocals plus all guitars etc.), and helps with quickly changing the mood of the piece, like having bass and drums on one fader, or all room-like sounds (=not the audible reverb effects) etc., so you get different versions fast.
Some very valuable information as always. Thanks guys. Much appreciated. 👍
Thanks ever so much
@@Producelikeapro I saw you got a name check recently from the super talented Marc Martel! I believe you two have been working together and I very much look forward to hearing the results.
Hi Warren, really enjoyed the discussion around converters. You should really check out the cranborne audio stuff.
I love Cranborne Audio!!
414’s are Dennis’s favorite mics haha soo funny that you said that! He still loves those mics!!
Awesome Video !! I can watch you Guys all day long!! Thank you So much ! :)
Thanks a lot guys, your work is absolutely awesome ans so precious and so instructive !
Love this interview thank you Warren & Marc! Also I’d love to see some Rbass video action! 😁👍
Thanks ever so much Dave!
9:03 -Neve 542's have solved all of this for me. I have not been happy since the dawn of digi recording, until these fabulous devices.
Warren you have the best shows , thank you mark it was a entertaining show as well as informative , thank you
I just ordered these Simgot EN700 PRO. At least looking 1/2 as cool as Marc is worth it. Next thing, working on my MDN hair style. My LA hair salon is still shut down since last year, so I am getting there.
Haha It's the Pandemic look!
Going on month 13 with no haircut!
@@marcdanielnelson317 :) that's awesome.
Marc is great!!!! Thanks Warren!!
Wow, what a great session with Marc. Great job, Warren. Please keep them coming :)
I love this whole session. So much great information being thrown around and you guys have a rapport & combined experience that drags out even more stories and lessons and great information. Perfect listening for a Sunday night!
IK Multimedia Tapes are yum yum yum
Bought will learn from Marc.
Marvellous
Warren you’re a legend and love what you bring! sometimes I just wish you’d put a bit more focus on the people you’re interviewing, let them answer questions before you do, and then add to their answers! instead of the other way around. Will make you an even stronger host 🙏🚀 love!
Great video! Thanks Warren for all of the great content!
Amazing conversations, super helpful information. Dream team! Gonna try all (most) of the tips in my current mixes. Wish I had your jobs! Great stuff!
Mark is a great person!
Really enjoyed this conversation. You guys are nailing it. Thanks!!! ✨
1:19:24
I Just picked up the Lindell 80 Series plugin. The limitatations have absolutely been so helpful at forcing myself to Do Less! It and a tape emulation have become pretty much all I use on everything now lol.
Yes there is a sale going on at PA right now. How does it sound across an entire mix?
@@massivebeatzz I think it sounds great. I can't compare it to the real thing, but I prefer it to the Slate Virtual Console and EQ I was using before. The compressor and gate are fantastic too. Very easy to get a mix happening fast.
"Experiment. Have fun." A good reminder. :-)
Question for Marc. On the Simgots 700EN Pro for mixing- do you use the bright ear-tips (#1) or the ones with more low end (#2). Mine just arrived. The bright's are "bright" detail!!... Had to turn down the volume immediately...The bassy ones (#2) sound so good - listening to Brian Bromberg's Soul Intro / The Chicken (Jaco)...now.. can't stop! Thanks for the recommend.
I didn’t even know they had different types.. ha.
They are really bright.. I just use them on really low volume..
@@marcdanielnelson317 Thanks Marc!
Have I really been listening to you for more than two hours? Haha
great show. pure
Mp3 hi-freq cutoff is 19.5kHz @320kb and 16kHz for 128kb bitrate.
I was wondering if you could maybe one day do an explainer of the old school Dolby recording, mixing ‘hot’ up to +3dB RMS into the Dolby Noise Reduction system then on to tape? Is it possible to emulate that by driving the tape saturation in a similar way or is that actually what we are achieving by using saturation?
Also I suspect the Waves Renaissance plugins enhance harmonics with saturation so that, for example, the higher frequencies of a bass are enhanced making the bass more audible through low quality speakers like in a phone or kiosk display.
Yes, @ 2:30 you began talking about Tegeler! I bought the Creme and love it! What else of theirs do you like? I appreciate you saying that about 1176's.... thoughts on the Black Lion Audio "Bluey"?
The best engineeres in the world
I started on the original TASCAM 244 Portastudio 4-Track Cassette Recorder. Unfortunately I gave it to a friend when I stepped up to the first Adat.
Awesome back and forth
Thank you for this it's really informative.
I understand that I missed the livestream, however, I do have a question.
What advice would you give, for those of us that wear all the hats ? Musician, Audio Engineer, Mastering, etc.
I believe a large portion of your subscribers are in this situation.
A kind word, (if you choose... I fully support your/anyone’s right to say no.) might hold the exact info that someone may need, to get to the next level.
If not... cool either way... still gonna be coming back brother 🤘🏻⚡️🤘🏻
I am a simple man, I see Marc’s chin I click like
Haha thanks
Right on, dudes!
Didn't quite catch this: Who is the East Coast guy who works on or rebuilds open reel tape machines? Thanks.
