MILOS SOFRENOVIC // Retrospective of dance theatre masterclasses: 2002-2022

RETROSPECTIVE OF DANCE THEATRE MASTERCLASSES: 2002-2022
by Milos Sofrenovic
FIVE FINGER PRINCIPLE
by Milos Sofrenovic
(1) Initiation
(2) Exploration
(3) Creation
(4) Presentation
(5) Archivation
I take this opportunity to say a huge THANK YOU to all of my Students from different parts of the world. Each time it is a true HONOR for me as a Teacher to earn TRUST from every single Student. It is never a linear PROCESS, but it is always an IMPORTANT one.Two best LESSONS I have learned from my Students are: (a) To take a RISK while conquering the UNKNOWN CREATIVE TERRITORIES & (b) To embrace the SURPRISING QUALITY of (SELF) DISCOVERY.
My thanks are due to:
Belgrade International Theatre Festival (Serbia)
Brunnenpassage (Austria)
Department for Architecture & Urban Planning (Serbia)
Intimate Theatre (Macedonia)
Lunga School (Iceland)
Macedonian Opera & Ballet (Macedonia)
MMF Cultural Center (Iceland)
Odyssey Dance Theatre (Singapore)
Opera & Theatre Madlenianum (Serbia)
Rex Cultural Center (Serbia)
Teatar Levo (Serbia)
Zagreb Dance Center (Croatia)
Also my gratitude goes to Susanne Linke, Marina Abramovic, Vladimir Opsenica, Sonja Loncar & Andrija Pavlovic (LP Duo), Vladimir Pejkovic, as well as the Art Institutions listed in this visual archive retrospective.