Like the banter. I wonder....here in the first 20 minutes or so, you guys are sort of putting down the use of compression, even in the digital world. But I've seen so many videos from Warren about the use of serial compression on the same track, even with acoustic guitars. So, I wonder what you think about these 2 approaches,. There is more to this question, but I think you can extrapolate. Thanks
I downloaded the presets from Marc Daniel Nelson for the delay trick for guitar but my waves plugins will not recognize them. Can he release screenshots of them?
talking piano, Tiffany Poon is making great recordings of her stuff! (Steinway B)
Watching again. Great talk and banter. Who is Ken he keeps on mentioning?
Legends ❤️🔥
Does Marc have his own channel? I’m not finding anything.
He is on Produce Like A Pro! He is also a presenter and he is a big part of our team!
Where is Rick Beato and you guys getting all of these isolated trax / stems for his channel? do these stem generators that I see now really work well now? Thought there would be kickback from the publishers / copyright holders of the songs that have been separated into stems / isolated trax. So sorry I am late to the party and love all the invaluable info you guys are imparting! Thanks for the education!
Xtc american release flowed so nice
Which 5 songs were missing from it? I wouldn't know what to cut!
@@Producelikeapro had the UK on cassette years later. The American release was a tight journey. Always flipped the vinyl
@@kevinharnan8378 thanks, couldn't;t imagine missing any of those songs!
@@Producelikeapro English settlement is such a great record!
I missed the live stream because im having my final exams and it is 3am in the morning for me when it started :(
Best of luck with your exams!
@@Producelikeapro thank you so much!!! I'm really thankful for all your videos which helped me a lot in music production as i am 17 and i don't have access to music production classes, i have produced 2 songs by far with your help
Good luck with your exam!
@@marcdanielnelson317 thank you
Lovely 😊
Thanks John!
Please dedicate a show to re-amping. I get the idea but practically I don't. Do you go to an external recorder, and if you don't how do you avoid latency problems?
MR.FEATHERFOOT!!!! I laughed out loud!!!!!
Please do the Low-End Video using R-Bass and such!! Thanks
itscoming..
Finally had time to watch this! Spectacular information as always. I particularly geeked out on the converter talk. I recently purchased a Neve 1073OPX with the USB/DANTE card. While I haven't had much time to track through it. I'm finding that anything I playback through it sounds phenomenal! Obviously eons better than my Focusrite Scarlett gear. Aside from the preamps themselves in the 1073OPX (i.e. missing the output transformers), any thoughts on the Neve conversion?
Hi there is the microphone that mark is using the neumann BCM104? It sounds really warm!
mcDsp analog channel is an amazing "distortion" for vocals....works better than Decapitator...etc.
We love McDSP!
Marc, regarding your very bright ingot iems, Try the linsoul Kz zs10 for around 50.00. I check mixes on them consistantly!
I can't look at Warren's right ear being squashed like that!!
Hi Warren I loved your Interview with Hugh Padgum thanks.One of my favorite Producers is Tim-Friese Greene who produced all the Talk Talk albums thanks not sure if it is possible would love to hear his insights into recording Thanks Tim
Thanks Warren guys, you’ve been a great help while mixing new tunes out soon and live streams on our channel follow @nomadrush_uk and @temperancesrudios on Instagram for more
Marc, I totally want to find a Tascam 388 as well.
hehehehe
So glad you’ve joined Produce Like a Pro with your Make. Mine. Music. show. Absolutely love your tutorial focus.
Big fan of Warren and pro mix academy, the course is 2h 40min for two songs , I’m hesitating to buy cos of that , not sure if my money will be well spent. With all due respect I just don’t see how you can mix two songs in 2h40mins. Can anyone explain to me the structure of this course please, is it worth it?
I bought it and it's really good! It's a step by step proper analysis rather the typical 'ums and ahs' that most of the 'other' companies do. Marc feels like a natural teacher who cares a lot!
@@timbrown7652 thank you 👍
Ehum..honestly I feel I'd like a refund. There are essential audio files missing and support is non existent. So if your aim is to exactly follow along and get a mix with the same musltitracks..at this point not working. Just a heads up..
Absolutely shocked to hear MDN say he does drummer perspective drum panning.
What earbuds does Marc use?
Ok so Warren, I heard him say he shoots for -4db on the mix bus before Mastering, so... What do you shoot for? Not to beat a dead horse. Sorry. I used to shoot for -10db so I'm thinking I will now go a little hotter pre master. Thanks for evs bro!
Hi David, great question! I ask all the Mastering Engineers who I've interviewed (maybe 20?) and they all say, they don't care as long as it's not clipping! So whether it's -4 or -10 that's fine! Just don't digitally clip it.
@@Producelikeapro Wow. Perfect thank you. So that being said, the mastering tools don't need much headroom to breath and process.
Ahhh. That's why it has a "warm" sound...😁
Isn't the Harrison mixbus based on Ardour?
I'm not sure Tim, is it?
@@Producelikeapro I just checked. It is - at least one developer works on both projects. Ardour appears to be benefiting from this in terms of new features. Nice. I've been involved with Linux audio long enough not to suggest that anyone should switch DAWs, particularly if they've already committed to learning Pro Tools, however it is a viable alternative capable of professional results for those interested in an Open Source approach. Mixbus 6 walks between the worlds, so to speak.
What I am saying is that I can probably share my experience with other Mixbus users in that case.